Rituals Related to Animal Cults الطقوس المتعلقة بطوائف الحيوانات
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Evaluation of Two Recent Theories Concerning the Narmer Palette1
Eras Edition 8, November 2006 – http://www.arts.monash.edu.au/eras An Evaluation of Two Recent Theories Concerning the Narmer Palette1 Benjamin P. Suelzle (Monash University) Abstract: The Narmer Palette is one of the most significant and controversial of the decorated artefacts that have been recovered from the Egyptian Protodynastic period. This article evaluates the arguments of Alan R. Schulman and Jan Assmann, when these arguments dwell on the possible historicity of the palette’s decorative features. These two arguments shall be placed in a theoretical continuum. This continuum ranges from an almost total acceptance of the historical reality of the scenes depicted upon the Narmer Palette to an almost total rejection of an historical event or events that took place at the end of the Naqada IIIC1 period (3100-3000 BCE) and which could have formed the basis for the creation of the same scenes. I have adopted this methodological approach in order to establish whether the arguments of Assmann and Schulman have any theoretical similarities that can be used to locate more accurately the palette in its appropriate historical and ideological context. Five other decorated stone artefacts from the Protodynastic period will also be examined in order to provide historical comparisons between iconography from slightly earlier periods of Egyptian history and the scenes of royal violence found upon the Narmer Palette. Introduction and Methodology Artefacts of iconographical importance rarely survive intact into the present day. The Narmer Palette offers an illuminating opportunity to understand some of the ideological themes present during the political unification of Egypt at the end of the fourth millennium BCE. -
13. Palette of King Narmer Predynatic Egypt. C. 3000 – 2920 B. C. E
13. Palette of King Narmer Predynatic Egypt. C. 3000 – 2920 B. C. E. Greywacke (2 images) Video at YouTube Article at Khan Academy Discovered (1898) among a group of sacred implements ritually buried in a deposit within an early temple of the falcon god Horus at the site of Hierakonpolis (the capital of Egypt during the pre-dynastic period), this large ceremonial object is one of the most important artifacts from the dawn of Egyptian civilization o Temple caches of this type are not uncommon. There was a great deal of focus on ritual and votive objects (offerings to the God) in temples. Every ruler, elite individual, and anyone else who could afford it, donated items to the temple to show their piety and increase their connection to the deity. After a period of time, the temple would be full of these objects and space would need to be cleared for new votive donations. However, since they had been dedicated to a temple and sanctified, the old items that needed to be cleared out could not simply be thrown away or sold. Instead, the general practice was to bury them in a pit under the temple floor o The "Main Deposit" at Hierakonpolis, where the Narmer Palette was discovered, contained many hundreds of objects, including a number of large relief-covered ceremonial mace-heads, ivory statuettes, carved knife handles, figurines of scorpions and other animals, stone vessels, and a second elaborately decorated palette 63.5 cm (more than 2 feet) in height and made of smooth greyish-green siltstone, is decorated on both faces with detailed low relief. -
Was the Function of the Earliest Writing in Egypt Utilitarian Or Ceremonial? Does the Surviving Evidence Reflect the Reality?”
