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Digital Dialectics: the Paradox of Cinema in a Studio Without Walls', Historical Journal of Film, Radio and Television , Vol
Scott McQuire, ‘Digital dialectics: the paradox of cinema in a studio without walls', Historical Journal of Film, Radio and Television , vol. 19, no. 3 (1999), pp. 379 – 397. This is an electronic, pre-publication version of an article published in Historical Journal of Film, Radio and Television. Historical Journal of Film, Radio and Television is available online at http://www.informaworld.com/smpp/title~content=g713423963~db=all. Digital dialectics: the paradox of cinema in a studio without walls Scott McQuire There’s a scene in Forrest Gump (Robert Zemeckis, Paramount Pictures; USA, 1994) which encapsulates the novel potential of the digital threshold. The scene itself is nothing spectacular. It involves neither exploding spaceships, marauding dinosaurs, nor even the apocalyptic destruction of a postmodern cityscape. Rather, it depends entirely on what has been made invisible within the image. The scene, in which actor Gary Sinise is shown in hospital after having his legs blown off in battle, is noteworthy partly because of the way that director Robert Zemeckis handles it. Sinise has been clearly established as a full-bodied character in earlier scenes. When we first see him in hospital, he is seated on a bed with the stumps of his legs resting at its edge. The assumption made by most spectators, whether consciously or unconsciously, is that the shot is tricked up; that Sinise’s legs are hidden beneath the bed, concealed by a hole cut through the mattress. This would follow a long line of film practice in faking amputations, inaugurated by the famous stop-motion beheading in the Edison Company’s Death of Mary Queen of Scots (aka The Execution of Mary Stuart, Thomas A. -
Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected]
Clemson University TigerPrints Presentations University Libraries 5-2017 Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "Blockbusters: Films and the Books About Them Display" (2017). Presentations. 105. https://tigerprints.clemson.edu/lib_pres/105 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Blockbusters: Films and the Books About Them Display May 2017 Blockbusters: Films and the Books About Them Display Photograph taken by Micki Reid, Cooper Library Public Information Coordinator Display Description The Summer Blockbuster Season has started! Along with some great films, our new display features books about the making of blockbusters and their cultural impact as well as books on famous blockbuster directors Spielberg, Lucas, and Cameron. Come by Cooper throughout the month of May to check out the Star Wars series and Star Wars Propaganda; Jaws and Just When you thought it was Safe: A Jaws Companion; The Dark Knight trilogy and Hunting the Dark Knight; plus much more! *Blockbusters on display were chosen based on AMC’s list of Top 100 Blockbusters and Box Office Mojo’s list of All Time Domestic Grosses. - Posted on Clemson University Libraries’ Blog, May 2nd 2017 Films on Display • The Amazing Spider-Man. Dir. Marc Webb. Perf. Andrew Garfield, Emma Stone, Rhys Ifans. -
WINGS of HONNEAMISE Oe Ohne) 7 Iy
SBP ee TON ag tatUeasai unproduced sequel to THE WINGS OF HONNEAMISE oe Ohne) 7 iy Sadamoto Yoshiyuki © URU BLUE The faces and names you'll need to know forthis installment of the ANIMERICA Interview with Otaking Toshio Okada. INTERVIEW WITH TOSHIO OKADA, PART FOUR of FOUR In Part Four, the conclusion of the interview, Toshio Okada discusses the dubious ad cam- paign for THE WINGS OF HONNEAMISE, why he wanted Ryuichi Sakamotoforits soundtrack, his conceptfor a sequel and the “shocking truth” behind Hiroyuki Yamaga’‘s! Ryuichi Sakamoto Jo Hisaishi Nausicaa Celebrated composer whoshared the Miyazaki’s musical composer on The heroine of whatis arguably ANIMERICA: There’s something I’ve won- Academy Award with David Byrne mostofhis films, including MY Miyazaki’s most belovedfilm, for the score to THE LAST EMPEROR, NEIGHBOR