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Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Lakeshore Entertainment, the Solution Entertainment Group, Qed International, Gfm and Arclight Among the Latest Leading Sales Agents to Join Rightstrade Marketplace
LAKESHORE ENTERTAINMENT, THE SOLUTION ENTERTAINMENT GROUP, QED INTERNATIONAL, GFM AND ARCLIGHT AMONG THE LATEST LEADING SALES AGENTS TO JOIN RIGHTSTRADE MARKETPLACE Cannes, France, May 2015 – RightsTrade, the leading online global marketplace for film and television rights, has closed deals with leading film sales companies Lakeshore Entertainment, The Solution Entertainment Group, QED International, GFM and Arclight to utilize its sales and screening platform. Other recent signings also include Altitude Films, Inception Media, Mongrel Media, and Electric Entertainment. “The addition of these leading sales agents immediately adds over 200 high quality titles to the RightsTrade marketplace. The velocity with which we are adding new clients, as well as last month’s recognition by MIPTV as “Best B2B Startup in the TV and Online Video Industry” are terrific validation that the market has embraced RightsTrade’s next-generation toolkit for content licensing. We are looking forward to speeding up the steps in the licensing process from screening to signature, so that our clients can close more deals, faster,” said RightsTrade CEO Steven Polster. “The RightsTrade platform facilitates our licensing efforts by providing our team with unparalleled screening and sales features. It is simple to use and yet offers all the analytics and security options that we could envision,” said Laura Austin-Little, Head of International Sales of Lakeshore. “From sending and tracking secure screeners to streamlining deals, RightsTrade has the potential to become the Airbnb of content licensing,” said Lisa Wilson, Co-Founder and Partner of The Solution Entertainment Group. “We are looking forward to making the most of their powerful platform to boost our sales.” “RightsTrade is a remarkable selling tool, that enables us to do our job, faster, more efficiently and with the confidence of security,” said Clay Epstein, SVP Sales & Acquisition of Arclight Films. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Final Copy 2020 06 23 Niu
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Niu, Muqun Title: Digital visual effects in contemporary Hollywood cinema aesthetics, networks and transnational practice General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Niu, Muqun Title: DIGITAL VISUAL EFFECTS IN CONTEMPORARY HOLLYWOOD CINEMA AESTHETICS, NETWORKS AND TRANSNATIONAL PRACTICE General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. -
FERGUSON, Scott
SCOTT FERGUSON PRODUCER/UPM New York Based DGA SUCCESSION (Seasons 2-3) HBO Prod: Jesse Armstrong, Will Ferrell Dir: Various (Executive Producer) Adam McKay, Frank Rich *2020 Critics’ Choice Award Winner – Best Drama Series *2020 Golden Globe Winner – Best Television Series, Drama *2020 PGA Nomination for Outstanding Producer of Episodic Television – Drama LOOMING TOWER (Mini-Series) Legendary Pictures/ Prod: Dan Futterman, Alex Gibney Dir: Various (Co-Executive Producer) Hulu Peter Feldman REBEL IN THE RYE Black Label Media Prod: Molly Smith, Bruce Cohen Dir: Danny Strong (Executive Producer/UPM) ALL THE WAY (Producer/UPM) HBO Films Prod: Steven Spielberg, Bryan Cranston Dir: Jay Roach *2016 Emmy Nomination for Outstanding Television Movie THE NIGHT OF (Mini Series) (Producer/UPM) HBO Prod: Steve Zailian, Jane Tranter Dir: Steven Zaillian *3 Time Nominee for the 2017 Golden Globes THE NORMAL HEART (Producer/UPM) HBO Films Prod: Ryan Murphy, Brad Pitt Dir: Ryan Murphy *2015 PGA Stanley Kramer Award Dante Di Loreto *2015 PGA Nomination – Outstanding Producer of Long-Form Television *2014 Emmy Award – Outstanding Television Movie FADING GIGOLO (Executive Producer/UPM) QED International Prod: Jeffrey Kusama-Hinte, Paul Hanson Dir: John Turturro ONLY LOVERS LEFT ALIVE Recorded Picture Co. Prod: Stacey E. Smith, Reinhard Brundig Dir: Jim Jarmusch (US Line Producer/UPM) Jeremy Thomas *2013 Cannes Film Festival - Dramatic Competition MUHAMMAD ALI’S GREATEST FIGHT HBO Prod: Frank Doelger, Tracey Scoffield Dir: Stephen Frears (Producer/UPM) *2014 -
Beyond the Pink: (Post) Youth Iconography in Cinema
Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven. -
Joe Hutshing , A.C.E
(4/29/15) JOE HUTSHING , A.C.E. Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “ALOHA” Cameron Crowe Sony Pictures Scott Rudin New Regency Pictures Cameron Crowe “ROADIES” Cameron Crowe Showtime Cameron Crowe (Series) Bad Robot J.J. Abrams “METALLICA THROUGH THE Nimród Antal Picturehouse Charlotte Huggins NEVER” Entertainment “SAVAGES”* Oliver Stone Relativity Media Moritz Borman Universal Pictures Eric Kopeloff "WE BOUGHT A ZOO" Cameron Crowe 20 th Century Fox Cameron Crowe (Additional Editor) Dune Entertainment Julie Yorn Rick Yorn "THE TOURIST"* Florian Henckel von GK Films Graham King Donnersmarck Spyglass Entertainment Tim Headington Columbia Pictures Gary Barber "IT’S COMPLICATED”* Nancy Meyers Universal Pictures Nancy Meyers Nomination: American Cinema Editors (ACE) Eddie Award Scott Rudin Productions Scott Rudin "W."* Oliver Stone Lionsgate Moritz Borman QED International Eric Kopeloff "LIONS FOR LAMBS" Robert Redford MGM Robert Redford United Artists Tracy Falco "THE HOLIDAY" Nancy Meyers Columbia Pictures Nancy Meyers Universal Pictures Bruce A. Block “THE SKELETON KEY” Iain Softley Universal Pictures Daniel Bobker Michael Shamberg Stacey Sher "SOMETHING’S GOTTA GIVE" Nancy Meyers Columbia Pictures Nancy Meyers Warner Bros. Pictures Bruce A. Block "VANILLA SKY"* Cameron Crowe Paramount Pictures Cameron Crowe Summit Entertainment Tom Cruise Paula Wagner “LIVE FROM BAGHDAD” Mick Jackson HBO Films George W. Perkins (TV movie) Industry Entertainment Winner: Emmy Award for Outstanding Editing Nomination: American Cinema Editors (ACE) Eddie Award "ALMOST FAMOUS”* Cameron Crowe Columbia Pictures Cameron Crowe Nomination: Academy Award for Best Film Editing DreamWorks SKG Ian Bryce Winner: American Cinema Editors (ACE) Eddie Award (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (4/29/15) JOE HUTSHING , A.C.E. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Programming Assignment # 2
