Echoes & Images
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"I Was the One Percenter": Manny Diaz and the Beginnings of a Black-Puerto Rican Coalition Ande Diaz Roger Williams University, [email protected]
Roger Williams University DOCS@RWU Office of Intercultural Center Staff ubP lications Office of Intercultural Center 1-1-2007 "I Was the One Percenter": Manny Diaz and the Beginnings of a Black-Puerto Rican Coalition Ande Diaz Roger Williams University, [email protected] Sonia S. Lee Follow this and additional works at: http://docs.rwu.edu/intercultural_staff_pub Part of the Community Engagement Commons, and the Education Commons Recommended Citation Diaz, Ande and Lee, Sonia S., ""I Was the One Percenter": Manny Diaz and the Beginnings of a Black-Puerto Rican Coalition" (2007). Office ofn I tercultural Center Staff Publications. Paper 3. http://docs.rwu.edu/intercultural_staff_pub/3 This Article is brought to you for free and open access by the Office of Intercultural Center at DOCS@RWU. It has been accepted for inclusion in Office of Intercultural Center Staff ubP lications by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. < en 0-0 r-:!;! C:z S:cu mN NO .......C') 0 z - c: s: a::I 93 w I Lee and Viaz S3 The rest of the ci ty had va ri ous re sponses to such an interracial demon "I Was the One Percenter": stration of grievance. "When East Harlem turued out for the integrati on Manny Diaz and the Beginnings boyeou, it was the first time in the community'S history, or the city's, that Puerto Ricans joined with Negroes in protest and pursuit of a w mmo n l of a Black-Puerto Rican Coalition goal," proudly claimed Patricia Cayo Sexton, a social worker in cast Harlem . -
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E. -
ELVIS PRESLEY BIOGRAPHY and Life in Pictures Compiled by Theresea Hughes
ELVIS PRESLEY FOREVER ELVIS PRESLEY FOREVER ELVIS PRESLEY FOREVER ELVIS PRESLEY BIOGRAPHY and life in pictures compiled by Theresea Hughes. Sample of site contents of http://elvis-presley-forever.com released in e-book format for your entertainment. All rights reserved. (r.r.p. $27.75) distributed free of charge – not to be sold. 1 Chapter 1 – Elvis Presley Childhood & Family Background Chapter 2 – Elvis’s Early Fame Chapter 3 – Becoming the King of Rock & Roll Chapter 4 – Elvis Presley Band Members http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-band-members.html Chapter 5 – Elvis Presley Girlfriends & Loves http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-girlfriends.html Chapter 6 – Elvis Presley Memphis Mafia http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-memphis-mafia.html Chapter 7 – Elvis Presley Spirit lives on… http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-spirit.html Chapter 8 – Elvis Presley Diary – Calendar of his life milestones http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-diary.html Chapter 9 – Elvis Presley Music & Directory of songs & Lyrics http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-music.html Chapter 10 – Elvis Presley Movies directory & lists http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-movies.html Chapter 11 – Elvis Presley Pictures & Posters http://elvis-presley-forever.com/elvis-presley-pictures-poster-shop.html Elvis Presley Famous Quotes by -
Race, Migration, and Chinese and Irish Domestic Servants in the United States, 1850-1920
An Intimate World: Race, Migration, and Chinese and Irish Domestic Servants in the United States, 1850-1920 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Andrew Theodore Urban IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advised by Donna Gabaccia and Erika Lee June 2009 © Andrew Urban, 2009 Acknowledgements While I rarely discussed the specifics of my dissertation with my fellow graduate students and friends at the University of Minnesota – I talked about basically everything else with them. No question or topic was too large or small for conversations that often carried on into the wee hours of the morning. Caley Horan, Eric Richtmyer, Tim Smit, and Aaron Windel will undoubtedly be lifelong friends, mahjong and euchre partners, fantasy football opponents, kindred spirits at the CC Club and Mortimer’s, and so on. I am especially grateful for the hospitality that Eric and Tim (and Tank the cat) offered during the fall of 2008, as I moved back and forth between Syracuse and Minneapolis. Aaron and I had the fortune of living in New York City at the same time in our graduate careers, and I have fond memories of our walks around Stuyvesant Park in the East Village and Prospect Park in Brooklyn, and our time spent with the folks of Tuesday night. Although we did not solve all of the world’s problems, we certainly tried. Living in Brooklyn, I also had the opportunity to participate in the short-lived yet productive “Brooklyn Scholars of Domestic Service” (AKA the BSDS crew) reading group with Vanessa May and Lara Vapnek. -
November 2019
MOVIES A TO Z NOVEMBER 2019 D 8 1/2 (1963) 11/13 P u Bluebeard’s Ten Honeymoons (1960) 11/21 o A Day in the Death of Donny B. (1969) 11/8 a ADVENTURE z 20,000 Years in Sing Sing (1932) 11/5 S Ho Booked for Safekeeping (1960) 11/1 u Dead Ringer (1964) 11/26 S 2001: A Space Odyssey (1968) 11/27 P D Bordertown (1935) 11/12 S D Death Watch (1945) 11/16 c COMEDY c Boys’ Night Out (1962) 11/17 D Deception (1946) 11/19 S –––––––––––––––––––––– A ––––––––––––––––––––––– z Breathless (1960) 11/13 P D Dinky (1935) 11/22 z CRIME c Abbott and Costello Meet Frankenstein (1948) 11/1 Bride of Frankenstein (1935) 11/16 w The Dirty Dozen (1967) 11/11 a Adventures of Don Juan (1948) 11/18 e The Bridge on the River Kwai (1957) 11/6 P D Dive Bomber (1941) 11/11 o DOCUMENTARY a The Adventures of Robin Hood (1938) 11/8 R Brief Encounter (1945) 11/15 Doctor X (1932) 11/25 Hz Alibi Racket (1935) 11/30 m Broadway Gondolier (1935) 11/14 e Doctor Zhivago (1965) 11/20 P D DRAMA c Alice Adams (1935) 11/24 D Bureau of Missing Persons (1933) 11/5 S y Dodge City (1939) 11/8 c Alice Doesn’t Live Here Any More (1974) 11/10 w Burn! (1969) 11/30 z Dog Day Afternoon (1975) 11/16 e EPIC D All About Eve (1950) 11/26 S m Bye Bye Birdie (1963) 11/9 z The Doorway to Hell (1930) 11/7 S P R All This, and Heaven Too (1940) 11/12 c Dr. -
Record Collectibles
Unique Record Collectibles 3-9 Moody Blue AFL1-2428 Made in gold vinyl with 7 inch Hound Dog picture sleeve embedded in disc. The idea was Elvis then and now. Records that were 20 years apart molded together. Extremely rare, one of a kind pressing! 4-2, 4-3 Moody Blue AFL1-2428 3-3 Elvis As Recorded at Madison 3-11 Moody Blue AFL1-2428 Made in black and blue vinyl. Side A has a Square Garden AFL1-4776 Made in blue vinyl with blue or gold labels. picture of Elvis from the Legendary Performer Made in clear vinyl. Side A has a picture Side A and B show various pictures of Elvis Vol. 3 Album. Side B has a picture of Elvis from of Elvis from the inner sleeve of the Aloha playing his guitar. It was nicknamed “Dancing the same album. Extremely limited number from Hawaii album. Side B has a picture Elvis” because Elvis appears to be dancing as of experimental pressings made. of Elvis from the inner sleeve of the same the record is spinning. Very limited number album. Very limited number of experimental of experimental pressings made. Experimental LP's Elvis 4-1 Moody Blue AFL1-2428 3-8 Moody Blue AFL1-2428 4-10, 4-11 Elvis Today AFL1-1039 Made in blue vinyl. Side A has dancing Elvis Made in gold and clear vinyl. Side A has Made in blue vinyl. Side A has an embedded pictures. Side B has a picture of Elvis. Very a picture of Elvis from the inner sleeve of bonus photo picture of Elvis. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Mcsorley's: John Sloan's Visual Commentary on Male Bonding, Prohibition, and the Working Class
McSorley's: John Sloan's Visual Commentary on Male Bonding, Prohibition, and the Working Class Mariea Caudill Dennison The American realist John Sloan (1871-1951) is famous for his depictions of tenement dwellers' private moments, paintings of people on the streets of New York City, and images of women. Here I will focus on the artist's render ings of men in two of his well-known paintings of McSorley's, an Irish-Ameri can bar. These paintings are best understood within the context of early twenti eth-century working class concepts of masculinity, the social history of drinking in the United States, and Sloan's own biography. The artist, a native of Pennsyl vania, was brought up in a strict Episcopalian household in which his artisan father was unable to support the family. Young Sloan worked as a Philadelphia newspaper illustrator to provide for his parents and sisters. At the paper's of fice, he saw sketch-reporters depict newsworthy events that they had