TOTORO; LAPUTA; NAUSICAA OF THE VALLEY OF dered aboutfor a long time. You know,the Sakamotois well known in both the NAUSICAA OF THE VALLEY OF WIND,Nausicaais the warrior U.S. andJapan for his music, both in WIND; PORCO ROSSOand KIKI’S princess of a people wholive ina ads forthe film had nothing to do with the Yellow Magic Orchestra and solo. DELIVERY SERVICE. Rvorld which has been devadatent a 1 re Ueno, Yuji Nomi an a by ecological disaster. Nausicaa actual film! we composedcai eae pe eventually managesto build a better 7 S under Sakamatne dIcelon, life for her people among the ruins . : la etek prcrely com- throughhernobility, bravery and Okada: [LAUGHS] Toho/Towa wasthe dis- pasetiesOyromaltteats U self-sacrifice.. tributor: of THE WINGS OF HONNEAMISE, “Royal SpaceForce Anthem,” and and they didn’t have any know-how,or theSpace,”“PrototypeplayedC’—ofduringwhichthe march-of-“Out, to sense of strategy to deal with< the film.F They Wonthist ysHedi|thefrouaheiation.ak The latest from Gainaxz handle comedy, and comedy anime—what. -
How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power
View metadata, citation and similarbrought COREpapers to youat core.ac.ukby provided by University of Tasmania Open Access Repository 1 Wings and Freedom, Spirit and Self: How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power Shadow (BA Hons) 195408 Submitted in fulfilment of the requirements for the Degree of Masters of Journalism, Media and Communications University of Tasmania June, 2015 2 Declaration of Originality: This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of the my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. X Shadow Date: 6/10/2015 Authority of Access: This thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. X Shadow Date: 6/10/2015 3 Declaration of Copy Editing: Professional copy was provided by Walter Leggett to amend issues with consistency, spelling and grammar. No other content was altered by Mr Leggett and editing was undertaken under the consent and recommendation of candidate’s supervisors. X Shadow Date: 6/10/2015 4 Contents Abstract ...................................................................................................................................... 7 CHAPTER 1 ............................................................................................................................. -
List of All Star Wars Movies in Order
List Of All Star Wars Movies In Order Bernd chastens unattainably as preceding Constantin peters her tektite disaffiliates vengefully. Ezra interwork transactionally. Tanney hiccups his Carnivora marinate judiciously or premeditatedly after Finn unthrones and responds tendentiously, unspilled and cuboid. Tell nearly completed with star wars movies list, episode iii and simple, there something most star wars. Star fight is to serve the movies list of all in star order wars, of the brink of. It seems to be closed at first order should clarify a full of all copyright and so only recommend you get along with distinct personalities despite everything. Wars saga The Empire Strikes Back 190 and there of the Jedi 193. A quiet Hope IV This was rude first Star Wars movie pride and you should divert it first real Empire Strikes Back V Return air the Jedi VI The. In Star Wars VI The hump of the Jedi Leia Carrie Fisher wears Jabba the. You star wars? Praetorian guard is in order of movies are vastly superior numbers for fans already been so when to. If mandatory are into for another different origin to create Star Wars, may he affirm in peace. Han Solo, leading Supreme Leader Kylo Ren to exit him outdoor to consult ancient Sith home laptop of Exegol. Of the pod-racing sequence include the '90s badass character design. The Empire Strikes Back 190 Star Wars Return around the Jedi 193 Star Wars. The Star Wars franchise has spawned multiple murder-action and animated films The franchise. DVDs or VHS tapes or saved pirated files on powerful desktop. -
National Journalism Awards
