Geological Mapping of the Neruda Quadrangle (H13) of Mercury

Total Page:16

File Type:pdf, Size:1020Kb

Geological Mapping of the Neruda Quadrangle (H13) of Mercury Planetary Geologic Mappers 2020 (LPI Contrib. No. 2357) 7028.pdf GEOLOGICAL MAPPING OF THE NERUDA QUADRANGLE (H13) OF MERCURY. B. Man1, D. A. Rothery1, M. R. Balme1, and S. J. Conway2, J. Wright1, 1School of Physical Sciences, The Open University, Milton Keynes, MK7 6AA, UK ([email protected]), 2CNRS, UMR 6112 Laboratoire de Planétologie et Géodynamique, Université de Nantes, France. ABSTRACT Introduction: With ESA-JAXA’s BepiColombo mission underway, it is imperative that a full set of comprehensive geological maps is produced prior to the arrival of the spacecraft, to provide context for BepiColombo’s studies [1]. As part of a concerted effort by PLANMAP, Mercury is being mapped on a quadrangle basis [2]. Here I present my mapping progress for the Neruda quadrangle (H13; 180–270°E, 22.5–65°S). Data and methods: Primary basemap: H13’s ~166 mpp v1.0 BDR tiles with moderate (~74°) solar incidence angles. Secondary basemaps: low (~45°) and high (~78°) incidence angle basemaps; ~665 mpp enhanced color mosaic; MLA- and stereo-derived DEMs. Map projection: Lambert Conformal Conic (c. meridian, 135°E; st. parallels, 30°S and 58°S; radius, 2439400 km). Scale: 1:3M with digitization scale at 1:300k. Progress: Mapping has focused on crater rim and tectonic structure linework. An extensive thrust system has been identified striking generally N-S. With H13 being perhaps the most densely cratered quadrangle on the planet [3], crater linework and classification are expected to require significant review before completion. References: [1] Rothery D. A.et al. (2020) Space Sci. Rev., 216, 66. [2] Galluzzi V. et al. (2019) Geophys. Res. Abs., 21, EGU2019-18802-1. [3] Fassett, C. I. et al (2011) Geophys. Res. Lett. 38. 6. Acknowledgments: Gratitude is given to the OU Space SRA and UK STFC (ST/T506321/1). As well as PLANMAP (European Commission H2020 grant 776276) and CNRS and CNES. Gratitude is also given to NASA/JHAPL/CIW for the publicly available MESSENGER products used in this project. Figure Caption: Mapping progress for H13 Neruda. .
Recommended publications
  • Pablo Neruda - Poems
    Classic Poetry Series Pablo Neruda - poems - Publication Date: 2011 Publisher: Poemhunter.com - The World's Poetry Archive Pablo Neruda(12 July 1904 – 23 September 1973) Pablo Neruda was the pen name and, later, legal name of the Chilean poet and politician Neftalí Ricardo Reyes Basoalto. He chose his pen name after Czech poet Jan Neruda. Neruda wrote in a variety of styles such as erotically charged love poems as in his collection Twenty Poems of Love and a Song of Despair, surrealist poems, historical epics, and overtly political manifestos. In 1971 Neruda won the Nobel Prize for Literature. Colombian novelist Gabriel García Márquez once called him "the greatest poet of the 20th century in any language." Neruda always wrote in green ink as it was his personal color of hope. On July 15, 1945, at Pacaembu Stadium in São Paulo, Brazil, he read to 100,000 people in honor of Communist revolutionary leader Luís Carlos Prestes. During his lifetime, Neruda occupied many diplomatic positions and served a stint as a senator for the Chilean Communist Party. When Conservative Chilean President González Videla outlawed communism in Chile in 1948, a warrant was issued for Neruda's arrest. Friends hid him for months in a house basement in the Chilean port of Valparaíso. Later, Neruda escaped into exile through a mountain pass near Maihue Lake into Argentina. Years later, Neruda was a close collaborator to socialist President Salvador Allende. When Neruda returned to Chile after his Nobel Prize acceptance speech, Allende invited him to read at the Estadio Nacional before 70,000 people.
    [Show full text]
  • Neruda and Borgej
    PER.'ONALHIJTORY NERUDAAND BORGEJ No tzuoLatin-Anerican writers couldbe more important. No tttso ztsriterscould bemore diferent. Hou did the authorbecorne the friend and translatorof both? BYALA.'TAIR REID f f TuoN I first went to Spain, in country, to Andalusia, to Gibraltar and l/l/ 1953.I knew little about l'4orocco, to Pornrgal-looking and lis- Y Y thelivingcountryandbarely tening a lot, and I wrote the fust of a se- a word of the language.But my senses ries of chronicleson Spain for The New were in good working order, and I was Yorker.Soon after it appeared,I had my instanth' drarvn in by Spain'srhythms Spanishpress credentials withdrawn, but and its landscapes-the burned, sun_.- that made little difference,for Spain ex- stainedearth, the silver-blueclarig,of istedthen on rumor and speculation.Liv- Nlediteranean light, the warm s,rle.nnity ing there felt like belonging to an exten- ofthe peopie,the sparenessofvillage life. sive whispered conspiracy against the Existencewas honed down to its essen- Franco regime. Spain was at something tials,making the dayslonger, time more of a standstill,still in shockfrom the Civil abundant.So I returnedto Spain,and re- War and the long isolation that followed turned, and eventu'allywent to live there it, threadbarecompared to the rest of Eu- in 1956, setting out to learn thg country, rope. Censorship,both moral and politi- and slowly absorb the Spanish senseof cal, hung heavy over the press,over the time. Spaniardshave a gift fbr exiranding universities,and overwriters and publish- the present,around a meal or a conver- ers, and the police had sharp antennae sation; and they are mastersof the cos- out for any sign of dissidence.The writ- mic shrug that shedsall preoccupations ers I knew complainedthat yearsofcen- exceptthose immediatelyat hand.
    [Show full text]
  • APRIL GIFTS 2011 Compiled By: Susan F
    APRIL GIFTS 2011 Compiled by: Susan F. Glassmeyer Cincinnati, Ohio, 2011 LittlePocketPoetry.Org APRIL GIFTS 2011 1 How Zen Ruins Poets Chase Twitchel 2 Words Can Describe Tim Nolan 3 Adjectives of Order Alexandra Teague 4 Old Men Playing Basketball B.H. Fairchild 5 Healing The Mare Linda McCarriston 6 Practicing To Walk Like A Heron Jack Ridl 7 Sanctuary Jean Valentine 8 To An Athlete Dying Young A.E. Housman 9 The Routine After Forty Jacqueline Berger 10 The Sad Truth About Rilke’s Poems Nick Lantz 11 Wall Christine Garren 12 The Heart Broken Open Ronald Pies, M.D. 13 Survey Ada Jill Schneider 14 The Bear On Main Street Dan Gerber 15 Pray For Peace Ellen Bass 16 April Saturday, 1960 David Huddle 17 For My Father Who Fears I’m Going To Hell Cindy May Murphy 18 Night Journey Theodore Roethke 19 Love Poem With Trash Compactor Andrea Cohen 20 Magic Spell of Rain Ann Blandiana 21 When Lilacs Frank X. Gaspar 22 Burning Monk Shin Yu Pai 23 Mountain Stick Peter VanToorn 24 The Hatching Kate Daniels 25 To My Father’s Business Kenneth Koch 26 The Platypus Speaks Sandra Beasley 27 The Baal Shem Tov Stephen Mitchell 28 A Peasant R.S. Thomas 29 A Green Crab’s Shell Mark Doty 30 Tieh Lien Hua LiChing Chao April Gifts #1—2011 How Zen Ruins Poets I never know exactly where these annual “April Gifts” selections will take us. I start packing my bags in January by preparing an itinerary of 30 poems and mapping out a probable monthlong course.
    [Show full text]
  • Also by Jung Chang
    Also by Jung Chang Empress Dowager Cixi: The Concubine Who Launched Modern China Mao: The Unknown Story (with Jon Halliday) Wild Swans: Three Daughters of China THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF Copyright © 2019 by Globalflair Ltd. All rights reserved. Published in the United States by Alfred A. Knopf, a division of Penguin Random House LLC, New York. Originally published in hardcover in Great Britain by Jonathan Cape, an imprint of Vintage, a division of Penguin Random House Ltd., London, in 2019. www.aaknopf.com Knopf, Borzoi Books, and the colophon are registered trademarks of Penguin Random House LLC. Library of Congress Control Number: 2019943880 ISBN 9780451493507 (hardcover) ISBN 9780451493514 (ebook) ISBN 9780525657828 (open market) Ebook ISBN 9780451493514 Cover images: (The Soong sisters) Historic Collection / Alamy; (fabric) Chakkrit Wannapong / Alamy Cover design by Chip Kidd v5.4 a To my mother Contents Cover Also by Jung Chang Title Page Copyright Dedication List of Illustrations Map of China Introduction Part I: The Road to the Republic (1866–1911) 1 The Rise of the Father of China 2 Soong Charlie: A Methodist Preacher and a Secret Revolutionary Part II: The Sisters and Sun Yat-sen (1912–1925) 3 Ei-ling: A ‘Mighty Smart’ Young Lady 4 China Embarks on Democracy 5 The Marriages of Ei-ling and Ching-ling 6 To Become Mme Sun 7 ‘I wish to follow the example of my friend Lenin’ Part III: The Sisters and Chiang Kai-shek (1926–1936) 8 Shanghai Ladies 9 May-ling Meets the Generalissimo 10 Married to a Beleaguered
    [Show full text]
  • Geologic Map of the Victoria Quadrangle (H02), Mercury
    H01 - Borealis Geologic Map of the Victoria Quadrangle (H02), Mercury 60° Geologic Units Borea 65° Smooth plains material 1 1 2 3 4 1,5 sp H05 - Hokusai H04 - Raditladi H03 - Shakespeare H02 - Victoria Smooth and sparsely cratered planar surfaces confined to pools found within crater materials. Galluzzi V. , Guzzetta L. , Ferranti L. , Di Achille G. , Rothery D. A. , Palumbo P. 30° Apollonia Liguria Caduceata Aurora Smooth plains material–northern spn Smooth and sparsely cratered planar surfaces confined to the high-northern latitudes. 1 INAF, Istituto di Astrofisica e Planetologia Spaziali, Rome, Italy; 22.5° Intermediate plains material 2 H10 - Derain H09 - Eminescu H08 - Tolstoj H07 - Beethoven H06 - Kuiper imp DiSTAR, Università degli Studi di Napoli "Federico II", Naples, Italy; 0° Pieria Solitudo Criophori Phoethontas Solitudo Lycaonis Tricrena Smooth undulating to planar surfaces, more densely cratered than the smooth plains. 3 INAF, Osservatorio Astronomico di Teramo, Teramo, Italy; -22.5° Intercrater plains material 4 72° 144° 216° 288° icp 2 Department of Physical Sciences, The Open University, Milton Keynes, UK; ° Rough or gently rolling, densely cratered surfaces, encompassing also distal crater materials. 70 60 H14 - Debussy H13 - Neruda H12 - Michelangelo H11 - Discovery ° 5 3 270° 300° 330° 0° 30° spn Dipartimento di Scienze e Tecnologie, Università degli Studi di Napoli "Parthenope", Naples, Italy. Cyllene Solitudo Persephones Solitudo Promethei Solitudo Hermae -30° Trismegisti -65° 90° 270° Crater Materials icp H15 - Bach Australia Crater material–well preserved cfs -60° c3 180° Fresh craters with a sharp rim, textured ejecta blanket and pristine or sparsely cratered floor. 2 1:3,000,000 ° c2 80° 350 Crater material–degraded c2 spn M c3 Degraded craters with a subdued rim and a moderately cratered smooth to hummocky floor.
    [Show full text]
  • High-Resolution Topography of Mercury from Messenger Orbital Stereo Imaging – the Southern Hemisphere Quadrangles
    The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-3, 2018 ISPRS TC III Mid-term Symposium “Developments, Technologies and Applications in Remote Sensing”, 7–10 May, Beijing, China HIGH-RESOLUTION TOPOGRAPHY OF MERCURY FROM MESSENGER ORBITAL STEREO IMAGING – THE SOUTHERN HEMISPHERE QUADRANGLES F. Preusker 1 *, J. Oberst 1,2, A. Stark 1, S. Burmeister 2 1 German Aerospace Center (DLR), Institute of Planet. Research, Berlin, Germany – (stephan.elgner, frank.preusker, alexander.stark, juergen.oberst)@dlr.de 2 Technical University Berlin, Institute for Geodesy and Geoinformation Sciences, Berlin, Germany – (steffi.burmeister, juergen.oberst)@tu-berlin.de Commission VI, WG VI/4 KEY WORDS: Mercury, MESSENGER, Digital Terrain Models ABSTRACT: We produce high-resolution (222 m/grid element) Digital Terrain Models (DTMs) for Mercury using stereo images from the MESSENGER orbital mission. We have developed a scheme to process large numbers, typically more than 6000, images by photogrammetric techniques, which include, multiple image matching, pyramid strategy, and bundle block adjustments. In this paper, we present models for map quadrangles of the southern hemisphere H11, H12, H13, and H14. 1. INTRODUCTION Mercury requires sophisticated models for calibrations of focal length and distortion of the camera. In particular, the WAC The MErcury Surface, Space ENviorment, GEochemistry, and camera and NAC camera were demonstrated to show a linear Ranging (MESSENGER) spacecraft entered orbit about increase in focal length by up to 0.10% over the typical range of Mercury in March 2011 to carry out a comprehensive temperatures (-20 to +20 °C) during operation, which causes a topographic mapping of the planet.
    [Show full text]
  • Investigating the Neruda-Paramour Thrust System, Mercury
    EPSC Abstracts Vol. 14, EPSC2020-794, 2020 https://doi.org/10.5194/epsc2020-794 Europlanet Science Congress 2020 © Author(s) 2021. This work is distributed under the Creative Commons Attribution 4.0 License. Investigating the Neruda-Paramour thrust system, Mercury Benjamin Man1, David. A. Rothery1, Matt. R. Balme1, Susan. J. Conway2, and Jack Wright1 1The Open University, Department of Physical Sciences, Milton Keynes, United Kingdom of Great Britain and Northern Ireland ([email protected]) 2LPG Nantes - CNRS, Université de Nantes, France ([email protected]) Abstract: Our tectonic mapping as part of a larger morphostratigraphic mapping effort of the H13, Neruda Quadrangle (1) has led us to recognise the “Neruda-Paramour” thrust system. The system appears to extend from the southern limits of H13 north through H09 and H08 and simplifies at its northern end into Paramour Rupes (Figure 1). Mercury’s tectonic evolution is dominated by global scale contractional structures of which the Neruda-Paramour system is part of (2). These structures are believed to have formed either by secular cooling of the planet (3), tidal despinning (4), mantle overturn (5), true polar wander (6) or a combination of these processes. Regardless of the process, Mercury’s surface exhibits abundant evidence of global contraction in the form of shortening structures such as lobate scarps, high relief ridges and wrinkles ridges (7,8). These features are widely accepted as the surface expressions of thrust faulting and folding, produced by lithospheric horizontal compression. Often, these contractional features comprise major thrust systems as linked segments with a consistent trend (8).
    [Show full text]
  • Select Bibliography
    Select Bibliography by the late F. Seymour-Smith Reference books and other standard sources of literary information; with a selection of national historical and critical surveys, excluding monographs on individual authors (other than series) and anthologies. Imprint: the place of publication other than London is stated, followed by the date of the last edition traced up to 1984. OUP- Oxford University Press, and includes depart­ mental Oxford imprints such as Clarendon Press and the London OUP. But Oxford books originating outside Britain, e.g. Australia, New York, are so indicated. CUP - Cambridge University Press. General and European (An enlarged and updated edition of Lexicon tkr WeltliU!-atur im 20 ]ahrhuntkrt. Infra.), rev. 1981. Baker, Ernest A: A Guilk to the B6st Fiction. Ford, Ford Madox: The March of LiU!-ature. Routledge, 1932, rev. 1940. Allen and Unwin, 1939. Beer, Johannes: Dn Romanfohrn. 14 vols. Frauwallner, E. and others (eds): Die Welt Stuttgart, Anton Hiersemann, 1950-69. LiU!-alur. 3 vols. Vienna, 1951-4. Supplement Benet, William Rose: The R6athr's Encyc/opludia. (A· F), 1968. Harrap, 1955. Freedman, Ralph: The Lyrical Novel: studies in Bompiani, Valentino: Di.cionario letU!-ario Hnmann Hesse, Andrl Gilk and Virginia Woolf Bompiani dille opn-e 6 tUi personaggi di tutti i Princeton; OUP, 1963. tnnpi 6 di tutu le let16ratur6. 9 vols (including Grigson, Geoffrey (ed.): The Concise Encyclopadia index vol.). Milan, Bompiani, 1947-50. Ap­ of Motkm World LiU!-ature. Hutchinson, 1970. pendic6. 2 vols. 1964-6. Hargreaves-Mawdsley, W .N .: Everyman's Dic­ Chambn's Biographical Dictionary. Chambers, tionary of European WriU!-s.
    [Show full text]
  • Monuments of Culture and the Cult of the Monument
    The Pennsylvania State University The Graduate School College of the Liberal Arts MONUMENTS OF CULTURE AND THE CULT OF THE MONUMENT A Dissertation in Comparative Literature by Renae Mitchell © 2013 Renae L. Mitchell Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2013 DOCTORAL COMMITTEE PAGE The dissertation of Renae L. Mitchell was reviewed and approved* by the following: Djelal Kadir Edwin Erle Sparks Professor of Comparative Literature Dissertation Adviser and Chair of Committee Thomas O. Beebee Edwin Erle Sparks Professor of Comparative Literature and German Julia Cuervo-Hewitt Associate Professor of Spanish and Portuguese Sean X. Goudie Associate Professor of English Caroline D. Eckhardt Professor of Comparative Literature and English Head of the Department of Comparative Literature *Signatures are on file in the Graduate School. Abstract By evaluating instances of creative critiques and interrogations of the monument, this study seeks to demonstrate how commemorations of a valorized European past are constructions of an originary moment that elide the complexities of Conquest and its attendant legacy of transculturation and miscegenation in the Americas. This project explores the ways in which the American monument subverts popular resistance by embodying master narratives for a people, and focuses on the ideological manifestations of the monument through the works of writers who figure prominently, one could say, monumentally, in the Americas. I trace this phenomenon of alienating monumentalism in various cultural productions—not only books, but sculpture, earthworks, and other artifacts — examining the formation of asymmetrical cultural relations embodied by these products, especially as they continue to influence contemporary American narrative and art.
    [Show full text]
  • Finnish Politician. Brought up by an Aunt, He Won An
    He wrote two operas, a symphony, two concertos and much piano music, including the notorious Minuet in G (1887). He settled in California in 1913. His international reputation and his efforts for his country P in raising relief funds and in nationalist propaganda during World War I were major factors in influencing Paasikivi, Juho Kusti (originally Johan Gustaf President Woodrow *Wilson to propose the creation Hellsen) (1870–1956). Finnish politician. Brought of an independent Polish state as an Allied war up by an aunt, he won an LLD at Helsinki University, aim. Marshal *Piłsudski appointed Paderewski as becoming an inspector of finances, then a banker. Prime Minister and Foreign Minister (1919) and he Finland declared its independence from Russia represented Poland at the Paris Peace Conference and (1917) and Paasikivi served as Prime Minister 1918, signed the Treaty of Versailles (1919). In December resigning when his proposal for a constitutional he retired and returned to his music but in 1939, monarchy failed. He returned to banking and flirted after Poland had been overrun in World War II, with the semi-Fascist Lapua movement. He was he reappeared briefly in political life as chairman of Ambassador to Sweden 1936–39 and to the USSR the Polish national council in exile. 1939–41. World War II forced him to move from Páez, Juan Antonio (1790–1873). Venezuelan conservatism to realism. *Mannerheim appointed liberator. He fought against the Spanish with varying him Prime Minister 1944–46, and he won two success until he joined (1818) *Bolívar and shared terms as President 1946–56.
    [Show full text]
  • AFRICAN POETRY, VERNACULAR: ORAL. Ver• Tion to the Multiplicity of Local Classifications
    A AFRICAN POETRY, VERNACULAR: ORAL. Ver­ tion to the multiplicity of local classifications . nacular poetry in Africa is mostly oral, and A basic distinction must be made between the greater part is still unrecorded. The con­ ritual and nonritual forms ; by far the most ventions of oral v.p. belong to the whole per­ important are the ritual forms associated, either formance and its occasion, and are therefore in origin or in present reality, with formal not exclusively literary. Internal classifications customary rites and activities. Modern public within the society have no referellce to the occasions may include traditional ritual forms Western categories of prose and poetry, and suitably adapted. Nonritual forms, of course, Afr. definitions of "literary" do not necessarily belong to informal occasions. In either general coincide with those of Eng .-Am. culture. For category the creative role of the performer(s) instance, Afr. proverbs and riddles are major, is important, for even within customary rites not minor, literary forms for which the term the evaluation is of the contemporary per­ "poetry," if it is applied, need not relate only formance. Ritual forms include panegyric and to the forms with rhyme. The evaluation even lyric, whereas nonritual forms include lyric of these identifiable genres can be made only and, possibly, narrative. by a complete understanding of the signifi­ Panegyric is one of the most developed and cance of any given member (e.g., a particular elaborate poetic genres in Africa. Its specialized praise song) of a genre (e.g., praise poetry) form is best exemplified in the court poetry of within the society at the time of utterance.
    [Show full text]
  • FLOWERS WITHOUT BORDERS July 9-11, 16-18, 23-25, 30-31 Enter to Win a Vocalise Mouthpiece Scan the Code and Complete Your Entry
    FLOWERS WITHOUT BORDERS July 9-11, 16-18, 23-25, 30-31 Enter to Win a Vocalise Mouthpiece Scan the code and complete your entry. backunmusical.com gives a soul to theMusic universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything. ~Plato Now, more than ever, E DWIN • HUD RE EIGAN SO • • W D N H R • T • C E R D I D IP i V Y I L E N P U S S IT T I A S play on! • S N I L R A E Meet Some I K W B • I A K S T • E L Players D A L G A E N R O R D We Love! O c a B M • B • U E L S N F O I V A D A • Z M H E Patents. See website. www.rovnerproducts.com Established 2013 Heather Rodriguez Alcides Rodriguez RMS offers a premium selection of Hand selected Buffet clarinets clarinets for the demanding artist, and accessories educator and student. Artist level set ups, upgrades, repair work and overhauls www.rodriguezmusical.com 470-545-9803 [email protected] A NEW SPECIES OF REED VENN signals the dawn of a new era in woodwinds innovation: combining the stability and longevity of a synthetic reed with the sound and feel of natural cane. To mimic the organic structure of cane, we reverse-engineered cane itself, layering di erent strengths of polymer fi bers with resin and organic reed elements to make up the reed blank.
    [Show full text]