observed earlier in the day, and their methods may have inspired him to establish his habit of working from memory. Although he studied briefly with Thomas Anshutz at the Pennsylvania Academy of Fine Arts, the young artist was largely self-taught.1 While he dutifully supported his family, Sloan achieved a freer lifestyle by joining a group of young men, many illustrators, who socialized and studied informally under Robert Henri's watchful eye.2 The raucous camaraderie, open discussion, and social freedom that Sloan found in the Philadelphia group con trasted sharply with the conservative atmosphere of his family's home.3 The young Philadelphians often gathered at Henri's studio where he encouraged 0026-3079/2006/4702-02352.50/0 American Studies, 47:2 (Summer 2006): 23-38 23 24 Mariea Caudill Dennison them to reject academic idealism and the genteel tradition. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Ave You Heard the Nws? ... There's Good Rockin' Tonight." ''The Pure
ave you heard the nws? ... There's good rockin' tonight." -Elvis Presley, the Hillbilly Cat, in his recording of the Roy Brown song, 1954 ''The pure products of America go crazy.'' -William Carlos Williams, "Spring and All," 1923 The world was not prepared for Elvis Presley. The motorcycle epic, The Wild One. His vulnerability was violence of its reaction to him ("unspeakably untal mirrored by James Dean, whose first n10vie, East of ented," a "voodoo of frustration and defiance") Eden, was released in April 1955, just as Elvis's o"'ll more than testified to this. Other rock & rollers had career was getting under way. ("He 'knew I was a a clearer focus to their nwsic. An egocentric genius friend of Jimmy's," said Nicholas Ray, director of like Jerry Lee Lewis may even have had a greater Dean's second film, Rebel Without a Cause. "so he got talent. Certainly Chuck Berry or Carl Perkins had a down on his knees before rne and began to recite keener wit. But Elvis had the nwment. He hit like a "''hole pages from the script. Elvis must have seen Pan American flash, and the reverberations still lin Rehel a dozen times by then and remembered every ger from the shock of his arrival. one of Jimmy's lines.") His eponymous sneer and In some vvays the reaction may seem to have been the whole attitude that it exemplified-~ot derision out of proportion, for Elvis Presley was in retrospect exactly but a kind of scornful pity, indifference, a merely one more link in a chain of historical inevita pained acceptance of all the dreary details of square bility. -
Illicit Economies in the Detroit- Windsor Borderland, 1945-1960
Ambassadors of Pleasure: Illicit Economies in the Detroit- Windsor Borderland, 1945-1960 by Holly Marie Karibo A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy History Department University of Toronto © Copyright by Holly Karibo (2012) Ambassadors of Pleasure: Illicit Economies in the Detroit-Windsor Borderland, 1945-1960 Holly Karibo Doctor of Philosophy History Department University of Toronto 2012 Abstract “Ambassadors of Pleasure” examines the social and cultural history of ‘sin’ in the Detroit-Windsor border region during the post-World War II period. It employs the interrelated frameworks of “borderlands” and “vice” in order to identify the complex ways in which illicit economies shaped—and were shaped by—these border cities. It argues that illicit economies served multiple purposes for members of local borderlands communities. For many downtown residents, vice industries provided important forms of leisure, labor, and diversion in cities undergoing rapid changes. Deeply rooted in local working-class communities, prostitution and heroin economies became intimately intertwined in the daily lives of many local residents who relied on them for both entertainment and income. For others, though, anti-vice activities offered a concrete way to engage in what they perceived as community betterment. Fighting the immoral influences of prostitution and drug use was one way some residents, particularly those of the middle class, worked to improve their local communities in seemingly tangible ways. These II struggles for control over vice economies highlight the ways in which shifting meanings of race, class, and gender, growing divisions between urban centers and suburban regions, and debates over the meaning of citizenship evolved in the urban borderland.