Lays and Legends

Total Page:16

File Type:pdf, Size:1020Kb

Lays and Legends Lays and Legends E. Nesbit Lays and Legends Table of Contents Lays and Legends......................................................................................................................................................1 E. Nesbit.........................................................................................................................................................1 TO TWO WOMEN........................................................................................................................................2 TEKEL...........................................................................................................................................................3 THE MOAT HOUSE...................................................................................................................................11 PART I.........................................................................................................................................................11 I....................................................................................................................................................................11 Song.............................................................................................................................................................13 II...................................................................................................................................................................13 Song.............................................................................................................................................................16 III..................................................................................................................................................................17 Song.............................................................................................................................................................18 Song.............................................................................................................................................................19 IV.................................................................................................................................................................19 Song.............................................................................................................................................................21 PART II........................................................................................................................................................22 I....................................................................................................................................................................22 Song.............................................................................................................................................................24 II...................................................................................................................................................................25 III..................................................................................................................................................................26 Song.............................................................................................................................................................28 UNOFFICIAL..............................................................................................................................................29 PESSIMISM.................................................................................................................................................30 I....................................................................................................................................................................30 II...................................................................................................................................................................30 GHOSTS......................................................................................................................................................31 THE DEAD TO THE LIVING....................................................................................................................32 THE SPHINX..............................................................................................................................................34 QUIETA NE MOVETE...............................................................................................................................36 MICROCOSM.............................................................................................................................................36 THE HUSBAND OF TO−DAY..................................................................................................................37 THE WIFE OF ALL AGES.........................................................................................................................38 TWO VOICES.............................................................................................................................................38 COUNTRY..................................................................................................................................................39 CITY............................................................................................................................................................40 VIES MANQUÉES......................................................................................................................................41 A LAST APPEAL........................................................................................................................................41 OVER AND DONE.....................................................................................................................................42 OVER AND UNDONE...............................................................................................................................43 CHRISTMAS...............................................................................................................................................43 NEW YEAR SONG.....................................................................................................................................44 THE SINGING OF THE MAGNIFICAT...................................................................................................45 LOVE'S SUICIDE.......................................................................................................................................50 CHRISTMAS ROSES.................................................................................................................................51 A CHOICE...................................................................................................................................................52 A LIFE'S STORY........................................................................................................................................52 ABSOLUTION............................................................................................................................................53 CUL−DE−SAC............................................................................................................................................61 i Lays and Legends Table of Contents Lays and Legends THE MOORS...............................................................................................................................................62 SONG...........................................................................................................................................................62 RICHBOROUGH CASTLE........................................................................................................................63 AUGUST.....................................................................................................................................................64 THE LAST ENVOY....................................................................................................................................66 BABY'S BIRTHDAY..................................................................................................................................68 JANUARY...................................................................................................................................................68 CHILDREN'S PLAYGROUNDS IN THE CITY.......................................................................................69 THE DEPTHS OF THE SEA......................................................................................................................70 I....................................................................................................................................................................70 II...................................................................................................................................................................70 TO HIS LADY,............................................................................................................................................71 AT THE FEAST..........................................................................................................................................71
Recommended publications
  • Volume 26 Number 01
    WATERSHED 'mr ■ .-■■''.."■■■'■: ..• ' ■ " ' ' - '.,' WATERSHED Volume 26, Number 1 Watershed Volume 26, Number 1 Fall 2002 Editors Sandra Auerbach Laura Berlinghoff Leslie Burton-Lopez Alex Camarota Courthy Connelly Shannon Finley Sharon Flicker Hallie Gorman Mark Haunschild Lauren Riley Samatha Schmidt Anna Smith Meredith Timpson Emily Zwissig Faculty Adviser Casey Huff Cover Design Matt Briner The editors would like to thank Carole Montgomery, Gregg Berryman, and the students in CDES 23, fall 2002, for excellent cover design proposals. ©2002 Department of English, California State University, Chico Watershed is supported by Instxuctionally Related Activities Funds awarded by the College of Humanities and Fine Arts, Sarah Blackstone, Dean. Watershed was designed and typeset in Garamond 10/12 by the editors, layout and design by Shannon Finley. Printed on 70# Sundance White, on a Docutech at University Printing Services, CSU, Chico. Contents Marion A. Epting Us and Them Michael Keefe Untitled Christopher Patzner Painted 1 Heidi Wallis Dreams-East and West 2 Tony Dunn Untitled 3 Bonnie Roy Odysseys 4 Renee Suzanne Muir Quiet Skiff 7 Heidi Wallis Marina del Rey 8 Shannon Rooney Ebb-Tide 10 Christopher Patzner Snow Owl Tears 11 Jennifer Station A Few Witches Burning 12 Dustin Her Too Long in This Mirage 13 Siobhan Barrett The Song of Spain 14 Bryan Tso Jones Vladimir Horowit^s Ghost Explains How Chopin Works 15 Mowing 16 Tony Dunn California Savannah 18 Nancy Talley The Lucy T. Whittier Screen Door and Flying Machine Factory 19 Joel Hilton Little Naked People 20 Michael Keefe Monterey Bay Aquarium Jellyfish 21 Sarah Pape Visiting Hour—-for my brother 22 Kristin Fairbanks Vacancy 23 Sarah Oliver W.
    [Show full text]
  • Presidential Documents
    Weekly Compilation of Presidential Documents Monday, August 12, 1996 Volume 32ÐNumber 32 Pages 1397±1441 1 VerDate 28-OCT-97 13:12 Dec 29, 1997 Jkt 010199 PO 00001 Frm 00001 Fmt 1249 Sfmt 1249 W:\DISC\P32AU4.000 p32au4 Contents Addresses and Remarks Bill SigningsÐContinued See also Bill Signings Safe Drinking Water Act Amendments of California 1996 Community in the Port of Long BeachÐ RemarksÐ1412 1432 StatementÐ1413 Community in SalinasÐ1425 Communications to Congress Community in San JoseÐ1419 Canada-U.S. protocol for the protection of Departure for San JoseÐ1417 migratory birds, message transmittingÐ Saxophone Club in Santa MonicaÐ1436 1397 George Washington UniversityÐ1404 Illegal immigration legislation, letterÐ1398 NASA discovery of possible life on MarsÐ Organizations which threaten the Middle East 1417 peace process, letter reportingÐ1431 Paralympic torch relayÐ1410 U.N. convention to combat desertification Radio addressÐ1399 with annexes, message transmittingÐ1397 U.S. Olympic team, ceremony honoringÐ Executive Orders 1416 Amending Executive Order No. 10163, the United Steel Workers conventionÐ1423 Armed Forces Reserve MedalÐ1415 Interviews With the News Media Bill Signings Exchanges with reporters Agriculture, Rural Development, Food and Oval OfficeÐ1403 Drug Administration, and Related Agencies South LawnÐ1417 Appropriations Act, 1997, statementÐ1414 Statements by the President Developmental Disabilities Assistance and Bill of Rights Act Amendments of 1996, See also Bill Signings statementÐ1415 Japan-U.S. semiconductor agreementÐ1397
    [Show full text]
  • TX Craft Beer Week—The Puckish Nick Lowe—Side Ef
    Vol. 4 JUNE 2012 JUNE — issue 6 issue Also inside: When Asia Isn’t Exactly Asia—Plaza Implosion Postmortem— TX Craft Beer Week—The Puckish Nick Lowe—Side Effects—LOUD! FEST In Pickchures—12 Summer Reads—Todd On Film—Concert Calendar Asia Not Asia Every year I allot precious column inches to crapping all over College Station’s Starlight Music Series, a set of five or six concerts held over the summer at Wolf Pen Creek Amphitheater. My general complaint is that, aside from 979Represent is a local magazine booking Rosie Flores and Cowboy Mouth, most of the head- lining acts have been crumby tribute bands or some other for the discerning dirtbag. bullshit. My point of view has been that I believe the City of College Station has a completely different take on what the Starlight Series should be than me. Okay, so be it. The Editorial bored attraction is getting families to camp out and enjoy music in the park, not about bringing awesome music to College Kelly Minnis—Kevin Still Station. I’m cool with that. What I wish they’d do is instead of paying thousands to bring cover bands to town that they Art Splendidness should instead pay those thousands of dollars to local cover bands and keep the money here and promote local artists. Wonko The Sane—Katie Killer Make the locals the feature artists instead of letting them open for the touring version of the locals. But that is what it is, and I let it be. Folks That Do Other Shit For Us Until I noticed a couple of months back that Starlight had Tom Callins, Jack A.
    [Show full text]
  • Música En MP3 Pop Rock Salsa Reggaeton Hip-Hop Dance
    Música en MP3 pop rock salsa reggaeton hip‐hop dance electronica jazz rap clásica world music r&b y mas… Novedades actualizado: 2012 / JULIO / 15 50 Cent ‐ The Lost Tape. Gangsta Grillz (2012) rap 709 01 - Get busy (feat. Kidd Kidd) 2:36 10 - Cant help myself 2:55 02 - Double Up - Tone Mason (feat. Hayes) 2:39 11 - When I pop the trunk 2:24 03 - Murder one (feat. Eminem) 2:55 (feat. Kidd Kidd) 04 - Riot (remix) (feat. 2 Chainz) 2:45 12 - Planet 50 (feat. Jeremih) 2:55 05 - OJ (feat. Kidd Kidd) 3:48 13 - Swag level 3:23 06 - I aint gonna lie (feat. Robbie Nova) 4:02 14 - Lay down (smoked) 2:44 07 - Complicated 2:19 (feat. Ned The Wino) 08 - You a killercool 2:26 15 - All his love 3:16 09 - Remain calm 3:27 (feat. Snoop Dogg & Precious Paris) Britney Spears ‐ Now & Then (2012) pop 709 01 - Now & then 1:32 08 - I'm so curious 3:38 02 - Before the goodbye 3:54 09 - Heart 3:05 03 - She'll never be me 3:05 10 - Taste the victory (right now) 2:46 04 - I'll never stop loving you 3:47 11 - My only wish (this year) 4:19 05 - Walk on by 3:39 12 - You got it all 4:14 06 - I've got the erge of herbal 0:49 13 - Joy of Pepsi 3:11 07 - Autumn goodbye 3:44 14 - I run away 4:08 Conjunto Primavera ‐ Al mismo nivel (2012) regional mexicana 707 01 - Al mismo nivel 3:09 06 - Que me vas a olvidar 3:13 02 - Nocturno a Rosario 4:31 07 - Te necesito junto a mi 3:12 03 - Para no volvernos a ver 3:16 08 - Titan 3:02 04 - Pobre de los dos 3:00 09 - Ya ni me acuerdo 4:10 05 - No se porqué 3:39 10 - Yo por ti 2:50 Chacal & Yakarta ‐ El arakyri (2012) reggaeton cubano 707 01 - Intro (Arakyri) 4:47 11 - El vestido 3:45 02 - El Chacal, BladMC feat.
    [Show full text]
  • Edith Nesbit - Poems
    Classic Poetry Series Edith Nesbit - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Edith Nesbit(15 August 1858 – 4 May 1924) Edith Nesbit (married name Edith Bland) was an English author and poet whose children's works were published under the name of E. Nesbit. She wrote or collaborated on over 60 books of fiction for children, several of which have been adapted for film and television. She was also a political activist and co-founded the Fabian Society, a precursor to the modern Labour Party. <b>Biography</b> Nesbit was born in 1858 at 38 Lower Kennington Lane in Kennington, Surrey (now part of Greater London), the daughter of an agricultural chemist, John Collis Nesbit, who died in March 1862, before her fourth birthday. Her sister Mary's ill health meant that the family moved around constantly for some years, living variously in Brighton, Buckinghamshire, France (Dieppe, Rouen, Paris, Tours, Poitiers, Angoulême, Bordeaux, Arcachon, Pau, Bagnères-de-Bigorre, and Dinan in Brittany), Spain and Germany, before settling for three years at Halstead Hall in Halstead in north-west Kent, a location which later inspired The Railway Children (this distinction has also been claimed by the Derbyshire town of New Mills). When Nesbit was 17, the family moved again, this time back to London, living variously in South East London at Eltham, Lewisham, Grove Park and Lee. A follower of William Morris, 19-year-old Nesbit met bank clerk Hubert Bland in 1877. Seven months pregnant, she married Bland on 22 April 1880, though she did not immediately live with him, as Bland initially continued to live with his mother.
