Conference Schedule ABOUT OUR KEYNOTE SPEAKER
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PC Is Back in South Park: Framing Social Issues Through Satire
Colloquy Vol. 12, Fall 2016, pp. 101-114 PC Is Back in South Park: Framing Social Issues through Satire Alex Dejean Abstract This study takes an extensive look at the television program South Park episode “Stunning and Brave.” There is limited research that explores the use of satire to create social discourse on concepts related to political correctness. I use framing theory as a primary variable to understand the messages “Stunning and Brave” attempts to convey. Framing theory originated from the theory of agenda setting. Agenda setting explains how media depictions affect how people think about the world. Framing is an aspect of agenda setting that details the organization and structure of a narrative or story. Framing is such an important variable to agenda setting that research on framing has become its own field of study. Existing literature of framing theory, comedy, and television has shown how audiences perceive issues once they have been exposed to media messages. The purpose of this research will review relevant literature explored in this area to examine satirical criticism on the social issue of political correctness. It seems almost unnecessary to point out the effect media has on us every day. Media is a broad term for the collective entities and structures through which messages are created and transmitted to an audience. As noted by Semmel (1983), “Almost everyone agrees that the mass media shape the world around us” (p. 718). The media tells us what life is or what we need for a better life. We have been bombarded with messages about what is better. -
Peabody Company in Center of Oreo Prank Lynn School Sports Back in Play Vaccine Awareness a Priority in Lynn
THURSDAY, FEBRUARY 18, 2021 Vaccine awareness a priority in Lynn By Allysha Dunnigan and $1 million into the Mas- gage people in conversations ITEM STAFF sachusetts League of Com- about the vaccine. The Lynn City is munity Health Centers. Community Health Center among LYNN — The Baker-Polito The funds provided to com- (LCHC) will receive $25,000 administration has launched munity health centers will of that grant. 20 hard-hit a targeted outreach ini- increase vaccine con dence Dr. Catherine Reyes, a fam- communities tiative to increase vaccine and knowledge throughout ily medicine doctor at Lynn awareness and access to his- the community, implement Community Health Center, putting focus torically underserved com- distribution of culturally said she is relieved and glad on COVID munities. relevant and linguistically that this kind of support is The initiative will invest diverse patient education nally happening, but she ITEM PHOTO | JULIA HOPKINS vaccination resources directly into the materials, and partner with wishes that it happened Dr. Catherine Reyes gives a vaccine to Frank 20 most disproportionately local community-based or- sooner. Williams, of Lynn, at the vaccination clinic at rollout impacted towns and cities ganizations to provide more Lynn Tech Field House. in the state, including Lynn, information and tips to en- VACCINE, A5 Lynn Peabody company in Saugus school center of Oreo prank Town sports Meeting back OKs housing in play on Route 1 By Elyse Carmosino ITEM STAFF By Mike Alongi ITEM SPORTS EDITOR SAUGUS — Town Meeting members voted this week to approve a zoning bylaw amend- LYNN — Lynn public ment requiring all future housing projects school athletic direc- along Route 1 to set aside a percentage of tors, coaches, players space, based on acreage, for commercial use. -
An Examination of the Use of Disparagement Humor in Online Tv Comedy Clips and the Role of Audience Reaction in Its Effects
AN EXAMINATION OF THE USE OF DISPARAGEMENT HUMOR IN ONLINE TV COMEDY CLIPS AND THE ROLE OF AUDIENCE REACTION IN ITS EFFECTS Scott Parrott A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2013 Approved by: Rhonda Gibson, Ph.D. Francesca Carpentier, Ph.D. Melanie Green, Ph.D. B. Keith Payne, Ph.D. Daniel Riffe, Ph.D. ABSTRACT SCOTT PARROTT: An Examination of the Use of Disparagement Humor in Online TV Comedy Clips and the Role of Audience Reaction in its Effects (Under the direction of Rhonda Gibson) The dissertation includes two parts, a content analysis and an experiment. In Study 1, coders examined the prevalence and characteristics of disparagement humor in online television clips and its reception by audiences. Disparagement humor appeared in one in four video clips, often targeting physical appearance and weight. Furthermore, studio audiences, other television characters, and online commenters often validated the humorous disparagement of people who are overweight. Study 2, an experiment, examined the influence of disparaging humor and audience reaction on attitudes concerning weight, self-esteem, enjoyment of the humor, and willingness to share the video content with others. Participants viewed one of four video clips: a control clip, in which an overweight teen plummeted down a slip-and-slide; a clip containing disparagement with no online audience reaction, in which a popular comedian disparaged the overweight teen as the video played in the background; a clip in which the video of the teen and comedian’s commentary was framed by socially validating audience reaction, or positive online viewer reactions posted beneath the video clip; and a clip in which the video of the teen and the comedian’s commentary was framed by socially condemning audience reaction, or negative online viewer reaction posted beneath the video. -
