Jerome's Women Creating Identity and Fashioning Scholars
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Sedevacantists and Una Cum Masses
Dedicated to Patrick Henry Omlor The Grain of Incense: Sedevacantists and Una Cum Masses — Rev. Anthony Cekada — www.traditionalmass.org Should we assist at traditional Masses offered “together with Thy servant Benedict, our Pope”? articulate any theological reasons or arguments for “Do not allow your tongue to give utterance to what your heart knows is not true.… To say Amen is to what he does. subscribe to the truth.” He has read or heard the stories of countless early — St. Augustine, on the Canon martyrs who chose horrible deaths, rather than offer even one grain of incense in tribute to the false, ecu- “Our charity is untruthful because it is not severe; menical religion of the Roman emperor. So better to and it is unpersuasive, because it is not truthful… Where there is no hatred of heresy, there is no holi- avoid altogether the Masses of priests who, through ness.” the una cum, offer a grain of incense to the heresiarch — Father Faber, The Precious Blood Ratzinger and his false ecumenical religion… In many parts of the world, however, the only tra- IN OUR LIVES as traditional Catholics, we make many ditional Latin Mass available may be one offered by a judgments that must inevitably produce logical conse- priest (Motu, SSPX or independent) who puts the false quences in our actual religious practice. The earliest pope’s name in the Canon. Faced with choosing this or that I remember making occurred at about age 14. Gui- nothing, a sedevacantist is then sometimes tempted to tar songs at Mass, I concluded, were irreverent. -
Byzantine Missionaries, Foreign Rulers, and Christian Narratives (Ca
Conversion and Empire: Byzantine Missionaries, Foreign Rulers, and Christian Narratives (ca. 300-900) by Alexander Borislavov Angelov A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2011 Doctoral Committee: Professor John V.A. Fine, Jr., Chair Professor Emeritus H. Don Cameron Professor Paul Christopher Johnson Professor Raymond H. Van Dam Associate Professor Diane Owen Hughes © Alexander Borislavov Angelov 2011 To my mother Irina with all my love and gratitude ii Acknowledgements To put in words deepest feelings of gratitude to so many people and for so many things is to reflect on various encounters and influences. In a sense, it is to sketch out a singular narrative but of many personal “conversions.” So now, being here, I am looking back, and it all seems so clear and obvious. But, it is the historian in me that realizes best the numerous situations, emotions, and dilemmas that brought me where I am. I feel so profoundly thankful for a journey that even I, obsessed with planning, could not have fully anticipated. In a final analysis, as my dissertation grew so did I, but neither could have become better without the presence of the people or the institutions that I feel so fortunate to be able to acknowledge here. At the University of Michigan, I first thank my mentor John Fine for his tremendous academic support over the years, for his friendship always present when most needed, and for best illustrating to me how true knowledge does in fact produce better humanity. -
Antiquarian, Modern & Private Press Books
Blackwell rare books ANTIQUARIAN, MODERN & PRIVATE PRESS BOOKS CATALOGUE B 166 Blackwell Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
Anatomy of Melancholy by Democritus Junior
THE ANATOMY OF MELANCHOLY WHAT IT IS WITH ALL THE KINDS, CAUSES, SYMPTOMS, PROGNOSTICS, AND SEVERAL CURES OF IT IN THREE PARTITIONS; WITH THEIR SEVERAL SECTIONS, MEMBERS, AND SUBSECTIONS, PHILOSOPHICALLY, MEDICINALLY, HISTORICALLY OPENED AND CUT UP BY DEMOCRITUS JUNIOR [ROBERT BURTON] WITH A SATIRICAL PREFACE, CONDUCING TO THE FOLLOWING DISCOURSE PART 2 – The Cure of Melancholy Published by the Ex-classics Project, 2009 http://www.exclassics.com Public Domain CONTENTS THE SYNOPSIS OF THE SECOND PARTITION............................................................... 4 THE SECOND PARTITION. THE CURE OF MELANCHOLY. .............................................. 13 THE FIRST SECTION, MEMBER, SUBSECTION. Unlawful Cures rejected.......................... 13 MEMB. II. Lawful Cures, first from God. .................................................................................... 16 MEMB. III. Whether it be lawful to seek to Saints for Aid in this Disease. ................................ 18 MEMB. IV. SUBSECT. I.--Physician, Patient, Physic. ............................................................... 21 SUBSECT. II.--Concerning the Patient........................................................................................ 23 SUBSECT. III.--Concerning Physic............................................................................................. 26 SECT. II. MEMB. I....................................................................................................................... 27 SUBSECT. I.--Diet rectified in substance................................................................................... -
Constantine the Great and Christian Imperial Theocracy Charles Matson Odahl Boise State University
Boise State University ScholarWorks History Faculty Publications and Presentations Department of History 1-1-2007 Constantine the Great and Christian Imperial Theocracy Charles Matson Odahl Boise State University Publication Information Odahl, Charles Matson. (2007). "Constantine the Great and Christian Imperial Theocracy". Connections: European Studies Annual Review, 3, 89-113. This document was originally published in Connections: European Studies Annual Review by Rocky Mountain European Scholars Consortium. Copyright restrictions may apply. Coda: Recovering Constantine's European Legacy 111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 Constantine the Great and Christian Imperial Theocracy Charles Matson Odahl, Boise State University1 rom his Christian conversion under the influence of cept of imperial theocracy was conveyed in contemporary art Frevelatory experiences outside Rome in A.D. 312 until (Illustration I). his burial as the thirteenth Apostle at Constantinople in Although Constantine had been raised as a tolerant 337, Constantine the Great, pagan polytheist and had the first Christian emperor propagated several Olympian of the Roman world, initiated divinities, particularly Jupiter, the role of and set the model Hercules, Mars, and Sol, as for Christian imperial theoc di vine patrons during the early racy. Through his relationship years of his reign as emperor -
Selections from the Correspondence of The
.. SELECTIONS FROM THE CORRESPONDENCE OF THE FIRST LORD ACTON ~ 1 'I A FRIEND sends me La l·'lanare LibCrale of Ghent for August 21st, with this article marked in heavy blue pencil. I publish it without any comment whatever. ," "CATHOLIC TOLERANCE /~ / }' :?£, "The punishment of death for heretics. ' "Fr. Lcpicia, professor of theology at the College of Prop- . aganda in Rome, is the author of a text-book in common use by the future priests who study at Rome. The book is entitled: Ooncerning the Stability ana the Proorese 01 Dogma. It was reissued with augmentations in 1910. A new edition has just appeared, bearing the approbation of high Church authorities. And here is what one reads on page 103: "'Q. Can heretics be tolerated, and if so, on what condi- tions?' "'A. As soon as one proclaims in public a heretical doc- trine, and tries to corrupt others by words or example, he can not only be excommunicated (to speak abstractly) but he ought to be killed, in all justice, to the end that he may not corrupt I a very great number by contamination. For a bad man is worse than a wild beast, and he docs more harm, as Aristotle says t (Ethic8 I, vil, in fine). So as it is not evil to kill a noxious beast of the forest, it is good to take away the life of a heretic who denies divine truth and hinders the salvation of others.' "And on page 200 this sentence is to be found: "'To the Church returns, in truth, the right of pronouncing sentence of death against heretics.' Who then can say that the Roman Catholic Church is becoming more tolerant? Nunc erudimini/" '00.-- __ > _ i, ~-.... -
Harvard Theological Review King John and the Norman Church
Harvard Theological Review http://journals.cambridge.org/HTR Additional services for Harvard Theological Review: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here King John and the Norman Church Sidney R. Packard Harvard Theological Review / Volume 15 / Issue 01 / January 1922, pp 15 - 40 DOI: 10.1017/S0017816000001383, Published online: 03 November 2011 Link to this article: http://journals.cambridge.org/ abstract_S0017816000001383 How to cite this article: Sidney R. Packard (1922). King John and the Norman Church. Harvard Theological Review, 15, pp 15-40 doi:10.1017/ S0017816000001383 Request Permissions : Click here Downloaded from http://journals.cambridge.org/HTR, IP address: 61.129.42.30 on 03 May 2015 KING JOHN AND THE NORMAN CHURCH SIDNEY R. PACKARD SMITH COLLEGE No one has ever really doubted the oft-asserted theory that no part of the middle ages can be studied apart from the Chris- tian Church. All-embracing in its influence from the fall of Rome to the Reformation, it is generally conceded to have reached its zenith during the pontificate of Innocent III, not only because of the perfection of its organization at that time but also by reason of its readiness under his leadership to take issue with any or all of the secular powers of Europe over a variety of questions which, in only too many instances, had little obvious connection with the Christian faith. Its ambi- tions were large but, by methods which were sometimes un- scrupulous, they were almost always realized. At the beginning of the thirteenth century, northwestern Europe was still deeply engrossed in the century-old struggle between France and England for the control of the English lands in France. -
Scrolls of Love Ruth and the Song of Songs Scrolls of Love
Edited by Peter S. Hawkins and Lesleigh Cushing Stahlberg Scrolls of Love ruth and the song of songs Scrolls of Love ................. 16151$ $$FM 10-13-06 10:48:57 PS PAGE i ................. 16151$ $$FM 10-13-06 10:48:57 PS PAGE ii Scrolls of Love reading ruth and the song of songs Edited by Peter S. Hawkins and Lesleigh Cushing Stahlberg FORDHAM UNIVERSITY PRESS New York / 2006 ................. 16151$ $$FM 10-13-06 10:49:01 PS PAGE iii Copyright ᭧ 2006 Fordham University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, me- chanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Scrolls of love : reading Ruth and the Song of songs / edited by Peter S. Hawkins and Lesleigh Cushing Stahlberg.—1st ed. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8232-2571-2 (cloth : alk. paper) ISBN-10: 0-8232-2571-2 (cloth : alk. paper) ISBN-13: 978-0-8232-2526-2 (pbk. : alk. paper) ISBN-10: 0-8232-2526-7 (pbk. : alk. paper) 1. Bible. O.T. Ruth—Criticism interpretation, etc. 2. Bible. O.T. Song of Solomon—Criticism, interpretation, etc. I. Hawkins, Peter S. II. Stahlberg, Lesleigh Cushing. BS1315.52.S37 2006 222Ј.3506—dc22 2006029474 Printed in the United States of America 08 07 06 5 4 3 2 1 First edition ................. 16151$ $$FM 10-13-06 10:49:01 PS PAGE iv For John Clayton (1943–2003), mentor and friend ................ -
The Aquitanian Sacred Repertoire in Its Cultural Context
THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, IN HOC ANNI CIRCULO, AND CANTUMIRO SUMMA LAUDE by ANDREA ROSE RECEK A THESIS Presented to the School ofMusic and Dance and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master of Arts September 2008 11 "The Aquitanian Sacred Repertoire in Its Cultural Context: An Examination ofPetri clavigeri kari, In hoc anni circulo, and Cantu miro summa laude," a thesis prepared by Andrea Rose Recek in partial fulfillment ofthe requirements for the Master ofArts degree in the School ofMusic and Dance. This thesis has been approved and accepted by: Dr. Lori Kruckenberg, Chair ofth xamining Committee Committee in Charge: Dr. Lori Kruckenberg, Chair Dr. Marc Vanscheeuwijck Dr. Marian Smith Accepted by: Dean ofthe Graduate School 111 © 2008 Andrea Rose Recek IV An Abstract ofthe Thesis of Andrea Rose Recek for the degree of Master ofArts in the School ofMusic and Dance to be taken September 2008 Title: THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, INHOC ANNI CIRCULO, AND CANTU MIRa SUMMA LAUDE Approved: ~~ _ Lori Kruckenberg Medieval Aquitaine was a vibrant region in terms of its politics, religion, and culture, and these interrelated aspects oflife created a fertile environment for musical production. A rich manuscript tradition has facilitated numerous studies ofAquitanian sacred music, but to date most previous research has focused on one particular facet of the repertoire, often in isolation from its cultural context. This study seeks to view Aquitanian musical culture through several intersecting sacred and secular concerns and to relate the various musical traditions to the region's broader societal forces. -