    [Show full text]
  • World History--Part 2: Teacher's Guide [And Student Guide]. Parallel Alternative ,Strategies for Students (PASS)
    DOCUMENT RESUME ED 462 785 EC 308 849 AUTHOR Schaap, Eileen, Ed.; Fresen, Sue, Ed. TITLE World History--Part 2: Teacher's Guide [and Student Guide]. Parallel Alternative ,Strategies for Students (PASS). INSTITUTION Leon County Schools, Tallahassee, FL. Exceptional Student Education. SPONS AGENCY Florida State Dept. of Education, Tallahassee. Bureau of Instructional Support and Community Services. PUB DATE 2000-00-00 NOTE 900p.; Course No. 2109310. Part of the Curriculum Improvement Project funded under the Individuals with Disabilities Education Act (IDEA), Part B. AVAILABLE FROM Florida State Dept. of Education, Div. of Public Schools and Community Education, Bureau of Instructional Support and Community Services, Turlington Bldg., Room 628, 325 West Gaines St., Tallahassee, FL 32399-0400. Tel: 850-488-1879; Fax: 850-487-2679; e-mail: [email protected]; Web site: http://www.leon.k12.fl.us/public/pass. PUB TYPE Guides Classroom Learner (051)-- Guides Classroom Teacher (052) EDRS PRICE MF06/PC36 Plus Postage. DESCRIPTORS *Academic Accommodations (Disabilities); Academic Standards; Curriculum; *Disabilities; Educational Strategies; Enrichment Activities; *European History; Inclusive Schools; Instructional Materials; Latin American History; Secondary Education; Social Studies; Teaching Guides; *Teaching Methods; Textbooks; Units of Study; World Affairs; *World History; World War I; World War II IDENTIFIERS *Florida; Holocaust; Russia ABSTRACT This teacher's guide and student guide unit contains supplemental readings, activities, and methods adapted for secondary students who have disabilities and other students with diverse learning needs. The materials differ from standard textbooks and workbooks in several ways: simplified text; smaller units of study; reduced vocabulary level; increased frequency of drill and practice; concise directions; and presentation of skills in small, sequential steps.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ The Big Baby Crime Spree and Other Delusions A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements of the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of English and Comparative Literature of the College of Arts and Sciences 2006 by Darrin Michael Doyle B.A. Western Michigan University, 1996 M.F.A. Western Michigan University, 1999 Committee Chair: Brock Clarke, Ph.D. The Big Baby Crime Spree and Other Delusions: Short Stories Darrin Doyle Dissertation Abstract My creative work focuses on the notion of belief – not religious belief, necessarily, but belief (mistaken or not) in our ability to control the circumstances that shape us: as Wallace Stevens wrote, “It is the belief and not the god that counts.” Thematically, my works feature the following characteristics: elements of the fantastic; dark humor; and working-class protagonists who seek to palliate some unnamable dissatisfaction in their lives and who seek this correction through obsessive behavior that might be either wonderfully healing or terribly misguided – the results are in the eye of the beholder. The tensions between the fantastic and the realistic, between blue-collar and academic concerns, between knowing and not-knowing, between what we internally perceive and the external truth – unresolved oppositions like these are what create the lasting effects of literature, and they are what I strive to cultivate in my writing.
    [Show full text]
  • Chart: Top25 VIDEO ALTERNATIVE
    Chart: Top25_VIDEO_ALTERNATIVE Report Date (TW): 2012-10-28 --- Previous Report Date(LW): 2012-10-21 TW LW TITLE ARTIST GENRE RECORD LABEL 1 4 Every 3 Seconds Red Carpet Alternative Independent 2 2 Lights (bassnectar Remix) Ellie Goulding Alternative Polydor Records 3 3 Too Much Information Lana Paul Lacey Alternative Click Hear Music 4 9 Outta My System My Morning Jacket Alternative ATO/TBD Records 5 6 Fete D Adieu Deerhoof Alternative Polyvinly Record Co 6 5 Prove Me Wrong Aaron Orgit Alternative Blackbird Music 7 10 Loathing La Resistance Alternative Superphonic 8 7 Wolf First Aid Kit Alternative Wichita Records 9 8 The Fall Rhye Alternative N.E.E.T 10 11 Defiant Lena Laclaire Alternative STL Ocarina 11 1 Big Bright World Garbage Alternative StunVolume 12 This Time I've Got It The Great Tomsoni & Co. Alternative Music Avenue Records 13 Ride Lana Del Rey Alternative Interscope Records 14 Long Gone Kenna Alternative Gadsen Records 15 13 Who's That Chick David Guetta Ft. Rihanna Alternative Astralwerks Records 16 14 Pumped Up Kicks Foster The People Alternative Columbia Records 17 12 Little Talks Of Monsters And Men Alternative Republic Records 18 Get Some Lykke Li Alternative Atlantic Records 19 15 Stylo Gorillaz Ft Mos Def & Bobby Womack Alternative Virgin Records 20 19 Good To Be Alive 2011 The Dj Rap Alternative Propa Talent 21 Written In The Stars Tinie Tempah Ft. Eric Turner Alternative Capitol Records 22 20 Second Chance Peter Bjorn & John Alternative Columbia Records 23 21 Lotus Flower Radiohead Alternative TBD Records 24 23 Love Letters (dirty Xxx) Brutus Faust Alternative Brutus Faust 25 25 Blood For Poppies Garbage Alternative Stun Volume * Moved up the chart * New this week Nov 20, 2012 11:59 AM.
    [Show full text]
  • "United We'll Win Our Stand": the Role of Focalization in Representing
    Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2017 "United We'll Win our Stand": The Role of Focalization in Representing Solidarity in the Anthems of Three Holocaust Concentration Camps Hillary Louise Herold [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, Intellectual History Commons, and the Music Commons Recommended Citation Herold, Hillary Louise, ""United We'll Win our Stand": The Role of Focalization in Representing Solidarity in the Anthems of Three Holocaust Concentration Camps" (2017). Theses, Dissertations and Capstones. 1070. http://mds.marshall.edu/etd/1070 This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. “UNITED WE’LL WIN OUR STAND”: THE ROLE OF FOCALIZATION IN REPRESENTING SOLIDARITY IN THE ANTHEMS OF THREE HOLOCAUST CONCENTRATION CAMPS A thesis submitted to the Graduate College of Marshall University In partial fulfillment of The requirements for the degree of Masters Degree In Music History and Literature By Hillary Louise Herold Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. David Castleberry Rabbi Jean Eglinton Marshall University May 2017 ii ACKNOWLEDGEMENTS The author would like to acknowledge the overwhelming support of the faculty at Marshall University
    [Show full text]
  • The Thai Popular Music Industry
    THE THAI POPULAR MUSIC INDUSTRY: INDUSTRIAL FORM AND MUSICAL DESIGN NALIN WUTTIPONG, BFA, M Mus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy SEPTEMBER 2011 o ABSTRACT Popular music, as it is generally defined in its commercial existence, originated in the West and has been widely discussed in Anglophone academia. One of the key means of approaching it is in terms of political economy, by viewing the culture industry essentially as a model of capitalism, with the purpose of maximizing profit [Bumett, 1996; Frith, Straw and Street, 2001]. The debates between political economists and other popular music scholars have predominantly taken as their subject Western popular music. Yet it is important to point out that whilst studies focused upon cultural industries outside of Western contexts have been few and far between, many have proved extremely fruitful and enlightening, exploring issues not considered in Western-centered accounts. This dissertation will attempt to examine and describe the causes and effects of corporate control over the major labels, which have been influential in the Thai popular music industry since 1982, when the first major label was established. Furthermore, this dissertation will argue that the popular music industry in Thailand presents something ofa variation on Adorno's theme of mass culture, replicating certain aspects of his description while also diverging in important ways. The study of the development of Thai popular music in this dissertation can be divided into five important periods: the Pre-pop Era (from the emergence of The Impossible to 1982) and the Pop Era (1982-1994), the Indie Phenomenon (1994-1997), the Major Retum (1997-2002) and the present day (2002 to today).
    [Show full text]
  • I Am the Black Wizards: Multiplicity, Mysticism and Identity in Black Metal Music and Culture
    I AM THE BLACK WIZARDS: MULTIPLICITY, MYSTICISM AND IDENTITY IN BLACK METAL MUSIC AND CULTURE Benjamin Hedge Olson A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Committee: Esther Clinton, Advisor Jeremy Wallach Marilyn Motz ii ABSTRACT Esther Clinton, Advisor Black metal represents one of the most dramatic, violent and obscure representations of contemporary international popular culture; it is an extremist sect of an extremist sect. An understanding of popular culture’s most extreme polarities is imperative to an understanding of its range and general character. I will argue that black metal culture is radically different from all other forms of metal and must be understood as a unique form of cultural expression that signifies a dramatic break from both traditional metal and secular modernism. Although black metal has proliferated across the world, taking up certain indigenous variations in its various locations, it has retained three basic characteristics that make it exceptional and significant: 1.) Black Metal is characterized by a conflict between radical individualism and group identity and by an attempt to accept both polarities simultaneously. 2.) Black metal is centered on an extravagantly romantic view of nature and an idealized past, both of these concepts being very much intertwined. 3.) Black metal celebrates the irrational and primal; it is a critique of modern rationalism and secularism. iii TABLE OF CONTENTS Page INTRODUCTION. Enter the Moonlit Gate ................................................................................1 CHAPTER I. Cosmic Keys to My Creations and Times: the Birth, Definition and Contextualization of Black Metal Culture 7 ...........................................................................6 CHAPTER II.
    [Show full text]
  • Member Resource Guide
    Outdoor Industry Association Member Resource Guide 2007 WHAT’S INSIDE RESEARCH REPORTS 101 RETAILER TRAINING TIPS EXPLORING THE XML INITIATIVE GOING GREEN TRADE POLICIES Q&A PLUS! COMPREHENSIVE OIA MEMBER LIST UTAH: Your 2.3 trillion square-foot product For information on the most incredible place your company could imagine locating, 13,000 call the good folks at EDCUtah, 1-800-574-UTAH testing facility. + (8824) or drop by www.edcutah.org foot peaks, white water rapids, red rock deserts. Just some of the reasons why the world’s leading outdoor brands claim Utah as home. Accessible. Usable. Livable. Give us a call; we’ll show you around. ©2006 Economic Development Corporation of Utah Have you activated your FedEx ® shipping discounts? Why not? Since you belong to OIA, you’re entitled to save up to 49% on select FedEx Express® and FedEx Ground® services. It’s the FedEx Advantage — another great advantage for members of OIA. Simply call 1.800.475.6708. Your OIA Member Discounts Up to 44% off Select FedEx Express® services Up to 49% off Select FedEx® international services Up to 19% off Select FedEx Ground® services Up to 10% off Select FedEx Home Delivery® services FedEx discounts are off published rates and cannot be combined with other offers or discounts. Discounts are exclusive of any FedEx surcharges, premiums, minimums, accessorial charges or special handling fees and are not available to package consolidators. Eligibility for discounts subject to FedEx credit approval. Eligible services and discounts subject to change. For eligible FedEx services and rates, contact your association or your freight savings program provider, Outdoor Industry Association.
    [Show full text]