Fire Destroys Family's Home
Subscribe today to the Suwannee Democrat and receive 104 issues for only $30 (in county only) and enter to win, ULTIMATE VALENTINE’S DAY DATE NIGHT PACKAGE DETAILS, Sponsored by: The Dowling House Restaurant & Live Oak Liquors PAGE 8A Suwannee Democrat 129th YEAR, NO. 37 | 2 SECTIONS, 28 PAGES Wednesday Edition — February 12, 2014 50 CENTS Serving Suwannee County since 1884, including Live Oak, Wellborn, Dowling Park, Branford, McAlpin and O’Brien 20 applied WELCOME TO THE CITY for county economic development job Fire destroyed this home on 104th Street, just southwest of Live Oak early Monday morning. No injuries were reported. Interviews are set for Feb. 18 By Bryant Thigpen Fire destroys [email protected] Twenty people have ap- family’s home plied for the county’s eco- asleep with their children nomic development direc- Three welcome signs for the city of Live Oak were installed Friday at various city en- No injuries reported at the time of the fire. tor position. Interviews are trances, a project that had been in the works for quite some time. Through the By Bryant Thigpen They reported being wok- scheduled to take place process of bids, Live Oak Management Group was contracted by the Live Oak Com- bryant.thigpen@ en up by a smoke alarm. Feb. 18, at 2 p.m. The di- munity Redevelopment Agency to construct and install the signs. Live Oak Manage- gaflnews.com The parents noticed some rector, among many other ment Group reported that two other signs will be installed later. Gold painted caps will smoke in the home and tasks, will be responsible be installed on top of the posts and the posts will be painted white. -
The Ethics of Political Satire
! Teaching Caselettes THE ETHICS OF POLITICAL SATIRE Alexandra Oprea Political satirists like Jon Stewart, Larry Wilmore, Stephen Colbert, Samantha Bee, Trevor Noah and John Oliver have become trusted critics and investigators of American political culture. Do these comedians have any ethical responsibilities regarding the political information they disseminate or does the responsibility ultimately lie with the public? This case study was completed under the direction of Dr. Amber Díaz Pearson, The Kenan Institute for Ethics ! Issue Background: Between 1999 and 2015, The Daily Show with Jon Stewart put on over 2,000 episodes skewering politicians, delivering biting critiques of Congress and legislative politics, challenging journalists and 24- hour news networks. His former correspondents have developed a number of successful offshoot political satire shows: The Colbert Report with Stephen Colbert, Last Week Tonight with John Oliver, The Nightly Show with Larry Wilmore, Full Frontal with Samantha Bee and the Daily Show with Trevor Noah. Political satirists are routinely described as a trusted source of news, an increasingly important player in American elections and as shaping the attitudes of Americans towards politics. With great social and political impact, some have claimed, comes greater scrutiny and ethical responsibility. Satirists' coverage of serious topics such as the debt ceiling, net neutrality, patents or the minimum wage have occasionally been criticized as incomplete, misleading or biased. In response, political satirists have uniformly reaffirmed their role as jokesters rather than serious commentators, shifting the burden of responsibility on the media and the public. However, they have also occasionally issued corrections, updates or defenses of their original positions. -
Comedic Genius and Political Commentator Bill Maher Returns to the Academy of Music September 9, 2016
Tweet it! He’ll say everything you’re afraid to – and make you cry from laughing at the same time! Comedic genius @BillMaher is coming to the @KimmelCenter 9/9 Press Contact: Amanda Conte 215-790-5847 [email protected] COMEDIC GENIUS AND POLITICAL COMMENTATOR BILL MAHER RETURNS TO THE ACADEMY OF MUSIC SEPTEMBER 9, 2016 FOR IMMEDIATE RELEASE (Philadelphia, PA, August 4, 2016) –– For more than 20 years, comedian Bill Maher has pushed the boundaries of where funny, political talk can go on American television , and now this Emmy® Award-winning comedian will return to Philadelphia’s Academy of Music on Friday, September 9 at 8:00 p.m., for the first time since 2014. This performance is presented by the Kimmel Center for the Performing Arts in association with Larry Magid Entertainment. “Rarely do we see an artist with such a keen ability to take a dividing topic like politics, use it to bring a smile to audience’s faces and draw people together,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “Bill Maher’s performances are the perfect combination of entertainment and education, a balance for which we continually strive at the Kimmel Center.” First on “Politically Incorrect” (Comedy Central, ABC 1993-2002) and for the last thirteen years on HBO’s “Real Time,” Maher’s combination of unflinching honesty and big laughs have garnered him 24 Emmy® nominations. In October of 2008, the same combination was on display in Maher’s uproarious and unprecedented swipe at organized religion, “Religulous,” directed by Larry Charles of Borat. -
Satirized for Your Consumption Author(S): Ben Schwartz Source: the Baffler, No
Satirized for Your Consumption Author(s): Ben Schwartz Source: The Baffler, No. 27 (2015), pp. 144-156 Published by: {none} Stable URL: http://www.jstor.org/stable/43959027 Accessed: 09-03-2017 19:06 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms is collaborating with JSTOR to digitize, preserve and extend access to The Baffler This content downloaded from 67.115.155.19 on Thu, 09 Mar 2017 19:06:01 UTC All use subject to http://about.jstor.org/terms ¿Models Satirized for Your Consumption cAp Ben Schwartz We live in an age of satirical excess. If econo- tors joined Twitter's online community with mists were to diagnose it, they might well a stream call of ironic, self-referential jokes. In it a comedy bubble. We currently have six March, late- President Obama appeared on Be- night talk show hosts, all nattily clad, life-of- tween Two Ferns , a faux public-access interview the-party, white-guy topical jokers- Conan,show hosted by a star of The Hangover com- Kimmel, Fallon, James Corden, Seth edies,Mey- Zach Galifianakis. Filled with funny, ers, and (come September) Colbert- to rude sum insults from both the president and his up, and send up, our day for us. -
The Cultural Set up of Comedy
The Cultural Set Up Of Comedy Julie Webber AFFECTIVE POLITICS IN THE UNITED STATES POST 9/11 Julie Webber The Cultural How do various forms of comedy – including stand up, satire and film and television – trans- form contemporary invocations of nationalism and citizenship in youth cultures? And how are attitudes about gender, race and sexuality transformed through comedic performances on social media? Set Up Of Comedy Cultural The Set Up Of The Cultural Set Up of Comedy seeks to answer these questions by examining comedic perfor- mances by Chris Rock and Louis C.K., news parodies like The Daily Show with Jon Stewart and The Colbert Report, the role of satire in the Arab Spring and women’s groundbreaking comedic Comedy performances in television and the film Bridesmaids. Breaking with the usual cultural studies debates over how to conceptualize youth, the book instead focuses on the comedic cultural and political scripts that frame them through affective strategies post-9/11. ‘Webber’s insight into the nuances of comedy and politics is required reading for those who un- derstand the power of comedy ... and the comedy of power. Clearly, cultural savvy in these times requires a provocation beyond entertainment and intellect ... it demands we acknowledge the discourses and complexities of the political, and acknowledge comedy as an appropriate “read” for contemporary society.’ Shirley R. Steinberg, Professor of Youth Studies, Research Chair, The Werklund Centre for AFFECTIVE POLITICS Youth Leadership Studies, University of Calgary ‘With no role to play, citizens watch, as spectacle – the “daily show” – replaces public life, screens IN THE UNITED STATES substitute for the public square … Like the metaphoric “tug boat” Webber invokes, this book also knows “every angle of the giant ship it is steering into park … it has to see the larger picture.” Be sure to watch!’ POST 9/11 William F. -
South Park-FM
INTRODUCTION Taking South Park Seriously JEFFREY ANDREW WEINSTOCK Taking South Park Seriously hen I first circulated a call for submissions for this collection, I was sur- Wprised to find that the solicitation was propagated online and provoked a certain amount of confused derision—not among academics, from whom one still might expect it, but among the general public. To both my amaze- ment and amusement, while running an Internet search for articles on South Park, I discovered my brief call for essays included on a blog of sorts called “Spitting Image,” along with the comment, “There’s ‘something appealing, something appalling’ in this.” This pronouncement was then followed by one of the strangest appraisals of contemporary academia that I have ever encountered: “this is how it is to be a university professor. you must be criti- cal of any accepted narratives and generate a bigger better one all so that you can get more money, more students, more fame. its sort of boring.” Not only is it unclear to me which “accepted narrative” the author presumed this col- lection would be critical of, but the author clearly has a distorted idea of pro- fessorial salaries, financial compensation for academic publishing, and class sizes at most universities! Then there was a posting of the call for papers on a site called “Digg.com,” which prompted the response, “One more reason to laugh at professors of english.” And the appearance of my call for papers on the Free Republic site prompted a long discussion thread that included mem- orable comments such as “This is what tax dollars SORRY ES I like South Park this is ridclous LOL!” “A class on South Park.. -
Freeing the Press from Editorial Discretion and Hegemony in Bona Fide News: Why the Revolution Must Be Televised Akilah N
Maurice A. Deane School of Law at Hofstra University Scholarly Commons at Hofstra Law Hofstra Law Faculty Scholarship 2011 Freeing the Press from Editorial Discretion and Hegemony in Bona Fide News: Why the Revolution Must be Televised Akilah N. Folami Maurice A. Deane School of Law at Hofstra University Follow this and additional works at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship Recommended Citation Akilah N. Folami, Freeing the Press from Editorial Discretion and Hegemony in Bona Fide News: Why the Revolution Must be Televised, 34 Colum. J.L. & Arts 367 (2011) Available at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship/668 This Article is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Faculty Scholarship by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. Freeing the Press from Editorial Discretion and Hegemony in Bona Fide News: Why the Revolution Must be Televised Akilah N. Folami ABSTRACT Broadcast journalism's foundational role of informing and engaging the American public in order to further America's self-governing democracy is in crisis. Corporate broadcast owners' efforts to maximize profits and increase advertising revenue during traditional network news and related public affairs programming have led to the closing of many investigative and correspondent television news bureaus and have arguably hastened the devolution of broadcast journalism into a depoliticized spectacle filled with political and celebrity, gossip- driven infotainment.1 Furthermore, as viewers have abdicated their reliance on broadcast journalism as their primary source of political knowledge, they have also disengaged from professional broadcast journalists' dispassionate, impartial and aspirationally objective method and manner of presentation. -
Assessing the Balance: Burkean Frames and Lil' Bush
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2011 Assessing the balance: Burkean frames and Lil' Bush Elizabeth Anne Sills The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Sills, Elizabeth Anne, "Assessing the balance: Burkean frames and Lil' Bush" (2011). Graduate Student Theses, Dissertations, & Professional Papers. 66. https://scholarworks.umt.edu/etd/66 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. ASSESSING THE BALANCE – BURKEAN FRAMES AND LIL’ BUSH By SILLS, ELIZABETH ANNE B.A., Transylvania University, Lexington, KY, 2008 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Communication Studies, Rhetoric and Public Address The University of Montana Missoula, MT Fall 2011 Approved by: Sandy Ross, Associate Dean of The Graduate School Graduate School Sara Hayden, Chair Communication Studies Steven Schwarze, Committee Member Communication Studies Luke Conway, Committee Member Psychology ii TABLE OF CONTENTS Abstract iv Chapter 1: Introduction 1 Theoretical Basis 2 Political -
The Daily Show with Jon Stewart, Collaborative Comic Activism and Public Intellectualism for Youth
THE DAILYSHOW: COMIC ACTIVISM AND PUBLIC INTELLECTUALISM THE MOST TRUSTED TEAM IN NEWS: THE DAILYSHOW WITH JON STEWART, COLLABORATIVE COMIC ACTIVISM AND PUBLIC INTELLECTUALISM FOR YOUTH By KRISTALEVELY, Han. B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Krista Levely, August 2005 MASTER OF ARTS (2005) MCMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: The Most Trusted Team in News: The Daily Show with Jon Stewart, Collaborative Comic Activism and Public Intellectualism for Youth AUTHOR: Krista Levely, Han. B.A. (McMaster University) SUPERVISOR: Professor Lorraine York NUMBER OF PAGES: 126 ii Abstract In a news industry that seems to have lost its way, The Daily Show with Jon Stewart occupies a critical space in the public sphere, remapping traditional news categories to create a hybrid official/altemative/popular style, and restructuring audience demographics to include leftist college students and moderate conservatives, all of whom flock to a format that resolves to search for truth and to combat those who stand in its way. Host Jon Stewart is a revolutionary public figure who combines the roles of concemed citizen, comic activist and public intellectual to gain trust, moral authority, and respect from an audience tired of the split-screen debates, punditry and bullshit, and thirsty for a reinvigoration of critical analysis and political engagement. 111 Acknowledgements I could not have written this thesis without the initial and ongoing support and guidance offered by Lorraine York, a fellow Daily Show enthusiast who encouraged me to write on the topic about which I am most obsessive.