Meliodas Full Demon Form
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ACROSS LANDS FORLORN: the EPIC JOURNEY of the HERO, from HOMER to CHANDLER Volume One Sergio Sergi
ACROSS LANDS FORLORN: THE EPIC JOURNEY OF THE HERO, FROM HOMER TO CHANDLER Volume One Sergio Sergi ACROSS LANDS FORLORN: THE EPIC JOURNEY OF THE HERO, FROM HOMER TO CHANDLER. SERGIO SERGI B.A. University of Adelaide M.A. University of Ottawa M.A University of Sydney A thesis submitted for the Degree of Doctor of Philosophy University of Canberra. March 2006 i Certificate of authorship of thesis. Except where clearly acknowledged in footnotes, quotations and the bibliography, I certify that I am the sole author of the thesis submitted today entitled ‘Across lands forlorn: The epic journey of the hero from Homer to Chandler.’ I further certify that to the best of my knowledge the thesis contains no material previously published or written by another person except where due reference is made in the text of the thesis. The material in this thesis has not been the basis of an award of any other degree or diploma except where due reference is made in the text of the thesis. This thesis complies with University requirements for a thesis as set out in http://www.canberra.edu.au/secretariat/goldbook/forms/thesisrqmt. pdf …………………………. Signature of Candidate …………………………. Signature of Chair of the supervisory panel Date: ……………………………. Acknowledgements I acknowledge a number of people who have helped with the realization of this thesis which was begun at the University of New England. Professor Peter Toohey, before he left that University, listened to my ideas about the hero and encouraged me to develop them into this thesis. I am most grateful to him for the confidence he placed in my abilities to conduct a complex study. -
Connecticut Yankee in King Arthur's Court, A
A CONNECTICUT YANKEE IN KING ARTHUR'S COURT by MARK TWAIN (Samuel L. Clemens) PREFACE THE ungentle laws and customs touched upon in this tale are historical, and the episodes which are used to illustrate them are also historical. It is not pretended that these laws and customs existed in England in the sixth century; no, it is only pretended that inasmuch as they existed in the English and other civilizations of far later times, it is safe to consider that it is no libel upon the sixth century to suppose them to have been in practice in that day also. One is quite justified in inferring that whatever one of these laws or customs was lacking in that remote time, its place was competently filled by a worse one. The question as to whether there is such a thing as divine right of kings is not settled in this book. It was found too difficult. That the executive head of a nation should be a person of lofty character and extraordinary ability, was manifest and indisputable; that none but the Deity could select that head unerr- ingly, was also manifest and indisputable; that the Deity ought to make that selection, then, was likewise manifest and indisputable; consequently, that He does make it, as claimed, was an unavoidable deduction. I mean, until the author of this book encountered the Pompadour, and Lady Castlemaine, and some other executive heads of that kind; these were found so difficult to work into the scheme, that it was judged better to take the other tack in this book (which must be issued this fall), and then go into training and settle the question in another book. -
The Legends of King Arthur and His Knights by James Knowles 1
The Legends Of King Arthur And His Knights by James Knowles 1 CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV The Legends Of King Arthur And His Knights by James Knowles The Project Gutenberg EBook of The Legends Of King Arthur And His Knights by James Knowles This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Legends Of King Arthur And His Knights Author: James Knowles Release Date: June 28, 2004 [EBook #12753] Language: English Character set encoding: ISO-8859-1 The Legends Of King Arthur And His Knights by James Knowles 2 *** START OF THIS PROJECT GUTENBERG EBOOK KING ARTHUR AND HIS KNIGHTS *** Produced by Zoran Stefanovic, GF Untermeyer and Distributed Proofreaders Europe, http://dp.rastko.net. The Legends of KING ARTHUR and his KNIGHTS Sir James Knowles Illustrated by Lancelot Speed TO ALFRED TENNYSON, D.C.L. POET LAUREATE THIS ATTEMPT AT A POPULAR VERSION OF THE ARTHUR LEGENDS IS BY HIS PERMISSION DEDICATED AS A TRIBUTE OF THE SINCEREST AND WARMEST RESPECT 1862 PREFACE TO THE EIGHTH EDITION The Publishers have asked me to authorise a new edition, in my own name, of this little book--now long out of print--which was written by me thirty-five years ago under the initials J.T.K. -
