Carroll Shelby
the sobre sterg feCiIg _es :&' 3i{&'k* AP COWBOYS AND ENGINES At a time when racing was a home for heroes, Texan renegade Carroll Shelbg stood out as a driver of incredible daring and skill. Then he began a new project: building the car that would take on Ferrari W0RDS Phirrp l4lotson PH0T0GRAPHS Andrew Mocpherson 0F COURSE, ITWAS a whole lot different back certainly no computer-control led gearboxes then. It was an era of aristocratic playboys and or carbon-fibre brakes. Cars were fragile, gentlemen racers, of mustachioed mavericks flammable and front-engined; roll bars were and double-barrelled daredevils, of men who what you placed your Martini on. Tracks were lived to go faster and faster. lt was a time of narrow and bumpy, and drivers raced in all racing finesse, of the poetry of close driving and weathers. Courses were marked out by hay courageous overtaking, of pre-race tipples and bales, sandbanks, columns oftrees and '4s post-race handshakes. The Fifties were about concrete walls, and three or four drivers were **. Grand Prix racing, not Formula One. killed every year; at Le Mans in 1955, a r3 The cars helped - classic racing cars such as Mercedes collided with an Austin-Healey the cool and curvy C-TypeJag, the aeronautically opposite the pits and crashed into the r{ streamlined Mercedes W I 96 "Si lver Arrow", grandstand, killing more than 80 spectators. and Ferrari's shark-like 246 Dino - as did the It was an age of the driver as sporting hero, drama of such epic races as the lndianapolis of fearless five-time world champion Juan 500, Mille Miglia, Carrera Pan-America, Monte Manuel Fangio, of "Hamlet in a helmet" Phil Hill, Carlo Rally and the great Le Mans 24 Heures.
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