Profiles of the 2016 Daiwa Scholars

Total Page:16

File Type:pdf, Size:1020Kb

Profiles of the 2016 Daiwa Scholars ---------------------------------------------------------------- ---------------------------------------------------------------------------------------- Daiwa Scholars 2016 Monib Baber Monib Baber was awarded an MEng (Hons) in Aeronautical Engineering by Imperial College London in 2014. He consequently worked at Rolls Royce plc as Kawasaki Heavy Industries Integration Manager, leading and developing the design engineering relationship for the two major engineering firms. He visited Japan for the first time in autumn 2015, on a business and holiday trip. Monib’s interest in Japan was initially sparked through traditional origami and Nintendo. His academic interest is in turbulence modelling and his professional interest is in strategic management. He aims to pursue a career developing strategies for research into emerging and advanced technology. Dr Olaseinde Jegede Olaseinde Jegede was awarded a BEng (Hons) in Aerospace Engineering in 2012 and a PhD in Aerospace Engineering in 2016, both by the University of Manchester. He has an interest in learning Japanese and has been teaching himself kanji. He enjoys Japanese anime and has been a long-standing member of the University of Manchester Japan Society. He seeks to gain experience in the Japanese aerodynamics and space systems design sectors. Thereafter, he would like to pursue a career in the aerospace departments of organisations such as JAXA whilst working in Japan. With the experience from these sectors, he aims to establish himself in an international corporation and contribute towards their dealings with the Japanese aerospace industry. Dr Kelly Maddox Kelly Maddox was awarded a BA (Hons), an MA and a PhD in History in 2008, 2012 and 2016 by Lancaster University. Kelly has a long-standing interest in Japanese culture and history. She has practised Shotokan Karate since the age of 13 and her undergraduate dissertation compared American and Japanese imperialism in the 20th century. She took a beginner's Japanese language course at Manchester University and completed a six-week intensive language course at Sophia University in Tokyo in 2013. She aims to pursue a career in academia, specialising in her PhD topic on the nature of violence in the Japanese Empire (1937-1945) in the context of recent research conducted on mass violence in European Empires. Benjamin Sykes-Thompson Benjamin Sykes-Thompson completed a BSc in Architecture at The Bartlett School of Architecture, University College London in 2016. His long-standing interest in Japan was sparked by the fact that his great grandfather worked in Japan and that his grandfather and father were born and also worked in Japan. Ben was a teaching assistant in Japan for three months during his gap year in 2012 and visited Japan again with his father and brother in summer 2015. He seeks to further his knowledge of Japanese architecture, much of which he feels exhibits great simplicity in form and a beautiful sensitivity to spatial moments, to qualify and then continue practising as an architect. Euan Taylor Euan Taylor completed a BMus (Hons) in Jazz Double Bass at the Royal Conservatoire of Scotland in 2016. He has an interest in Japanese music and has composed music inspired by Japanese folk music. Joe Hisaishi and Ryuichi Sakamoto are two of his musical heroes. Euan visited Japan for three weeksin July 2015, and attended live music events during his time in Tokyo. He hopes to create ties with local artists and musicians while in Japan during the Scholarship and to further his knowledge of Japanese music, particularly the koto. He would then like to apply his expertise in jazz and koto into creating improvised music along the lines of Aya Asakura and Michiyo Yagi. He aims to become a professional musician with a focus on composing scores for theatre and film. Alisha Wong Alisha Wong completed an MEng (Hons) in Chemical Engineering at Imperial College London in 2016. Her long-standing interest in Japan was sparked at the age of eight by her interest in anime and manga. She travelled to Japan in 2003 with her family, where trips to Japanese baths and a Hello Kitty exhibition made an impression. She has a professional interest in Japan as a world leader in pharmaceuticals. Her aim is to make connections with Japanese pharmaceutical companies in order to gain professional experience which could then facilitate a global career in an international pharmaceutical company, drawing upon her training as a chemical engineer. .co.uk/ .
