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Tumbaga-Metal Figures from Panama: a Conservation Initiative to Save a Fragile Coll
SPRING 2006 IssuE A PUBLICATION OF THE PEABODY MUSEUM AND THE DEPARTMENT OF ANTHROPOLOGY, HARVARD UNIVERSITY • 11 DIVINITY AVENUE CAMBRIDGE, MA 02138 DIGGING HARVARD YARD No smoking, drinking, glass-break the course, which was ing-what? Far from being a puritani taught by William Fash, cal haven, early Harvard College was a Howells director of the colorful and lively place. The first Peabody Museum, and Harvard students did more than wor Patricia Capone and Diana ship and study: they smoked, drank, Loren, Peabody Museum and broke a lot of windows. None of associate curators. They which was allowed, except on rare were assisted by Molly occasion. In the early days, Native Fierer-Donaldson, graduate American and English youth also stud student in Archaeology, ied, side by side. Archaeological and and Christina Hodge, historical records of early Harvard Peabody Museum senior Students excavating outside Matthews Hall. Photo by Patricia bring to life the experiences of our curatorial assistant and Capor1e. predecessors, teaching us that not only graduate student in is there an untold story to be Archaeology at Boston unearthed, but also, that we may learn University. ALEXANDER MARSHACK new perspectives by reflecting on our Archaeological data recovered from ARCHIVE DONATED TO THE shared history: a history that reaches Harvard Yard enriches our view of the PEABODY MUSEUM beyond the university walls to local seventeenth- through nineteenth-cen Native American communities. tury lives of students and faculty Jiving The Peabody Museum has received the The Fall 2005 course Anthropology in Harvard Yard. In the seventeenth generous donation of the photographs 1130: The Archaeology of Harvard Yard century, Harvard Yard included among and papers of Alexander Marshack brought today's Harvard students liter its four buildings the Old College, the from his widow, Elaine. -
AUG QUITO.Indd
QUITO A student at work in the carpentry workshop of the Escuela Taller Quito, which was established in 1992 to teach traditional construction techniques to underprivileged youngsters HEART AND SOUL Quito’s World Heritage-listed colonial centre is the largest in the Americas. And thanks to municipal intervention and the eff orts of a school for disadvantaged children, the Ecuadorian capital’s historic heart is being revitalised. Dominic Hamilton reports rom the outside, the Escuela Taller Quito (Quito Workshop School) is deceiving. A two-storey mansion F set on one of the narrow streets in the Ecuadorian capital’s historic centre, it looks like a family home. Pass through its ornately carved doorway, however, and it’s another story. Pupils in blue overalls hurry between classrooms, criss-crossing the elegant patio in gaggles of three or four. A bell rings and a hush returns, although this, too, is deceptive. Enter one of the classrooms that ring the patio and you’re confronted with a hive of activity. The fi rst, adjacent to the entrance, is dedicated to carpentry. Inside, pupils are hard at work around half a dozen workbenches. Sketches and examples of completed works in marquetry and inlay decorate the walls. Sculptures at various stages of completion are scattered across the worktops, alongside tools of every size and function. There is a constant hum of knocking, carving, chipping, scraping and banging. The class is led by Maestro Carlos Vinicio Pazmiño, a tall, energetic man in his early 40s who passes from table to table surveying his pupils’ work. A room off to the right is quieter, bathed in studious silence. -
Indigenous Gold from St. John, U.S. Virgin Islands: a Materials-Based Analysis
1 ABSTRACT INDIGENOUS GOLD FROM ST. JOHN, U.S. VIRGIN ISLANDS: A MATERIALS-BASED ANALYSIS Stephen E. Jankiewicz, MA Department of Anthropology Northern Illinois University, 2016 Dr. Mark W. Mehrer, Director The purpose of this research is to examine the origin, manufacturing technique, function, and meaning of metals used during the twelfth and thirteenth centuries on the island of St. John, United States Virgin Islands. This project focuses on two metal artifacts recovered during National Park Service excavations conducted between 1998 and 2001 at a shoreline indigenous site located on Cinnamon Bay. These objects currently represent two of only three metal artifacts reported from the entire ancient Lesser Antilles. Chemical and physical analyses of the objects were completed with nondestructive techniques including binocular stereomicroscopy, scanning electron microscopy, portable X-ray fluorescence spectrometry, and particle-induced X-ray emission spectrometry with assistance from laboratories located at Northern Illinois University, Beloit College, Hope College and The Field Museum. This data will be combined with contextual site data and compared to other metal objects recovered throughout the ancient Caribbean. i NORTHERN ILLINOIS UNIVERSITY DEKALB, ILLINOIS MAY 2016 INDIGENOUS GOLD FROM ST. JOHN, U.S. VIRGIN ISLANDS: A MATERIALS-BASED ANALYSIS BY STEPHEN E. JANKIEWICZ ©2016 Stephen E. Jankiewicz A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS DEPARTMENT OF ANTHROPOLOGY Thesis Advisor: Dr. Mark W. Mehrer ii ACKNOWLEDGEMENTS This project would not exist without the help and support of so many wonderful people. I am forever indebted to all of you. I would like to first thank my advisor Dr. -
November Artists of the Western Hemisphere: Precursors of Modernism 1860- 1930 Dr
1967 ● September – November Artists of the Western Hemisphere: Precursors of Modernism 1860- 1930 Dr. Atl (Gerardo Murillo), Juan Manuel Blanes, Humberto Causa, Joaquín Clausell, Maurice Gallbraith Cullen, Stuart Davis, Thomas Eakins, Pedro Figari, Juan Francisco González, Childe Hassam, Saturnino Herrán, Winslow Homer, George Inness, Francisco Laso, Martín Malharro, John Marin, Vicente do Rego Monteiro, James Wilson Morrice, José Clemente Orozco, Amelia Peláez, Emilio Pettoruti, José Guadalupe Posada, Maurice Brazil Prendergast, Armando Reverón, Diego Rivera, Julio Ruelas, Albert P. Ryder , Andrés de Santa María, Eduardo Sivori , Joseph Stella, Tarsila do Amaral, Tom Thomson, Joaquín Torres-García, José María Velasco Elyseu d’Angelo Visconti Curator: Stanton Loomis Catlin ● December 1967 – January 1968 Five Latin American Artists at Work in New York Julio Alpuy , Carmen Herrera, Fernando Maza, Rudolfo Mishaan, Ricardo Yrarrázaval Curator: Stanton Loomis Catlin 1968 ● February – March Pissarro in Venezuela Fritz George Melbye, Camille Pissarro Curator: Alfredo Boulton ● March – May Beyond Geometry: An Extension of Visual-Artistic Language in Our Time Ary Brizzi, Oscar Bony, David Lamelas, Lía Maisonave, Eduardo Mac Entyre, Gabriel Messil, César Paternosto, Alejandro Puente , Rogelio Polesello, Eduardo Rodríguez, Carlos Silva, María Simón, Miguel Angel Vidal Curator: Jorge Romero Brest ● May – June Minucode 1 Marta Minujín ● September From Cézanne to Miró1 Balthus (Balthazar Klossowski de Rola), Max Beckmann, Umberto Boccioni, Pierre Bonnard, -
After the Fire at the Church of La Compañia De Jesus, Quito, Ecuador
Article: After the fire at the Church of La Compañia de Jesus, Quito, Ecuador Author(s): Constance Stromberg Source: Objects Specialty Group Postprints, Volume Six, 1999 Pages: 112-133 Compilers: Virginia Greene and Emily Kaplan th © 2000 by The American Institute for Conservation of Historic & Artistic Works, 1156 15 Street NW, Suite 320, Washington, DC 20005. (202) 452-9545 www.conservation-us.org Under a licensing agreement, individual authors retain copyright to their work and extend publications rights to the American Institute for Conservation. Objects Specialty Group Postprints is published annually by the Objects Specialty Group (OSG) of the American Institute for Conservation of Historic & Artistic Works (AIC). A membership benefit of the Objects Specialty Group, Objects Specialty Group Postprints is mainly comprised of papers presented at OSG sessions at AIC Annual Meetings and is intended to inform and educate conservation-related disciplines. Papers presented in Objects Specialty Group Postprints, Volume Six, 1999 have been edited for clarity and content but have not undergone a formal process of peer review. This publication is primarily intended for the members of the Objects Specialty Group of the American Institute for Conservation of Historic & Artistic Works. Responsibility for the methods and materials described herein rests solely with the authors, whose articles should not be considered official statements of the OSG or the AIC. The OSG is an approved division of the AIC but does not necessarily represent the AIC policy or opinions. AFTER THE FIRE AT THE CHURCH OF LA COMPAÑIA DE JESUS, QUITO, ECUADOR Constance Stromberg Abstract La Compañía de Jesús is a high style Baroque church built between 1605 and 1767. -
Sorne Examples from Colombia, Peru and Argentina
Technical examination of ancient South American metals: Sorne examples from Colombia, Peru and Argentina DAVID A. SCOTT Left La Aguada style Abstract Th.is paper presents some metallurgical and teclmical studies of bronze cast plaque, ancient South American metal ob;ects from Colombia, Peru and Argentina. 84mm x 51 mm, dated to They are presented as fascinating representatives of disparate cultural tradi- about 650 AD - BSOAD, tions and different metalworking practices from the pre-Hispanic era. The from Argentina or Bolivia. first material wh.ich wil1 be discussed is a collection of copper and copper- Cast in a copper·tin- antimony alloy. Probably rich tumbaga alloy fragments from Colombia, representing several different cast by the lost-wax cultural areas, such as Nariño, Sin u, and Muisca. Later in the paper some process . very differem, but technically importam ob;ects, in gold, platinum, and sil- ver wil1 be examined from the Recua y and Huari cultural areas of Peru, and finally a bronze plaque, possibly from the La Aguada culture, Argentina or Bolivia. Acknowledgementli The author would hke to thank Resumen: Este articulo presenta algunos estudios metalúrgicos y técnicos Clemencia Pla2..:1 s for providmg de ob;etos procedemes de Colombia, Perú y Argentina. Estos artefactos son the fragments of copper alloys from Colombta wt11 ch made the representantes fascinantes de tradiciones culturales dispares y de diferentes analyucal study posstble. Thank.s prácticas metalúrgicas de la época preh.ispánica. El primer grupo de ob;etos are also due to Amko Bezur, que se discuten incluye fragmentos de artefactos de cobre y de tumbaga de Umvcrstty of Anzona, for readmg th e paper ¡n QuLtO and for Colombia, procedentes de varias regiones como Nariño, Sinú y Muisca. -
The Voyage of the Beagle
THE VOYAGE OF THE BEAGLE by Charles Darwin PREFACE I have stated in the preface to the first Edition of this work, and in the Zoology of the Voyage of the Beagle, that it was in consequence of a wish expressed by Captain Fitz Roy, of having some scientific person on board, accompanied by an offer from him of giving up part of his own accommodations, that I volunteered my services, which received, through the kindness of the hydrographer, Captain Beaufort, the sanction of the Lords of the Admiralty. As I feel that the opportunities which I enjoyed of studying the Natural History of the different countries we visited, have been wholly due to Captain Fitz Roy, I hope I may here be permitted to repeat my expression of gratitude to him; and to add that, during the five years we were together, I received from him the most cordial friendship and steady assistance. Both to Captain Fitz Roy and to all the Officers of the Beagle [1] I shall ever feel most thankful for the undeviating kindness with which I was treated during our long voyage. This volume contains, in the form of a Journal, a history of our voyage, and a sketch of those observations in Natural History and Geology, which I think will possess some interest for the general reader. I have in this edition largely condensed and corrected some parts, and have added a little to others, in order to render the volume more fitted for popular reading; but I trust that naturalists will remember, that they must refer for details to the larger publications which comprise the scientific results of the Expedition. -
