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Argentuscon Had Four Panelists Piece, on December 17
Matthew Appleton Georges Dodds Richard Horton Sheryl Birkhead Howard Andrew Jones Brad Foster Fred Lerner Deb Kosiba James D. Nicoll Rotsler John O’Neill Taral Wayne Mike Resnick Peter Sands Steven H Silver Allen Steele Michael D. Thomas Fred Lerner takes us on a literary journey to Portugal, From the Mine as he prepared for his own journey to the old Roman province of Lusitania. He looks at the writing of two ast year’s issue was published on Christmas Eve. Portuguese authors who are practically unknown to the This year, it looks like I’ll get it out earlier, but not Anglophonic world. L by much since I’m writing this, which is the last And just as the ArgentusCon had four panelists piece, on December 17. discussing a single topic, the first four articles are also on What isn’t in this issue is the mock section. It has the same topic, although the authors tackled them always been the most difficult section to put together and separately (mostly). I asked Rich Horton, John O’Neill, I just couldn’t get enough pieces to Georges Dodds, and Howard Andrew Jones make it happen this issue. All my to compile of list of ten books each that are fault, not the fault of those who sent out of print and should be brought back into me submissions. The mock section print. When I asked, knowing something of may return in the 2008 issue, or it may their proclivities, I had a feeling I’d know not. I have found something else I what types of books would show up, if not think might be its replacement, which the specifics. -
Human-Machine Communication
Volume 2, 2021 ISSN 2638-602X (print)/ISSN 2638-6038 (online) Human-Machine Communication ISSN 2638-602X (print)/ISSN 2638-6038 (online) Copyright © 2021 Human-Machine Communication www.hmcjournal.com Human-Machine Communication (HMC) is an annual peer-reviewed, open access publication of the Communication and Social Robotics Labs (combotlabs.org), published with support from the Nicholson School of Communication and Media at the University of Central Florida. Human- Machine Communication (Print: ISSN 2638-602X) is published in the spring of each year (Online: ISSN 2638-6038). Institutional, organizational, and individual subscribers are invited to purchase the print edition using the following mailing address: Human-Machine Communication (HMC) Communication and Social Robotics Labs Western Michigan University 1903 W. Michigan Ave. 300 Sprau Tower Kalamazoo, MI 49008 Print Subscriptions: Regular US rates: Individuals: 1 year, $40. Libraries and organizations may subscribe for 1 year, $75. If subscribing outside of the United States, please contact the Editor-in-Chief for current rate. Checks should be made payable to the Communication and Social Robotics Labs. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License . All articles in HMC are open access and can be distributed under the creative commons license. Human-Machine Communication Volume 2, 2021 Volume Editor Leopoldina Fortunati, University of Udine (Italy) Editor-in-Chief Autumn Edwards, Western Michigan University (U.S.A.) Associate Editors Patric R. Spence, University of Central Florida (U.S.A.) Chad Edwards, Western Michigan University (U.S.A.) Editorial Board Somaya Ben Allouch, Amsterdam University of Applied Sciences (Netherlands) Maria Bakardjieva, University of Calgary (Canada) Jaime Banks, West Virginia University (U.S.A.) Naomi S. -
Autumn Rights Guide 2020 the ORION PUBLISHING GROUP WHERE EVERY STORY MATTERS Autumn Rights Guide 2020
Autumn Rights Guide 2020 THE ORION PUBLISHING GROUP WHERE EVERY STORY MATTERS Autumn Rights Guide 2020 Fiction 1 Crime, Mystery & Thriller 2 Historical 15 Women’s Fiction 17 Upmarket Commercial & Literary Fiction 26 Recent Highlights 35 Science Fiction & Fantasy 36 Non-Fiction 53 History 54 Science 60 Music 65 Sport 69 True Stories 70 Wellbeing & Lifestyle 71 Parenting 77 Mind, Body, Spirit 78 Gift & Humour 79 Cookery 82 TV Hits 85 The Orion Publishing Group Where Every Story Matters The Orion Publishing Group is one of the UK’s leading publishers. Our mission is to bring the best publishing to the greatest variety of people. Open, agile, passionate and innovative – we believe that everyone will find something they love at Orion. Founded in 1991, the Orion Publishing Group today publishes under ten imprints: A heartland for brilliant commercial fiction from international brands to home-grown rising stars. The UK’s No1 science fiction and fantasy imprint, Gollancz. Ground-breaking, award-winning, thought-provoking books since 1949. Weidenfeld & Nicolson is one of the most prestigious and dynamic literary imprints in British and international publishing. Commercial fiction and non-fiction that starts conversations! Lee Brackstone’s imprint is dedicated to publishing the most innovative books and voices in music and literature, encompassing memoir, history, fiction, translation, illustrated books and high-spec limited editions. Francesca Main’s new imprint will be a destination for books that combine literary merit and commercial potential. It will focus on literary fiction, book club fiction and memoir characterised by voice, storytelling and emo- tional resonance. Orion Spring is the home of wellbeing and health titles written by passionate celebrities and world-renowned experts. -
Strangest of All
Strangest of All 1 Strangest of All TRANGEST OF LL AnthologyS of astrobiological science A fiction ed. Julie Nov!"o ! Euro#ean Astrobiology $nstitute Features G. %avid Nordley& Geoffrey Landis& Gregory 'enford& Tobias S. 'uc"ell& (eter Watts and %. A. *iaolin S#ires. + Strangest of All , Strangest of All Edited originally for the #ur#oses of 'EACON +.+.& a/conference of the Euro#ean Astrobiology $nstitute 0EA$1. -o#yright 0-- 'Y-N--N% 4..1 +.+. Julie No !"o ! 2ou are free to share this 5or" as a 5hole as long as you gi e the ap#ro#riate credit to its creators. 6o5ever& you are #rohibited fro7 using it for co77ercial #ur#oses or sharing any 7odified or deri ed ersions of it. 8ore about this #articular license at creati eco77ons.org9licenses9by3nc3nd94.0/legalcode. While this 5or" as a 5hole is under the -reati eCo77ons Attribution3 NonCo77ercial3No%eri ati es 4.0 $nternational license, note that all authors retain usual co#yright for the indi idual wor"s. :$ntroduction; < +.+. by Julie No !"o ! :)ar& $ce& Egg& =ni erse; < +..+ by G. %a id Nordley :$nto The 'lue Abyss; < 1>>> by Geoffrey A. Landis :'ac"scatter; < +.1, by Gregory 'enford :A Jar of Good5ill; < +.1. by Tobias S. 'uc"ell :The $sland; < +..> by (eter )atts :SET$ for (rofit; < +..? by Gregory 'enford :'ut& Still& $ S7ile; < +.1> by %. A. Xiaolin S#ires :After5ord; < +.+. by Julie No !"o ! :8artian Fe er; < +.1> by Julie No !"o ! 4 Strangest of All :@this strangest of all things that ever ca7e to earth fro7 outer space 7ust ha e fallen 5hile $ 5as sitting there, isible to 7e had $ only loo"ed u# as it #assed.; A H. -
Anthropomorphic Machines: Alien Sensation and Experience in Nonhumans Created to Be Like Us
Anthropomorphic machines: alien sensation and experience in nonhumans created to be like us by Tessa Gwendoline Leach ORCID 0000-0002-0560-7667 Doctor of Philosophy (Arts) June 2018 School of Historical and Philosophical Studies This thesis is submitted in total fulfilment of the requirements of the degree i Abstract This thesis is positioned at the intersection between technology studies and the nonhuman turn in the humanities. It argues that typical approaches to the study of technology omit any consideration of the alien nature of nonhuman sensation and experience. The discussion of metaphysical theory aimed at redressing this omission is grounded in this thesis in the study of specific case studies of anthropomorphic machines, objects which are typically surrounded by human-centric rhetoric. There are four main case studies presented. The first, the Microsoft Kinect for Xbox One, is a sensor designed for use in videogames. The second is the “robot tortoises” (Machina speculatrix) designed by William Grey Walter in the 1940s and 50s. The third is the language- using artificial intelligence program SHRDLU developed by Terry Winograd between 1968 and 1972. The fourth is the concept of the gynoid (female humanoid robot) and particularly the gynoid sexbot. Each of these case studies has previously been analysed in Science and Technology Studies, Cultural Studies or Engineering, and this thesis builds on this past work by giving primacy and due consideration to the alien in these anthropomorphic technologies. The thesis aims to decentre the anthropomorphic qualities of machines that are often foregrounded in both engineering and critical texts. This is done both by emphasising the alien nature of nonhuman sensation and experience, and through anthrodecentric theory and language. -