Recommended publications
  • CH Rental 5/27/15 10:38 AM Page 1
    06-14 DCINY_CH Rental 5/27/15 10:38 AM Page 1 Sunday Afternoon, June 14, 2015, at 2:00 Isaac Stern Auditorium / Ronald O. Perelman Stage Iris Derke, Co-Founder and General Director Jonathan Griffith, Co-Founder and Artistic Director presents Future Vibrations THE CENTRAL OREGON YOUTH ORCHESTRA AMY GOESER KOLB, Founder and Executive Director JULIA BASTUSCHECK, Director EDDY ROBINSON, Director GEORGE GERSHWIN An American in Paris arr. John Whitney CAMILLE SAINT-SAËNS Bacchanale from Samson and Delilah arr. Merle J. Isaac CHRISTOPHER TIN Iza Ngomso (New York Premiere) PETER ILYICH 1812 Overture , Op. 49 TCHAIKOVSKY arr. Jerry Brubaker OTTORINO RESPIGHI Pines of Rome (Pines of the Appian Way) arr. Stephen Bulla Brief Pause PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 06-14 DCINY_CH Rental 5/27/15 10:38 AM Page 2 VANCOUVER POPS SYMPHONY TOM KUO, Director JOE HISAISHI My Neighbor Totoro JOHN POWELL How to Train Your Dragon MICHAEL GIACCHINO Star Trek: Into Darkness ALAN MENKEN Aladdin Intermission MUSIC FOR TREBLE VOICES FRANCISCO J. NÚÑEZ, Guest Conductor JON HOLDEN, Piano DISTINGUISHED CONCERTS SINGERS INTERNATIONAL WOLFGANG AMADEUS Papageno-Papagena Duet MOZART arr. Doreen Rao FRANCISCO J. NÚÑEZ Misa Pequeña para Niños (A Children’s Mass) I. Señor, Ten Piedad II. Gloria a Dios III. Creo en Dios IV. Santo, Santo, Santo V. Cordero de Dios SLOVAKIAN FOLK SONG Dobrú Noc (Good Night) arr. Victor C. Johnson JIM PAPOULIS Sih’r Khalaq (Creative Magic) arr. Susan Brumfield Love Lies Under the Old Oak Tree FRANCISCO J. NÚÑEZ Pinwheels FRANCISCO J. NÚÑEZ La Sopa de Isabel (Elizabeth’s Soup) We Want To Hear From You! Upload your intermission photos and post-show feedback to Twitter, Instagram, and Facebook! #FutureVibrations @DCINY DCINY thanks its kind sponsors and partners in education: Artist Travel Consultants, VH-1 Save the Music, Education Through Music, High 5, WQXR.
    [Show full text]
  • Joe Hisaishi Symphonic Concert Music from the Studio Ghibli Films of Hayao Miyazaki BR AVO 26-28 April 2018
    Joe Hisaishi Symphonic Concert Music from the Studio Ghibli Films of Hayao Miyazaki BR AVO 26-28 April 2018 Melbourne Symphony Orchestra Joe Hisaishi conductor and piano Mai Fujisawa vocals Antoinette Halloran soprano Ken Murray mandolin Melbourne Symphony Orchestra Chorus In April 2018, the Melbourne Symphony Orchestra presented Joe Hisaishi Symphonic Concert: Music from the Studio Ghibli Films of Hayao Miyazaki, conducted by the composer Joe Joe Hisaishi conducts at Joe Hisaishi Symphonic Concert: Music from Hisaishi in his first Australian performances. the Studio Ghibli Films of Hayao Miyazaki at Hamer Hall To the delight of Victorian audiences and those who travelled interstate and overseas for this Australian premiere, the four 4 CONCERTS sell-out concerts in Hamer Hall featured the extraordinary 26 APRIL 27 APRIL 28 APRIL scores by Hisaishi, while montages from the renowned Miyazaki films including Howl’s Moving Castle, Princess Mononoke, My Neighbor Totoro and the Oscar-winning Spirited Away were played on screen above the MSO. His Excellency Kazuyoshi Matsunaga, Consul-General of Japan in Melbourne welcomed audiences to this premiere Venue cultural event and said he was honoured that Melbourne ARTS CENTRE MELBOURNE and its world-class orchestra had been chosen for the first HAMER HALL performance of this concert in the Southern Hemisphere. A pre-concert event was hosted by the Department of Foreign Affairs and Trade in recognition of Australia’s strong relationship with Japan – a trusted partner with shared values 10,500 and interests. “ In the spirit of ‘Australia now 2018’, the Melbourne Symphony WAITLIST Orchestra presenting the Studio Ghibli Concert showcases creative collaboration and highlights the strength of our enduring relationship with Japan.” 9,257 – H.E.