Gold and Power in Ancient Costa Rica, Panama, and Colombia
This is an extract from: Gold and Power in Ancient Costa Rica, Panama, and Colombia Jeffrey Quilter and John W. Hoopes, Editors published by Dumbarton Oaks Research Library and Collection Washington, D.C. © 2003 Dumbarton Oaks Trustees for Harvard University Washington, D.C. Printed in the United States of America www.doaks.org/etexts.html GOLD AND POWER IN ANCIENT COSTA RICA, PANAMA, AND COLOMBIA GOLD AND POWER IN ANCIENT COSTA RICA, PANAMA, AND COLOMBIA A Symposium at Dumbarton Oaks 9 and 10 October 1999 Jeffrey Quilter and John W. Hoopes, Editors Dumbarton Oaks Research Library and Collection Washington, D.C. Copyright © 2003 Dumbarton Oaks Trustees for Harvard University, Washington, D.C. All rights reserved. Printed in the United States of America Frontispiece: King Antonio Saldaña of Talamanca wearing a necklace of tumbaga bird-effigy pendants. Detail of a portrait by S. Llorente, 1892. ©1992 National Museum of Costa Rica, Editorial Escudo de Oro, S.A. (Calvo Mora, Bonilla Vargas, and Sánchez Pérez, 1992) Cataloging-in-Publication Data for this volume is on file with the Library of Congress. ISBN 0-88402-294-3 Contents Map: Archaeological culture areas and contemporary states in southern Central America and Colombia vii Chronological Chart: Prehistoric Costa Rica and Panama viii Chronological Chart: Prehistoric Colombia ix Introduction: The Golden Bridge of the Daríen 1 Jeffrey Quilter “Catching the Light”: Technologies of Power and Enchantment in Pre-Columbian Goldworking 15 Nicholas J. Saunders Goldwork and Chibchan Identity: Endogenous Change and Diffuse Unity in the Isthmo-Colombian Area 49 John W. Hoopes and Oscar M. Fonseca Z. -
The Indigenous Capilla De Cantuña: the Catholic Temple of The
Tulane Undergraduate Research Journal | Volume III (2021) The Indigenous Capilla de Cantuña: The Catholic Temple of The Sun Kevin Torres-Spicer Cal Poly Pomona, Pomona, California, USA ⚜ Abstract The Cantuña chapel within the St. Francis complex in Quito, Ecuador, was one of the first Catholic structures built in this region after the Spanish conquest in the sixteenth century. The chapel holds the name of its presumed native builder, Cantuña. However, a strong connection to the Incan sun deity, Inti, persists on this site. According to common belief and Spanish accounts, the Franciscan monks decided to build their religious complex on top of the palace temple of the Incan ruler, whom the natives believed to be Inti's incarnation. In this research, I examined vital components of the Capilla de Cantuña, such as the gilded altarpiece. I argue that the chapel acts as an Indigenous monument through the Cara, Inca, and Spanish conquests by preserving an aspect of native culture in a material format that transcends time. Most importantly, because the Cantuña chapel remains the least altered viceregal church in the region, it is a valuable testament to the various conquests and religious conversions of the Kingdom of Quito. Introduction wealth and discoveries back to Europe. 1 According to the Spanish Franciscans, a The Spanish conquest brought mendicant Catholic order which carried out Catholicism to the New World and took the evangelization of the Indigenous 1 Mark A. Burkholder and Lyman L. Johnson, Colonial Latin America (New York: Oxford University Press, 2001), 37-43. Newcomb-Tulane College | 36 Tulane Undergraduate Research Journal | Volume III (2021) populations of the continent, the disastrous Scholarship often overlooks the previous results of the conquest were necessary for the ethnic communities since the Inca were the salvation of Indigenous souls.2 The Capilla group in charge during the Spanish arrival. -
Loób and Kapwa Thomas Aquinas and a Filipino Virtue Ethics