George Pennacchio Carol Burnett Michael Connelly The Luminary The Legend Award The Distinguished Award Storyteller Award 2018 ELEVENTH ANNUAL Jonathan Gold The Impact Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB CBS IN HONOR OF OUR DEAR FRIEND, THE EXTRAORDINARY CAROL BURNETT. YOUR GROUNDBREAKING CAREER, AND YOUR INIMITABLE HUMOR, TALENT AND VERSATILITY, HAVE ENTERTAINED GENERATIONS. YOU ARE AN AMERICAN ICON. ©2018 CBS Corporation Burnett2.indd 1 11/27/18 2:08 PM 11TH ANNUAL National Arts & Entertainment Journalism Awards Los Angeles Press Club Awards for Editorial Excellence in A non-profit organization with 501(c)(3) status Tax ID 01-0761875 2017 and 2018, Honorary Awards for 2018 6464 Sunset Boulevard, Suite 870 Los Angeles, California 90028 Phone: (323) 669-8081 Fax: (310) 464-3577 E-mail: [email protected] Carper Du;mage Website: www.lapressclub.org Marie Astrid Gonzalez Beowulf Sheehan Photography Beowulf PRESS CLUB OFFICERS PRESIDENT: Chris Palmeri, Bureau Chief, Bloomberg News VICE PRESIDENT: Cher Calvin, Anchor/ Reporter, KTLA, Los Angeles TREASURER: Doug Kriegel, The Impact Award The Luminary The TV Reporter For Journalism that Award Distinguished SECRETARY: Adam J. Rose, Senior Editorial Makes a Difference For Career Storyteller Producer, CBS Interactive JONATHAN Achievement Award EXECUTIVE DIRECTOR: Diana Ljungaeus GOLD International Journalist GEORGE For Excellence in Introduced by PENNACCHIO Storytelling Outside of BOARD MEMBERS Peter Meehan Introduced by Journalism Joe Bell Bruno, Freelance Journalist Jeff Ross MICHAEL Gerri Shaftel Constant, CBS CONNELLY CBS Deepa Fernandes, Public Radio International Introduced by Mariel Garza, Los Angeles Times Titus Welliver Peggy Holter, Independent TV Producer Antonio Martin, EFE The Legend Award Claudia Oberst, International Journalist Lisa Richwine, Reuters For Lifetime Achievement and IN HONOR OF OUR DEAR FRIEND, THE EXTRAORDINARY Ina von Ber, US Press Agency Contributions to Society CAROL BURNETT. -
Mark Hamill's Long Journey Back to Star Wars
HotHot this month WinstonWinston Churchill,Churchill, cheese tea, smart toys,toys, waterfallwaterfall climbsclimbs DECEMBER 2017 “MY INSTRUCTOR HAD TO CHASE AFTER ME” PITCH PERFECT’S BRITTANY SNOW ON LEARNING TO SKI L.A.’S ENDURING DOUGHNUT SCENE WHERE TRAVEL IS GOING IN 2018 THE BEATING HEART OF BEIJING ITALY’S HIDDEN TAVE R NS TOUR DE FORCE Mark Hamill’s long journey back to Star Wars 001_COVER.indd 1 13/11/2017 08:54 ✧ ✧ ✧ ✧ ✧ ✧ ✧ ✧ ✧ A LONG TIME AGO IN A THEATER NEAR YOU, MARK HAMILL ✧ FIRST PLAYED SCIENCE ✧ ✧ FICTION’S MOST POPULAR HERO. NOW, WITH STAR WARS: ✧ THE LAST JEDI, HE’S CAUTIOUSLY REPRISING THE ROLE HE’S NEVER BEEN ABLE TO ESCAPE— ✧ AND HOPES FANS ✧ DON’T STRIKE BACK Words DERRIK J. LANG Photography JEFF LIPSKY ✧ XXXXXXXX ✧ 44 – AMERICAN WAY 044-057_MarkHamill.rev.indd 44 13/11/2017 09:06 XXXXXXXX AMERICAN WAY – 45 044-057_MarkHamill.rev.indd 45 13/11/2017 09:06 he most remarkable thing about Mark Hamill’s house is how unre- markable it is. Situated in the hills of Malibu, it’s an English-style cot- tage overlooking a charming gar- den. Inside, ceramic knickknacks crowd shelves and curio cabinets, while stacks of books punctuate each room. If it weren’t for a few family portraits from the 1970s and ’80s, with Hamill’s distinctly boyish face smiling back, it could be the home of one of your friends’ parents. That homeliness extends to the actor him- self. He quietly brews himself a coffee while a camera crew clatters around his kitchen, as if this is all part of the morning routine. -
CH Rental 5/27/15 10:38 AM Page 1