    [Show full text]
  • Hayao Miyazaki Film
    A HAYAO MIYAZAKI FILM ORIGINAL STORY AND SCREENPLAY WRITTEN AND DIRECTED BY HAYAO MIYAZAKI MUSIC BY JOE HISAISHI THEME SONGS PERFORMED BY MASAKO HAYASHI AND FUJIOKA FUJIMAKI & NOZOMI OHASHI STUDIO GHIBLI NIPPON TELEVISION NETWORK DENTSU HAKUHODO DYMP WALT DISNEY STUDIOS HOME ENTERTAINMENT MITSUBISHI AND TOHO PRESENT A STUDIO GHIBLI PRODUCTION - PONYO ON THE CLIFF BY THE SEA EXECUTIVE PRODUCER KOJI HOSHINO PRODUCED BY TOSHIO SUZUKI © 2008 Nibariki - GNDHDDT Studio Ghibli, Nippon Television Network, Dentsu, Hakuhodo DYMP, Walt Disney Studios Home Entertainment, Mitsubishi and Toho PRESENT PONYO ON THE CLIFF BY THE SEA WRITTEN AND DIRECTED BY HAYAO MIYAZAKI Running time: 1H41 – Format: 1.85:1 Sound: Dolby Digital Surround EX - DTS-ES (6.1ch) INTERNATIONAL PRESS THE PR CONTACT [email protected] Phil Symes TEL 39 346 336 3406 Ronaldo Mourao TEL +39 346 336 3407 WORLD SALES wild bunch Vincent Maraval TEL +33 6 11 91 23 93 E [email protected] Gaël Nouaille TEL +33 6 21 23 04 72 E [email protected] Carole Baraton / Laurent Baudens TEL +33 6 70 79 05 17 E [email protected] Silvia Simonutti TEL +33 6 20 74 95 08 E [email protected] PARIS OFFICE 99 Rue de la Verrerie - 75004 Paris - France TEL +33 1 53 01 50 30 FAX +33 1 53 01 50 49 [email protected] PLEASE NOTE: High definition images can be downloaded from the ‘press’ section of http://www.wildbunch.biz SYNOPSIS CAST A small town by the sea. Lisa Tomoko Yamaguchi Koichi Kazushige Nagashima Five year-old Sosuke lives high on a cliff overlooking Gran Mamare Yuki Amami the Inland Sea.
    [Show full text]
  • Joe Hisaishi's Musical Contributions to Hayao Miyazaki's Animated Worlds
    Joe Hisaishi’s musical contributions to Hayao Miyazaki’s Animated Worlds A Division III Project By James Scaramuzzino "1 Hayao Miyazaki, a Japanese film director, producer, writer, and animator, has quickly become known for some of the most iconic animated films of the late twentieth to early twenty first century. His imaginative movies are known for fusing modern elements with traditional Japanese folklore in order to explore questions of change, growth, love, and home. His movies however, would, not be what they are today without the partnership he formed early in his career with Mamoru Fujisawa a music composer who goes by the professional name of Joe Hisaishi. Their partnership formed while Hayao Miyazaki was searching for a composer to score his second animated feature film Nausicaä of the Valley of the Wind (1984). Hi- saishi had an impressive resume having graduated from Kunitachi College of Music, in addition to studying directly under the famous film composer Masaru Sato who is known for the music in Seven Samurai and early Godzilla films. Hisaishi’s second album, titled Information caught the attention of Miyazaki, and Hisaishi was hired to score Nausicaä of the Valley of the Wind (1984). With its huge success consequently every other prom- inent movie of Miyazaki’s since. (Koizumi, Kyoko. 2010) Hisaishi’s minimalistic yet evocative melodies paired with Miyazaki’s creative im- agery and stories proved to be an incredible partnership and many films of theirs have been critically acclaimed, such as Princess Mononoke (1997), which was the first ani- mated film to win Picture of the Year at the Japanese Academy Awards; or Spirited Away (2001), which was the first anime film to win an American Academy Award.
    [Show full text]
  • Castle in the Sky Press Kit.P65
    CASTLE IN THE SKY This press kit would not have been possible without the assistance, hard work, and dedication of the following individuals. IT Production Coordinator Chris Wallace ................................ [email protected] Design and Layout K Michael S. Johnson ....................... [email protected] Chris Wallace ................................ [email protected] Senior Contributor Ryoko Toyama............................... [email protected] Contributors / Researchers / Editors Jeremy Blackman .......................... [email protected] Shun Chan .................................... [email protected] Marc Hairston ................................ [email protected] Rodney Smith ................................ [email protected] Tom Wilkes .................................... [email protected] Story Synopsis Dana Fong and Chris Wallace Contact Information - Team Ghiblink Team Ghiblink Michael S. Johnson, Project Lead (425) 936-0581 (Work) (425) 867-5189 (Home) [email protected] NFORMATION Contact Information - Buena Vista Home Video Entertainment Buena Vista Home Video Screener List (800) 288-BVHV I [email protected] Team Ghiblink is a group of fans of the works of Studio Ghibli and its directors, including Hayao Miyazaki, Isao Takahata, and the late Yoshifumi Kondo. Team Ghiblink maintains the Hayao Miyazaki Web at www.nausicaa.net, as well as the Miyazaki Mailing List at [email protected]. This document is a Press Information Kit for the film Castle in the Sky. It is produced by Team Ghiblink in support of this film’s release and is intended for use by patrons and members of the press. Permission is granted to reproduce and distribute this document in whole or in part, provided credit and copyright notices are given. Customized editions of this kit are available by contacting Team Ghiblink at the listed address. RESS The Team Ghiblink and Nausicaa.net logos are copyrighted by Team Ghiblink.
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • From Albums to Images Studio Ghibli's Image Albums and Their Impact On
    TRANS 16 (2012) ARTÍCULOS/ ARTICLES From Albums to Images Studio Ghibli’s Image Albums and their impact on audiovisual strategies Marco Bellano (Università degli Studi di Padova) Resumen Abstract Los compositores japoneses para películas de animación Japanese composers for animation are usually asked to write escriben música preliminar a partir de arte conceptual y preliminary music based on concept art and pre-production materiales de pre-producción. Esta música es editada en Cds materials. This music is released in CDs called image albums. llamados “image albums”. La existencia de “image albums” The existence of image albums influences the creation of influencia la creación de música de cine en la medida en que film music, as the composer is required to restrain se espera que el compositor encuentre la inspiración dentro inspiration within the boundaries of the preliminary music, de los confines de la música preliminar, escrita al margen de written without concern for audiovisual relationships. las relaciones audiovisuales. Por ello, la música en las Because of that, music in Japanese animation usually works películas japonesas de animación funciona normalmente as generic commentary to the moving images, without como un comentario genérico a las imágenes en detailed forms of interaction. Studio Ghibli composers, movimiento. Los compositores del Studio Ghibli han however, have found ways to define more complex encontrado, sin embargo, formas de definir funciones audiovisual functions by using processes of new audiovisuales más complejas
    [Show full text]
  • (XXXV:12) Hayao Miyazaki the WIND RISES (2014), 126 Min
    November 14, 2017 (XXXV:12) Hayao Miyazaki THE WIND RISES (2014), 126 min. (The online version of this handout has color images and hot urls.) ACADEMY AWARDS, 2014 Nominated for Best Animated Feature DIRECTED BY Hayao Miyazaki WRITTEN BY Hayao Miyazaki (comic & screenplay) PRODUCED BY Naoya Fujimaki, Ryoichi Fukuyama, Kôji Hoshino, Nobuo Kawakami, Robyn Klein, Frank Marshall, Seiji Okuda, Toshio Suzuki, Geoffrey Wexler MUSIC Joe Hisaishi CINEMATOGRAPHY Atsushi Okui FILM EDITING Takeshi Seyama ART DIRECTION Yôji Takeshige SOUND DEPARTMENT Howard Karp (dialogue editor), Koji Kasamatsu (sound engineer) Eriko Kimura (adr director), Scott Levine, Michael Miller, Cheryl Nardi, Renee Russo, Brad Semenoff, Matthew Wood Stanley Tucci…Caproni ANIMATION DEPARTMENT Hiroyuki Aoyama, Masaaki Endou, Mandy Patinkin…Hattori Taichi Furumata, Shôgo Furuya, Makiko Futaki, Hideki Hamazu, Mae Whitman…Kayo Horikoshi / Kinu Shunsuke Hirota, Takeshi Honda, Kazuki Hoshino, Fumie Imai, Werner Herzog…Castorp Takeshi Imamura, Yoshimi Itazu, Megumi Kagawa, Katsuya Jennifer Grey…Mrs. Kurokawa Kondô, Tsutomu Kurita, Kitarô Kôsaka William H. Macy…Satomi Hiroko Minowa Zach Callison…Young Jirô Madeleine Yen…Young Nahoko CAST (all cast are voice only) Eva Bella…Young Kayo Hideaki Anno…Jirô Horikoshi Edie Mirman…Jirô's Mother Hidetoshi Nishijima…Honjô Darren Criss…Katayama Miori Takimoto…Naoko Satomi Elijah Wood…Sone Masahiko Nishimura…Kurokawa Ronan Farrow…Mitsubishi Employee Mansai Nomura ...Giovanni Battista Caproni David Cowgill…Flight Engineer Jun Kunimura…Hattori Mirai Shida…Kayo Horikoshi HAYAO MIYAZAKI (b. January 5, 1941 in Tokyo, Japan) grew up Shinobu Ohtake ...Kurokawa's Wife surrounded by planes. His father was the director of Miyazaki Morio Kazama…Satomi Airplane, a manufacturing concern that built parts for Zero Keiko Takeshita…Jirô's Mother fighter planes.
    [Show full text]
  • Ponyo Additional Voices
    THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com Distributed by WALT DISNEY STUDIOS MOTION PICTURES © 2009 Nibariki-GNDHDDT. All Rights Reserved. disney.com/ponyo Additional Voices CARLOS ALAZRAQUI BOB BERGEN CREDITS JOHANNA BRADDY MARSHA CLARKE JOHN CYGAN JENNIFER DARLING MADISON DAVENPORT COURTNEE DRAPER CRISPIN FREEMAN JESS HARNELL ELLA DALE LEWIS SHERRY LYNN STUDIO GHIBLI DANNY MANN MONA MARSHALL NIPPON TELEVISION NETWORK MICKIE MCGOWAN LARAINE NEWMAN DENTSU COLLEEN O’SHAUGHNESSEY JAN RABSON HAKUHODO DYMP U.S. Production WALT DISNEY STUDIOS Directors. JOHN LASSETER HOME ENTERTAINMENT BRAD LEWIS MITSUBISHI PETER SOHN TOHO Executive Producers . JOHN LASSETER KATHLEEN KENNEDY Present FRANK MARSHALL English Language Screenplay . MELISSA MATHISON PONYO Translated from the Original Japanese by . JIM HUBBERT ©2008 Nibariki-GNDHDDT Associate Producers . PAUL CICHOCKI KEVIN REHER Written and Directed by . HAYAO MIYAZAKI Voice Casting. NATALIE LYON Producer . TOSHIO SUZUKI Post Production Coordinator . ERIC ZIEGLER Music . JOE HISAISHI Production Finance. MARC S. GREENBERG Imaging . ATSUSHI OKUI CHRISTOPHER “STU” STEWART Color Design . MICHIYO YASUDA Business & Legal Backgrounds. NOBORU YOSHIDA Affairs . JODY WEINBERG SILVERMAN Animation . KATSUYA KONDO Director’s Assistants . HEATHER FENG LAUREL STOUT Cast Producer’s Assistant. JIM RODERICK Sound Services Gran Mamare . CATE BLANCHETT Provided by . SKYWALKER SOUND Ponyo . NOAH CYRUS Re-Recording Mixer . MICHAEL SEMANICK Koichi . MATT DAMON ADR Supervisor . MICHAEL SILVERS Lisa . TINA FEY ADR Editor. MAC SMITH Sosuke. FRANKIE JONAS Supervising Assistant Editor. CHRIS GRIDLEY The Newscaster . KURT KNUTSSON Mix Technician . TONY SERENO Yoshie . BETTY WHITE Dialogue Recording . DOC KANE Fujimoto . LIAM NEESON BOBBY JOHANSON Kumiko . JENNESSA ROSE ANDY WRIGHT Toki. LILY TOMLIN Prints by . DELUXE LABS Noriko . CLORIS LEACHMAN 1 Studio Teachers .
    [Show full text]
  • The Eclectic Approach of Joe Hisaishi for Miyazaki's 'Spirited Away'
    Matteo Nahum “Between tradition and modernity – The eclectic approach of Joe Hisaishi to Miyazaki’s “Spirited Away” soundtrack” Candidate Thesis for the Master in Scoring for Film, Television and Videogames (2014/2015) Berklee Valencia Campus Supervisor: Prof. Alfons Condé May 2015 Content Thesis 1 The Image Album and its boundaries 2 Miyazaki and Hisaishi a. A 30-year-long relationship 4 b. “Spirited Away” (“Sen no Chihiro no Kamikakushi”) 5 Analysis of the “Spirited Away” soundtrack techniques a. Adapting a theme 6 b. Influence of the music on the final movie 11 c. Editing and re-orchestrating 16 d. “New” material and its use 22 Conclusions 23 References a. Online Magazines 24 b. Internet Resources 25 c. Audiovisuals 25 “…The Hollywood style of using music to introduce characters and explain what’s on screen is a method that I don’t normally use in Japan…” (Joe Hisaishi, 1999) Thesis In the world of Japanese animation movies, the way composers work on the creation of the soundtrack is quite different from the way we’re used to in the western world. The creation of what is called an “Image Album”, often based on simple suggestions and ideas about the movie, before it is actually completed is one of the most relevant differences. The music created for this album, which is published as a trailer months before the movie itself, sets the boundaries within which the composer should remain while composing the final soundtrack. There are many consequences to this habit: the music is used often as a simple commentary to the scene (or to the emotions that are expressed or that are proper to a specific character) without a proper syncing, and many editing and re-writing or re-orchestrating techniques are involved, in order to use the pre- existing material in a proper way.
    [Show full text]
  • Concert Program
    and Arts Centre Melbourne present 26–28 APRIL 2018 CONCERT PROGRAM Proudly supported by Asia TOPA A MESSAGE FROM CONSUL- A MESSAGE FROM THE NAUSICAÄ OF THE VALLEY INTERVAL GENERAL MATSUNAGA AUSTRALIAN AMBASSADOR OF THE WIND TO JAPAN The Legend of the Wind CASTLE IN THE SKY It is my great pleasure to welcome Doves and the Boy you to Studio Ghibli in Concert. Australia enjoys a strong relationship with Nausicaä Requiem Carrying You Japan, a trusted partner with shared values The Battle between Mehve and Corvette As Consul-General, I am thankful for and interests. We enhance our cultural The Distant Days PORCO ROSSO events like these that strengthen the connections and economic engagement The Bird Man Bygone Days Victoria-Japan relationship. through programs like Australia now, which It is said that some of the buildings in celebrates contemporary Australia in a KIKI’S DELIVERY SERVICE HOWL’S MOVING CASTLE focus country or region each year. I am Hayao Miyazaki’s films remind people A Town with an Ocean View Symphonic Variation “Merry-go-round delighted that Japan is our host for 2018. of Flinders Street Station and other Heartbroken Kiki + Cave of Mind” famous landmarks around the world. Presenting the best of Australian innovation, Mother’s Broom For me, Miyazaki’s works create a sense creativity and lifestyle, Australia now builds SPIRITED AWAY of nostalgia, as my home is located in on the deep and long-standing ties between PRINCESS MONONOKE One Summer’s Day Mitaka near the Studio Ghibli office and Australia and Japan and promotes exchange, The Legend of Ashitaka Reprise (Vocals: Mai Fujisawa) Ghibli Museum.
    [Show full text]
  • Maestros Del Cine De Animación (I): Hayao Miyazaki
    Fotografía: Proyector “Marín” de 35mm (ca.1970). Cineclub Universitario Foto:Jacar [indiscreetlens.blogspot.com] (2015). El CINECLUB UNIVERSITARIO se crea en 1949 con el nombre de “Cineclub de Granada”. Será en 1953 cuando pase a llamarse con su actual denominación. Así pues en este curso 2016-2017, cumplimos 63 (67) años. Las actividades que anualmente realiza el CINECLUB UNIVERSITARIO / AULA DE CINE tienen como objetivo dar a conocer la historia pasada y presente del 7º arte y enseñar las características, posibilidades y riqueza del lenguaje del cine. El fin último del CINECLUB UNIVERSITARIO / AULA DE CINE es formar especta- dores con capacidad crítica ante las obras cinematográficas. Para ello se organizan mensualmente ciclos de proyecciones, seminarios y, trimes- tralmente, talleres teóricos de formación. LOS CICLOS DE PROYECCIONES Las películas se proyectan en el Aula Magna de la Facultad de Ciencias, los martes y los viernes a las 21 horas y siempre en versión original subtitulada en español (v.o.s.e.). Precio normal de la entrada: 2 € Precio con el CARNET DEL CINECLUB: 1,50 € CARNET DEL CINECLUB Es GRATUITO y PARA CUALQUIER PERSONA, SEA O NO UNIVERSITARIA. Presentando una fotografía tamaño carnet, se puede obtener, durante todo el curso, en el Centro de Cultura Contemporánea, ubicado en el Palacio de La Madraza (frente a la Capilla Real), c/ Oficios, s/n, en horario de 9 a 14 h, y también en el Aula Magna de la Facul- tad de Ciencias los días que haya proyección. Además del correspondiente descuento, los poseedores del CARNET DEL CINECLUB tendrán acceso gratuito a todas aquellas proyecciones que se anuncien como “Día del Ci- neclub”, previa presentación del mismo en la entrada de la sala.
    [Show full text]