Bibliomania: How We Catch It, How to Enjoy It – and Who Benefits in the End
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Limited Editions Club
g g OAK KNOLL BOOKS www.oakknoll.com 310 Delaware Street, New Castle, DE 19720 Oak Knoll Books was founded in 1976 by Bob Fleck, a chemical engineer by training, who let his hobby get the best of him. Somehow, making oil refineries more efficient using mathematics and computers paled in comparison to the joy of handling books. Oak Knoll Press, the second part of the business, was established in 1978 as a logical extension of Oak Knoll Books. Today, Oak Knoll Books is a thriving company that maintains an inventory of about 25,000 titles. Our main specialties continue to be books about bibliography, book collecting, book design, book illustration, book selling, bookbinding, bookplates, children’s books, Delaware books, fine press books, forgery, graphic arts, libraries, literary criticism, marbling, papermaking, printing history, publishing, typography & type specimens, and writing & calligraphy — plus books about the history of all of these fields. Oak Knoll Books is a member of the International League of Antiquarian Booksellers (ILAB — about 2,000 dealers in 22 countries) and the Antiquarian Booksellers Association of America (ABAA — over 450 dealers in the US). Their logos appear on all of our antiquarian catalogues and web pages. These logos mean that we guarantee accurate descriptions and customer satisfaction. Our founder, Bob Fleck, has long been a proponent of the ethical principles embodied by ILAB & the ABAA. He has taken a leadership role in both organizations and is a past president of both the ABAA and ILAB. We are located in the historic colonial town of New Castle (founded 1651), next to the Delaware River and have an open shop for visitors. -
'The Cause of Bibliomania'
‘The Cause of Bibliomania’ Fine Editions from the Library of Stephen Keynes OBE FLS Type & Forme Twenties No. 2 type & forme twenties no. 2 Introduction This second catalogue in the series ‘Type & Forme Twenties’ is dedicated to fine, bibliophile publications from the library of Stephen Keynes OBE, FLS (1927-2017), the youngest son of the distinguished surgeon, bibliographer, and bibliophile Sir Geoffrey Keynes (1887-1982). Stephen Keynes became a member of the Roxburghe Club in 1978, following his father (elected in 1943), and preceding his brother Quentin Keynes (1987) and nephew Simon Keynes (2004), whose obituary of Stephen is reprinted from The Book Collector in an abridged and revised form at the end of this catalogue. The Roxburghe Club takes its name from John Ker, 3rd ‘one of the greatest book-collectors, not only in English Duke of Roxburghe (1740-1804), whose magnificent library history, but even in the history of the world’ 1 (Spencer was sold by R.H. Evans at an auction of 9,353 lots which would eventually acquire the Boccaccio seven years later, at began on 18 May 1812 and continued for ‘the forty-one the sale of Marlborough’s White Knights library). following days, Sundays Since then, the Club’s excepted’ at the late members have met every owner’s house on St year on or about the 17th James’s Square, London. of June, to toast ‘[t]he The sale realised immortal memory of £23,341, and the John Duke of Roxburghe, highlight was one of of Christopher Valdarfer, Roxburghe’s great printer of the Boccaccio treasures – the Valdarfer of 1471, of Gutenberg, Boccaccio of 1471, which Fust and Schoeffer, the sold on 17 June 1812 for inventors of the art of £2,260 after a dramatic printing, of William bidding war won by George Spencer, Marquess Caxton, Father of the British press, of Dame Juliana Barnes of Blandford (later the 5th Duke of Marlborough), thus and the St Albans Press, of Wynkyn de Worde and Richard establishing a record price for any printed book. -
Librarytrendsv27i4 Opt.Pdf