Programming Assignment # 2 In this assignment, you will create a software program that shows a particular statistics requested by a user. The program will be developed in Python language using PyCharm IDE (preferred). The data presented in this assignment is taken from The Movies Dataset1 made available by Rounak Banik on Kaggle – which is an online community of data scientists. These files contain metadata for about 45,000 movies released on or before July 2017. Some information about movies in production or planned is given as well. We will use a file named movies_metadata from this dataset that contains information on the following: 1) adult: TRUE/FALSE 2) genres: Zero or multiple genres. It can be considered as a list of dictionaries in Python. E.g. [{'id': 80, 'name': 'Crime'}, {'id': 35, 'name': 'Comedy'}] 3) id: ID of the movie in this dataset. 4) Imdb_id: ID of the movie as assigned by IMDB 5) Original_language: Original language of movie as given by two letter code (e.g. es for Spanish) 6) Original_title: Original title of the movie 7) Popularity: Some value showing popularity of the movie – higher is better 8) Production_companies: Dictionary list containing names of production companies. E.g. [{'name': 'Universal Pictures', 'id': 33}, {'name': 'Largo Entertainment', 'id': 1644}, {'name': 'JVC Entertainment Networks', 'id': 4248}] 9) Production_countries: Dictionary list containing names of production countires. E.g. [{'iso_3166_1': 'US', 'name': 'United States of America'}] 10) Release_date: Date of release in MM/DD/YYYY format -
50Womencan Bios
THE COHORT BIOS THE COHORT Aisling Chin-Yee Aisling Chin-Yee is an award winning producer, writer, and director based in Montreal, Canada. Working closely with writers and directors with unique, unapologetic visions in both feature films and documentaries from around the world. She began her production career as an associate producer at the National Film Board of Canada in 2006, joined Prospector Films as producer and director in 2010. Aisling founded Fluent Films in early 2016. She co-created, alongside actor Mia Kirshner, #AfterMeToo, a symposium, series and report that analyzes the issue of sexual misconduct in the entertainment industry. She produced the short films, Three Mothers (2008), The Color of Beauty (2010) Sorry, Rabbi (2011). In 2013 she produced the award winning feature film, Rhymes for Young Ghouls, which was a TIFF Top 10 film, and won Best Director at the Vancouver International Film Festival, as well as the award-winning feature documentary Last Woman Standing that same year. 2014 marked her year as writer and director with the short film, Sound Asleep that Canada brought to the Cannes Film Market and premiered at Lucerne International Film Festival. In 2015, she directed the multi-award winning documentary Synesthesia and produced the gritty urban drama, The Saver that released in Spring 2016.Aisling produced the US series and feature, Lost Generation, with LA based company New Form Digital starring Katie Findlay (How to Get Away with Murder, Man Seeking Woman), Callum Worthy, and Melissa O'Neil, that hit VOD platforms autumn 2016 across North America. With Prospector Films, she produced the documentary Inside these Walls which released on CBC October 2016. -
The Future: the Fall and Rise of the British Film Industry in the 1980S
THE FALL AND RISE OF THE BRITISH FILM INDUSTRY IN THE 1980S AN INFORMATION BRIEFING National Library Back to the Future the fall and rise of the British Film Industry in the 1980s an information briefing contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER SECTION I: REPORT Introduction . .1 Britain in the 1980s . .1 Production . .1 Exhibition . .3 TV and Film . .5 Video . .7 “Video Nasties” & Regulation . .8 LEADING COMPANIES Merchant Ivory . .9 HandMade Films . .11 BFI Production Board . .12 Channel Four . .13 Goldcrest . .14 Palace Pictures . .15 Bibliography . .17 SECTION II: STATISTICS NOTES TO TABLE . .18 TABLE: UK FILM PRODUCTIONS 1980 - 1990 . .19 Written and Researched by: Phil Wickham Erinna Mettler Additional Research by: Elena Marcarini Design/Layout: Ian O’Sullivan © 2005 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-108-4 Phil Wickham is an Information Officer in the Information Services of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler worked as an Information Officer in the Information Services of the BFI National Library from 1990 – 2004. Ian O’Sullivan is also an Information Officer in the Information Services of the BFI National Library and has designed a number of publications for the BFI. Elena Marcarini has worked as an Information Officer in the Information Services Unit of the BFI National Library. The opinions contained within this Information Briefing are those of the authors and are not expressed on behalf of the British Film Institute. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries.