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The Character Model in Le Morte Darthur
The Character Model in Le Morte Darthur Anat Koplowitz-Breier ([email protected]) BAR-ILAN UNIVERSITY (RAMAT-GAN) Resumen Palabras clave Los personajes de La muerte de Arturo, La muerte de Arturo de Sir Thomas Malory, no se ajustan a la Malory definición estándar típica de los Caracterización personajes del romance. De hecho, Tipo pueden ser ubicados en una especie de Modelo de personaje estado transitorio que ha sido La dama denominado modelo de personaje. Tras La mujer con poderes mágicos dilucidar la naturaleza de tal concepto, este artículo procede a investigar dos modelos relativos a mujeres en La Muerte de Arturo: «La Dama» y «La Mujer con Poderes Mágicos». Abstract Key words The characters in Sir Thomas ’ Le Morte Darthur La Morte ’ do not conform to Malory the standard definition of Romance Characterization personae. In fact, they can be placed in Type a kind of transitional stage which has ’Model been called a ’ Model. After The Lady elucidating the nature of such a The Woman with Magical Power concept, this paper goes on to investigate two ’ Models of women in the Le Morte Darthur: «The Lady» and «The Woman with Magical AnMal Electrónica 25 (2008) Powers». ISSN 1697-4239 In the memory of my beloved teacher Prof. Ruth Reichelberg, who taught me what it means to be an academic person and a true Character Sir Thomas Malory's Morte is a mixture of at least two genres, Romance and Chronicle (Pochoda 1971). As McCarthy writes, his style is not of one piece: «’ matière is the matière of romance, but the sens, the ‘’ is perhaps not» (1988: 148). -
Lancelot - the Truth Behind the Legend by Rupert Matthews
Lancelot - The Truth behind the Legend by Rupert Matthews Published by Bretwalda Books at Smashwords Website : Facebook : Twitter This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author. First Published 2013 Copyright © Rupert Matthews 2013 Rupert Matthews asserts his moral rights to be regarded as the author of this book. ISBN 978-1-909698-64-2 CONTENTS Introduction Chapter 1 - Lancelot the Legend Chapter 2 - Lancelot in France Chapter 3 - Lancelot in Britain Conclusion Introduction Of all the Knights of the Round Table, none is so famous as Sir Lancelot. He is both the finest of the Arthurian knights, and the worst. He is the champion of the Round Table, and the reason for its destruction. He is loyal, yet treacherous. Noble, but base. His is a complex character that combines the best and worst of the world of chivalry in one person. It is Sir Lancelot who features in every modern adaptation of the old stories. Be it an historical novel, a Hollywood movie or a British TV series, Lancelot is centre stage. He is usually shown as a romantically flawed hero doomed to eventual disgrace by the same talents and skills that earn him fame in the first place. -
Scots Pine Forest
Teacher information 1: The Scots Pine Forest What are native Caledonian pine forests? Native Caledonian pine forest contain Scots pine and a range of other trees, including junipers, birches, willows, and rowan and, in some areas, aspens. Many of the oldest trees in Scotland are found in native pinewoods. As the largest and longest lived tree in the Caledonian forest the Scots pine is a keystone species in the ecosystem, forming the backbone of which many other species depend. Scots pine trees over 200 years old are known as 'grannies', but they are young compared to one veteran pine in a remote part of Glen Loyne that was found to be over 550 years old. Native Caledonian pinewoods are more than just trees. They are home to a wide range of species that are found in similar habitat in Scandinavia and other parts of northern Europe and Russia. Despite this wide distribution, the Scots pine forests in Scotland are unique and distinct from those elsewhere because of the absence of any other native conifers. Native pinewoods have also provided a wide range of products that were used in everyday life in rural Scotland. Timber was used to build houses; berries, fungi and animals living in the pinewood provided food; and fir-candles were cut from the heart of old trees to provide early lighting. More recently, native pinewoods provided timber during the First and Second World Wars when imports to Britain were interrupted. How much native Caledonian pinewood is there in Britain? After the last Ice Age, Scotland’s ‘rainforest’ covered thousands of square kilometres in the Scottish Highlands. -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