Mamoru Oshii's Exploration of the Potentialities of Consciousness in A
Mamoru Oshii's Exploration of the Potentialities of Consciousness in a Globalised Capitalist Network Artur Lozano-Méndez, Postdoctoral Fellow, East Asian Studies, Department of Translation, Interpreting and East Asian Studies, Universitat Autònoma de Barcelona [About | Email] Volume 15, Issue 3 (Article 12 in 2015). First published in ejcjs on 13 December 2015. Abstract This paper offers a classification of imaginative approaches to the possibilities of transhuman and posthuman forms of life and the potentialities they entail regarding sentient, intelligent consciousness. The analysis focuses on the speculative work and proposals by director Oshii Mamoru in his anime film adaptations of the manga Ghost in the Shell. Building on a postmodern sensibility regarding politics, economics, social organisation, history and the concept of humanity, Oshii explores all the dimensions that come into play in building a person’s subjectivity as he wonders where people would turn to if the modernist markers of selfhood stop being relevant: body, mind, the Subject, national history and culture. With or without transhuman enhancements, regardless of the modality of consciousness, Oshii implies that self-consciousness implies a degree of anxiety ( 不 安 , fuan) and each individual has to do their own exploring and reach an awareness that enables them to escape an alienated existence. Keywords: transhumanism, posthumanism, consciousness, anime, science fiction. This contribution originates from a paper delivered at the Kinema Club Conference for Film and Moving Images from Japan XIII, January 17-18th, 2014. Reischauer Institute of Japanese Studies, Harvard University. Introduction The aim of this paper is to consider Oshii Mamoru’s1 production of meaning and knowledge regarding the Subject and the consciousness of the Self. -
Artificial Intelligence in Sci-Fi Film and Literature Conference Report
Artificial Intelligence in Sci-Fi Film and Literature Imagining AI - the View from Mythology, Fantasy, and SF Conference Report Science & Human Dimension Project Conference 15-16 March 2018 Jesus College, Cambridge Contents Introduction 1 Report 4 Conference Overview 12 Conference Agenda 13 Speaker Biographies 16 Participants List 24 1 Introduction: John Cornwell, Director, Science & Human Dimension Project, AI and the Future of Humanity series: This meeting today is the first in a new cycle of three conferences on AI, and our focus is how artificial intelligent systems are likely to affect the ways we think about ourselves as persons, as individuals, old and young, members of families, of communities, of society: as individuals and groups with convictions, values and beliefs. Will we continue to see machines as things, as in the past, or will the differences between persons and things begin to blur? One detects a distinct feeling of unease about the coming of superintelligent machines, quite apart from the predictions of existential risks. Our focus is summed up in that powerful phrase uttered by Kent to Oswald in King Lear about teaching differences. And a problem from the outset, it seems to us, is not only on the side of understanding machines that learn, difficult as that may be, but understanding what it means to be a person. For example, despite rapid and broad advances in cognitive neuroscience - a not always happy combination of neurophysiology and psychology - there are significant differences in the qualitative conclusions of philosophers of mind (albeit literate in neuroscience) as they address the most crucial aspects of traditionally accepted differences between things and persons. -
FICTION RESEARCH ASSOCIATION COLLECTIVE Review ISSN 2641-2837
