The Deterioration of Gold Alloys and Some Aspects of Their Conservation Author(S): David A

Total Page:16

File Type:pdf, Size:1020Kb

The Deterioration of Gold Alloys and Some Aspects of Their Conservation Author(S): David A The Deterioration of Gold Alloys and Some Aspects of Their Conservation Author(s): David A. Scott Source: Studies in Conservation , Nov., 1983, Vol. 28, No. 4 (Nov., 1983), pp. 194-203 Published by: Taylor & Francis, Ltd. on behalf of the International Institute for Conservation of Historic and Artistic Works Stable URL: http://www.jstor.com/stable/1505967 REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.com/stable/1505967?seq=1&cid=pdf- reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Taylor & Francis, Ltd. and International Institute for Conservation of Historic and Artistic Works are collaborating with JSTOR to digitize, preserve and extend access to Studies in Conservation This content downloaded from 128.194.18.45 on Thu, 18 Jun 2020 14:47:09 UTC All use subject to https://about.jstor.org/terms THE DETERIORATION OF GOLD ALLOYS AND SOME ASPECTS OF THEIR CONSERVATION David A. Scott Abstract-The different ways in which gold alloys wide can occurrence, both for the production of coinage deteriorate are described. The principal alloys discussed and for a variety of decorative metalwork [7]. The are gold-copper, gold-silver and gold-copper-silver. South American gold-copper or gold-copper-silver Examples of South American gold alloys from Colombia alloys were frequently finished by a depletion gilding and Panama are used to illustrate the different types of process [6,8] which removed the alloying con- corrosive attack. Some problems related to the conserva- stituents from the outer surfaces leaving a thin, por- tion of gold alloy antiquities are mentioned, together with the difficulty of the preservation of technological evidence. ous layer of gold which could then be polished to create a gilded surface. The presence of these deple- 1 Introduction tion gilded layers over debased gold alloys often creates severe corrosion which will be discussed in Gold in the native state, whether obtained from lode detail below. or placer deposits, usually contains appreciable amounts of silver (typically from 5% to 45% by 2 Types of deterioration weight), and often a little copper (about 0-1%-5%), as the major accompanying impurities. High percen- It is often assumed that pure gold will not undergo tages of silver, from about 40% upwards, constitute any corrosion during burial, but this may not be so; natural electrums which can be pale green or silvery it is known, for example, that biological processes in colour. This alloy could also be fabricated, mayof result in small concentrations of gold being course, by the addition of extracted silver to golds accumulated by certain plants, whilst water-borne containing lower impurities of silver. Copper can decomposing vegetable matter has been shown to also be added to make a range of alloys varying from deposit gold particles from solution if flowing over moderately debased gold, containing perhaps 5%- auriferous rocks [9]. The gold, therefore, must be 15% of copper, to copper containing small additions taken into solution, and it is thought that both cyanogenic glucosides in plants and a variety of of gold (about 0-5%-5%). Small additions of gold are thought to have been included in some copper amino acids in micro-organisms are responsible for alloys to influence the surface colouring characteris- the dissolution of gold. A saturated solution of tics of the alloy after various forms of surface treat- sodium chloride can also attack gold, as can bromides which may be present near marine envi- ment [1-3]. Within this broad spectrum of gold alloys lie anronments. One would not expect serious decay of important range of compositions corresponding togold antiquities necessarily to arise from exposure to the gold-copper and gold-silver-copper alloys used these types of corrosive agents, although some superficial attack of the immediate surface is cer- especially in South America. The gold-copper alloys are often referred to as tumbaga alloys, the composi- tainly possible. Returning to the consideration of tional data for which varies from copper contents goldof alloys, the different forms of possible deteriora- tion can be classified as follows: about 90% down to about 10%. European Bronze Age and Egyptian gold artifacts are also occasion- i) Tarnishing. ally found to be made from fabricated gold-copper ii) Dissolution of anodic constituents. alloys [4,5], although the Old World utilization is oniii) Stress corrosion cracking and embrittlement. a limited scale compared with the many