The Adventures of Sir Lancelot Du Lake
1 The Adventures of Sir Lancelot du Lake There was held a feast of the Round Table at Caerleon, with high splendour; and all the knights thereof held many games and jousts. And therein Sir Lancelot increased in fame and worship above all men, for he overthrew all comers, and never was unhorsed or worsted, save by treason and enchantment. When Queen Guinevere had seen his wondrous feats, she held him in great favour, and smiled more on him than on any other knight. And Lancelot thought on her as fairest of all ladies, and done his best to win her grace. So the queen often sent for him, and bade him tell of his birth and strange adventures: how he was only son of great King Ban of Brittany, and how, one night, his father, with his mother Helen and himself, fled from his burning castle; how his father, groaning deeply, fell to the ground and died of grief and wounds, and how his mother, running to her husband, left himself alone; how, as he thus lay wailing, came the lady of the lake, and took him in her arms and went with him into the midst of the waters, where, with his cousins Lionel and Bors he had been cherished all his childhood until he came to King Arthur’s court; and how this was the reason why men called him Lancelot du Lake. Anon it was ordained by King Arthur, that in every year at Pentecost there should be held a festival of all the knights of the Round Table at Caerleon, or such other place as he should choose. -
Nennius' Historia Brittonum
Nennius’ ‘Historia Brittonum’ Translated by Rev. W. Gunn & J. A. Giles For convenience, this text has been assembled and composed into this PDF document by Camelot On-line. Please visit us on-line at: http://www.heroofcamelot.com/ The Historia Brittonum Table of Contents Acknowledgements....................................................................................................................................4 Preface........................................................................................................................................................5 I. THE PROLOGUE..................................................................................................................................6 1.............................................................................................................................................................6 2.............................................................................................................................................................7 II. THE APOLOGY OF NENNIUS...........................................................................................................7 3.............................................................................................................................................................7 III. THE HISTORY ...................................................................................................................................8 4,5..........................................................................................................................................................8 -
Eric Auerbach Thinks Yvain Is Romance, but He's Lion
Eric Auerbach Thinks Yvain is Romance, But He’s Lion David Perretta ‘14 Chrétien de Troyes was a 12th century poet best known for his five Arthurian knight tales: Erec and Enide, Cligés, The Knight of the Cart (Lancelot), The Story of the Grail (Perceval), and The Knight with the Lion (Yvain). Traditionally, these stories are classified as medieval romance literature as they are mostly considered with chivalry, knightly duty, and courtly love. Yvain is concerned with its titular character, Yvain, as he defeats Esclados, marries his wife, takes over his kingdom, is exiled, and must ultimately regain his stature. In 1946, Erich Auerbach’s literary criticism Mimesis: The Representation of Reality in Western Literature was published. Auerbach’s work attempts to bridge two representations of reality in western literature: One from the Hellenic world, as seen in Homer’s Odyssey, with the worldview presented in the Bible. In chapter six, he uses Chrétien’s Yvain in order to define the romance genre. This essay is concerned with the holes presented in Auerbach’s definition of romance as a genre separate from epic. It points out that, by his definition, Yvain should be