THE OPEN ACCESS JOURNAL OF THE 51/2 Spring 2021 EDITORIAL SFRA SCIENCE FICTION RESEARCH ASSOCIATION COLLECTIVE Review ISSN 2641-2837 GENERAL EDITORS SFRA Review is an open access journal published four times a year by the Science Fiction Research Association (SFRA) since 1971. SFRA Review SENIOR EDITOR publishes scholarly articles and reviews. As the flagship journal of SFRA, Ian Campbell the Review is devoted to surveying the contemporary field of SF scholarship, [email protected] fiction, and media as it develops. EDITOR Virginia Conn [email protected] Submissions EDITOR SFRA Review accepts original scholarly articles, interviews, review essays, and Amandine Faucheux individual reviews of recent scholarship, fiction, and media germane to SF amandine.faucheux studies. Articles are single-blind peer reviewed by two of three general editors @louisiana.edu before being accepted or rejected. SFRA Review does not accept unsolicited reviews. If you would like to write a review essay or review, please contact REVIEWS EDITORS the relevant review editor. For all other publication types—including special issues and symposia—contact the general editors. All submissions should be NONFICTION EDITOR prepared in MLA 8th ed. style. Accepted pieces are published at the discretion Dominick Grace [email protected] of the editors under the author's copyright and made available open access via a CC-BY-NC-ND 4.0 license. ASSISTANT NONFICTION EDITOR Kevin Pinkham [email protected] SFRA Review History FICTION EDITOR SFRA Review was initially titled SFRA Newsletter and has been published Jeremy M. Carnes since 1971, just after the founding of SFRA in 1970. -
Foundation Review of Science Fiction 124 Foundation the International Review of Science Fiction
The InternationalFoundation Review of Science Fiction 124 Foundation The International Review of Science Fiction In this issue: Our special section on utopia and science fiction including: Paul Kincaid on the 500th anniversary of Sir Thomas More’s Utopia Anindita Banerjee on the post-utopian imagination in Dmitri Glukhovsky’s Metro 2033 Foundation Essay prize-winner Selena Middleton on Greg Bear’s Queen of Angels Foundation David Seed debates colonization in Austin Tappen Wright’s Islandia Nika Šetek on the role of leisure in Huxley, Orwell and Zamyatin Ivaylo R. Shmilev on the ethics of warfare in Iain M. Banks Zoran Živković’s previously untranslated essay on Arthur C. Clarke’s Childhood’s End 45.2 No. 124 2016 Rhys Williams surveys the current state of Miéville studies Conference reports from Thomas Knowles and Charlotte Newman, Krzysztof M. Maj and Paul March-Russell Paul March-Russell also surveys the work of Maria Lassnig at Tate Liverpool In addition, there are reviews by: Jeremy Brett, Maia Clery, Emma Filtness, Rose Harris-Birtill, Carlos Hernandez, Nick Hubble, Joe Norman, Salvatore Proietti, Andy Sawyer and Allen Stroud Of books by: Aliette de Bodard, John Connolly and Jennifer Ridyard, Gary Gibson, Carolyn Ives Gilman, Dave Hutchinson, Gwyneth Jones, David Mitchell, Laurence A.Rickels, Augustin de Rojas, Francesco Verso and Yoss Cover image/credit: Ambrosio Holbein, ‘Utopiæ insulæ tabula’, woodcut map, 17.9cm ×11.9cm. From Sir Thomas More, De optimo reip. statv, deqve noua insula Vtopia… (Basel edition 1518). Historic Maps Collection, Princeton University Library. Foundation is published three times a year by the Science Fiction Foundation (Registered Charity no. -
Steam Engine Time 12 March 2010
Steam Engine Time 12 March 2010 OOFFFF OONN AA TTRREEAASSUURREE HHUUNNTT:: Ditmar Bruce Gillespie Frank Weissenborn Ray Wood George Zebrowski Steam Engine Time Steam Engine Time No 12, March 2009, was edited by but rarely achieved. All material in this publication was contributed for one-time Janine Stinson (tropicsf at earthlink.net), PO Box 248, Eastlake, MI 49626-0248 use only, and copyrights belong to the contributors. USA and Bruce Gillespie (gandc at pacific.net.au), 5 Howard St., Greensborough VIC Illustrations: Various book and CD covers; plus: Ditmar (Dick Jenssen) (front 3088, Australia, and published at cover: ‘Off on a Treasure Hunt’, composed six months before the release of a http://efanzines.com/SFC/SteamEngineTime/SET12. Members fwa. recent highly popular Pixar film!); John Foyster (probably) (p. 30); publicity Website: GillespieCochrane.com.au. photo copyright 20th Century Fox (p. 33); publicity photos copyright Warner Bros Entertainment Inc. (pp. 40, 43); stills from the collection of Ray Wood (pp. Print edition