The National Gallery of Modern Art, Mumbai, Ministry of Culture

Total Page：16

File Type：pdf, Size：1020Kb

The National Gallery of Modern Art, Mumbai, Ministry of Culture, Government of India, on conclusion of a highly successful exhibition, ‘The Last Harvest’ : The paintings by Rabindranath Tagore, will now be hosting yet another exhibition “Between the Lines: Identity, Place and Power”, from the selections from the Waswo X. Waswo Collection of Indian Printmaking, at NGMA, Mumbai. This exhibition artistically curated by Ms. Lina Vincent Sunish, the Curator of the exhibition, is from the vast collections of Mr. Waswo X Waswo, represents over eighty Indian artists from diverse geographical regions. Printmaking art works in the exhibition mainly consists of woodcuts, etchings, lithographs and screen prints and these works span a time from 1916 to the present. The works in the exhibition are displayed under the interlinked themes of ‘Identity’, ‘Place’ and ‘Power’ that are integral to life and have a recurring presence in artistic expression. The exhibition includes works by stalwarts such as Mukul Dey, Nandalal Bose and Haren Das besides the works of other eminent artists in the likes of Anupam Sud and Jyoti Bhatt; and also a host of mid-generation and upcoming artists who have chosen to work with mediums of printmaking. Some of the other artists, among many others, whose works are presented in the exhibition include - Chittaprosad Bhattacharya –( 1915-78); Bhupen Khakhar –(1934-2003); Devraj Dakoji – (b. 1944); Jogen Chowdhury – (B. 1939); K.G. Subramanyan – (B. 1924); Kanchan Chander – (B. 1957); Krishna Reddy –(B. 1925); Laxma Goud – (B. 1940); Pinaki Barua – (B. 1954); RB Baskaran – (B. 1942), Rajan Fulari – (B. 1971); Rini Dhumal – (B. 1948); Vijay Bagodi – (B. 1959); Viraj Naik – (B. 1975); Tanuja Rane – (B. 1976); Theegulla Venkanna – (B. 1980); Jagadeesh – (B. 1988). This exhibition “Between the Lines: Identity, Place and Power” will be formally inaugurated on the 31st of July at 6.PM at the National Gallery of Modern Art by eminent artist Mr. Atul Dodiya in the august presence of Mrs. Pheroza Godrej, the Chairperson of the Advisory Committee of NGMA, Mumbai. .

Copy Link

Recommended publications

Prospectus 2016-17
University of Hyderabad PROSPECTUS 2016-17 Online Registration Fee General Category : Rs. 350=00 OBC Category : Rs. 250=00 SC/ST/PWD Category: Rs. 150=00 UNIVERSITY OF HYDERABAD (A Central University established by an Act of Parliament) Visitor The President of India Chief Rector The Governor of Telangana Chancellor Dr. C. Rangarajan Vice-Chancellor Prof. Appa Rao Podile University’s Official Address: The University of Hyderabad Prof. C. R. Rao Road, P.O. Central University, Gachibowli, Hyderabad 500 046, Telangana, (India) University’s EPABX: 040-2313 0000 University’s Website: http://www.uohyd.ac.in/ University of Hyderabad PROSPECTUS 2016-17 P.O. Central University Hyderabad – 500 046 Telangana India Admission Enquiries: Joint Registrar (Acad. & Exams.) Tel. 040-2313 2102 Asst. Registrar (Academic) Tel. 040-2313 2103 Email: [email protected] Fax: 040 2301 0292 Online Registration Fee General Category : Rs. 350=00 OBC Category : Rs. 250=00 SC/ST/PWD Category: Rs. 150=00 UNIVERSITY OF EXCELLENCE To introduce the element of excellence in the University system, the University Grants Commission had identified a few Universities and granted them the status of ‘Universities with Potential for Excellence’. Based on the evaluation and recommendations of a committee, the University Grants Commission declared the University of Hyderabad a ‘University with Potential for Excellence’. The University was sanctioned a grant of Rs.30 crore under UPE Phase – 1 under this scheme for Interfacial Studies & Research and Holistic Development for a period of 5 years (2002-2007) and Rs.50 crore under the Phase - 2 (2012-2016). Now the University has been declared a “University of Excellence” Awarded top grade by NAAC The University opted for a rigorous evaluation by the National Assessment and Accreditation Council (NAAC) of the University Grants Commission.
[Show full text]
Passengers Arriving from 7 Countries to Be Quarantined
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 Published From ANALYSIS 7 MONEY 8 SPORTS 12 HYDERABAD DELHI LUCKNOW CAUGHT IN A WPI INFLATION AT 2.26 PC IN DOUBTS GROW IN BHOPAL RAIPUR CHANDIGARH CLEFT STICK JAPAN OVER OLYMPICS BHUBANESWAR RANCHI DEHRADUN FEB AS FOOD ITEMS CHEAPER VIJAYAWADA ` *LATE CITY VOL. 2 ISSUE 156 HYDERABAD, TUESDAY MARCH 17, 2020; PAGES 12 3 *Air Surcharge Extra if Applicable RAMYA AS A POLITICAL LEADER { Page 11 } www.dailypioneer.com WORLDWORLDWORLD INININ LOCKDOWNLOCKDOWNLOCKDOWN n LOCKDOWNS AND ENTRY BANS IMPOSED AROUND THE WORLD TO FIGHT CORONAVIRUS n EMPTY STREETS ACROSS 100 COUNTRIES, THOUSANDS OF FLIGHTS GROUNDED fforts to contain the All of Pope Francis' Easter spread of coronavirus services next month will be held Ebecame more frantic on without the faithful attending, Monday as France and Spain the Vatican said on Sunday, a joined Italy in imposing lock- downs on tens of millions of step unprecedented in modern people, Australia ordered self- times. isolation of arriving foreigners and other countries extended entry bans. Panic buying in Australia, the United States and Britain saw leaders appeal for calm over the virus that has infected over 156,000 people globally and killed more than 5,800. Several countries imp- osed bans on mass gather- ing, shuttered sporting, cul- EIFFEL TOWER IN PARIS tural and religious events, imported China tightened checks on THE GRAND MOSQUE IN MECCA while medical experts urged cases. Aust- international travellers arriving people to practice "social dis- ralia's latest at Beijing airport on Sunday, tancing" to curb the spread.
[Show full text]
(Southern Region), CHENNAI Recruitment to the Post of Multi
Staff Selection Commission (Southern Region), CHENNAI Recruitment to the post of Multi-Tasking (Non-Technical) Staff in different states and union territories 2011 List of ONLINE applications rejected ( in Registration Number order) Registration No. Name of the applicant DOB Father's Name Reason for rejection of application 51100000174 SURYARASHMI 22111985 RAVINDRANATH P Overaged as on 31/12/2010 51100000259 VIJAY CHANDRA KIRAN P 14101980 P C RAMULU Overaged as on 31/12/2010 51100003622 RAJENDER ANNAVENA 24041984 JANARDHAN Overaged as on 31/12/2010 51100004876 B DEVADANAM 08101980 B SATYA BABU Overaged as on 31/12/2010 51100006417 RAGHU PIDUGURALLA 03051980 RAMAMURTHY Overaged as on 31/12/2010 51100006557 RONANKI HARISANKAR 01061982 VALLABHARAO Overaged as on 31/12/2010 51100007369 PERUMALLA ANIL 01051984 PRAKASHAM He / She has send morethan 1 application for the above examination with 2 different centres in violations of the declaration given by him/her in 51100009181 SATHIYAMOORTHI V 13061981 VARADARAJ M Overaged as on 31/12/2010 51100009636 FREDRIC STANLEY 25101982 VISWANATHAN Overaged as on 31/12/2010 51100011136 SHINURAJ R 31051985 RAJENDRAN PILLAI Overaged as on 31/12/2010 51100011441 S SRIDEVI 01041985 S N MURTHY Overaged as on 31/12/2010 Wednesday, February 09, 2011 Page 1 of 155 Registration No. Name of the applicant DOB Father's Name Reason for rejection of application 51100013327 BHUVANESWARI 30081985 GURUVENKATARAMANAN Overaged as on 31/12/2010 51100013924 SWAPNA G 25061985 SOMIREDDY Overaged as on 31/12/2010 51100016741 P
[Show full text]
20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died.
[Show full text]
2013 MFA Painting/Print Making/Sculpture
B - 31 Entrance Examinations, February 2013 MFA Painting/Print Making/Sculpture Maximum Marks ,5o Time : 2 Hours Hall Ticket No. General Instructions : 1. Write your Hall Ticket Number in the OMR Answer Sheet and also write the Hall Ticket Number in the space provided above. 2. This paper consists ,A' ,Bn. .question of Two Parts - Part and part part-A of the question paper consists of 25 questions of one mark each. a J. Answers are to be marked on the OMR answer sheet following the instructions provided thereupon. 5. There is negative marking for a wrong answer in Part-A only. Each wrong answer carries -0.33 mark. 6. Hand over the oMR answer sheet at the end of the examination to the Invigilator. 7. No additional sheets will be provided. Rough work can be done in the question paper itself. b-> I UNIVERSITY OF HYDERABAI) Department of Fine Arts MFA Painting/Printmaking/Sculpture Total Marks 56: (1X50) Date:2610212013 Time: 2:00 pm to 4:00 pm Instructions , The question paper consists of two parts (part A and part B). Part A has 25 questions with negative marking of 0.33 for each for every wrong answer of one mark question. lart B has 25 questions with NO NEGATIVE marking. For each question, there shall be four answers and the-answers are to be indicated with capital letters of alphabets viz., A, Bn C and D. Part A 25 Questions with Negative Marking I Name the capital of the Vijayanagara dynasty. A. Mathura B. Tanjore C. Hampi D.
[Show full text]
Alphabetical List of Persons for Whom Recommendations Were Received for Padma Awards - 2015
Alphabetical List of Persons for whom recommendations were received for Padma Awards - 2015 Sl. No. Name 1. Shri Aashish 2. Shri P. Abraham 3. Ms. Sonali Acharjee 4. Ms. Triveni Acharya 5. Guru Shashadhar Acharya 6. Shri Gautam Navnitlal Adhikari 7. Dr. Sunkara Venkata Adinarayana Rao 8. Shri Pankaj Advani 9. Shri Lal Krishna Advani 10. Dr. Devendra Kumar Agarwal 11. Shri Madan Mohan Agarwal 12. Dr. Nand Kishore Agarwal 13. Dr. Vinay Kumar Agarwal 14. Dr. Shekhar Agarwal 15. Dr. Sanjay Agarwala 16. Smt. Raj Kumari Aggarwal 17. Ms. Preety Aggarwal 18. Dr. S.P. Aggarwal 19. Dr. (Miss) Usha Aggarwal 20. Shri Vinod Aggarwal 21. Shri Jaikishan Aggarwal 22. Dr. Pratap Narayan Agrawal 23. Shri Badriprasad Agrawal 24. Dr. Sudhir Agrawal 25. Shri Vishnu Kumar Agrawal 26. Prof. (Dr.) Sujan Agrawal 27. Dr. Piyush C. Agrawal 28. Shri Subhash Chandra Agrawal 29. Dr. Sarojini Agrawal 30. Shri Sushiel Kumar Agrawal 31. Shri Anand Behari Agrawal 32. Dr. Varsha Agrawal 33. Dr. Ram Autar Agrawal 34. Shri Gopal Prahladrai Agrawal 35. Shri Anant Agrawal 36. Prof. Afroz Ahmad 37. Prof. Afzal Ahmad 38. Shri Habib Ahmed 39. Dr. Siddeek Ahmed Haji Panamtharayil 40. Dr. Ranjan Kumar Akhaury 41. Ms. Uzma Akhtar 42. Shri Eshan Akhtar 43. Shri Vishnu Akulwar 44. Shri Bruce Alberts 45. Captain Abbas Ali 46. Dr. Mohammed Ali 47. Dr. Govardhan Aliseri 48. Dr. Umar Alisha 49. Dr. M. Mohan Alva 50. Shri Mohammed Amar 51. Shri Gangai Amaren 52. Smt. Sindhutai Ramchandra Ambike 53. Mata Amritanandamayi 54. Dr. Manjula Anagani 55. Shri Anil Kumar Anand 56.
