Observer & Eccentric INDEX Nometownimc Com JVJ J^ D I a Volume 39 • Number 65 Community Life
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Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. -
Desperate Housewives
Desperate Housewives Titre original Desperate Housewives Autres titres francophones Beautés désespérées Genre Comédie dramatique Créateur(s) Marc Cherry Musique Steve Jablonsky, Danny Elfman (2 épisodes) Pays d’origine États-Unis Chaîne d’origine ABC Nombre de saisons 5 Nombre d’épisodes 108 Durée 42 minutes Diffusion d’origine 3 octobre 2004 – en production (arrêt prévu en 2013)1 Desperate Housewives ou Beautés désespérées2 (Desperate Housewives en version originale) est un feuilleton télévisé américain créé par Charles Pratt Jr. et Marc Cherry et diffusé depuis le 3 octobre 2004 sur le réseau ABC. En Europe, le feuilleton est diffusé depuis le 8 septembre 2005 sur Canal+ (France), le 19 mai sur TSR1 (Suisse) et le 23 mai 2006 sur M6. En Belgique, la première saison a été diffusée à partir de novembre 2005 sur RTL-TVI puis BeTV a repris la série en proposant les épisodes inédits en avant-première (et avec quelques mois d'avance sur RTL-TVI saison 2, premier épisode le 12 novembre 2006). Depuis, les diffusions se suivent sur chaque chaîne francophone, (cf chaque saison pour voir les différentes diffusions : Liste des épisodes de Desperate Housewives). 1 Desperate Housewives jusqu'en 2013 ! 2La traduction littérale aurait pu être Ménagères désespérées ou littéralement Épouses au foyer désespérées. Synopsis Ce feuilleton met en scène le quotidien mouvementé de plusieurs femmes (parfois gagnées par le bovarysme). Susan Mayer, Lynette Scavo, Bree Van De Kamp, Gabrielle Solis, Edie Britt et depuis la Saison 4, Katherine Mayfair vivent dans la même ville Fairview, dans la rue Wisteria Lane. À travers le nom de cette ville se dégage le stéréotype parfaitement reconnaissable des banlieues proprettes des grandes villes américaines (celles des quartiers résidentiels des wasp ou de la middle class). -
Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances. -
Sondheim Puzzle
THEATRE Copyright Lighting &Sound America June 2010 http://www.lightingandsoundamerica.com/LSA.html THE SONDHEIM PUZZLE Assembling the pieces of Sondheim on Sondheim was a brain-teasing task By: David Barbour know what we’ll do/We’ll do a life and examining the pains, Stephen Sondheim was at the revue.” Show fans will recognize pleasures, and problems of writing for forefront of artists who reinvented the these lines from “Opening Doors,” the musical theatre. It’s filled with musical with a modernist sensibility. “Iin the Stephen Sondheim/George stimulating and/or revelatory nuggets What Picasso and cubism were to Furth musical Merrily We Roll Along . of information. A sequence combining painting, Sondheim is to the musical. They’re words that theatre people three totally different opening Sondheim on Sondheim helps to have taken to heart; ever since 1977’s numbers written for A Funny Thing explain why. Side by Side by Sondheim , revues Happened on the Way to the Forum Onstage, Sondheim on Sondheim based on the songwriter’s catalog opens a window on that show’s unfolds with such elegant simplicity have proliferated. Some, like Opening troubled out-of-town tryout. The that one might not guess that its Doors, are linked to events in juxtaposition of two closing numbers creation proved to be a brain-teasing Sondheim’s life; others, like Putting it from Company reveals how Sondheim challenge for the members of its Together and Marry Me a Little , place adjusted his work to fit changes in design team. In essence, they weren’t the songs in a loose narrative the show’s libretto. -
Atlantic News Photos by Liz Premo Reservations Are Reservations Required on on the Menu Will Be Pot Suggested Donation of $2 Will Donation Suggested Accepted
Dove 333 Central A GE P U. ATLANTICNEWS.COM VOL 34, NO 37 |SEPTEMBER 12, 2008 | ATLANTIC NEWS | PAGE 1APresor . O. S. J. P AID FOSTER & CO ostal Customer r, POS NH 03820 INSIDE: ted Standard TA ve. GE TV LISTINGS , IN & C. 16 VOICES Please Deliver Before FRIDAY, SEPTEMBER 12, 2008 Vol. 34 | No. 37 | 24 Pages Meals in motion Rockingham Nutrition and Meals on Wheels program celebrates 30 years of feeding Seacoast Seniors Cyan Magenta Yellow Black LUNCH BUNCH — Site workers prepare Meals on Wheels trays to deliver to local Senior Citizens. Pictured here are (from left) Site Director Betty Ash, volunteers Barbara Powers, Mabel Anderson and Janice Hood, and Assistant Site Director Kathie Bowen. — Atlantic News Photos by Liz Premo BY LIZ PREMO reservations now for Thurs- advance by calling the Rock- there was plenty of activity in ers, ready to be delivered by people are great.” ATLANTIC NEWS STAFF WRITER day, September 25 and enjoy ingham Nutrition and Meals the kitchen of one of the cen- a pair of drivers, Linda Davis According to Bowen, about ditor’s Note: This is a great hot meal at one of 13 on Wheels administrative ter’s multi-purpose rooms. and Evan Bates, who packed 60-70 meals per day are deliv- the first of two articles locations throughout Rocking- office at (603) 679-2201. Volunteers Barbara Pow- them into their cars. ered from their site Monday Eabout the Rockingham ham County. This year’s celebration is ers, Mabel Anderson and Janis Keeping it all in motion through Friday to Seniors and Nutrition and Meals on Wheels On the menu will be Pot a big one for those who keep Hood were busy dishing up were Site Manager Betty Ash shut-ins in Seabrook, Seabrook program, observing three decades Roast with Vegetable Gravy, Meals on Wheels in motion, steaming portions of beef stro- and Assistant Site Manager Beach, South Hampton and of service to the community. -
Atlantic News
Dove 333 Central A GE P U. ATLANTICNEWS.COM VOL 34, NO 20 |MAY 16, 2008 | ATLANTIC NEWS | PAGE 1APresor . O. S. J. P AID FOSTER & CO ostal Customer r, POS NH 03820 ted Standard INSIDE: TA ve. GE , IN HEALTH & C. WELLNESS TV LISTINGS Please Deliver Before FRIDAY, MAY 16, 2008 Vol. 34 | No. 20 | 24 Pages The moose is (not) loose ‘Forever Locked’ exhibit makes stop at Hampton Rec Fishing Derby Cyan Magenta Yellow Black BY LIZ PREMO It’s a first for the fishing in Hampton. Open to both that occurred near an early ATlaNTIC NEWS STAFF WRITER derby, which traditionally boys and girls in grades K- settlement known as Fowl- eople taking part in sees a pretty good turnout 8 from Hampton and North ertown, located in Gile State Hampton Rec’s annual from the community and Hampton, the fishing derby Forest, Springfield, NH. It PFishing Derby this lots of lines cast, often under provides an opportunity for portrays two bull moose that weekend will be seeing more sprinkling spring skies. aspiring anglers (often joined permanently locked antlers than fine finned friends near “It's nice to add something by their families) to reel in while dueling, causing their the banks of Batchelder Pond. to the event that people may what could end up being deaths.” They’ll be seeing moose. not have seen before,” says prize-winning fish. Wimsatt adds that the 1998 MERCURY Big, furry, life-sized ones. Of Hampton Rec Program Coor- This weekend, with the display, owned by the non- the huge antlered variety. -
Desperate Housewives, Miroir Tendu Au(X) Féminisme(S) Américain(S) ?
UNIVERSITÉ FRANÇOIS - RABELAIS DE TOURS ÉCOLE DOCTORALE SCIENCES DE L’HOMME ET DE LA SOCIÉTÉ GROUPE DE RECHERCHE ANGLO-AMÉRICAINE DE TOURS (GRAAT) THÈSE présentée par : Virginie MARCUCCI soutenue le : 27 novembre 2010 pour obtenir le grade de : Docteur de l’Université François - Rabelais Discipline/ Spécialité : Anglais/Civilisation américaine DESPERATE HOUSEWIVES, MIROIR TENDU AU(X) FÉMINISME(S) AMÉRICAIN(S) ? THÈSE dirigée par : M. GUILBERT, Georges-Claude Professeur des Universités, Université François – Rabelais - Tours RAPPORTEURS : Mme ANDREOLLE, Donna Professeur des Universités, Université Stendhal Grenoble III Mme FILLARD, Claudette Professeur des Universités, Université Lumière Lyon II JURY : Mme ANDREOLLE, Donna Professeur des Universités, Université Stendhal Grenoble III Mme FILLARD, Claudette Professeur des Universités, Université Lumière Lyon II Mme FRAU-MEIGS, Divina Professeur des Universités, Université Paris III (Présidente) M. GUILBERT, Georges-Claude Professeur des Universités, Université François-Rabelais Mme MICHLIN, Monica Maître de Conférences, Université Paris IV A Nicolas, qui rend tout possible 1 Remerciements Merci tout d’abord à Monsieur Georges-Claude Guilbert d’avoir accepté de diriger ce travail de recherche, de m’avoir guidée tout au long de ces trois années par ses conseils avisés, de m’avoir encouragée dans les moments de doute et fait découvrir un monde d’idées que je n’imaginais pas. Merci à Mesdames Donna Andréolle, Claudette Fillard, Divina Frau-Meigs et Monica Michlin d’avoir accepté de faire partie de mon jury et de lire ce travail de recherche. Merci aux doctorants du GRAAT pour leur écoute et leurs conseils et merci à mes collègues (parfois compagnons de thèse) Mathias, Romain et Valérie. -
Sic Semper Tyrannis Thus, Always to Tyrants
Graduate Theses, Dissertations, and Problem Reports 2018 Sic Semper Tyrannis Thus, Always to Tyrants Joseph Gay Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Gay, Joseph, "Sic Semper Tyrannis Thus, Always to Tyrants" (2018). Graduate Theses, Dissertations, and Problem Reports. 5653. https://researchrepository.wvu.edu/etd/5653 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Sic Semper Tyrannis Thus, Always to Tyrants By Joseph Gay Thesis submitted to the School of Theatre & Dance at West Virginia University In partial fulfillment of the requirements for the degree of Master of Fine Arts in Acting Jessica Morgan Bishop, M.F.A., Chair Laura Hitt, M.A. Alan McEwen, M.F.A. Dr. Jules Malarcher, Ph.D. School of Theatre & Dance Morgantown, WV 2018 Keywords: Theatre, Acting, Musical, Assassins, Sondheim, Wilkes, Booth, Music, Voice, Joseph, Gay, Thesis, Role, Performance Copyright 2018 Joseph Michael Kenneth Gay Abstract Sic Semper Tyrannis Joseph Gay Through the course of this thesis, I will examine the historical context of John Wilkes Booth and his assassination of President Abraham Lincoln as it is related to my performance of the character of Booth in the musical Assassins by Stephen Sondheim and John Weidman. -
Assassins Study Guide
Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community. -
S030320 De Mare CONCERT NOTES
LIAISONS 2020: Re-Imagining Sondheim from the Piano Celebrating Stephen Sondheim at 90 Anthony de Mare, piano Williams College – Brooks-Rogers Recital Hall - March 3rd, 2020 COMPOSER COMMENTS: Stephen Hough • Pretty Lady I was enchanted when I first heard “Pretty Lady” - its gentle melancholy, its quirky harmony, its graceful simplicity. When Anthony asked me to write something for the Liaisons project, I decided to take this song and reimagine it as a kind of Gymnopédie, in homage to Erik Satie. Anthony de Mare • All Things Bright and Beautiful “All Things Bright and Beautiful”, originally from Follies, was replaced, although Sondheim included sections of it in the ravishing orchestral prologue to the show. For my setting, I’ve dipped into this opening segment, gradually segueing into the song, using variation as the core technique throughout, with fleeting tributes along the way to Ravel, Liszt, Richard Rodgers, Olivier Messiaen and John Adams. Though the lyrics of the original song highlight the hopeful, optimistic dreams of Sally and Ben, the reality of their bittersweet relationship is also accented at times within the harmony. Jeff Beal • Not A Day Goes By “Not A Day Goes By” has all the qualities I adore in Sondheim – its unforgettable melodic and lyrical hook is on one level startlingly simple, on another full of sly harmonic and melodic invention. Its emotive qualities of deep love, coupled with the ache of a breakup, counterbalance each other perfectly. My arrangement explores the bones of the original, highlighting an almost Bach-like architecture in the source, so the listener can feel the “two hands” in play. -