thousands iv) Changes due to order-disorder transformations. of tumbaga alloy objects which are known from South America. Silver was more plentiful in the 2.1 Tarnishing Peruvian area, and many gold alloys had deliberate Alloys of gold with copper or silver, or with both additions of both silver and copper [6]. Since the metals, are liable to exhibit thin films of surface cor- rosion which can either be derived from the deposi- gold used to make the tumbaga alloys usually con- tained some silver as an accompanying impurity, tion of metallic ions from solution (such as iron these alloys are also in fact ternary gold-copper- staining) or from reactions with sulphur-containing contaminants, particularly hydrogen sulphide, H2S. silver alloys. Alloys of gold and silver are of very It is well known that unprotected silver objects are Received 17 December 1982 liable to react with gaseous pollutants with the for- 194 Studies in Conservation 28 (1983) 194-203 This content downloaded from 128.194.18.45 on Thu, 18 Jun 2020 14:47:09 UTC All use subject to https://about.jstor.org/terms The deterioration of gold alloys and some aspects of their conservation mation of grey-brown films of silver sulphide, Ag2S. observed by the author during the exposure of Vernon [10] found that H2S can produce discolora- polished sections of some gold-copper-silver alloys tion even after careful drying of the air. Very low in a high concentration of hydrogen sulphide (2% relative humidities in themselves are therefore not v/v) at 80% relative humidity for 70 hours. Some of enough protection if the atmosphere is contami- the sections were etched by the exposure to reveal nated. Higher relative humidities promote more grain boundaries and casting segregation as well as severe tarnishing, although the presence of con- two-phase areas of precipitation in those composi- densed water on the surface may retard the reaction. tions lying in the two-phase field of the phase dia- The same reactions which lead to Ag2S formation gram on (see McDonald and Sistare [17], for further pure silver occur with copper-silver and gold-silver discussion of the ternary equilibrium diagram). The alloys [11]. A case of whisker-like crystal growth results on of this test are briefly listed in Table 1, in gold jewellery in the Waiters Art Gallery, Balti- which it can be seen that only an alloy with 80% more, has been mentioned by Weisser [12]. goldThe content was unaffected. Figure 1 shows an crystals were of silver sulphide, illustrating the reac- example of an ancient Colombian tumbaga alloy tivity of silver within the gold-silver system under with a heavily tarnished surface. Although the alloy poor storage conditions, although the composition contains about 20% gold, 70% copper and 3% of the gold objects attacked was not reported. Thesilver, it has been finished by depletion gilding and rate at which tarnishing occurs in gold-silver alloys has surfaces on both sides enriched in gold. decreases as the gold content increases. Some experimental work by Tamman [13] was carried out using solutions of ammonium sulphide and sodium sulphide to determine the reaction limits in solution, that is, the limiting percentage of gold below which corrosion can be expected. For (NH )2S2 and gold- copper alloys a value of 51.5wt% gold was obtained, whilst for gold-silver alloys the value was 46.5%. Sodium sulphide solutions gave similar results. German [14] examined the sulphide tarnishing sus- ceptibility of a number of low carat gold-silver- copper alloys in the cast condition. Evidence of tarn- ishing with the formation of Ag2S in a dendritic pat- tern was found over a wide range of gold contents, from 41% to 81%. Indeed, Wise [15] notes that a gold content as high as 95% may be necessary Figure to 1 Fragment of a tumbaga alloy from the Naritio prevent tarnishing problems occurring in contami- area, Colombia, from c. J0th-12th century AD, showing nated environments. This was confirmed in dental sulphide tarnishing. studies by Tuccillo and Nielsen [16] who found that 92% gold content was not enough to prevent tarn-2.2 Dissolution of anodic constituents ishing. Electron microprobe examination showed Gold-copper, gold-silver and gold-copper-silver either silver sulphide or copper sulphide to be pres-alloys as well as gilded surfaces are all liable to cor- ent in ternary gold-silver-copper alloys; in many rosion during burial. The process is usually aggra- cases the onset of tarnishing was associated with vated by the presence of depletion gilded layers specific microstructural features. This was which also are gold-rich compared with the underlying Table 1 Results of exposure of some gold alloys to H S at 80% RH for 70 hours.