ILLINOIS UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scaleDigitization Project, 2007. ra S VOLUME 27 NUMBER 4 SPRING 1979 ~~ ~~~~ University of Illinois Graduate School of Library Science This Page Intentionally Left Blank The Study and Collecting of Historical Children's Books SELMA K. RICHARDSON Issue Editor CONTENTS Selma K. Richardson 42 1 INTRODUCTION RESEARCH COLLECTIONS Margaret N. Coughlan 431 INDIVIDUAL COLLECTIONS Barbara Maxwell 443 PUBLIC LIBRARIES Margaret Hodges 453 COLLEGE AND UNIVERSITY LIBRARIES Helen S. Canfield 467 HISTORICAL SOCIETIES, PRIVATE LIBRARIES AND MUSEUMS Motoko F. Iluthwaite 473 THE LIBRARY OF CONGRESS Virginia Haviland 485 SUMMARY AND PROPOSALS FOR THE FUTURE Milton Reissman 489 TRENDS IN COLLECTING AND PRICES Joyce I. Whalley 503 SECONDARY SOURCES FOR THE STUDY OF HISTORICAL CHILDREN'S BOORS Ina Robertson 513 FACSIMILES OF HISTORICAL Agnes Stahlschmidt CHILDREN'S BOOKS Sara Innis Fenwick 529 SCHOLARLY RESEARCH ABOUT HISTORICAL CHILDREN'S BOOKS Anne Scott MacLeod 55 1 ENCOURAGING SCHOLARSHIP: COURSES, CONFERENCES AND EXHIBITS 568 LIST OF ACRONYMS i INDEX TO VOLUME 27 This Page Intentionally Left Blank Introduction SELMA K. RICHARDSON THELAST DECADE OF THE nineteenth century and the first decade of this century witnessed some activity in the collecting of historical children’s books, but that flurry did not extend much beyond New England generally, and the Connecticut Historical Society and the American Antiquarian Society specifica1ly.l A resurgence of interest in collecting occurred in the 1920s and 1930s. In 1938 six articles appeared in Library Journal under the title “Collections of Rare Children’s Books: A Symposium.” The series had been prepared under the auspices of the Publicity Committee of the American Library Association (ALA) Section for Library Work with Children. -
A Book Lover's Journey: Literary Archaeology and Bibliophilia in Tim
Verbeia Número 1 ISSN 2444-1333 Leonor María Martínez Serrano A Book Lover’s Journey: Literary Archaeology and Bibliophilia in Tim Bowling’s In the Suicide’s Library Leonor María Martínez Serrano Universidad de Córdoba [email protected] Resumen Nativo de la costa occidental de Canadá, Tim Bowling es uno de los autores canadienses más aclamados. Su obra In the Suicide’s Library. A Book Lover’s Journey (2010) explora cómo un solo objeto —un ejemplar gastado ya por el tiempo de Ideas of Order de Wallace Stevens que se encuentra en una biblioteca universitaria— es capaz de hacer el pasado visible y tangible en su pura materialidad. En la solapa delantera del libro de Stevens, Bowling descubre la elegante firma de su anterior dueño, Weldon Kees, un oscuro poeta norteamericano que puso fin a su vida saltando al vacío desde el Golden Gate Bridge. El hallazgo de este ejemplar autografiado de la obra maestra de Stevens marca el comienzo de una meditación lírica por parte de Bowling sobre los libros como objetos de arte, sobre el suicidio, la relación entre padres e hijas, la historia de la imprenta y la bibliofilia, a la par que lleva a cabo una suerte de arqueología del pasado literario de los Estados Unidos con una gran pericia literaria y poética vehemencia. Palabras clave: Tim Bowling, bibliofilia, narrativa, arqueología del saber, vestigio. Abstract A native of the Canadian West Coast, Tim Bowling is widely acclaimed as one of the best living Canadian authors. His creative work entitled In the Suicide’s Library. A Book Lover’s Journey (2010) explores how a single object —a tattered copy of Wallace Stevens’s Ideas of Order that he finds in a university library— can render the past visible and tangible in its pure materiality. -
Kuenzig Books
. SPRING 2020 VOLUME XXIV NUMBER 1 journal of Th e Fe llow shi p of Amer ican BIB LIO PHI LIC SOC IETIE S Contents Letter from the Chair 3 Contributions Sought: Robert H. Jackson Endowment 5 A Tribute to John Carson by Arthur Cheslock 6 How My Library was Assembled by Leonid Chertkov, Part I 7 CLUB NEWS 19 The Fellowship of American Bibliophilic Societies OFFICERS William E. Butler, Chair The Grolier Club: [email protected] Alexander Ames, Vice-Chair Philobiblon Club: [email protected] Jennifer Larson, Treasurer Miniature Book Society: [email protected] Ronald K. Smeltzer, Secretary The Grolier Club: [email protected] Arthur S. Cheslock, Membership Chair The Baltimore Bibliophiles: [email protected] William E. Butler, International Affiliates Chair The Grolier Club: [email protected] JOURNAL Annie Rowlenson, Editor [email protected] Scott Ellwood, Assistant Editor [email protected] Scott Vile, Production Designer [email protected] Copyright ©2020 by The Fellowship of American Bibliophilic Societies. The FABS Newsletter is published twice annually and 6,000 copies distributed during the spring and fall to our North American Member Clubs and International Affiliates. LETTER FROM THE CHAIR he officers and trustees of FABS met on 5 March 2020 at The Grolier TClub for their annual meeting. There are several matters to report. The Officers replaced Susan Hanes as Vice Chairman, who has had to resign for family reasons, with Alex Ames, of The Philobiblon Club, and also having found a Treasurer, Professor Jennifer Larson, the Officers relieved our Sec - retary, Ronald Smeltzer, of his double duties – with our gratitude to all for having served in their respective positions. -
Economics, Book Collecting, and Kipling
DAVID ALAN RICHARDS: ECONOMICS, BOOK COLLECTING, AND KIPLING Economics, Book Collecting, and Kipling DAVID ALAN RICHARDS hile the theme of the day is “Books In Hard Times,” the composition of the W three panels makes it clear that we have heard and are hearing the story in subsets: “Rare Book Dealers in Hard Times,” “Institutional Librarians in Hard Times,” and “Rare Book Collectors in Hard Times.” In other words, three teams are on the field, in the Great Game of Rare Books. These are the three essential components of our world: vendors to organize the consigners of the product we consume, institutional repositories to provide both home for collectors’ and vendors’ research, and perhaps a final, one hopes permanent, home for assembled collections, such as mine at Yale, and collectors buying from auction houses and dealer catalogs, and (with those auction houses and dealers) using the great libraries (including, not least, the one we sit in) and their on-line data bases to research present holdings and to war-game future acquisitions. Not coincidentally, this “iron triangle” is well described in lines on the parallel subject of author bibliographies from the noted American book collector A. Edward Newton, who in his 1936 Rosenbach Fellowship lectures, said: “Bibliographies are indeed not intended for average readers, be they gentle or simple. They are intended as tools for the scholar, weapons for the bookseller, and armor for the collector.” So, are these “Hard Times” for book collectors? Are we, in Newton’s words, “armored” for these difficult days, not just in funds but with attitude? Today’s poser, of course, is not about bibliographies, as it was for Newton’s address, but economics—cash or credit, the “readies”—when that ineffable object of your desire (a presentation copy of Hardy for Mark Samuels Lasner, an elusive Shelley for Bill Buice, an undiscovered pirated Kipling first edition for me)— mysteriously but gloriously appears in a Sotheby’s auction catalog to be knocked down by David Redden, or in a literature catalog from the house of Bill Reese. -
Ken Sanders Rare Books Kicks Off 10Th Anniversary Celebration
The ABN E WSLETTEA AR VOLUME EIGHTEEN, NUMBER 4 ANTIQUARIAN BOOKSELLERS' ASSOCIATION OF AMERICA FALL 2007 INSIDE: MAC Chapter hosts Digital Photo Seminar................................................PAGE 3 A Collector’s Primer to the Wonders of Fore-edge Painting By Jeff Weber One of the most unusual types of book decoration is fore-edge paintings. These are books which have one or more of the top, fore or bottom edge painted – usu- ally with watercolors. The typical form is a book with a single fanned fore-edge painting. In the twentieth century other forms have developed, including the Ken Sanders (center) celebrates with friends at the kick-off of several days of double fore-edge or even the remarkable events feting the anniversary of his shop in Salt Lake City. six-way painting where all three sides of the book have a double. Other forms include the side-by-side painting (two scenes on the single edge), and the split- Ken Sanders Rare Books kicks off double (splits the book in half and shows a scene on each fanned side half-way 10th Anniversary Celebration up the book edge). There is the vertical painting which is found on occasion. The by Annie Mazes first editions and comic books as well as fanned single edge painting is the most Ken Sanders, a long-time active member working on and off at Sam Weller’s, a common form. When the book is closed of the ABAA, and his daughter Melissa, well established independent bookstore in the painting disappears! This is because celebrated the 10th anniversary of their Salt Lake City. -
Your Old Books
2. What makes a book important? books are generally more sought after, Your Old Books People value books either because of including all books printed before 1501, their contents or because of their physi- English books printed before 1641, books • cal characteristics. First editions of im- printed in the Americas before 1801, and A guide sponsored by the Rare Books and Manuscripts Section portant literary or historical works and books printed west of the Mississippi be- of the Association of College and Research Libraries, the Antiquarian Booksellers’ initial reports of scientific discoveries or fore 1850. Association of America, and the Rare Book School at the University of Virginia inventions are prime examples of books • that are important because of their con- 5. What is the difference between a rare tents. Illustrated books that give a new book and a second-hand book? This guide addresses some frequently 11. Are old letters, scrapbooks, photo- interpretation of a text or are the work of A second-hand or used book is a previ- asked questions about rare and older graphs, and documents valuable? an esteemed artist are also valued. Books ously owned book that is neither an im- books and their values. The answers are 12. Might someone want my single vol- that were suppressed or censored may portant edition nor has special physical meant only as general responses to these ume to complete a set? be both important and scarce, since few characteristics, such as binding, inscrip- questions, and many possible exceptions 13. How can I keep my books in good copies may have survived. -
Complete Consolidated Listing of the Entire
FREELANCE TRAVELLER The Electronic Fan-Supported Traveller® Magazine and Resource Consolidated Article Listing November 2009 – October 2021 This listing is by section; an individual article is listed giving its name, and the article author’s name in parentheses, followed by the issue and page number, separated by a colon. For example, in Critics’ Corner, the review of Mongoose Traveller: Scoundrel was written by Jeff Zeitlin, and appears on page 2 of issue 000 (November 2009). Issue 001 was the January 2010 issue, and subsequent issues are numbered sequentially. Note that some issues before Jan/Feb 2016, such as the May and June 2012 issues, were combined, and carried the numbers and dates for both; the issue:page for articles appearing in combined issues will appear as (e.g.) 029/030:pp. There are no articles listed for issue 90, Nov/Dec 2018; that issue was cancelled due to a death in the Editor’s family. Critics’ Corner 101 Religions (Jeff Zeitlin) .............................................................................................................................. 101: 2 1248 Sourcebook 3: The Spinward States (David Johnson) ........................................................................ 101:17 21 Organizations (“kafka”) ............................................................................................................................. 043:14 21 Plots (Jeff Zeitlin) ........................................................................................................................................ 038:17 -
Books in Pieces: Granger, History, and the Collection Michael Macovski
https://doi.org/10.26262/gramma.v21i0.6284 145 Books in Pieces: Granger, History, and the Collection Michael Macovski This article analyzes the influence of James Granger’s Biographical His- tory of England (1769), a volume that spearheaded a remarkable praxis of collecting, interleaving, and rebinding during the eighteenth and nineteenth centuries. This praxis reflects not only radical changes in concepts of col- lecting during this period, but also three central dimensions of book his- tory. These include the era’s passion for artefactual collections; its propen- sity for annotative forms, such as marginalia and prefaces; and its burgeon- ing publication of compilatory, systematized texts—such as catalogues, al- manacs, encyclopedias, and other compendium forms. The article goes on to suggest that grangerized texts extend beyond simple, stochastic gather- ings to reveal key precepts of historiographic continuity, serialized succes- sion, ekphrastic reproduction, and synoptic collectivity. I. he general outlines of the remarkable James Granger story are, in some respects, familiar: in 1769, the provincial parson publishes his Biogra- T phical History of England—a single volume that lists many portraits but contains not a single illustration. Almost immediately, the book spearheads one of the most curious movements in eighteenth-century history—a practice in which collectors acquire many prints listed by Granger, and many additional ones as well. The praxis also encompasses a veritable maelstrom of interleav- ing—which in turn gives rise to, among other terms, the verb “to grangerize,” though this term does not emerge until 1882.1 Yet such a praxis also extends beyond the initial act of interleaving. -
The Literary and Cultural Significance of the Early
THE LITERARY AND CULTURAL SIGNIFICANCE OF THE EARLY ROXBURGHE CLUB PhD 2015 Shayne Felice Husbands This thesis is being submitted in partial fulfillment of the requirements for the degree of PhD. Signed ………………………………… Date ………………………… This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………… Date ………………………… This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………… Date ………………………… I hereby give consent for my thesis, if accepted, to be available online in the University’s Open Access repository and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………… Date ………………………… ii ACKNOWLEDGEMENTS My sincere gratitude is owed to Professor Helen Phillips for her unfailingly erudite guidance and support over what has proved to be a very long haul. This thesis would not have been completed without her immense kindness and encouragement. Many thanks also to Dr Rob Gossedge for his valuable insights, advice and humour, and to Dr Anthony Mandal and Professor Stephen Knight for their counsel at strategic points. Much appreciation is also due to Rhian Rattray for her kindness and for being efficient on the many occasions when I was not. I am grateful for the financial assistance offered by ENCAP which has contributed to the presentation of papers based on my research at Exeter and Leeds, and towards research trips to Oxford, Cambridge and London. -
Bibliomania in the Middle Ages, by 1
Bibliomania in the Middle Ages, by 1 CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. Bibliomania in the Middle Ages, by Frederick Somner Merryweather This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg Bibliomania in the Middle Ages, by 2 License included with this eBook or online at www.gutenberg.net Title: Bibliomania in the Middle Ages Author: Frederick Somner Merryweather Release Date: May 28, 2007 [EBook #21630] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK BIBLIOMANIA IN THE MIDDLE AGES *** Produced by Suzanne Lybarger, Brian Janes and the Online Distributed Proofreading Team at http://www.pgdp.net BIBLIOMANIA IN THE MIDDLE AGES BY F. SOMNER MERRYWEATHER With an Introduction by CHARLES ORR Librarian of Case Library NEW YORK MEYER BROTHERS & COMPANY 1900 Copyright, 1900 By Meyer Bros. & Co. Louis Weiss & Co. Printers.... 118 Fulton Street ... New York Bibliomania in the Middle Ages, by 3 Bibliomania in the Middle Ages OR SKETCHES OF BOOKWORMS, COLLECTORS, BIBLE STUDENTS, SCRIBES AND ILLUMINATORS From the Anglo-Saxon and Norman Periods to the Introduction of Printing into England, with Anecdotes Illustrating the History of the Monastic Libraries of Great Britain in the Olden Time by F. Somner Merryweather, with an Introduction by Charles Orr, Librarian of Case Library. INTRODUCTION. In every century for more than two thousand years, many men have owed their chief enjoyment of life to books.