classified as epic rather than romance. Furthermore, its goal is to point out an underlying commonality between many epics, which have traditionally been a genre slightly too slippery to properly define. The hope is that this new definition of epic could be applied to the works of Homer, Vergil, and other classical authors. When Chrétien de Troyes began the story of Erec and Enide with boasts not only of his storytelling abilities, but the immortality of his works, he could not have foreseen the development of modern printers and the Internet – two innovations that have allowed for the proliferation of his narratives as well as the expansion of the scholarly debates surrounding them. -
ACROSS LANDS FORLORN: the EPIC JOURNEY of the HERO, from HOMER to CHANDLER Volume One Sergio Sergi
ACROSS LANDS FORLORN: THE EPIC JOURNEY OF THE HERO, FROM HOMER TO CHANDLER Volume One Sergio Sergi ACROSS LANDS FORLORN: THE EPIC JOURNEY OF THE HERO, FROM HOMER TO CHANDLER. SERGIO SERGI B.A. University of Adelaide M.A. University of Ottawa M.A University of Sydney A thesis submitted for the Degree of Doctor of Philosophy University of Canberra. March 2006 i Certificate of authorship of thesis. Except where clearly acknowledged in footnotes, quotations and the bibliography, I certify that I am the sole author of the thesis submitted today entitled ‘Across lands forlorn: The epic journey of the hero from Homer to Chandler.’ I further certify that to the best of my knowledge the thesis contains no material previously published or written by another person except where due reference is made in the text of the thesis. The material in this thesis has not been the basis of an award of any other degree or diploma except where due reference is made in the text of the thesis. This thesis complies with University requirements for a thesis as set out in http://www.canberra.edu.au/secretariat/goldbook/forms/thesisrqmt. pdf …………………………. Signature of Candidate …………………………. Signature of Chair of the supervisory panel Date: ……………………………. Acknowledgements I acknowledge a number of people who have helped with the realization of this thesis which was begun at the University of New England. Professor Peter Toohey, before he left that University, listened to my ideas about the hero and encouraged me to develop them into this thesis. I am most grateful to him for the confidence he placed in my abilities to conduct a complex study. -
Chapter Eight the Stones of the Southern Highlands
Chapter Eight The Stones of the Southern Highlands Moving on from the stones of the Lowlands and the Southern Uplands, the last stone encountered, the Wallace Putting Stone could easily have been included in this section and certainly when standing on Sheriffmuir, the expanse of the Southern Highlands to the north are so close and almost tangible. There are no distinguishing boundaries for the stones in this section and as a base either the towns of Callander or Aberfeldy should be considered. All but one of the stones are located in the ancient county of Perthshire although some through boundary changes are now in Stirlingshire but regardless, in the days when the Gaelic was spoken and stones were lifted this was entirely Perthshire. The majority of these stones are hemmed in by one of the major trunk roads to the Highlands and the A9 gives access to many of the stones mentioned. If making a tour of the stones, and including the Wallace Putting Stone, an almost oval loop allows testing them all within a day without too much travelling by car. From the Wallace Putting Stone it is 40 mins to the Sadlin Mare and then less than 30 mins to the Menzies Stone. From here it is 30 mins to the famed Bodach in Glen Lyon and 60 mins later the Ardvorlich Stone followed by a short 15 min drive to Balquhidder for the Puterach. This circuit, which has now been carried out on a more than a few occasions has been referred to as the “Perthshire Loop” and any stone lifting visit to Scotland would probably commence on the same lines. -
STANDARD DATA FORM for Sites Within the ‘UK National Site Network of European Sites’
STANDARD DATA FORM for sites within the ‘UK national site network of European sites’ Special Protection Areas (SPAs) are classified and Special Areas of Conservation (SACs) are designated under: • the Conservation of Habitats and Species Regulations 2017 (as amended) in England and Wales (including the adjacent territorial sea) and to a limited extent in Scotland (reserved matters) and Northern Ireland (excepted matters); • the Conservation (Natural Habitats &c.) Regulations 1994 (as amended) in Scotland; • the Conservation (Natural Habitats, &c) Regulations (Northern Ireland) 1995 (as amended) in Northern Ireland; and • the Conservation of Offshore Marine Habitats and Species Regulations 2017 (as amended) in the UK offshore area. Each SAC or SPA (forming part of the UK national site network of European sites) has its own Standard Data Form containing site-specific information. The information provided here generally follows the same documenting format for SACs and SPAs, as set out in the Official Journal of the European Union recording the Commission Implementing Decision of 11 July 2011 (2011/484/EU). Please note that these forms contain a number of codes, all of which are explained either within the data forms themselves or in the end notes. More general information on SPAs and SACs in the UK is available from the SPA homepage and SAC homepage on the JNCC website. These webpages also provide links to Standard Data Forms for all SAC and SPA sites in the UK. https://jncc.gov.uk/ 1 NATURA 2000 - STANDARD DATA FORM For Special Protection Areas (SPA), Proposed Sites for Community Importance (pSCI), Sites of Community Importance (SCI) and for Special Areas of Conservation (SAC) SITE UK9006011 SITENAME Lindisfarne TABLE OF CONTENTS 1. -
LLT 180 Lecture 21 Part 1 Laudine Is Hoodwinked, Tricked Into Taking Him
LLT 180 Lecture 21 Part 1 Laudine is hoodwinked, tricked into taking him back. A fairly unsatisfactory conclusion since women usually do the tricking and not men. But I guess it's Lunete who's really doing the tricking, so that's kind of in keeping. Again, we're gonna have a test on Monday. First things first, though. Let's get through the rest of this. And sequentially, as far as use of time in here, we've been doing pretty well in our class meetings. It seems when we come up to the tests, though, we always seem to run a little short. We'll see how we do today. Again, we pick up on page 343 to the end, and so we don't have a lot to do. And the important fact here is that he is now being known as the Knight with the Lion as opposed to Yvain, and this is gonna facilitate Laudine taking him back later because she doesn't know who he is. Nor does Gawain, nor does anybody. So it's important, as far as the plot goes on here, that he is not identified. The only person who knows who he is is Lunete, again the person carrying the action forward. Now, the lion has been his big helper and the lion has come to his rescue, but the lion is in bad, bad shape now. And so he's carrying the lion. Again, I guess, Yvain is a major stud. He's been pumping iron, using that bow machine they sell on TV, and is just all pumped up like Arnold. -
Scotland's Storybook 2 Download
Scotland’s Storybook A magical collection of Scottish tales, legends, folk and fairy stories for all of Scotland’s children, young people and big folk. Wondrous tales and translations by Scottish storytellers Tom Muir and Martin MacIntyre with new illustrations by artist Kate Leiper. With special thanks to Dr Donald Smith and all at the Scottish Storytelling Centre in Edinburgh. www.scottishstorytellingcentre.co.uk Tom Muir http://www.scottishstorytellingcentre.co.uk/directory/Tellerview.asp?key=153 Martin MacIntyre http://www.scottishstorytellingcentre.co.uk/directory/Tellerview.asp?key=54 Kate Leiper - http://www.kateleiper.co.uk www.LTScotland.org.uk/scotlandsstories © 2010. All stories, translations and original artworks are copyright their respective authors and artists. They may be freely used within schools and early years centres in Scotland. Rights of reproduction for commercial purposes are strictly not permitted without prior written permission from copyright holders. 2 Contents FIONN MAC CUMHAIL AND THE SALMON OF KNOWLEDGE 4 OISÍN AND TIR NA N-OG 7 KING DAVID AND THE STAG 15 KING ARTHUR AND THE LADY OF THE LAKE 17 ANGUS AND BRIDE 20 ST COLUMBA AND ST MAGNUS 25 THOMAS THE RHYMER 29 DEIRDRE OF THE SORROWS 33 THE WEE BANNOCK 41 RASHIE COAT 45 WHUPPITY STOORIE 51 AULD CROOVIE 55 THE SELKIE HUNTER 60 ASSIPATTLE AND THE STOOR WORM 65 MALLIE AND THE TROW 72 THE LITTLE BROWN CALF 76 THE SALMON OF KNOWLEDGE 84 MACCODRAM AND HIS SEAL-WIFE 86 3 FIONN MAC CUMHAIL AND THE SALMON OF KNOWLEDGE The Story of Fionn Mac Cumhail comes from Ireland, but his tales are well known throughout the West Coast and Highlands of Scotland where he is known as Finn Mac Cool.