The Ethics of Political Satire
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Colbert Super PAC - 1
Colbert Super PAC - 1 Stephen Colbert’s Civics Lesson: How Colbert Super PAC Taught Viewers about Campaign Finance By Bruce W. Hardy Jeffrey A. Gottfried Kenneth M. Winneg & Kathleen Hall Jamieson Colbert Super PAC - 2 Stephen Colbert’s Civics Lesson: How Colbert Super PAC Taught Viewers about Campaign Finance Abstract This study tests whether exposure to The Colbert Report influenced knowledge of super PACs and 501(c)(4) groups, and ascertains how having such knowledge influenced viewers’ perceptions about the role of money in politics. Our analysis of a national random sample of adults interviewed after the 2012 presidential election found that viewing The Colbert Report both increased peoples’ perception of how knowledgeable they were about super PACs and 501(c)(4) groups and increased actual knowledge of campaign finance regulation regarding these independent expenditure groups. Findings suggest that the political satirist was more successful in informing his viewers about super PACs and 501(c)(4) groups than were other types of news media. Viewing The Colbert Report also indirectly influenced how useful his audience perceived money to be in politics. Colbert Super PAC - 3 Stephen Colbert’s Civics Lesson: How Colbert Super PAC Taught Viewers about Campaign Finance After faux-right-wing satirist Stephen Colbert signed control of his super PAC “Americans for a Better Tomorrow, Tomorrow” over to his Comedy Central colleague and Daily Show host Jon Stewart and, in the process, renamed it “The Definitely Not Coordinating with Stephen Colbert Super PAC,” the comic announced his candidacy for “President of the United States of South Carolina.” Some scholars characterized these moments of Colbert’s direct engagement with post-Citizens United campaign finance laws as “commentary that is entertaining and ironic, yet also critically serious” (Jones, Baym, & Day, 2012, p. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Climate Change Communication in Late-Night Comedy Television
Fordham University Fordham Research Commons Student Theses 2015-Present Environmental Studies Fall 9-14-2020 Live From New York, It’s Environmental Science! Climate Change Communication in Late-Night Comedy Television Serena A. Ingram Follow this and additional works at: https://research.library.fordham.edu/environ_2015 Live From New York, It’s Environmental Science! Climate Change Communication in Late-Night Comedy Television Serena A. Ingram Abstract This thesis explores why traditional climate change communication often fails in the mainstream news media and how late-night comedy television circumvents these problems. These late-night shows provide humorous news coverage that holds politicians and the press accountable for enabling denialist rhetoric. The first chapter sources data from the Intergovernmental Panel on Climate Change, the U.S. Environmental Protection Agency, and the Yale Project on Climate Change Communication to outline the issues of climate change and public understanding of climate science. The second chapter describes how rhetorical analysis can identify effective or ineffective climate communication strategies. It also discusses the emotional factors that surround climate change, and how humor strengthens communication and unifies individuals toward a common goal. The third chapter addresses the issue of politically spun news and information biases in climate reporting. It details how political figures influence news coverage of climate change and spin the news to reinforce their own agendas. The fourth chapter provides examples and analysis of climate change related segments from Last Week Tonight with John Oliver, The Daily Show with Trevor Noah, and Saturday Night Live’s “Weekend Update.” The fifth chapter applies the principles of late-night comedy and climate change communication to potential government policy and more mainstream television news. -
Stephen Colbert's Super PAC and the Growing Role of Comedy in Our
STEPHEN COLBERT’S SUPER PAC AND THE GROWING ROLE OF COMEDY IN OUR POLITICAL DISCOURSE BY MELISSA CHANG, SCHOOL OF PUBLIC AFFAIRS ADVISER: CHRIS EDELSON, PROFESSOR IN THE SCHOOL OF PUBLIC AFFAIRS UNIVERSITY HONORS IN CLEG SPRING 2012 Dedicated to Professor Chris Edelson for his generous support and encouragement, and to Professor Lauren Feldman who inspired my capstone with her course on “Entertainment, Comedy, and Politics”. Thank you so, so much! 2 | C h a n g STEPHEN COLBERT’S SUPER PAC AND THE GROWING ROLE OF COMEDY IN OUR POLITICAL DISCOURSE Abstract: Comedy plays an increasingly legitimate role in the American political discourse as figures such as Stephen Colbert effectively use humor and satire to scrutinize politics and current events, and encourage the public to think more critically about how our government and leaders rule. In his response to the Supreme Court case of Citizens United v. Federal Election Commission (2010) and the rise of Super PACs, Stephen Colbert has taken the lead in critiquing changes in campaign finance. This study analyzes segments from The Colbert Report and the Colbert Super PAC, identifying his message and tactics. This paper aims to demonstrate how Colbert pushes political satire to new heights by engaging in real life campaigns, thereby offering a legitimate voice in today’s political discourse. INTRODUCTION While political satire is not new, few have mastered this art like Stephen Colbert, whose originality and influence have catapulted him to the status of a pop culture icon. Never breaking character from his zany, blustering persona, Colbert has transformed the way Americans view politics by using comedy to draw attention to important issues of the day, critiquing and unpacking these issues in a digestible way for a wide audience. -
The Impact of Organizational Characteristics on Super PAC
The Impact of Organizational Characteristics on Super PAC Financing and Independent Expenditures Paul S. Herrnson University of Connecticut [email protected] Presented at the Meeting of the Campaign Finance Task Force, Bipartisan Policy Center, Washington, DC, April 21, 2017 (revised June 2017). 1 Exe cutive Summa ry Super PACs have grown in number, wealth, and influence since the Supreme Court laid the foundation for their formation in Citizens United v. Federal Election Commission, and the decisions reached by other courts and the FEC clarified the boundaries of their political participation. Their objectives and activities also have evolved. Super PACs are not nearly as monolithic as they have been portrayed by the media. While it is inaccurate to characterize them as representative of American society, it is important to recognize that they vary in wealth, mission, structure, affiliation, political perspective, financial transparency, and how and where they participate in political campaigns. Organizational characteristics influence super PAC financing, including the sums they raise. Organizational characteristics also affect super PAC independent expenditures, including the amounts spent, the elections in which they are made, the candidates targeted, and the tone of the messages delivered. The super PAC community is not static. It is likely to continue to evolve in response to legal challenges; regulatory decisions; the objectives of those who create, administer, and finance them; and changes in the broader political environment. 2 Contents I. Introduction 3 II. Data and Methods 4 III. Emergence and Development 7 IV. Organizational Characteristics 11 A. Finances 11 B. Mission 14 C. Affiliation 17 D. Financial Transparency 19 E. -
Television Satire and Discursive Integration in the Post-Stewart/Colbert Era
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era Amanda Kay Martin University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Journalism Studies Commons Recommended Citation Martin, Amanda Kay, "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/ Colbert Era. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4759 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Amanda Kay Martin entitled "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Communication and Information. Barbara Kaye, Major Professor We have read this thesis and recommend its acceptance: Mark Harmon, Amber Roessner Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Amanda Kay Martin May 2017 Copyright © 2017 by Amanda Kay Martin All rights reserved. -
Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2012 Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart Ralph M. Rosen University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Rosen, R. M. (2012). Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart. Retrieved from https://repository.upenn.edu/classics_papers/33 Rosen, Ralph M. "Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32. http://muse.jhu.edu/journals/social_research/summary/v079/ 79.1.rosen.html Copyright © 2012 The Johns Hopkins University Press. This article first appeared in Social Research: An International Quarterly, Volume 79, Issue 1, Spring, 2012, pages 1-32. Reprinted with permission by The Johns Hopkins University Press. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/33 For more information, please contact [email protected]. Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart Keywords Satire, Aristophanes, Lenny Bruce, Jon Stewart Disciplines Arts and Humanities | Classics Comments Rosen, Ralph M. "Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32. http://muse.jhu.edu/journals/ social_research/summary/v079/79.1.rosen.html Copyright © 2012 The Johns Hopkins University Press. This article first appeared in Social Research: An International Quarterly, Volume 79, Issue 1, Spring, 2012, pages 1-32. -
Kayla Nadel-Lamotta [email protected] | 914-263-6211 240 Sackett Street, Apt 4 Brooklyn NY 11231
Kayla Nadel-LaMotta [email protected] | 914-263-6211 240 Sackett Street, Apt 4 Brooklyn NY 11231 Experience: Freelance Production work - April 2017 - Present The Jena Friedman Show - interview show/pilot for Adult Swim - currently an AP working on several segments. CNN + Roads and Kingdoms - research + coordinating logistics and travel for small crew on tour of numerous Asian cities for Bourdain’s ‘Explore Parts Unknown’. First Look Media (Spotlight, The Intercept) - untitled Franchesca Ramsey pilot (starring F.R. + Michelle Buteau) Above Average Productions - 2012-2017 PRODUCER, Jan. 2016 - March 2017 Lead producer on a variety of projects including a number of original comedy series (“The Cream Brothers” created by John Lutz (Late Night) + Tim Robinson (SNL), “Flatbush Zombies Solve a Mind Crime”), two PSA’s for The White House + Civic Nation (“Heads Up America”, to raise awareness for a free comm. college program, and “It’s On Us” to aid in prevention of sexual assaults, both launched by President Barack Obama), original topical video that aired on Elizabeth Banks’s WhoHaHa.com, taped live stand up shows including Sasheer Zamata’s (SNL) monthly show, Party Time! and comedy shows at SXSW, TV Partner series (several in development for IFC’s Comedy Crib), Katie Rich Interview Series (SNL. 1st guest: Leslie Jones). Worked with all creators to develop, prep and produce all shows through post. Includes all manner of creative + physical producing. PRODUCTION COORDINATOR, 2014-2016 Supported all producers on all projects as sole coordinator, any & all tasks related to prep, production and post. Including original comedy one-offs and series ("Hudson Valley Ballers" with Paula Pell, "Storytime" dir. -
Super Pacs and 501(C)(4) Nonprofits
Super PACs and 501(c)(4) Nonprofits: How the Two Entities Can Work Together for Personal Enrichment On November 12, 2012, “The Colbert Report” host, Steven Colbert, informed viewers that his popular Super PAC, “Americans for a Better Tomorrow, Tomorrow” (more commonly known as the “Colbert Super PAC”) would be dissolving.1 Because there remained in the Super PAC nearly $800,000,2 Colbert wanted to know if there existed a way in which he might keep the funds for himself in a personal capacity, while barring the public from such knowledge. Colbert invited his attorney, Trevor Potter, on the show, and Potter explained that there is a method by which the Super PAC money can be ultimately routed to Colbert without the public’s (or the IRS’s) knowledge.3 Because Colbert also solely founded and operates a 501(c)(4) organization, “Colbert Super PAC S.H.H. Institute,”4 he could essentially use this nonprofit organization as an intermediary vehicle to get the funds from his Super PAC to his own bank account – without any trace of the transaction.5 Afraid that corporate donors would shy away from donating to the “Colbert Super PAC” because of its public disclosure of donors, Colbert formed his 501(c)(4) “Colbert Super PAC S.H.H. Institute.”6 501(c)(4) nonprofits, unlike their 501(c)(3) counterparts, are allowed to engage in extensive political activity, including lobbying, participating in political campaigns and elections, and donating money to political groups. Although the practical purpose of this 1 Colbert Super PAC SHH! - Secret Second 501c4 - Trevor Potter, Colbert Nation, Nov. -
Topical Monologue Jokes
Topical Monologue Jokes On Donuts Featuring Dr. Fauci’s Face: Due to the desperate need for facts and science that’s sweeping the Nation in this Coronavirus time, Dr. Fauci is becoming something of a hero. In fact, CNN reported that donuts featuring Dr. Fauci’s face are becoming a hit in NYC…[graphic]: Stephen Colbert: Donuts? New York—you couldn’t think of a healthier food for one second while we’re all trying to stay healthy and improve our immune systems? You couldn’t try carving Dr. Fauci’s face into an eggplant? [Colbert NY accent]: “In honor of this man that provided us with medical truth that ultimately saved the nation from entirely dying out from a deadly virus, here’s some diabetes!" Trevor Noah: People are so into Dr. Fauci right now, it’s crazy. He’s going to become our new mascot, I’m telling you. Like instead of the Easter Bunny, it’ll just be Dr. Fauci sneaking around your house, laying chocolate eggs with his face on them everywhere for you to find. Luckily Christmas will pretty much just be the same: an old white man as the bearer of good things. Fauci isn’t fat like Santa Claus, but after a few of those donuts with his face on them… On Drake’s kid: Trevor Noah: Drake has finally revealed to the public a picture of his kid on social media. [graphic] Here he is: Adonis Graham. Yes, Drake named his kid Adonis—after the mortal that had sex with Aphrodite. Aphrodite! Goddess of love, beauty, and pleasure! ….I see what you’re doing here, Drake. -
PC Is Back in South Park: Framing Social Issues Through Satire
Colloquy Vol. 12, Fall 2016, pp. 101-114 PC Is Back in South Park: Framing Social Issues through Satire Alex Dejean Abstract This study takes an extensive look at the television program South Park episode “Stunning and Brave.” There is limited research that explores the use of satire to create social discourse on concepts related to political correctness. I use framing theory as a primary variable to understand the messages “Stunning and Brave” attempts to convey. Framing theory originated from the theory of agenda setting. Agenda setting explains how media depictions affect how people think about the world. Framing is an aspect of agenda setting that details the organization and structure of a narrative or story. Framing is such an important variable to agenda setting that research on framing has become its own field of study. Existing literature of framing theory, comedy, and television has shown how audiences perceive issues once they have been exposed to media messages. The purpose of this research will review relevant literature explored in this area to examine satirical criticism on the social issue of political correctness. It seems almost unnecessary to point out the effect media has on us every day. Media is a broad term for the collective entities and structures through which messages are created and transmitted to an audience. As noted by Semmel (1983), “Almost everyone agrees that the mass media shape the world around us” (p. 718). The media tells us what life is or what we need for a better life. We have been bombarded with messages about what is better. -
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna