Deven Verma Films and Movies (Filmography) List

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Deven Verma Films and Movies (Filmography) List

Deven Verma Movies List (Filmography) Kudrat https://www.listvote.com/lists/film/movies/kudrat-11750763/actors King Uncle https://www.listvote.com/lists/film/movies/king-uncle-1311363/actors Alag Alag https://www.listvote.com/lists/film/movies/alag-alag-4705559/actors Jaag Utha Insan https://www.listvote.com/lists/film/movies/jaag-utha-insan-6109541/actors Chamatkar https://www.listvote.com/lists/film/movies/chamatkar-1060540/actors Dana Paani https://www.listvote.com/lists/film/movies/dana-paani-5214804/actors Besharam https://www.listvote.com/lists/film/movies/besharam-3417254/actors Amar Deep https://www.listvote.com/lists/film/movies/amar-deep-3420028/actors Nadaan https://www.listvote.com/lists/film/movies/nadaan-3430458/actors Maalik https://www.listvote.com/lists/film/movies/maalik-10978818/actors Ram Jaane https://www.listvote.com/lists/film/movies/ram-jaane-1974609/actors Saaheb https://www.listvote.com/lists/film/movies/saaheb-11023042/actors Dil https://www.listvote.com/lists/film/movies/dil-905399/actors Bada Kabutar https://www.listvote.com/lists/film/movies/bada-kabutar-4840489/actors Oonche Log https://www.listvote.com/lists/film/movies/oonche-log-3417302/actors Lok Parlok https://www.listvote.com/lists/film/movies/lok-parlok-6668533/actors Aadmi Sadak Ka https://www.listvote.com/lists/film/movies/aadmi-sadak-ka-4661145/actors Pighalta Aasman https://www.listvote.com/lists/film/movies/pighalta-aasman-11027227/actors Anupama https://www.listvote.com/lists/film/movies/anupama-3224540/actors Kya Kehna https://www.listvote.com/lists/film/movies/kya-kehna-936427/actors Akele Hum Akele Tum https://www.listvote.com/lists/film/movies/akele-hum-akele-tum-58619/actors Andaz Apna Apna https://www.listvote.com/lists/film/movies/andaz-apna-apna-283481/actors Buddha Mil Gaya https://www.listvote.com/lists/film/movies/buddha-mil-gaya-10975672/actors Hiraasat https://www.listvote.com/lists/film/movies/hiraasat-5768811/actors Angoor https://www.listvote.com/lists/film/movies/angoor-4763838/actors Mera Yaar Mera https://www.listvote.com/lists/film/movies/mera-yaar-mera-dushman-6817892/actors Dushman.

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Tribute to Kishore Kumar
Articles by Prince Rama Varma Tribute to Kishore Kumar As a child, I used to listen to a lot of Hindi film songs. As a middle aged man, I still do. The difference however, is that when I was a child I had no idea which song was sung by Mukesh, which song by Rafi, by Kishore and so on unlike these days when I can listen to a Kishore song I have never heard before and roughly pinpoint the year when he may have sung it as well as the actor who may have appeared on screen. On 13th October 1987, I heard that Kishore Kumar had passed away. In the evening there was a tribute to him on TV which was when I discovered that 85% of my favourite songs were sung by him. Like thousands of casual music lovers in our country, I used to be under the delusion that Kishore sang mostly funny songs, while Rafi sang romantic numbers, Mukesh,sad songs…and Manna Dey, classical songs. During the past twenty years, I have journeyed a lot, both in music as well as in life. And many of my childhood heroes have diminished in stature over the years. But a few…..a precious few….have grown……. steadily….and continue to grow, each time I am exposed to their brilliance. M.D.Ramanathan, Martina Navratilova, Bruce Lee, Swami Vivekananda, Kunchan Nambiar, to name a few…..and Kishore Kumar. I have had the privilege of studying classical music for more than two and a half decades from some truly phenomenal Gurus and I go around giving lecture demonstrations about how important it is for a singer to know an instrument and vice versa.
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A Study of Shakespeare Contribution in Hindi Cinema
International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 Index Copernicus Value (2016): 79.57 | Impact Factor (2015): 6.391 A Study of Shakespeare Contribution in Hindi Cinema Asma Qureshi Abstract: In India, Cinema not only a name of entertainment, but also educate to millions of people every day. Friday is celebrated by screening of new films. Indians happily participate in Cinema culture of the Country. Shakespearean tragedies have been a never ending source of inspiration for all filmmakers across the world. Many Hindi films based on Shakespeare novel like Shahid, Omkara, Goliyo ki raasleela Ramleela etc. William Shakespeare in India has been an exceptional and ground-breaking venture. The literary collection of Shakespeare is dynamic and an unlimited source of inspiration for countless people across the globe. When Shakespeare’s writing is adapted in cinema, it sets it ablaze, and transfers the audience to a cinematic paradise. Indian adaptation of both Shakespearean tragedy and comedy can be comprehended as an Combination of ‘videsi’ and ‘desi’, a synthesis of East and West, and an Oriental and Occidental cultural exchange. Shakespeare’s, “bisexual‟ mind, the complexity of his Narrative, music, story-telling, and creative sensibility categorizes him as an ace literary craftsman. This Research is an attempt to understand the contribution of Shakespeare novel in Hindi cinema. So that we can easily understand the main theme of the story. What writer wants to share with us. We can easily understand main theme of novel. 1. Introduction European library worth the whole native literature of India and Arabia‖. It also has a lot to do with profound resonances Indian Hindi language film industry is also known as Hindi between Shakespeare‘s craft and Indian cultural forms that cinema which is situated or we can say mainly operated converge on one concept: masala.
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N.M.D.C LIMITED Adv.No.02/2018 Roll No. Wise List for the Post Of
N.M.D.C LIMITED Page No.1/65 Adv.No.02/2018 Roll No. Wise List for The Post of "JUNIOR OFFICER (MECHANICAL) TRAINEE" Date Of Exam ‐10/06/2018 Sl.No. Roll.No. Reg.No. Candidate's Name Catg. Mark Obtained in Written Test 1 14710006 520882 SRIDEEP BISWAS UR 61 2 14710007 515424 NARESH SAHU OBC (NCL) 60 3 14710009 529188 SHASHANK SHARMA UR 47 4 14710012 520155 YOGESH KUMAR NIMJE OBC (NCL) 20 5 14710013 507288 SAURABH KUMAR RAWTE ST 57 6 14710014 507467 PRICHA RUCHI DUPARE SC 40 7 14710018 519744 P N UMANG UR 49 8 14710019 524958 TOMESHWAR LAL OBC (NCL) 33 9 14710023 535821 JAIPRAKASH SAHU UR 44 10 14710029 519341 MANOJ KUMAR SAHOO OBC (NCL) 57 11 14710034 524621 APURV YADAV OBC (NCL) 34 12 14710036 525142 K VINAYA KUMAR UR 41 13 14710038 533370 SANDHYA TEKAM ST 51 14 14710040 524916 ASHUTOSH SINGH UR 44 15 14710041 506472 BIBHAS MANDAL SC 45 16 14710045 520384 SHUBHAM GUPTA UR 40 17 14710047 515597 PRATEEK GUPTA UR 47 18 14710055 525321 ABHISHEK CHOUDHARI UR 48 19 14710057 528697 BRAJESH KUMAR KORI SC 38 20 14710058 531663 ANUMAY KUMAR UR 57 21 14710069 532209 RAVI KUMAR VERMA OBC (NCL) 45 22 14710070 510616 RIPUNJAY SHUKLA UR 38 23 14710073 535254 SOURABH CHAPDI SC 37 24 14710074 533811 SANGAM KRISHNA SUMAN OBC (NCL) 44 25 14710075 500658 RISHABH VAISHNAV UR 67 26 14710077 523001 V DIVAKAR UR 64 27 14710079 509441 VINOD BAJIRAO SHINDE UR 53 28 14710080 500505 SUCHINDRA XALXO ST 36 29 14710081 524956 GUNJAN KUMAR UR 71 30 14710082 500874 GOVINDARAJU G GSC28 31 14710083 527048 VIVEKANAND OBC (NCL) 57 32 14710084 528823 BISWOJIT SAHOO UR 58
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Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
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Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post-independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. While Shankar's musical jhankar propels divine dwellers to zoom in unison with ecstasy, romantic effervescence of Jaikishan music brings divine feelings on to earth. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social.
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Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania
/7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document.
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21 Aug Page 07.Qxd
SWAPNIL SANSAR, ENGLISH WEEKLY,LUCKNOW, 28,MARCH, (07) Tragedy Queen of Indian Cinema Contd.From Page no.06 the film's music and lyrics were by Roshan and Sahir to August, Meena Kumari was in the hands of Dr. Sheila Sherlock.Upon Ludhianvi and noted for songs such as "Sansaar Se Bhaage Phirte Ho" and recovery, Meena Kumari returned to India in September 1968 and on the fifth "Mann Re Tu Kaahe". Ghazal directed by Ved-Madan, starring Meena Kumari day after her arrival, Meena Kumari, contrary to doctors' instructionsAAfter their and Sunil Dutt, was a Muslim social film about the right of the young generation marriage, Kamal Amrohi allowed Meena Kumari to continue her actiresumed to the marriage of their choice. It had music by Madan Mohan with lyrics by work. Suffering from cirrhosis of the liver, although Meena Kumari temporarily Sahir Ludhianvi, featuring notable filmi-ghazals such as "Rang Aur Noor Ki recovered but was now much weak and thin. She eventually shifted her focus Baraat", performed by Mohammed Rafi and "Naghma O Sher Ki Saugaat" on more 'acting oriented' or character roles. Out of her last six releases namely performed by Lata Mangeshkar. Main Bhi Ladki Hoon was directed by A. C. Jawab, Saat Phere, Mere Apne, Dushman, Pakeezah & Gomti Ke Kinare, she Tirulokchandar. The film stars Meena Kumari with newcomer Dharmendra. only had a lead role in Pakeezah. In Mere Apne and Gomti Ke Kinare, although Critical acclaim (1962) Sahib Bibi Aur she didn't play a typical heroine role, but her character was actually the central Ghulam (1962) character of the story.
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Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social. In fact, Jaikishan was mostly the point of contact for producers, directors and actors to incorporate their requests due to his friendly nature. Of course, both were great human beings, and were incredibly simple in spite of fame and richness.
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From Shakespearean Text to Cinema: a Study of Select Dramaturgic Adaptations
FROM SHAKESPEAREAN TEXT TO CINEMA: A STUDY OF SELECT DRAMATURGIC ADAPTATIONS THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Doctor of philosophy In English By FATIMAH JAVED UNDER THE SUPERVISION OF PROF. SAMINA KHAN DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (U.P) INDIA 2017 Professor Samina Khan Department of English Aligarh Muslim University, Aligarh Phone No: 09997398308 [email protected] Certificate Certified that the thesis entitled “From Shakespearean Text to Cinema: A Study of Select Dramaturgic Adaptations” submitted by Ms. Fatimah Javed for the award of the degree of the Doctor of Philosophy is an original work carried out under my supervision and has not been submitted, in part or full, to this University or any other University. Prof. Samina Khan Date: Supervisor Acknowledgements I am sincerely indebted to all those people who have helped, guided and encouraged me while I was working on my thesis. First and foremost, I thank my supervisor, Prof. Samina Khan who appreciated the idea and supported me at each and every phase of my research. I owe her my heartfelt gratitude for being there as my guide. This work would not have been possible without her able guidance and support. I would like to thank the Chairperson, Department of English, for her help and support. I would also like to extend a big thanks to Dr. Jawed S. Ahmad for his diligent proofreading of my various chapters. I am equally thankful to Dr. Akbar Joseph A. Syed and Dr. Rashmi Attri for their valuable suggestions and feedback. I also thank my friend Dr.
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HEC-HMS) 26 – 30 July 2021
GOVERNMENT OF INDIA MINISTRY OF JAL SHAKTI, DoWR, RD & GR CENTRAL WATER COMMISSION NATIONAL WATER ACADEMY, PUNE Purpose Oriented Training Program through Distance Learning on “ Hydrologic Modeling System (HEC-HMS) 26 – 30 July 2021 LIST OF PARTICIPANTS Sr.No. Name Name of the State Represented by 1 A K SARANYA Tamilnadu Central Government Organization 2 A. MANI Andhra Pradesh Academic Institute 3 A. RAMBABU Telangana State Government Organisation 4 A.D.SIVANANDA Karnataka State Government Organisation 5 AADYA KALIA Rajasthan Academic Institute 6 AALISHA LANJEWAR Maharashtra Academic Institute 7 AARIZ AHMED Karnataka Academic Institute 8 AARTI GHATE Gujarat Academic Institute 9 ABDUL NISAR BHAT Jammu and Kashmir Academic Institute 10 ABHIJEET DAS Odisha State Government Organisation 11 ABHIMANYU KUMAR BARNWAL Biratnagar, Nepal Central Government Organization 12 ABHISHEK DINKAR DATIR MAHARASHTRA Other 13 ADARSH KUMAR SINGH Uttar Pradesh Academic Institute 14 ADWAIT PRAKASH BOWLEKAR MAHARASHTRA Academic Institute 15 AFSHAN NABI J&K Academic Institute 16 AISHWARYA A Karnataka State Government Organisation 17 AJAY KUMAR Uttarakhand State Government Organisation 18 AJU CD Kerala Academic Institute 19 AKASH ANAND UTTAR PRADESH Academic Institute 20 AKASH JAIN Madhya pradesh Academic Institute 21 AKASH JOHARI RAJASTHAN Academic Institute 22 AKHILESH KUMAR JHA Uttar Pradesh Academic Institute 23 AKSHARA AJAY Kerala Academic Institute 24 AKSHATA BANDI H Karnataka Other 25 AKSHAY KUMAR SINGH Uttar pradesh Academic Institute 26 AKSHAY PACHORE Maharashtra
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RANVEER SINGH SET to SLAY in a DOUBLE ROLE Volume 69 # November 2020 / ISSN NUMBER 0971-7277
November, 2020 BREAK KE BAAD VICKY KAUSHAL bulks up RANVEER SINGH SET TO SLAY IN A DOUBLE ROLE Volume 69 # November 2020 / ISSN NUMBER 0971-7277 November, 2020 BREAK KE BAAD VICKY KAUSHAL bulks up RANVEER SINGH SET TO SLAY IN A DOUBLE ROLE PHOTOGRAPH: TEJINDER SINGH KHAMKHA | HAIR: AMIT THAKUR STYLING: AMANDEEP KAUR MAKE-UP: EVANIA PANNU LOCATION COURTESY: 36 HYATT REGENCY MUMBAI 24 Ruffled jumpsuit: Antithesis Earrings: Saba Designs Editor’s Choice The ed praises 03Taapsee Pannu 25 years of Dilwale 72 Dulhania Le Jayenge 40 62 52 Masala fix Make-up and hair expert Faruk Kabir is in a Ranveer Singh to play a 20 Namrata Soni reveals 48 happy space 06 double role in Cirkus, Kriti her secrets Shekhar Kapoor Sanon to play Sita in 52 talks movies Adipurush, SRK-Kajol bronze Exclusives Mithoon speaks about the statues to be unveiled in Exclusive cover story: 56 changing face of film music London and other grist from 24 Taapsee Pannu speaks from Obituary: Bhanu the rumour mill the heart and narrates her 60 Athaiya Preview incredible journey Profiling Sanjeev Kumar, Manoj Bajpayee on the 62 the complete actor Adarsh Gourav is waiting 36 power of reinvention Your say 12 to strike it big Sanjana Sanghi remembers Tripti Dimri is basking in 40 Sushant Singh Rajput Readers send in 16 the success of Bulbbul Swatilekha Sengupta 68 their rants 06 44 looks back at her career Shatrughan Sinha’s Fashion & lifestyle with affection 70 wacky witticisms 10 Letter from the Editor Top of the class There’s something about Taapsee Pannu that makes you take notice of her.
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1St Filmfare Awards 1953
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