University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations April 2020 The Performativity of Indigenous Protest: Vernon Bellecourt and the First Encounters Exhibition Robert Olive Little Jackson University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History Commons, Indigenous Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Little Jackson, Robert Olive, "The Performativity of Indigenous Protest: Vernon Bellecourt and the First Encounters Exhibition" (2020). Theses and Dissertations. 2547. https://dc.uwm.edu/etd/2547 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact
[email protected]. THE PERFORMATIVITY OF INDIGENOUS PROTEST: VERNON BELLECOURT AND THE FIRST ENCOUNTERS EXHIBITION by Robert Olive Little Jackson A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at the University of Wisconsin-Milwaukee May 2020 ABSTRACT THE PERFORMATIVITY OF INDIGENOUS PROTEST: VERNON BELLECOURT AND THE FIRST ENCOUNTERS EXHIBITION by Robert Olive Little Jackson The University of Wisconsin-Milwaukee, 2020 Under the Supervision of Professors Jennifer Johung and David Pacifico At the Science Museum in St. Paul, Minnesota, Vernon Bellecourt of the American Indian Movement came to protest the arrival of the First Encounters: Spanish Explorations in the Caribbean and the United States: 1492-1570. To Bellecourt, the false narrative of Indigenous peoples represented the reality of the Columbus narrative that all indigenous peoples suffer from today.