[Show full text]
The Silver Series - 3
DAG : THE SILVER SERIES - 3 THE SILVER SERIES EDITION 3 6 - 10 JULY 2020 10% SALE PROCEEDS TO 1 DAG : THE SILVER SERIES - 3 THE SILVER SERIES EDITION 3 100 ARTISTS ² 100 WORKS Modern and Contemporary Indian Art 6 - 10 JULY 2020 FIXED-PRICE ONLINE SALE The Silver Series is DAG’s initiative towards raising funds for charity through its fixed-price online sales For further information please contact us at [email protected] 1 DAG : THE SILVER SERIES - 3 FROM ASHISH ANAND’S DESK Hundreds of great artists have marked every decade of the twentieth century, which is why I have always been surprised at the invisibility of so many of our masters. Painters, sculptors, printmakers, teachers, they have made a name for themselves, but in the absence of their work being shown nationally—rather than regionally, as has been the norm—many have remained outside mainstream discourse. At DAG, it has been our effort to ensure their rediscovery and recognition, something we continue to do with our Silver Series, fixed-price online sales. The outstanding success of the first two editions is an indicator that art-lovers also have an appreciation for lesser-known names, as well as those whose works do not appear frequently in the market. Our endeavour with every edition will be to continue to surprise you with the mix of artists and the quality of their work. I hope the additions in this edition will bring you joy. If you miss any favourites, I assure you that you will find them in subsequent editions.
[Show full text]
Under the Banyan Tree Inhalt / Content
INDIA AWAKENS Under the Banyan Tree Inhalt / Content 4 Karlheinz Essl Vorwort / Preface 114 Suresh K. Nair 10 Alka Pande Kuratorische Gedanken zu India 118 Pratima Naithani Awakens. Under the Banyan Tree / Curatorial 120 Sandip Pisalkar Thoughts behind India Awakens. Under the Banyan Tree 122 Prajakta Potnis 30 Jyoti Pande Lavakare An der Schwelle einer 126 Antonio Puri Renaissance / On the Brink of a Renaissance 128 Prasad Raghavan 42 Satish Sharma You Press the Button and We, the 132 Sumedh Rajendran West, Do the Rest! 134 Tarun Jung Rawat 138 Mahua Sen 54 Hemi Bawa 142 Bandeep Singh 56 Sunaina Bhalla 146 Gurdeep Singh 58 Gautam Bhatia 148 Viren Tanwar 62 Zuleikha Chaudhari 152 Shiv Verma 64 Tarun Chhabra 68 Remen Chopra 158 Madhureeta Anand Indiens bewegte Bilder im 70 Prajjwal Choudhury Wandel / The Moving Shifting Visual Arts of India 72 Baptist Coelho 164 Mirdula Koshy Literatur: Was gibt es Neues über ein 76 Vibha Galhotra Indien voller Veränderungen? / Literatur: What News from a Changing India? 80 Abhishek Hazra 172 Werverzeichnis / List of Works 82 Manisha Jha 176 Glossar / Glossary 86 Ayesha Kapur 181 Ausgewählte Bibliografie / Selected Bibliography 90 Shreyas Karle 182 Copyrights & Photo Credits 94 Abir Karmakar 183 Impressum /Imprint 96 Suhasini Kejriwal 98 Siri Khandavilli 102 Riyas Komu 106 Georg Martin P.J. 108 Sonia Mehra Chawla 110 Kristine Michael 112 Raj Kumar Mohanty 2 3 schen Schaffens einlässt. In diesem Sinne ist die Ausstellung >INDIA with the show >CHALO! INDIA< in the Essl Museum. Vorwort Preface AWAKENS. Under the Banyan Tree< die direkte Fortsetzung des mit While last year’s show centred on the view of the es- >CHALO! INDIA< im Jahr 2009 begonnenen Schwerpunkts auf Indien tablished art world in India, on its art market, which Prof.
[Show full text]
The Village Gallery Founded in 1989 by Dolly Narang Has the Distinction of Holding Innovative and Unique Exhibitions, Which Have Been Critically Acclaimed
The Village Gallery The Village Gallery founded in 1989 by Dolly Narang has the distinction of holding innovative and unique exhibitions, which have been critically acclaimed. It has exhibited the works of eminent masters such as M. F. Husain, Ganesh Pyne, Paritosh Sen as well as the illustrations and film sketches of the late Satyajit Ray (during his lifetime). Our group shows have included the works of Sakti Burman, Arpana Caur, Sunil Das, Laxma Goud, M.F. Husain, Bhupen Khakhar, Nalini Malani, Meera Mukherjee, Manu Parekh, Madhvi Parekh, Ganesh Pyne, S.H Raza, Krishna Reddy, Paritosh Sen, Haku Shah, Shamshad, Gulammohammed Sheikh, Nillima Sheikh, Anupam Sud, Vivan Sundram and others. Our efforts are also directed towards encouraging upcoming artists and do our best towards promoting their works not only from the commercial angle. Landmark exhibitions presented by The Village Gallery, some of which have been acknowledged as the first of their kind are – 1989 ‘Husain Graphics‐89’, Lithographs and Serigraphs by M. F. Husain. 1989 Exhibition of SELF PORTRAITS by twenty four eminent artists. 1989 Opening Show of The Village Gallery with the works of Arpana Caur, Narendra Dixit. Jagdish C, Rajesh Mehra, Ved Nayar, Gogi Saroj Pal, Paritosh Sen. 1989 ‘Ceramics Show’ by Leena Batra, Gurcharan Singh, 1989 Exhibition of ‘Self Portraits ‘by Altaf, R.B. Bhaskaran, Arpana Caur, Shail Choyal, Sunil Das, Shyamal Datta M. F. Husain, Shamshad Husain, Jagdish. C, Prithpal S. Ladi, Nalini Malani, Navjot, Ved Nayar, Manu Parekh, Mickey Patel, Ganesh Pyne, K.S Radhakrishnan , DLN Reddy, Gogi Saroj Pal, Paritosh Sen, Bulbul Sharma, Gulam Mohammed Sheikh, K.P.
[Show full text]
Competition Power Mar 2016.Pdf
WWW.CAREERPOWER.IN & WWW.BANKERSADDA.COM From the Editor’s Desk Dear Readers, Bankers Adda in collaboration with Career Power brings to you Competition Power. The reason why this collaboration is so important and a landmark event as both BA and Career Power has had a long and extremely successful association with students appearing for competitive exams. This magazine includes various initiatives that cover various aspects of Banking and SSC exams in an exhaustive manner. Keeping in mind the upcoming exams, we have covered Current Affairs for not only the month of January but also for the month of December under the name “Current Affairs Zinger”. To make learning easy for the students we have also introduced another initiative by the name "NEWS MAKER OF THE MONTH" which covers all the important people, appointments, awards, etc that have made news. Having covered the GK and CA portion in an exhaustive manner, we have also given equal importance and focus to the other subjects of the exams, be it Reasoning, Quant, English, Banking, Computers, Advanced Maths, Interview Preparation or Guidance and boosting the confidence of students. We have also given Mock Papers on Syndicate Manipal PO, LIC AAO and SSC CGL for practice for our readers, so that they can increase their speed and accuracy. This edition of Magazine also includes a new series named “Twisted Ones” which will have questions with higher difficulty level. We believe that each and every student has the hidden potential to reach the unattainable heights, and it is our responsibility to provide them with a platform that hones their skills enabling them to overcome each and every challenge that comes their way while appearing for these exams.