“Was the function of the earliest writing in Egypt utilitarian or ceremonial? Does the surviving evidence reflect the reality?” Article written by Marsia Sfakianou Chronology of Predynastic period, Thinite period and Old Kingdom..........................2 How writing began.........................................................................................................4 Scopes of early Egyptian writing...................................................................................6 Ceremonial or utilitarian? ..............................................................................................7 The surviving evidence of early Egyptian writing.........................................................9 Bibliography/ references..............................................................................................23 Links ............................................................................................................................23 Album of web illustrations...........................................................................................24 1 Map of Egypt. Late Predynastic Period-Early Dynastic (Grimal, 1994) Chronology of Predynastic period, Thinite period and Old Kingdom (from the appendix of Grimal’s book, 1994, p 389) 4500-3150 BC Predynastic period. 4500-4000 BC Badarian period 4000-3500 BC Naqada I (Amratian) 3500-3300 BC Naqada II (Gerzean A) 3300-3150 BC Naqada III (Gerzean B) 3150-2700 BC Thinite period 3150-2925 BC Dynasty 1 3150-2925 BC Narmer, Menes 3125-3100 BC Aha 3100-3055 BC -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
Egyptian Magic Publishers’ Note
S.V. JBooftg on Bagpt anft Cbalfta?a VOL. II. EGYPTIAN MAGIC PUBLISHERS’ NOTE. In the year 1894 Dr. Wallis Budge prepared for Messrs. Kegan Paul, Trench, Triibner & Co. an elementary work on the Egyptian language, entitled “First Steps in Egyptian,” and two years later the companion volume, “ An Egyptian Reading Book,” with transliterations of all the texts printed in it, and a full vocabulary. I he success of these works proved that they had helped to satisfy a want long felt by students of the Egyptian language, and as a similar want existed among students of the languages written in the cuneiform character, Mr. L. W. King, of the British Museum, prepared, on the same lines as the two books mentioned above, an elementary work on the Assyrian and Babylonian languages (“First Steps in Assyrian”), which appeared in 1898. These works, however, dealt mainly with the philological branch of Egyptology and Assyriology, and it was impossible in the space allowed to explain much that needed explanation in the other branches of these subjects—that is to say, matters relating to the archaeology, history, religion, etc., of the Egyptians, Assyrians, and Babylonians. In answer to the numerous requests which have been made, a series of short, popular handbooks on the most important branches of Egyptology and Assyriology have been prepared, and it is hoped that these will serve as introductions to the larger works on these subjects. The present is the second volume of the series, and the succeeding volumes will be published at short intervals, and at moderate prices. -
Egyptian Temples
Originalveröffentlichung in: Christina Riggs (Hrsg.), The Oxford Handbook of Roman Egypt, Oxford 2012, S. 362-382 CHAPTER 22 EGYPTIAN TEMPLES MARTINA MINAS-NERPEL From the beginning of their rule in Egypt, the Ptolemies initiated a gigantic temple con struction and decoration programme, which the Roman emperors continued well into the second century ce. Temples were still decorated on a much smaller scale into the third and the beginning of the fourth centuries. The last known cartouche of a Roman emperor in a temple was inscribed under Maximinus Daia (305-13 ce) on blocks belonging to the temple of Horus at Tahta (Holbl 2000: 45 n. 177; 114, fig. 157). Otherwise, the latest evidence comes from Esna (Sauneron 1975:65-6, no. 495; 84-7, no. 503), where the temple of Khnum was still being decorated under Decius (249-51 ce). Stelae inscribed in hieroglyphs continued to be set up in Egyptian temples, for example in the Bucheum at Armant, of which the latest is dated to 340, the fifty-seventh year of the era of Diocletian (Holbl 2000:45 n. 178; Goldbrun- ner 2004:78-9,302). The temple of Isis at Philae, where hieroglyphs were carved in the tem ple of Harendotes as late as 394 (Winter 1982:1023), was the last to be kept open, being closed down under Justinian between 535 and 537 (Winter 1982:1026), when it was converted to a church (Dijkstra 2008). The Hellenistic and Roman periods of Egypt are often subsumed under the term ‘Graeco- Roman Egypt’. In his examination of Egyptian society under Ptolemaic and Roman rule, Naphtali Lewis (1970) correctly pointed out that this phrase should not be used to imply con tinuity between the two eras, since the changes in the governmental structure, social pat terns and politics, administration, and the economy were so fundamental in Roman times as to render the term misleading. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. -