only available by negotiation with the editors; first edition and 41, 44); photo (George Turner collection) (p. 59). primary publication is electronic. A thrice-yearly publishing schedule is intended Contents 2 EDITORIALS 2009 the year — 2000–09 the decade 57 EDITING AND WRITING Bruce Gillespie The writer-editor: Jonathan Strahan The rightful custodian of science fiction and fantasy Michael Tolley George Zebrowski 28 COVER STORY 67 A. BERTRAM CHANDLER AND JOHN GRIMES The treasure hunt: Books about SF A lovely dollop of trollop: Bruce Gillespie A. Bertram Chandler’s John Grimes from Rim Worlds burnout to space-lane larrikin 40 TERMINATOR: THE SARAH CONNOR CHRONICLES Frank Weissenborn The dancing cyborg Ray Wood If human thought is a growth, like all other growths, its logic is without foundation of its own, and is only the adjusting constructiveness of all other growing things. -
Estonian Science Fiction Association
www.ulmeajakiri.ee [email protected] SF fanzine Reaktor Reaktor is free web-based fanzine which is fully based on our editors and authors enthusiasm and it has been (and will be) always free to read from to web. There is also no annoying advertisments (which is also intention- al) and basically we pay for making it - we cover the server service ourself. No artist, writer, editor or critic has ever received any more payment than the fame and our reader’s thanks. However it seems that this has been enough since we’ve published an issue per month for almost six years now. Notable authors have given us premission to publish their stories such as Norman Spinrad, Charles Stross and Bruce Sterling. We have also received several short stories from Estonian publishers who would like to promote their newly published book or collection of stories. Our main goals are to publish young writer’s short stories, give them some insight and to expand our reader’s knowledge of native and internation- al SF literature and events. In addition to literature we are also tryng to cover wide variety of topics that are more of less tied to the theme of our fanzine - board games, roleplaying games (pen & paper), live action role- playing games (LARP), video games, anime, comic-books, movies etc. If you are interested in contributing to our cause to improve the scenery of Estonian science fiction, fantasy and/or supernatural horror with your short story and/or an article we encourage to write to us (or if you really like what we in which case it would be great to have some feedback). -
N4 SB Book for Low-Res PDF.Indd
Noreascon 4 Noreascon 4 The 62nd World Science Fiction Convention DAW IS THRILLED TO ANNOUNCE THE PUBLISHING EVENT OF THE YEAR The New York Times best-selling author of Memory, Sorrow and Thorn makes his grand return to high fantasy with a new epic trilogy… The book that fans have been awaiting for over a decade from internationally acclaimed author Rich with details and exotic cultures, and filled with a cast of characters both diverse and three-dimensional, Shadowmarch is a true fantasy achievement, an epic of storytelling by a master of the genre. Praise for the novels of Tad Williams: “An accomplished and ambitious fantasist.” —San Francisco Chronicle “Tad Williams’s imagination is boundless.” —Publishers Weekly (starred review) “Williams has a supremely powerful imagination.” —Booklist “A master storyteller.” —Interzone “I’m not sure what Williams will try next, but it’s clear that wherever he’s going, it’s worth following…” —The Magazine of Fantasy & Science Fiction Volume 1 available in hardcover, November 2004, from DAW www.dawbooks.com www.tadwilliams.com www.penguin.com Pick up three teasers at the convention! DAW Books, Inc. Distributed by Penguin Group (USA) The 62nd World Science Fiction Convention Pro Guests of Honor: Terry Pratchett William Tenn Fan Guests of Honor: Jack Speer Peter Weston September 2–6, 2004 © 2004 by Massacusetts Convention Fandom, Inc. All Rights Reserved. Boston, Massachusetts, USA Rights to all materials are returned to the contributors upon publication. World Science Fiction Society,” “WSFS,” Hynes Convention Center “World Science Fiction Convention,” “Worldcon,” “NASFiC” and “Hugo Award” are Sheraton Boston Hotel service marks of the World Science Fiction Society, an unincorporated literary society.