[Show full text]
Htno Refid Cname Rej P1 Rej P2 Invalid Attend Dist Appl 41500500
htno refid cname rej_p1 rej_p2 invalid attend dist_appl 41500500 5154294655 NAMPALLY SRIKANTH IR I P Medak 41501433 5154320559 JONGONI ANITHA IB I P Medak 41501795 5154841781 K SHIRISHA IR I P Medak 41502327 5154390173 K RAMESH IR I P Medak 41502536 5154507903 N RAJANI IB I P Medak 41502733 5154553147 E SWAPNA KUMARI IW I P Medak 41502840 5154017444 B MADHU IR I P Medak 41503139 5154208173 B GOUTHAMI IR I P Medak 41503323 5154250829 DAKURI KALIDAS IB I P Medak 41503424 5154043019 DUBBAKA NAVEEN IR I P Medak 41503480 5154863073 MOHD ABDUL MASHOOQ RABBANI IB I P Medak 41504083 5154131888 JINDAM RAMBABU IR I P Medak 41504566 5154028523 TALLA RAMESH IR I P Medak 41504730 5154723963 RAMAGALLA DEVENDRA IR IR I P Medak 41505169 5154279312 MOGULLA PADMA IR I P Medak 41505228 5154067492 IRENI NEHA GOUD IR IR I P Medak 41505573 5155005704 REDDABOINA RAJITHA IR I P Medak 41505838 5154775446 G RAJITHA IR IR I P Medak 41505857 5154210410 NERELLA LALITHA IR I P Medak 41508372 5154305544 SANKATI RAMESH IR I P Medak 41508579 5154209863 P SUJATHA IR IR I P Medak 41509165 5154125056 GUDA SATHEESH KUMAR IR I P Medak 41509734 5154843122 NAYINI SWAPNA IB I P Medak 41510329 5154441533 P RRADEEP IR I P Medak 41510337 5154077384 M SRIKANTH REDDY IR I P Medak 41511314 5154728260 PASHAM SRILATHA IR I P Medak 41512323 5154804191 S RAMA DEVI IR I P Medak 41514399 5154032027 G YADAGIRI IR IR I P Medak 41516699 5154777967 N ANITHA IR I P Medak 41517445 5154683791 PAYYAVULA SWMY IB I P Medak 41517676 5154488787 RAJU JALLA IR I P Medak 41518088 5154420754 PIDDISHETTY
[Show full text]
K. G. Subramanyan Purushottam Dhumal Gulam Mohammed Sheikh
Though the necessity for art is accepted today by everyone, most works of art come within the means of only the affluent. And the non-affluent, however more keenly responsive they may be to works of art, have to depend on public collections. For all their advantages public collections have one major shortcoming; they do not provide for an intimate speaking relationship between the art-work and the art-lover. So, to reach works of art to people of f!'Odest means is a cause worth giving thought to. The modern print making movement is a step in this direction, A modern print-maker tries to preserve in his print such breathing individualities comparable to those of an original painting, while the possibility of having an edition of the print keeps ih price low. Besides, a modern print has a certain intimacy that a more formal painting often lacks. In a country like ours where a large number of people that respond to works of art are of modest means, this movement should have gathered speed and momentum, but it has not so far. It is partly due to the superstitiOUS resistance to 'the print' on the part of our galleries and buyers who often confuse it with a commercial reproduction. The present portfolio of prints which is the result of a Graphic Workshop, organized by the Amrita Sher-Gil Exhibition Committee and hosted by the Graphic Arts Depart ment of the Faculty of Fine Arts of the M. S. University of Baroda in the autumn of 1973, means to dispel the confusion and show the print as an exclusive individual work, in which the artist's autographic touch will be abundantly evident.
[Show full text]