Imperial Authority and the Providence of Monotheism in Orosius's Historiae Adversus Paganos
Imperial Authority and the Providence of Monotheism in Orosius’s Historiae adversus paganos Victoria Leonard B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of History, Archaeology, and Religion Cardiff University August 2014 ii Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………… (candidate) Date………………………… iii Cover Illustration An image of an initial 'P' with a man, thought to be Orosius, holding a book. Acanthus leaves extend into the margins. On the same original manuscript page (f. 7) there is an image of a roundel enclosing arms in the lower margin. -
Sacred Music and Female Exemplarity in Late Medieval Britain
UNIVERSITY OF CALIFORNIA Los Angeles The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Gillian Lucinda Gower 2016 © Copyright by Gillian Lucinda Gower 2016 ABSTRACT OF THE DISSERTATION The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain by Gillian Lucinda Gower Doctor of Philosophy in Musicology University of California, Los Angeles, 2016 Professor Elizabeth Randell Upton, Chair This dissertation investigates the relational, representative, and most importantly, constitutive functions of sacred music composed on behalf of and at the behest of British queen- consorts during the later Middle Ages. I argue that the sequences, conductus, and motets discussed herein were composed with the express purpose of constituting and reifying normative gender roles for medieval queen-consorts. Although not every paraliturgical work in the English ii repertory may be classified as such, I argue that those works that feature female exemplars— model women who exemplified the traits, behaviors, and beliefs desired by the medieval Christian hegemony—should be reassessed in light of their historical and cultural moments. These liminal works, neither liturgical nor secular in tone, operate similarly to visual icons in order to create vivid images of exemplary women saints or Biblical figures to which queen- consorts were both implicitly as well as explicitly compared. The Iconography of Queenship is organized into four chapters, each of which examines an occasional musical work and seeks to situate it within its own unique historical moment. In addition, each chapter poses a specific historiographical problem and seeks to answer it through an analysis of the occasional work. -
THE INTERPRETATION of THEBAN MYTHS in LATE MEDIAEVAL LITERATURE David Anderson for Richard Hamilton Green
MYTHOGRAPHY OR HISTORIOGRAPHY? THE INTERPRETATION OF THEBAN MYTHS IN LATE MEDIAEVAL LITERATURE David Anderson For Richard Hamilton Green The modern term "classical myth" covers a range of legendary subjects which mediaeval writers commonly distinguished as tabula or historia; or, with the addition of a third term, as 1) things which could have happened and did happen (historia); 2) things which could have happened but did not (argumentum) ; and 3) things which could not have happened and did not happen, such as the preposterous high jinks of the pagan gods (fabula).* Though the mediaeval Latin word historia and the derivative loan-words in vernacular languages, such as Middle English "storie," do not correspond exactly to the meaning of Modern English "history," they stood always and clearly in contrast to fabula, which denoted a lie, a falsehood. By the fourteenth century, writers were using this pair of terms with the informality accorded an unquestioned convention. In one well-known example, Chaucer's Physician remarks that the tale of Appius and Virginia "is no fable, / but knowen for historial thyng notable" (154-55); and in another, Boccaccio distinguishes the fabulous from the historical characters and events in Vergil's Aeneid, book 4 (Genealogie 14.13). Accounts of the "myths" of the ancient cities of Thebes and Troy often focussed on the question of fabulous and historical elements in the received sources: Guido delle Colonne, for one, sets it as his task to "separate the true from the false among the things which were written of [Trojan] history in Latin 2 books," an assertion which John Lydgate translates and expands in the prologue to his Troy Book.