Thesis Cover
University of Cambridge Faculty of English Romance Motifs and Ethics in Malory’s ‘Book of Sir Tristram’ Suxue Zhang Magdalene College Supervisor: Dr James Wade This dissertation is submitted for the degree of Doctor of Philosophy, June 2017 Dissertation Title: Romance Motifs and Ethics in Malory’s ‘Book of Sir Tristram’ Name: Suxue Zhang Summary Sir Thomas Malory’s ‘Book of Sir Tristram’, a condensation of the Old French Tristan en prose, has not received the attention it deserves. Previous studies notice the two texts’ differences in characterisation, style, moral emphasis, structural arrangements, and so on, but no study has sufficiently demonstrated the overall strategy and the moral purposes behind Malory’s changes. This thesis offers an evaluation of both texts’ approaches to some ethical questions, including identity, violence, justice, and passion, through a close analysis of their presentation of romance motifs. The comparison draws on traditional treatments of these motifs and reveals that the authors of romance can incorporate stratified perspectives to voice ideological interpretations. Malory’s treatment of the moral discourse in the ‘Tristram’ articulates the chivalric ideal in the characters’ expressions of how they understand identity, honour, courtesy, courage, faithfulness, justice, compassion, and love. This analysis shows how Malory renews the meaning of the romance motifs borrowed from his sources by changing the characters’ response to the ethical problems underlying the archetypal actions. Thus, Malory’s narrative generates experiential edification, as it engages the reader in the active moral evaluation of the events. Declaration of Length This dissertation is the result of my own work, produced exclusively for the degree for which it is submitted. -
The Tristan and Iseult Story; with Special Emphasis on Its Development After the Saga Stage
C R Anderson The Trisf'oin and Tseu/f SforLj i THE TRISTAN AND ISEULT STORY; WITH SPECIAL EMPHASIS ON ITS DEVELOPMENT AFTER THE SAGA STAGE BY CHESTER REED ANDERSON A. B. Hedding College, 1918 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ENGLISH IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1920 mo UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL 19J=o I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION RY C- R. Q-KdUn^r^- ENTITLED jjjji ^Vfe*. a^J ti&uJLt S'Tcruj- &j/2^ f/zzaa^) Pu^ji-Ju BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF ^Uf2^ (rf MJL ft* & V> In Charge of Thesis 5 Head of Department Recommendation concurred in* Committee on Final Examination* *Required for doctor's degree but not for master's OIUC THE TRISTAN AND ISEULT STORY: WITH SPECIAL EMPHASIS ON ITS DEVELOPMENT AFTER THE SAGA STAGE. CONTENTS Page Chapter I — The Early Growth of the Tristan and Iseult Story 1 Chapter II — The Conception of Love Before Malory 18 Chapter III — Malory's Tristan and Iseult 36 Chapter IV — Tennyson's "The La3t Tournament" ....59 Bibliography , 76 Digitized by the Internet Archive in 2013 http://archive.org/details/tristaniseultstoOOande . 1 I THE EARLY GROWTH OF THE TRISTAN AND ISEULT STORY The Tristan and Iseult legend has often been pronounced the most poetical and poignant love story in literature. To the twentieth century reader, accustomed as he is to the conventions of the modern age, this assertion is frequently looked upon as extreme- ly far-fetohed. -
Pendragon Treasures People
THE GREAT BOOK OF PENDRAGON TREASURES PEOPLE Two New Round Table Knights Following are two former player characters from an old Pendragon campaign that I ran last year. They were both rather interesting fellows who became Knights of the Round Table very shortly after it was founded. They might make interesting NPCs for other people's Pendragon campaigns. AMLYN TRIADADD, KNIGHT OF THE ROUND TABLE, "THE NEKKID KNIGHT" [517] Name: Amlyn Triadadd Siz: 15 Damage: 5d6 Homeland: Huntington Dex: 13 Healing Rate: 3 Culture: Cymric/Christian Str: 18 Movement Rate: 3 Lord: Earl of Logres Con: 15 Hit Points: 28 Glory: 7382 App: 12 Unconscious: 7 Shield: A gold cross upon a blue background. PERSONALITY TRAITS SKILLS COMBAT SKILLS Chaste 11 / Lustful 9 Awareness 10 Battle 6 Energetic 13 / Lazy 7 Boating 2 Horsemanship 15 Forgiving 16 / Vengeful 4 Chirurgery 1 Sword 17 Generous 12 / Selfish 8 Compose 3 Lance 15 Honest 9 / Deceitful 11 Courtesy 9 Dagger 4 Just 12 / Arbitrary 8 Dancing 2 Spear 5 Merciful 9 / Cruel 11 Faerie Lore 3 Modest 9 / Proud 11 First Aid 10 HORSES Pious 11 / Wordly 9 Flirting 5 Prudent 9 / Reckless 11 Folk Lore 2 Charger Temperate 10 / Indulgent 10 Gaming 9 6d6 Damage Trusting 12 / Suspicious 8 Hawking 3 Valorous 17 / Cowardly 3 Heraldry 2 Hunting 6 Directed: Suspicious Saxons +2 Intrigue 7 Orate 3 PASSIONS Play Harp 18 Amor (Guenever) 12 Read Latin 3 Hate (Saxons) 7 Recognize 5 Honor 10 Religion 6 Hospitality 10 Singing 3 Love (family) 11 Stewardship 2 Loyalty (Earl Robert) 18 Swimming 3 Loyalty (Friends) 10 Tourney 1 Loyalty (King Arthur) 7 EQUIPMENT Reinforced Norman Chain + Helm (12 pts) Sword BACKGROUND & PERSONALITY Amlyn first gained a name for himself when he defended a crone against a knight she had once ensorcelled. -
THE IDEALIZED WORLD of MALORY's "MORTE DARTHUR": a Study of the Elements of Myth, Allegory, and Symbolism in the Secul
THE IDEALIZED WORLD OF MALORY'S "MORTE DARTHUR": A Study of the Elements of Myth, Allegory, and Symbolism in the Secular and Religious Milieux of Arthurian Romance by MURIEL A. I. WHITAKER A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1970 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree tha permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Date 7 T ABSTRACT Towards the end of the Middle Ages, Sir Thomas Malory synthesized the diverse elements of British chronicle history, Celtic myth, French courtoisie, and Catholic theology which over a period of six hundred years or more had gathered about the legendary figure of King Arthur. Furthermore, Malory presented in definitive form the kind of idealized milieu that later writers in English came to regard as romantic. Malory's Morte Darthur presents dramatically the activities of a mythic aristocratic society living in a golden age. It preserves the "history" of a British king who defeats the Emperor of Rome and establishes an empire stretching from Ireland and Scandinavia to the Eastern Mediterranean. -
Trastero De Tristanes
- 2 - trastero de Tristanes Manuel Palazón Blasco - 3 - - 4 - - 5 - - 6 - Índice Trastero de Tristanes I. hablan las piedras, 13. II. history to story , 19. III. Cymry, 25. A. Prólogo, 27. – B. En las tríadas , 29. – C. El sueño de Rhonabwy , 35. – Culhwch y Olwen , 37. – canción de amigo , 39. – Trystan ac Essyllt , 41. IV. The Continental, 45. A. Cortes de buen amor , 47. – B. Andreas Capellanus, De Amore , 49. – C. de la Chièvre, 51. – D. ascos de Chrétien de Troyes, 53. – E. Bréri, 73. – F. Tristán d’oc, 77. V. acerca de los poemas (¿segundos, terceros?) que los dijeron, 95. A. Prólogo, 97. – B. suelos más o menos blandos, 109. – C. antes de echarlo a andar, 111. – D. Before there was you, 113. – E. Cartilla de escolaridad, 115. – F. El Morholdo, 119. – G. hospital, 123. – H. Tristán lenón, 127. – I. Tea for Two (Accidentally Yours), . – J. When lights are low, . – K. I know that you know, 133. – L. trysts (Me and Mrs. Jones), 143. – L. 1. It’s the talk of the town, 143. – L. 2. Darn that dream, 145. -- L. 3. Down by the sycamore tree, 149. – L. 4. Footprints, 153. – L. 5. There’s a small hotel, 157. – L. 6. How long has this been going on?, 163. – L. 7. Here’s looking at you, 167. – L. 8. Something to remember you by, 169. – LL. The second time around, 171. – M. You’d be so nice to come home to, 179. – N. Late date[s], 185. – N. 1. I’ll come back for more, 185. – N. 2. -
Arthurian Adventures
Arthurian Adventures Introduction Welcome to the Sixth Century that never was. This is northern Britain as recorded by the bards, the skalds and the troubadours, a world both familiar and unreal. As the Gothic invaders began sacking the heart of the Roman Empire, Rome pulled her legions out of Britain, leaving her defenseless against her own barbarian hordes, the Scots and the Picts. King Vortigern, needing help against them, invoked celesine (a sort of military alliance) with the Sea Wolves, specifically the Angles, Saxons and Jutes of the north of what would one day be Germany. This proved disastrous. As the northmen gained ground against the Scots and Picts, they held it instead of turning it over to the Britons and then invited more and more of their kin. The Britons found themselves facing a foe worse than the one the Sea Wolves were recruited to stop. For four generations, the Britons fought a losing struggle against the Anglo-Saxon invaders. Then, out of the blood, emerged a giant: King Arthur. Conceived through the lust of his father, Uther Pendragon (with the aid of the great wizard Merlin), Arthur pulled the sword from the stone, fulfilling the prophecy of the coming of a mighty king. In 12 battles, he first deposed the usurper King Huail ap Caw and, in the first five battles, united the petty kings under his banner. The Duke of Battles then led the war against the Anglo- Saxons, finally defeating them at Badon Hill, killing 960 of the invaders all by himself! This brought a peace toSample the realm unknown file for decades. -
6.2.6 Naming of New Unnamed Streets in Caerleon Estate Subdivision
Mid-Western Regional Council ORDINARY MEETING - 16 APRIL 2014 77 6.2.6 Naming of new unnamed Streets in Caerleon Estate subdivision REPORT BY THE REVENUE & PROPERTY MANAGER TO 16 APRIL 2014 COUNCIL MEETING Report to Council (prelim) – Street Naming – Unnamed in Caerleon Estate GOV400038, R0790141 RECOMMENDATION That: 1. the report by the Revenue & Property Manager on the Naming of New Unnamed Streets in Caerleon Estate subdivision be received; 2. Council name the new streets in the Caerleon Subdivision - Crusade Drive, Badon Crescent, Cador Street, Morgan Avenue and Glastonbury Avenue; 3. Council make an undertaking to continue with the Arthurian theme for future street naming in the Caerleon Estate subdivision; 4. Council provisionally approve the additional list of Arthurian names for use in the Caerleon Estate subdivision. Executive summary The first stage of the new Caerleon Estate subdivision off Hill End Road in Caerleon includes five new streets. Addressing requirements for the new subdivision will necessitate the naming of these new streets. Detailed report Council, being the Roads Authority, is required to name new or unnamed streets and roads. The first stage of the Caerleon Estate subdivision includes 5 new streets to be named. The Developer of the subdivision would like to maintain the link between the Caerleon name and the legends of King Arthur and the Knights of the Round Table by using the Arthurian Legends as the theme for all street naming across the development. The Locality of Caerleon is named after the local property called Caerleon which takes its name from a town located on the River Usk in south Wales. -
Gendered Magic and Arthurian Sovereignty
GENDERED MAGIC AND ARTHURIAN SOVEREIGNTY BY ERIN CHANDLER DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Associate Professor Robert W. Barrett, Chair Associate Professor Renée R. Trilling Professor Martin Camargo Professor Emerita Karen Fresco ABSTRACT In presenting a mythical establishment of British and English nationhood that is one of the most popular traditions of the medieval period, the legends of King Arthur are particularly suited to a study of the role of the supernatural in the establishment and maintenance of sovereignty in medieval romance. My dissertation, “Gendered Magic and Arthurian Sovereignty,” argues that the supernatural figures within the Arthurian tradition interact with the sovereign in a way which is determined by and mediated through issues of gender. My project surveys the largely unexplored overlap between these the study of the ties between the monstrous and national identity in medieval literature and the study of women in Arthuriana. In the insular Arthurian tradition, women take on two conflicting roles, safeguarding a dynastic succession, as the sovereign does, even as they threaten that very succession through outsized desire, as the tradition’s monsters do. My project articulates how Giorgio Agamben’s concepts of homo sacer and the sovereign exception are particularly suited to the gendered context of a nation-building and nation-defining medieval literature. According to Agamben, the sovereign’s power exists in his ability to place the figure he calls homo sacer in a state of exception from the law, in which he may be legally killed in order to confirm the sovereign’s rule. -
Le Morte D'arthur Study Guide
Le Morte d'Arthur Study Guide © 2017 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary The enchanter Merlin advises King Uther Pendragon to establish the fellowship of the Round Table, which will be comprised of the 140 greatest knights in the kingdom. Merlin is to continue his role of Uther’s counselor with Uther’s son, Arthur, who will maintain and immortalize the tradition of the Round Table. Arthur’s life begins as the result of an illicit affair between Igraine, the duchess of Tintagel and the wife of Gorlois, and Uther Pendragon. Merlin’s magic art had allowed Uther to visit Igraine in the likeness of her husband, of whose death she is as yet unaware. Arthur is conceived as a result of this deception. Ignorant of his true origin, he is brought up from infancy by one of Uther’s knights. In Arthur’s youth, the Lady of the Lake, Nimue, presents him with the sign of his kingship: Excalibur, a great sword encrusted with precious stones. Still ignorant of the identity of his mother, Arthur has a brief love affair with Morgause, the queen of Orkney and one of Igraine’s three daughters—and, thus, Arthur’s half sister. The product of this incestuous liaison is Mordred, who is both King Arthur’s nephew and his illegitimate son.