Every Voice Matters
EVERYEVERY VOICEVOICE MATTERSMATTERS Every Voice An Ushirikiano Mwema Kwa Usalama Every Voice Matters This publication is dedicated to shujaa Carol Mwatha: a human rights monitor within the UMKU project who lost her life in February 2019. 1 2 Every Voice Matters Creating Spaces for 4 Difficult Conversations Network Of Victors: Justice be 5 Our Shield and Defender I Come As One, But Stand As 8 Ten Thousand (Maya Angelou) UMKU Database Analysis 10 My Story Matters 12 Leadership & Facilitation of 15 Dialogue and Conflict Resolution The Gun Song 17 Empowering Communities to 18 Access Provision of Justice The Last Man Standing 19 CONTENTS 3 CREATING SPACES FOR DIFFICULT CONVERSATIONS By Carolyne Njihia- UMKU Project Manager shirikiano Mwema kwa Usalama (UMKU) Project is the working name of the project submitted to and funded Uby the European Union which aims at fostering collaborative approaches by civil society as well as state actors to enhance political and socio-economic justice, non-violent conflict resolution, as well as good governance and rule of law. The name was chosen by members of the consortium since it resonates well with both the community and the police in terms of use of local language as well as building trust and relationships between communities and the police. Translated, it means “Better relationships for Safety/ Security”. The two year project which comes to a close in March 2020 was being Implemented by four consortium members; Peace Brigades International, Saferworld, Mathare Social Justice Centre and Ghetto Foundation. This unique combination of International organisations and local grassroots organisations brought together the various strengths of the different organisations to build a formidable team which was able to meet the intended objectives of the project. -
The Mousetrap Rose by Cj Nadeau
THOUGHTS & PRAYERS Owen Elphick Wilde Press | Boston Also From Wilde Press Bird Folk by Antonio Weathers Here, There, & Everywhere by Rebekah Scarborough Catfish and Other Dead Things by Genna Coleman The Haunting at Saint Peter’s Academy by Marissa Secreto Beautiful Homeland: Mother Earth by Patrick R. Groleau Wandering and Other Stories by Melissa Close Butterflies Behind Glass and Other Stories by Kyle Labe Under Floorboards, Under Skin by Allison Rassmann Lo Siento Miguel by Andrew Siañaz Middlelands by Al Reitz Bruises by Elizabeth Capot Memories of an Old World by Julio Cesar Villegas Gay by May by David Carliner These Thoughts That Hold Us by Sarah Cummings To the Strangers, from Far Away by Bailey Tamayo Venetian Blue and Other Obscene Colors by Sahalie Angell Martin The Incredible Superfets by Michael J. Schuck When the Gardner Has Left by Kieran Collier Hypergraphia by Brenna Kleiman The World From Jar by Rebecca Crandall Animal Magnetism by Meaghan O’Brien Only Show in Town by Bobby Crawford Milburn by Katherine Bove Project Z by Marissa Tandon The Mousetrap Rose by cj nadeau Who Gave These Flamingos Those Tuxedos? by Donnie Welch Bad Poetry by Kaleb Worst Escape Artists Never Look Back by Frank Gao Sweet Baby Jesus! by Caroline Praderio Yuk by Sara Zuckerman You’ll Miss Me But That’s Good by Michelle Cheever I Am Happy You Are Here by Sean Van Deuren This Is Not Profanity by Matt DeFaveri Taking It All Off by Ann Chang Ablaze, Ablaze by Drew Heron for those lost and for my mother My Life had stood – a Loaded Gun – In Corners – till a Day The Owner passed – identified – And carried Me away – …Though I than He – may longer live He longer must – than I – For I have but the power to kill, Without – the power to die – —Emily Dickinson What a wonder is a gun What a versatile invention —Stephen Sondheim Savage, why you always rappin’ ‘bout guns for? ‘Cause, bitch, I fell in love with the gun smoke —21 Savage Table of Contents 1.