Nile War Gods
NILE WAR GODS SampleChris Handforth file CREDITS SPECIAL THANKS TO Author: Chris Handforth Mom and Dad, for fostering and enduring my love Editor: Chris Handforth of mythology. Artists: Chris Handforth, publicdomainvectors.org, Meghan and Neall, for introducing me to Scion. Pixabay.com, Scion Art Packs Alex. Team Scion will miss you. Rest in Peace. © 2019 Onyx Path Publishing. All rights reserved. References to other copyrighted material in no way constitute a challenge to the respective copyright holders of that material. “Scion” and all characters, names, places, and text herein are copyrighted by Onyx Path Publishing. This product was created under license. STORYPATH SYSTEM, STORYPATH NEXUS COMMUNITY CONTENT PROGRAM, and all related game line terms and logos are trademarks of Onyx Path Publishing. All setting material, art, and trade dress are the property of Onyx Path Publishing. www.theonyxpath.com SampleThis work contains material that is copyright Onyx Path Publishing. file Such material is used with permission under the Community Content Agreement for Storypath Nexus Community Content Program. All other original material in this work is copyright 2019 by Christopher Handforth and published under the Community Content Agreement for Storypath Nexus Community Content Program. 3 NILE WAR GODS at least one tucked into their high-quality garments. While Anhur is a flurry of violence and action in a fight, he is -pa NILE WAR GODS tient and calculating before battles begin. He insists Gods elcome to the Storypath Nexus! This supplement and mortals respect him in all matters; his temper is short Wexamines three additional Gods from the Netjer when he feels unappreciated. -
PERSPECTIVES on PTOLEMAIC THEBES Oi.Uchicago.Edu Ii
oi.uchicago.edu i PERSPECTIVES ON PTOLEMAIC THEBES oi.uchicago.edu ii Pre-conference warm-up at Lucky Strike in Chicago. Standing, left to right: Joseph Manning, Ian Moyer, Carolin Arlt, Sabine Albersmeier, Janet Johnson, Richard Jasnow Kneeling: Peter Dorman, Betsy Bryan oi.uchicago.edu iii O CCASIONAL PROCEEdINgS Of THE THEBAN WORkSHOP PERSPECTIVES ON PTOLEMAIC THEBES edited by Pete R F. DoRMAn and BetSy M. BRyAn Papers from the theban Workshop 2006 StuDIeS In AnCIent oRIentAL CIvILIzAtIon • nuMBeR 65 the oRIentAL InStItute oF the unIveRSIty oF ChICAgo ChICAgo • ILLInois oi.uchicago.edu iv Library of Congress Control Number: 2001012345 ISBN-10: 1-885923-85-6 ISBN-13: 978-1-885923-85-1 ISSN: 0081-7554 The Oriental Institute, Chicago © 2011 by The University of Chicago. All rights reserved. Published 2011. Printed in the United States of America. studIeS IN ANCIeNT orIeNTAL CIvILIzATIoN • NUmBer 65 The orIeNTAL INSTITUTe of The UNIverSITy of ChICAgo Chicago • Illinois Series Editors Leslie Schramer and Thomas g. Urban Series Editors’ Acknowledgments rebecca Cain, françois gaudard, foy Scalf, and Natalie Whiting assisted in the production of this volume. Cover and Title Page Illustration Part of a cosmogonical inscription of Ptolemy vIII euergetes II at Medinet habu (Mh.B 155). Photo by J. Brett McClain Printed by McNaughton & Gunn, Saline, Michigan The paper used in this publication meets the minimum requirements of American National Standard for Information Services — Permanence of Paper for Printed Library materials, ANSI z39.48-1984. -
Images of Power
IMAGES OF POWER: PREDYNASTIC and OLD KINGDOM EGYPT: FOCUS (Egyptian Sculpture of Predynastic and Old Kingdom Egypt) ONLINE ASSIGNMENT: http://smarthisto ry.khanacademy .org/palette-of- king- narmer.html TITLE or DESIGNATION: Palette of Narmer CULTURE or ART HISTORICAL PERIOD: Predynastic Egyptian DATE: c. 3100- 3000 B.C.E. MEDIUM: slate TITLE or DESIGNATION: Seated Statue of Khafre, from his mortuary temple at Gizeh CULTURE or ART HISTORICAL PERIOD: Old Kingdom Egyptian DATE: c. 2575-2525 B.C.E. MEDIUM: diorite ONLINE ASSIGNMENT: https://www.khanacademy.org/human ities/ancient-art-civilizations/egypt- art/predynastic-old-kingdom/a/king- menkaure-mycerinus-and-queen TITLE or DESIGNATION: King Menkaure and his queen (possibly Khamerernebty) CULTURE or ART HISTORICAL PERIOD: Old Kingdom Egyptian DATE: c. 2490-2472 B.C.E. MEDIUM: slate ONLINE ASSIGNMENT: https://www.khanacademy. org/humanities/ancient- art-civilizations/egypt- art/predynastic-old- kingdom/v/the-seated- scribe-c-2620-2500-b-c-e TITLE or DESIGNATION: Seated Scribe from Saqqara CULTURE or ART HISTORICAL PERIOD: Old Kingdom Egyptian DATE: c. 2450-2325 B.C.E. MEDIUM: painted limestone with inlaid eyes of rock crystal, calcite, and magnesite IMAGES OF POWER: PREDYNASTIC and OLD KINGDOM EGYPT: SELECTED TEXT (Egyptian Sculpture of Predynastic and Old Kingdom Egypt) The Palette of King Narmer, c. 3100-3000 BCE, slate Dating from about the 31st century BCE, this “palette” contains some of the earliest hieroglyphic inscriptions ever found. It is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. On one side, the king is depicted with the bulbous White crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt. -
Cwiek, Andrzej. Relief Decoration in the Royal
Andrzej Ćwiek RELIEF DECORATION IN THE ROYAL FUNERARY COMPLEXES OF THE OLD KINGDOM STUDIES IN THE DEVELOPMENT, SCENE CONTENT AND ICONOGRAPHY PhD THESIS WRITTEN UNDER THE SUPERVISION OF PROF. KAROL MYŚLIWIEC INSTITUTE OF ARCHAEOLOGY FACULTY OF HISTORY WARSAW UNIVERSITY 2003 ACKNOWLEDGMENTS This work would have never appeared without help, support, advice and kindness of many people. I would like to express my sincerest thanks to: Professor Karol Myśliwiec, the supervisor of this thesis, for his incredible patience. Professor Zbigniew Szafrański, my first teacher of Egyptian archaeology and subsequently my boss at Deir el-Bahari, colleague and friend. It was his attitude towards science that influenced my decision to become an Egyptologist. Professor Lech Krzyżaniak, who offered to me really enormous possibilities of work in Poznań and helped me to survive during difficult years. It is due to him I have finished my thesis at last; he asked me about it every time he saw me. Professor Dietrich Wildung who encouraged me and kindly opened for me the inventories and photographic archives of the Ägyptisches Museum und Papyrussammlung, and Dr. Karla Kroeper who enabled my work in Berlin in perfect conditions. Professors and colleagues who offered to me their knowledge, unpublished material, and helped me in various ways. Many scholars contributed to this work, sometimes unconsciously, and I owe to them much, albeit all the mistakes and misinterpretations are certainly by myself. Let me list them in an alphabetical order, pleno titulo: Hartwig -
Augustus in Egypt. the Varying Images of the First Roman Emperor
Christoph Klose, Lukas C. Bossert, William Leveritt (eds.) | Fresh Perspectives on Graeco-Roman Visual Culture. Proceedings of an International Conference at Humboldt-Universität, Berlin, 2nd–3rd September 2013 | 2015 | urn:nbn:de:kobv:11-100229177 Augustus: Caesar and god. Varying Images of the first Roman Emperor Jodie Martyndale-Howard The University of Nottingham hy is it that Rome’s first Emperor can be seen to adorn Egyptian artand architecture as Pharaoh throughout the province? How might the context W of such images help our understanding of the population make-up and rea- sons behind such portrayals? These are the questions I wish to answer through exploring the varying images of the first Roman emperor. Whenever Augustus is mentioned images of power such as the Prima Porta are first to come to our minds.1 As one of the most well-known Imperial statues it is often our first thought regarding portraits of the young, militarily successful leader of the Roman world. It is this image which has been seen throughout modern scholarship as the epitome of the traits Augustus wished his subjects to see, and therefore the one which resonates most strongly in our minds as the defining image of the emperor.2 Yet various scholars who address provincial images pay little or no attention to Egypt and the array of portrayals available.3 This may be because of the peculiar nature of Egypt: for some Classicists, it is Egyptologists who should be researching the images and wrestling with the complex iconographic system that had developed through centuries of Pharaonic and Ptolemaic rule; the other side believe it to be the remit of Classicists, who can use such images to understand how the province was ruled.