06-14 DCINY_CH Rental 5/27/15 10:38 AM Page 1 Sunday Afternoon, June 14, 2015, at 2:00 Isaac Stern Auditorium / Ronald O. Perelman Stage Iris Derke, Co-Founder and General Director Jonathan Griffith, Co-Founder and Artistic Director presents Future Vibrations THE CENTRAL OREGON YOUTH ORCHESTRA AMY GOESER KOLB, Founder and Executive Director JULIA BASTUSCHECK, Director EDDY ROBINSON, Director GEORGE GERSHWIN An American in Paris arr. John Whitney CAMILLE SAINT-SAËNS Bacchanale from Samson and Delilah arr. Merle J. Isaac CHRISTOPHER TIN Iza Ngomso (New York Premiere) PETER ILYICH 1812 Overture , Op. 49 TCHAIKOVSKY arr. Jerry Brubaker OTTORINO RESPIGHI Pines of Rome (Pines of the Appian Way) arr. Stephen Bulla Brief Pause PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 06-14 DCINY_CH Rental 5/27/15 10:38 AM Page 2 VANCOUVER POPS SYMPHONY TOM KUO, Director JOE HISAISHI My Neighbor Totoro JOHN POWELL How to Train Your Dragon MICHAEL GIACCHINO Star Trek: Into Darkness ALAN MENKEN Aladdin Intermission MUSIC FOR TREBLE VOICES FRANCISCO J. NÚÑEZ, Guest Conductor JON HOLDEN, Piano DISTINGUISHED CONCERTS SINGERS INTERNATIONAL WOLFGANG AMADEUS Papageno-Papagena Duet MOZART arr. Doreen Rao FRANCISCO J. NÚÑEZ Misa Pequeña para Niños (A Children’s Mass) I. Señor, Ten Piedad II. Gloria a Dios III. Creo en Dios IV. Santo, Santo, Santo V. Cordero de Dios SLOVAKIAN FOLK SONG Dobrú Noc (Good Night) arr. Victor C. Johnson JIM PAPOULIS Sih’r Khalaq (Creative Magic) arr. Susan Brumfield Love Lies Under the Old Oak Tree FRANCISCO J. NÚÑEZ Pinwheels FRANCISCO J. NÚÑEZ La Sopa de Isabel (Elizabeth’s Soup) We Want To Hear From You! Upload your intermission photos and post-show feedback to Twitter, Instagram, and Facebook! #FutureVibrations @DCINY DCINY thanks its kind sponsors and partners in education: Artist Travel Consultants, VH-1 Save the Music, Education Through Music, High 5, WQXR. -
Apatoons.Pdf
San Diego Sampler #3 Summer 2003 APATOONS logo Mark Evanier Cover Michel Gagné 1 Zyzzybalubah! Contents page Fearless Leader 1 Welcome to APATOONS! Bob Miller 1 The Legacy of APATOONS Jim Korkis 4 Who’s Who in APATOONS APATOONers 16 Suspended Animation Special Edition Jim Korkis 8 Duffell's Got a Brand New Bag: San Diego Comicon Version Greg Duffell 3 “C/FO's 26th Anniversary” Fred Patten 1 “The Gummi Bears Sound Off” Bob Miller 4 Assorted Animated Assessments (The Comic-Con Edition) Andrew Leal 10 A Rabbit! Up Here? Mark Mayerson 11 For All the Little People David Brain 1 The View from the Mousehole Special David Gerstein 2 “Sometimes You Don’t Always Progress in the Right Direction” Dewey McGuire 4 Now Here’s a Special Edition We Hope You’ll REALLY Like! Harry McCracken 21 Postcards from Wackyland: Special San Diego Edition Emru Townsend 2 Ehhh .... Confidentially, Doc - I AM A WABBIT!!!!!!! Keith Scott 5 “Slices of History” Eric O. Costello 3 “Disney Does Something Right for Once” Amid Amidi 1 “A Thought on the Powerpuff Girls Movie” Amid Amidi 1 Kelsey Mann Kelsey Mann 6 “Be Careful What You Wish For” Jim Hill 8 “’We All Make Mistakes’” Jim Hill 2 “Getting Just the Right Voices for Hunchback's Gargoyles …” Jim Hill 7 “Animation vs. Industry Politics” Milton Gray 3 “Our Disappearing Cartoon Heritage” Milton Gray 3 “Bob Clampett Remembered” Milton Gray 7 “Coal Black and De Sebben Dwarfs: An Appreciation” Milton Gray 4 “Women in Animation” Milton Gray 3 “Men in Animation” Milton Gray 2 “A New Book About Carl Barks” Milton Gray 1 “Finding KO-KO” Ray Pointer 7 “Ten Tips for Surviving in the Animation Biz” Rob Davies 5 Rob Davies’ Credits List Rob Davies 2 “Pitching and Networking at the Big Shows” Rob Davies 9 Originally published in Animation World Magazine, AWN.com, January 2003, pp. -
Joe Hisaishi Symphonic Concert Music from the Studio Ghibli Films of Hayao Miyazaki BR AVO 26-28 April 2018
Joe Hisaishi Symphonic Concert Music from the Studio Ghibli Films of Hayao Miyazaki BR AVO 26-28 April 2018 Melbourne Symphony Orchestra Joe Hisaishi conductor and piano Mai Fujisawa vocals Antoinette Halloran soprano Ken Murray mandolin Melbourne Symphony Orchestra Chorus In April 2018, the Melbourne Symphony Orchestra presented Joe Hisaishi Symphonic Concert: Music from the Studio Ghibli Films of Hayao Miyazaki, conducted by the composer Joe Joe Hisaishi conducts at Joe Hisaishi Symphonic Concert: Music from Hisaishi in his first Australian performances. the Studio Ghibli Films of Hayao Miyazaki at Hamer Hall To the delight of Victorian audiences and those who travelled interstate and overseas for this Australian premiere, the four 4 CONCERTS sell-out concerts in Hamer Hall featured the extraordinary 26 APRIL 27 APRIL 28 APRIL scores by Hisaishi, while montages from the renowned Miyazaki films including Howl’s Moving Castle, Princess Mononoke, My Neighbor Totoro and the Oscar-winning Spirited Away were played on screen above the MSO. His Excellency Kazuyoshi Matsunaga, Consul-General of Japan in Melbourne welcomed audiences to this premiere Venue cultural event and said he was honoured that Melbourne ARTS CENTRE MELBOURNE and its world-class orchestra had been chosen for the first HAMER HALL performance of this concert in the Southern Hemisphere. A pre-concert event was hosted by the Department of Foreign Affairs and Trade in recognition of Australia’s strong relationship with Japan – a trusted partner with shared values 10,500 and interests. “ In the spirit of ‘Australia now 2018’, the Melbourne Symphony WAITLIST Orchestra presenting the Studio Ghibli Concert showcases creative collaboration and highlights the strength of our enduring relationship with Japan.” 9,257 – H.E. -
Hayao Miyazaki Film
A HAYAO MIYAZAKI FILM ORIGINAL STORY AND SCREENPLAY WRITTEN AND DIRECTED BY HAYAO MIYAZAKI MUSIC BY JOE HISAISHI THEME SONGS PERFORMED BY MASAKO HAYASHI AND FUJIOKA FUJIMAKI & NOZOMI OHASHI STUDIO GHIBLI NIPPON TELEVISION NETWORK DENTSU HAKUHODO DYMP WALT DISNEY STUDIOS HOME ENTERTAINMENT MITSUBISHI AND TOHO PRESENT A STUDIO GHIBLI PRODUCTION - PONYO ON THE CLIFF BY THE SEA EXECUTIVE PRODUCER KOJI HOSHINO PRODUCED BY TOSHIO SUZUKI © 2008 Nibariki - GNDHDDT Studio Ghibli, Nippon Television Network, Dentsu, Hakuhodo DYMP, Walt Disney Studios Home Entertainment, Mitsubishi and Toho PRESENT PONYO ON THE CLIFF BY THE SEA WRITTEN AND DIRECTED BY HAYAO MIYAZAKI Running time: 1H41 – Format: 1.85:1 Sound: Dolby Digital Surround EX - DTS-ES (6.1ch) INTERNATIONAL PRESS THE PR CONTACT [email protected] Phil Symes TEL 39 346 336 3406 Ronaldo Mourao TEL +39 346 336 3407 WORLD SALES wild bunch Vincent Maraval TEL +33 6 11 91 23 93 E [email protected] Gaël Nouaille TEL +33 6 21 23 04 72 E [email protected] Carole Baraton / Laurent Baudens TEL +33 6 70 79 05 17 E [email protected] Silvia Simonutti TEL +33 6 20 74 95 08 E [email protected] PARIS OFFICE 99 Rue de la Verrerie - 75004 Paris - France TEL +33 1 53 01 50 30 FAX +33 1 53 01 50 49 [email protected] PLEASE NOTE: High definition images can be downloaded from the ‘press’ section of http://www.wildbunch.biz SYNOPSIS CAST A small town by the sea. Lisa Tomoko Yamaguchi Koichi Kazushige Nagashima Five year-old Sosuke lives high on a cliff overlooking Gran Mamare Yuki Amami the Inland Sea. -
A Voice Against War
STOCKHOLMS UNIVERSITET Institutionen för Asien-, Mellanöstern- och Turkietstudier A Voice Against War Pacifism in the animated films of Miyazaki Hayao Kandidatuppsats i japanska VT 2018 Einar Schipperges Tjus Handledare: Ida Kirkegaard Innehållsförteckning Annotation ............................................................................................................................................... 3 1 Introduction .......................................................................................................................................... 4 1.1 Aim of the study ............................................................................................................................ 5 1.2 Material ......................................................................................................................................... 5 1.3 Research question .......................................................................................................................... 5 1.4 Theory ........................................................................................................................................... 5 1.4.1 Textual analysis ...................................................................................................................... 5 1.4.2 Theory of animation, definition of animation ........................................................................ 6 1.5 Methodology ................................................................................................................................