Recommended publications
  • Tumbaga-Metal Figures from Panama: a Conservation Initiative to Save a Fragile Coll
    SPRING 2006 IssuE A PUBLICATION OF THE PEABODY MUSEUM AND THE DEPARTMENT OF ANTHROPOLOGY, HARVARD UNIVERSITY • 11 DIVINITY AVENUE CAMBRIDGE, MA 02138 DIGGING HARVARD YARD No smoking, drinking, glass-break­ the course, which was ing-what? Far from being a puritani­ taught by William Fash, cal haven, early Harvard College was a Howells director of the colorful and lively place. The first Peabody Museum, and Harvard students did more than wor­ Patricia Capone and Diana ship and study: they smoked, drank, Loren, Peabody Museum and broke a lot of windows. None of associate curators. They which was allowed, except on rare were assisted by Molly occasion. In the early days, Native Fierer-Donaldson, graduate American and English youth also stud­ student in Archaeology, ied, side by side. Archaeological and and Christina Hodge, historical records of early Harvard Peabody Museum senior Students excavating outside Matthews Hall. Photo by Patricia bring to life the experiences of our curatorial assistant and Capor1e. predecessors, teaching us that not only graduate student in is there an untold story to be Archaeology at Boston unearthed, but also, that we may learn University. ALEXANDER MARSHACK new perspectives by reflecting on our Archaeological data recovered from ARCHIVE DONATED TO THE shared history: a history that reaches Harvard Yard enriches our view of the PEABODY MUSEUM beyond the university walls to local seventeenth- through nineteenth-cen­ Native American communities. tury lives of students and faculty Jiving The Peabody Museum has received the The Fall 2005 course Anthropology in Harvard Yard. In the seventeenth generous donation of the photographs 1130: The Archaeology of Harvard Yard century, Harvard Yard included among and papers of Alexander Marshack brought today's Harvard students liter­ its four buildings the Old College, the from his widow, Elaine.
    [Show full text]
  • S O C I E T Y O F S O U T H E R N C a L I F O R N
    May / June 2019May METALSOCIETY OF SOUTHERN ARTS CALIFORNIA Elise Preiss MASSC Member Spotlight PRESIDENT’S MESSAGE EDITOR’S NOTES Angelina Smith John Lemieux Rose Springtime Greetings! It’s a very exciting time of year for us Metalsmiths as there are so many upcoming events and fun times. I hope everybody had a chance to finish their entries for the 2019 Metals Challenge. The deadline was April 26th, Part of the mission of The Metal so if you didn’t finish in time, you aren’t alone. I didn’t finish either. But I Arts Society of Southern Califor- still can’t wait to see the pieces that did get completed in time. They will nia is promoting our members all be on display at the Metals Challenge Luncheon on June 2nd. Thats’s and work of Southern California right! This year’s Luncheon is JUST AROUND THE CORNER! June 2nd, artists. Of course, we do that 10:00 am - 2:30 pm in Westminster. Be sure to get your tickets. We will here in our newsletter, and I’ll take the opportunity to be announcing the winner of the Nancy Monkman “Jewelry Arts Dream” invite you to be one of our Featured Artists. Just email Scholarship. The Nancy Monkman Estate Sale was well attended, thanks me a couple of photos of your work to everybody who came and purchased things, and bigger thanks to the ( [email protected] ), and I’ll take it from there. folks who spent time helping to sort, price and organize the sale. You can also show us what you are up to on Insta- Very happy to report that we conducted another successful downtown jewelry district tour this year.
    [Show full text]
  • Indigenous Gold from St. John, U.S. Virgin Islands: a Materials-Based Analysis
    1 ABSTRACT INDIGENOUS GOLD FROM ST. JOHN, U.S. VIRGIN ISLANDS: A MATERIALS-BASED ANALYSIS Stephen E. Jankiewicz, MA Department of Anthropology Northern Illinois University, 2016 Dr. Mark W. Mehrer, Director The purpose of this research is to examine the origin, manufacturing technique, function, and meaning of metals used during the twelfth and thirteenth centuries on the island of St. John, United States Virgin Islands. This project focuses on two metal artifacts recovered during National Park Service excavations conducted between 1998 and 2001 at a shoreline indigenous site located on Cinnamon Bay. These objects currently represent two of only three metal artifacts reported from the entire ancient Lesser Antilles. Chemical and physical analyses of the objects were completed with nondestructive techniques including binocular stereomicroscopy, scanning electron microscopy, portable X-ray fluorescence spectrometry, and particle-induced X-ray emission spectrometry with assistance from laboratories located at Northern Illinois University, Beloit College, Hope College and The Field Museum. This data will be combined with contextual site data and compared to other metal objects recovered throughout the ancient Caribbean. i NORTHERN ILLINOIS UNIVERSITY DEKALB, ILLINOIS MAY 2016 INDIGENOUS GOLD FROM ST. JOHN, U.S. VIRGIN ISLANDS: A MATERIALS-BASED ANALYSIS BY STEPHEN E. JANKIEWICZ ©2016 Stephen E. Jankiewicz A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS DEPARTMENT OF ANTHROPOLOGY Thesis Advisor: Dr. Mark W. Mehrer ii ACKNOWLEDGEMENTS This project would not exist without the help and support of so many wonderful people. I am forever indebted to all of you. I would like to first thank my advisor Dr.
    [Show full text]
  • Tarnish Resistance, Corrosion and Stress Corrosion Cracking of Gold Alloys
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Springer - Publisher Connector Tarnish Resistance, Corrosion and Stress Corrosion Cracking of Gold Alloys WS Rapson Tarnishing, corrosion and stress corrosion cracking (SeC) of gold alloys are related phenomena. They present problems when they occur in gold jewellery, dental gold alloys and electronic devices. They are exploited, however, in the depletion gilding and finishing of gold jewellery; and in the extraction, refining and fire assaying of gold. There is still much that is not known about these phenomena, but a coherent picture of their mechanisms is emerging as a result ofstudies of not only gold alloys themselves, but also of other alloys. Aspects ofthis development are discussed. Tammann's extensive studies (1) established that the their metallurgical histories. Thus alloys which are resistance ofgold to tarnish and corrosion is not greatly homogeneous solid solutions and which do not reduced by the addition to it ofsilver and base metals, undergo separation into two immiscible solid phases are so long as the gold content of the resulting alloy is not in general more tarnish and corrosion resistant than below 50 at.%. This corresponds to about 15.6 carat those which are mixtures of two phases. In the latter for Au-Ag alloys and to about 18 carat for Au-Cu case, as exemplified by some nickel white gold alloys, alloys. the one phase may contain too little gold to make it Tammann's observations are of limited corrosion resistant. There is also the possibility of significance, however, when considering the resistance galvanic effects between the separated phases where the to tarnish and corrosion in the three areas in which this compositions of these differ significantly; and the property is of particular significance.
    [Show full text]
  • Corinthian Bronze and the Gold of the Alchemists
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Springer - Publisher Connector Corinthian Bronze and the Gold of the Alchemists DavidM Jacobson The Centre fOr RapidDesign and Manufacture, Buckingham Chilterns University College, High Wycombe, HP11 2JZ, UK Received: 1 July 1999 Alloys that went under the name of Corinthian Bronze were highly prized in the Roman Empire at the beginning of the Christian era, when Corinthian Bronze was used to embellish the great gate of Herod's Temple in Jerusalem. From the ancient texts it emerges that Corinthian Bronze was the name given to a family of copper alloys with gold and silver which were depletion gilded to give them a golden or silver lustre. An important centre of production appears to have been Egypt where, by tradition, alchemy had its origins. From an analysis of the earliest alchemical texts, it is suggested that the concept of transmutation of base metals into gold arose from the depletion gilding process. CORINTHIAN BRONZE AND ITS main constituent because it is classified as bronze (aes IDENTIFICATION in Latin), and is discussed by Pliny in the section of his encyclopaedia dealing with copper and bronze. Ancient texts in Latin, Greek, Hebrew and Syriac refer However, Pliny indicates that their hue varied from to a type of metal called Corinthian Bronze which they golden to silvery, depending on the proportions of the prize above all other copper alloys. The Roman precious metal additions, and it was this lustre that encyclopaedist, Pliny, who lived in the 1st century AD, gave this bronze its attractive appearance.
    [Show full text]
  • Assaying of Gold Jewellery – Choice of Technique DR CHRISTOPHER W
    Assaying of gold jewellery – Choice of technique DR CHRISTOPHER W. CORTI World Gold Council, London, E nglan d Introduction A s sa yi n g o f gol d je we lle ry Ancient man first learnt the craft of coin, w hen melt ed, resu lts in the gold plating alloying with the underlying Why assay? metalworking several thousand years Why do we need to assay gold ago, making jew ellery and other base metal with a consequent colour jew ellery in modern times? Why? – decorative artefacts from native gold change. Because gold jewellery is sold on the and copper, well before the Bronze How ever, as well as these rough and ready methods of testing basis of its gold content. We desc ribe and Iron Ages. This native gold jew ellery in terms of its Fineness, in contained silver and other metals as precious metals, the ancient Greeks parts per thousand gold, or Caratage, impu rities, but it did not take long for knew of 3 quantitative methods for where 24 carat represents pure gold. man to deliberately alloy gold w ith assaying gold and silver and all 3 are still in use today: the touchstone, fire In many countries, there are laws that copper to improve properties during govern the actual caratages of the second millennium BC. All this assay and density methods. We will jew ellery that can be sold and the naturally led to the early use of gold examine each of these techniques allowable tolerances on the gold and silver as coinage around the 7th later in terms of their relevance in today’s world.
    [Show full text]
  • Iron, Steel and Swords Script - Page 1 Getting Gold in the Old Times Was Not All That Difficult, Especially If You Had an Unlimited Supply of Slaves
    Early Metal Technology 1. Gold Origin, Deposits and Recovery We find gold (Au) more or less on the surface of this planet (let's not get excited about a few miles below the surface here). The same is true for other "heavy" metals like platinum (Pt). This was a big puzzle. There shouldn't be any of that "heavy" stuff around. Why? Well, when this planet was formed some 4 billion years ago, all this heavy stuff was a (small) part of a liquid magma ball consisting mostly of iron and nickel. Gold and other heavy stuff in there did exactly what you would expect: it sunk to the center and stayed there. It's still there - at the very center of the still mostly liquid ball we call earth. Just the surface has solidified by now, forming a kind of thin crust or dross layer on the liquid inside. And that is still mostly iron and nickel. Yes - there is a lot of gold, platinum, and so on, right at the center of the earth. No doubt about this, and no way of getting to it, and no puzzle there. The puzzle is: why was some of the stuff left back on the surface? The answer is: There wasn't anything left back. The original gold is all deep down. The gold and platinum that we find now was deposited later by huge meteorites that crashed onto the already solidified surface of the earth . They struck the planet about 3.9 billion years ago, 200 million years after the earth had formed.
    [Show full text]
  • Sorne Examples from Colombia, Peru and Argentina
    Technical examination of ancient South American metals: Sorne examples from Colombia, Peru and Argentina DAVID A. SCOTT Left La Aguada style Abstract Th.is paper presents some metallurgical and teclmical studies of bronze cast plaque, ancient South American metal ob;ects from Colombia, Peru and Argentina. 84mm x 51 mm, dated to They are presented as fascinating representatives of disparate cultural tradi- about 650 AD - BSOAD, tions and different metalworking practices from the pre-Hispanic era. The from Argentina or Bolivia. first material wh.ich wil1 be discussed is a collection of copper and copper- Cast in a copper·tin- antimony alloy. Probably rich tumbaga alloy fragments from Colombia, representing several different cast by the lost-wax cultural areas, such as Nariño, Sin u, and Muisca. Later in the paper some process . very differem, but technically importam ob;ects, in gold, platinum, and sil- ver wil1 be examined from the Recua y and Huari cultural areas of Peru, and finally a bronze plaque, possibly from the La Aguada culture, Argentina or Bolivia. Acknowledgementli The author would hke to thank Resumen: Este articulo presenta algunos estudios metalúrgicos y técnicos Clemencia Pla2..:1 s for providmg de ob;etos procedemes de Colombia, Perú y Argentina. Estos artefactos son the fragments of copper alloys from Colombta wt11 ch made the representantes fascinantes de tradiciones culturales dispares y de diferentes analyucal study posstble. Thank.s prácticas metalúrgicas de la época preh.ispánica. El primer grupo de ob;etos are also due to Amko Bezur, que se discuten incluye fragmentos de artefactos de cobre y de tumbaga de Umvcrstty of Anzona, for readmg th e paper ¡n QuLtO and for Colombia, procedentes de varias regiones como Nariño, Sinú y Muisca.
    [Show full text]
  • CBP Dec. 20-03]
    This document is scheduled to be published in the Federal Register on 02/14/2020 and available online at https://federalregister.gov/d/2020-03118, and on govinfo.gov 9111-14 DEPARTMENT OF HOMELAND SECURITY U.S. Customs and Border Protection DEPARTMENT OF THE TREASURY 19 CFR Part 12 [CBP Dec. 20-03] RIN 1515-AE52 Import Restrictions Imposed on Archaeological and Ethnological Material from Ecuador AGENCY: U.S. Customs and Border Protection, Department of Homeland Security; Department of the Treasury. ACTION: Final rule. SUMMARY: This final rule amends the U.S. Customs and Border Protection (CBP) regulations to reflect the imposition of import restrictions on certain archaeological and ethnological material from Ecuador. These restrictions are being imposed pursuant to an agreement between the United States and Ecuador that has been entered into under the authority of the Convention on Cultural Property Implementation Act. The final rule amends CBP regulations by adding Ecuador to the list of countries which have a bilateral agreement with the United States that imposes cultural property import restrictions. The final rule also contains the designated list that describes the types of archaeological and ethnological material to which the restrictions apply. 1 DATES: Effective [INSERT DATE OF FILING FOR PUBLIC INSPECTION AT THE FEDERAL REGISTER]. FOR FURTHER INFORMATION CONTACT: For legal aspects, Lisa L. Burley, Chief, Cargo Security, Carriers and Restricted Merchandise Branch, Regulations and Rulings, Office of Trade, (202) 325-0300, [email protected]. For operational aspects, Genevieve S. Dozier, Management and Program Analyst, Commercial Targeting and Analysis Center, Trade Policy and Programs, Office of Trade, (202) 945-2942, [email protected].
    [Show full text]
  • Gold and Power in Ancient Costa Rica, Panama, and Colombia
    This is an extract from: Gold and Power in Ancient Costa Rica, Panama, and Colombia Jeffrey Quilter and John W. Hoopes, Editors published by Dumbarton Oaks Research Library and Collection Washington, D.C. © 2003 Dumbarton Oaks Trustees for Harvard University Washington, D.C. Printed in the United States of America www.doaks.org/etexts.html GOLD AND POWER IN ANCIENT COSTA RICA, PANAMA, AND COLOMBIA GOLD AND POWER IN ANCIENT COSTA RICA, PANAMA, AND COLOMBIA A Symposium at Dumbarton Oaks 9 and 10 October 1999 Jeffrey Quilter and John W. Hoopes, Editors Dumbarton Oaks Research Library and Collection Washington, D.C. Copyright © 2003 Dumbarton Oaks Trustees for Harvard University, Washington, D.C. All rights reserved. Printed in the United States of America Frontispiece: King Antonio Saldaña of Talamanca wearing a necklace of tumbaga bird-effigy pendants. Detail of a portrait by S. Llorente, 1892. ©1992 National Museum of Costa Rica, Editorial Escudo de Oro, S.A. (Calvo Mora, Bonilla Vargas, and Sánchez Pérez, 1992) Cataloging-in-Publication Data for this volume is on file with the Library of Congress. ISBN 0-88402-294-3 Contents Map: Archaeological culture areas and contemporary states in southern Central America and Colombia vii Chronological Chart: Prehistoric Costa Rica and Panama viii Chronological Chart: Prehistoric Colombia ix Introduction: The Golden Bridge of the Daríen 1 Jeffrey Quilter “Catching the Light”: Technologies of Power and Enchantment in Pre-Columbian Goldworking 15 Nicholas J. Saunders Goldwork and Chibchan Identity: Endogenous Change and Diffuse Unity in the Isthmo-Colombian Area 49 John W. Hoopes and Oscar M. Fonseca Z.
    [Show full text]
  • Murals and the Development of Merchant Activity at Chichen Itza
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2005-10-04 Murals and the Development of Merchant Activity at Chichen Itza De Luna Lucha Aztzin Martinez Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Anthropology Commons BYU ScholarsArchive Citation Martinez, De Luna Lucha Aztzin, "Murals and the Development of Merchant Activity at Chichen Itza" (2005). Theses and Dissertations. 674. https://scholarsarchive.byu.edu/etd/674 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. MURALS AND THE DEVELOPMENT OF MERCHANT ACTIVITY AT CHICHEN ITZA by Lucha Aztzin Martinez de Luna A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Masters of Arts Department of Anthropology Brigham Young University December 2005 Copyright © 2005 Lucha Aztzin Martinez de Luna All Rights Reserved BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Lucha Aztzin Martinez de Luna This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. _______________________ __________________________________ Date Donald W. Forsyth, Chair ________________________ ___________________________________
    [Show full text]
  • METALS and the ABORIGENES of HISPANIOLA Bernardo Vega* Museo Del Hombre Dominicano a Recent Finding of European Metallic Objects
    METALS AND THE ABORIGENES OF HISPANIOLA Bernardo Vega* Museo del Hombre Dominicano A recent finding of European metallic objects associated with taino amulets, necklaces and earplugs, brings to focus the use given by the aborigines of Hispaniola to European metals during the Indohispanic period. The find includes 5 rattles, 12 'croissant'-shaped metal pieces, 5 belt buckles, a base of a lamp and 6 rings, all of European origin, together with 3 stone necklaces, 3 stone amulets and 2 amber earplugs of taino origin. We had one of the 12 metal pieces analyzed and it turned out to be red brass (85$ copper, 13$ zinc). Elpidio Ortega found pieces of similar material in Barrera, in 1977. Although the chroniclers mention the use of brass in pre-Columbian times, we think we demonstrate in our work that all brass found is really of European origin. Krieger reported a copper piece in the Dominican Republic but we had it analyzed and it turned out to be European brass. Pieces of other metals have been found in archaeological digs in the West Indies. These include: 12 hammered gold pieces: Dominican Republic (Garcia Arévalo and Krieger) , Haiti (Paul Barker and William Hodges)- 1 solid gold piece: Puerto Rico (Chanlatte). 3 copper pieces: Dominican Republic, (Garcia Arévalo 99-9$ cop­ per), Cuba (Rouse) and Jamaica (Bastian). Together with Ortega's, our work constitutes the only work where metal pieces have been analyzed in laboratories. They show 2 sites where European brass objects have been found and one where a pure copper piece of taino origin was found, and one site where a European bronze piece was excavated.
    [Show full text]