KU Leuven Humanities and Social Sciences Group Institute of Philosophy LOÓB AND KAPWA THOMAS AQUINAS AND A FILIPINO VIRTUE ETHICS Jeremiah REYES Supervisors: Prof. R. Friedman Prof. R. Pe-Pua Dissertation presented in partial fulfilment of the requirements for the degree of Doctor in Philosophy September 2015 For my father and his unfailing love and support Acknowledgements I would like to thank my promotor, Prof. Russell Friedman, for his invaluable guidance and encouragement and for allowing me to pursue this topic under the auspices of the De Wulf-Mansion Centre for Medieval and Renaissance Philosophy. I would like to thank my co-promotor, Prof. Rogelia Pe-Pua, of the University of New South Wales for her careful corrections and for helping me be more grounded in the Sikolohiyang Pilipino (Filipino Psychology) movement. I thank the Katholieke Universiteit Leuven for providing the IRO Scholarship, which has generously allowed me and many others like me from developing countries to pursue an enriching and life-changing education in Europe. I would like to thank Mr. Edmundo Guzman of the International Admissions and Mobility unit for his assistance since the beginning of my program. I thank retired professor James Op ‘t Eynde for patiently teaching me Latin. I would like to thank all my mentors and colleagues in the University of the Philippines, Diliman. I especially thank those who have each contributed something special to my philosophical education: Prof. Ciriaco Sayson, Prof. Liza Ruth Ocampo, Prof. Earl Stanley Fronda, Prof. Leonardo de Castro, and Prof. Allen Alvarez. From the Ateneo de Manila University, I would like thank Prof. -
The Deterioration of Gold Alloys and Some Aspects of Their Conservation Author(S): David A
The Deterioration of Gold Alloys and Some Aspects of Their Conservation Author(s): David A. Scott Source: Studies in Conservation , Nov., 1983, Vol. 28, No. 4 (Nov., 1983), pp. 194-203 Published by: Taylor & Francis, Ltd. on behalf of the International Institute for Conservation of Historic and Artistic Works Stable URL: http://www.jstor.com/stable/1505967 REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.com/stable/1505967?seq=1&cid=pdf- reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Taylor & Francis, Ltd. and International Institute for Conservation of Historic and Artistic Works are collaborating with JSTOR to digitize, preserve and extend access to Studies in Conservation This content downloaded from 128.194.18.45 on Thu, 18 Jun 2020 14:47:09 UTC All use subject to https://about.jstor.org/terms THE DETERIORATION OF GOLD ALLOYS AND SOME ASPECTS OF THEIR CONSERVATION David A. Scott Abstract-The different ways in which gold alloys wide can occurrence, both for the production of coinage deteriorate are described. The principal alloys discussed and for a variety of decorative metalwork [7]. -
Murals and the Development of Merchant Activity at Chichen Itza
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2005-10-04 Murals and the Development of Merchant Activity at Chichen Itza De Luna Lucha Aztzin Martinez Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Anthropology Commons BYU ScholarsArchive Citation Martinez, De Luna Lucha Aztzin, "Murals and the Development of Merchant Activity at Chichen Itza" (2005). Theses and Dissertations. 674. https://scholarsarchive.byu.edu/etd/674 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. MURALS AND THE DEVELOPMENT OF MERCHANT ACTIVITY AT CHICHEN ITZA by Lucha Aztzin Martinez de Luna A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Masters of Arts Department of Anthropology Brigham Young University December 2005 Copyright © 2005 Lucha Aztzin Martinez de Luna All Rights Reserved BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Lucha Aztzin Martinez de Luna This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. _______________________ __________________________________ Date Donald W. Forsyth, Chair ________________________ ___________________________________