Withnail & I: Everything You Ever Wanted to Know but Were Too Drunk
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“One of These Days I'm Going to Get Organiz-Ized”: Insomnia
“ONE OF THESE DAYS I’M GOING TO GET ORGANIZ-IZED”: INSOMNIA AS THE ARRHYTHMIC EXPERIENCE OF MODERNITY CRAIG MEADOWS A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN SOCIAL AND POLITICAL THOUGHT YORK UNIVERSITY TORONTO, ONTARIO October 2019 © Craig Meadows, 2019 Abstract The proliferation of insomnia and related discourses since the 1970s has produced an expanding moral economy of sleep. The discursive field of sleep has been defined by the production of biological assumptions of the nature of sleep in the sleep sciences, their distribution through clinical modes of hygienic and pharmacological intervention into disturbed sleep, and their popularization in media discourses of risk, suffering and management. My research begins by identifying the situation of sleep as a discursive object in the sleep sciences, which I contrast with experiential representations of insomnia in the film Withnail and I (1987). The purpose is to dislodge insomnia pathology and instead to understand it as an arrhythmic modality. What emerges in this discourse, however, is a romanticized notion of the discordant body unable to integrate to the rhythms of capital. I then examine the role of sleeplessness in the production of white masculine suffering in neoliberal capitalism through Taxi Driver (1976) and Fight Club (1999). In contrast to this privileged form of androcentric insomnia, I then turn to biographical accounts of insomnia by Gayle Greene and Patricia Morrisoe, who narrate the effects of sleeplessness and their gendered movements through consumer culture and clinical spaces in their attempts to restore what they understand to be natural sleep. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Budds Barns DVD List 2020
Budds Barns DVD list 2020 Listed will be the name of the dvd, the age rating and the length of the film/series. If you would like a dvd please ask. Name of film Age rating Length of film/series A christmas carol PG 92 minutes Airplane 15 84 minutes Aliens in the attic PG 82 minutes Alvin and the chipmunks U,G 1 hour and 15 minutes meet frankenstein “Am i bovvered?” The 15 6 hours and 40 minutes Catherine Tate show (series one and series two.) Ancient Egyptians n/a 52 minutes Tutankhamun. Angus, thongs and 12 96 minutes perfect snogging Animal Farm PG 90 minutes Annie U 86 minutes A private function 15 92 minutes A simple wish U 1 hour and 26 minutes Avatar 12 155 minutes Batman begins 12 134 minutes Brave PG 93 minutes Bride wars 12 85 minutes Casino 18 1 hour 57 minutes Casino Royale 12 2 hours 18 minutes (James Bond) Charade PG n/a Chariots of fire U 118 minutes Cinderella 2 dreams U 70 minutes come true Dark shadows 12 108 minutes Days that shook the world PG 59 minutes Days that shook the world 12 59 minutes Despicable me U/G 1 hour and 31 minutes Die Another Day 12 2 hours 7 minutes (James Bond) Dorian Gray 15 107 minutes Downton Abbey 12 6 hours 4 minutes (series 1) Dumbo U/G 61 minutes Fantasia U/G 119 minutes Fawlty Towers 12 370 minutes The complete collection remastered Ferris Bueller’s day off 15 99 minutes Finding Nemo U 96 minutes Football’s Greatest ever n/a 50 minutes matches. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2013 Amongst friends: the Australian cult film experience Renee Michelle Middlemost University of Wollongong Recommended Citation Middlemost, Renee Michelle, Amongst friends: the Australian cult film experience, Doctor of Philosophy thesis, School of Social Sciences, Media and Communication, University of Wollongong, 2013. http://ro.uow.edu.au/theses/4063 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Amongst Friends: The Australian Cult Film Experience A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY From UNIVERSITY OF WOLLONGONG By Renee Michelle MIDDLEMOST (B Arts (Honours) School of Social Sciences, Media and Communications Faculty of Law, Humanities and The Arts 2013 1 Certification I, Renee Michelle Middlemost, declare that this thesis, submitted in fulfillment of the requirements for the award of Doctor of Philosophy, in the Department of Social Sciences, Media and Communications, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Renee Middlemost December 2013 2 Table of Contents Title 1 Certification 2 Table of Contents 3 List of Special Names or Abbreviations 6 Abstract 7 Acknowledgements 8 Introduction -
Withnail & I: Everything You Ever Wanted to Know but Were Too
FREE WITHNAIL & I: EVERYTHING YOU EVER WANTED TO KNOW BUT WERE TOO DRUNK TO ASK PDF Thomas Hewitt-McManus | 124 pages | 20 Apr 2012 | Lulu.com | 9781411658219 | English | Morrisville, United States Withnail and I - Wikipedia Withnail and I is a British black comedy film written and directed by Bruce Robinson. Based on Robinson's life in London in the late s, the plot follows two unemployed young actors, Withnail and "I" portrayed by Richard E. Grant and Paul McGann who live in a squalid flat in Camden Town in while squandering their finances on alcohol. Needing a holiday, they obtain the key to a country cottage in the Lake District belonging to Withnail's lecherous gay uncle Monty and drive there. The weekend holiday proves less recuperative than they expected. Withnail and I was Grant's first film and launched him into a successful career. The film has tragic and comic elements particularly farce and is notable for its period music and many quotable lines. It has been described as "one of Britain's biggest cult films". The film depicts the lives and misadventures of two unemployed young actors in late London. They are the flamboyant alcoholic Withnail and "I" named "Marwood" in the published screenplay but not in the credits as his relatively more level- headed friend and the film's narrator. Withnail comes from a privileged background and sets the tone for the friendship. They live in a filthy Georgian flat in Camden Town. Their only company at the flat is the local drug dealer, Danny. The roommates squabble about housekeeping and leave to take a walk. -
Final Copy 2020 06 23 Niu
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Niu, Muqun Title: Digital visual effects in contemporary Hollywood cinema aesthetics, networks and transnational practice General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Niu, Muqun Title: DIGITAL VISUAL EFFECTS IN CONTEMPORARY HOLLYWOOD CINEMA AESTHETICS, NETWORKS AND TRANSNATIONAL PRACTICE General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. -
Beyond the Pink: (Post) Youth Iconography in Cinema
Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven. -
Above and Beyond Richard E Grant
Above and beyond richard e grant Above and Beyond is a four-hour miniseries aired by the Canadian Broadcasting Corporation on October 29 and 30, It stars Richard E. Grant, Plot · Cast · Production · Awards. According to Sue W, the two part tv mini- series of Above and Beyond is now available as a pre-order item on and The DVD Release. Above And Beyond. April TV mini series (Don Bennett). REG plays a real life pilot who pioneered and organised the supply of bomber planes to fly from. : Above and Beyond: Joss Ackland, Richard E. Grant, Jason Priestley, Kenneth Welsh, Robert Wisden, Robert Latimer, Jonathan Scarfe, Liane. Drama · True Story about the Atlantic Ferry Operation during World War II. Above and Beyond Poster. True Story about . Richard E. Grant Don Bennett (2. The World War II set romantic drama Above and Beyond concerns a Richard E. Grant and Jason Priestley star in this tale of love in the RAF. Starring: Llane Balaban, Jonathan Scarfe, Allan Hawco, Jason Priestly, Joss Ackland, Kenneth Welsh, Richard E Grant. ABOVE AND BEYOND - Complete Mini. Featuring a talented cast including Richard E. Grant (Gosford Park), Golden Globe nominee Jason Priestley (Beverly Hills, ), Emmy nominee Ken Welsh. The World War II set romantic drama Above and Beyond concerns a young man and Richard E. Grant and Jason Priestley star in this tale of love in the RAF. DOM HEMINGWAY, BBC Films, Richard Shepard. ABOUT TIME LOVE HURTS, Pageant Prod, Barra Grant ABOVE AND BEYOND, CBC, Sturla Gunnarsson. 42 Episode: "Richard E. Grant and " Himself Michael Parkinson Sherlock: of Bohemian Rhapsody Home Twins Farm Above Beyond and Dalziel Pascoe and. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Beatles History – Part Three: 1970-2008
BEATLES HISTORY – PART THREE: 1970-2008 The Solo Careers In September 1969, John Lennon told his musical partners at a business meeting that he was leaving The Beatles. It was decided that the split was to be kept secret until the group had secured a profitable new contract with EMI Records. In early 1970, The Beatles’ staff prepared the release of Let It Be, which had been recorded in January 1969. As George Martin had lost interest in the production, American producer Phil Spector was asked to turn The Beatles’ rough recordings into a valuable album. Spec- tor’s involvement, however, caused further friction between the band members, because Paul McCartney felt that Spector was ruining his song “The Long and Winding Road” with a lavish arrangement featuring an orchestra and a choir. In addition, the release of Let It Be collided with the release date of Paul McCartney’s first solo album, McCartney, which was scheduled for 10 April, 1970. The conflicts within the band finally reached their climax when the other Beatles ignored McCartney’s wish of removing Spector’s orchestral arrangement from the recording of his song. Consequently, Paul McCartney decided to inform the public that The Beatles had disbanded. The promotional copies of McCartney’s first album contained an interview, in which he stated that he did not want to work with The Beatles anymore, because of personal and musical dis- agreements. The release date of McCartney is therefore regarded as the date The Beatles broke up, although they legally existed as a band until 1976, when their contracts finally expired.