The Hilltop 3-18-1977
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Jazz at Lincoln Center with Wynton Dave Liebman Explained from His Seat at Jazz at Marsalis Fêted Mccoy Tyner and Charles Mcpherson Kitano’S Bar (Apr
new york @ nigHt To provide healthcare and disaster relief for needy Jazz these days can be found most anywhere, from musicians, Wendy Oxenhorn and the Jazz Foundation hallowed concert hall to basement dive bar screaming o f of America must repeatedly replenish the non-profit’s fire-code violations. But perhaps the best place to hear FrEeDoM Sound coffers. The 17th annual “A Great Night in Harlem” creative musicians is in the company of other creations, benefit, held at the Apollo Theater on the anniversary like an art gallery or bookstore. There is an analogue of Martin Luther King’s 1968 assassination (Apr. 4th), between the notes and lines being generated by the could have been a somber occasion, but the mood was instruments and the colors and textures of a painting celebratory. Harry Belafonte (not present), Tony or sentences and themes of a novel. This synergy is Bennett and the late Hugh Masekela were honored for what drove local jazz journalist and all-around lifelong commitment to humanitarian causes, each an enthusiast Luigi Santosuosso to form a partnership agent for political change through music. Indeed, in with Rizzoli Books, one of the city’s most charming his remembrances of Belafonte and King, erstwhile purveyors of print. His series is in its ninth month and Civil Rights activist/ambassador Andrew Young fills a need for afternoon jazz appropriate for both quoted Paul Robeson: “Artists are the gatekeepers of aficionados and families striving to become so. On the truth.” The music, casual but passionate, scripted yet first gorgeous weekend of 2019, a large crowd came to freeform, reinforced the political spirit. -
The History and Development of Jazz Piano : a New Perspective for Educators
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr. -
Ebook Download the Mccoy Tyner Collection
THE MCCOY TYNER COLLECTION PDF, EPUB, EBOOK McCoy Tyner | 120 pages | 01 Nov 1992 | Hal Leonard Corporation | 9780793507474 | English | Milwaukee, United States The Mccoy Tyner Collection PDF Book Similar Artists See All. There's magic in the air, or at the very least a common ground of shared values that makes this combination of two great musicians turn everything golden. That's not to say their progressive ideas are completely harnessed, but this recording is something lovers of dinner music or late-night romantic trysts will equally appreciate. McCoy Tyner. Extensions - McCoy Tyner. Tyner died on March 6, at his home in New Jersey. They sound empathetic, as if they've played many times before, yet there are enough sparks to signal that they're still unsure of what the other will play. Very highly recommended. Albums Live Albums Compilations. Cart 0. If I Were a Bell. On this excellent set, McCoy Tyner had the opportunity for the first time to head a larger group. McCoy later said, Bud and Richie Powell moved into my neighborhood. He also befriended saxophonist John Coltrane, then a member of trumpeter Miles Davis' band. A flow of adventurous, eclectic albums followed throughout the decade, many featuring his quartet with saxophonist Azar Lawrence, including 's Song for My Lady, 's Enlightenment, and 's Atlantis. McCoy Tyner Trio. See the album. Throughout his career, Tyner continued to push himself, arranging for his big band and releasing Grammy-winning albums with 's Blues for Coltrane: A Tribute to John Coltrane and 's The Turning Point. However, after six months with the Jazztet, he left to join Coltrane's soon-to-be classic quartet with bassist Jimmy Garrison and drummer Elvin Jones. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
The Hilltop 4-11-1997
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 4-11-1997 The iH lltop 4-11-1997 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 4-11-1997" (1997). The Hilltop: 1990-2000. 187. https://dh.howard.edu/hilltop_902000/187 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. II lume 80, No. 26 Serving the Howard University community since 1924 This Week's Highlights: Before and A~er Students CAMPUS arrested I :;-~~... .:.~· .. r ·-!II~ 'I I . ~ -- ~ ~ •~ . ,;..,.......... at local Students, adminis trators react to the cybercafe beatings of HU students. from the March 11 Administration By Valyncla Saunders and building takeover. A2. Bishop Chui Hilttop Staff Wr~ers Muhammad said the meeting of students ''planning to make Howard a better place" was disrupted by CAMPUS PLUS An argument over a coffee table police because of the organization's resting on a sidewalk erupted into positions on Black education and lfUSA offers retrea a melee with police last week, end the Anti-Defamation League. ryoung Ne"v Jersey ing with three Howard students and ''There were not 52 cars called in 1wo alumni arrested on misde under five minules 10 a table outside students. meanor charges. A pre-trial date is a cafe. -
Guide to Resources on the Black Press MSRC Staff Howard University
Howard University Digital Howard @ Howard University Moorland Spingarn Research Center Publications Moorland-Spingarn Research Center 8-1-2015 Guide to Resources on the Black Press MSRC Staff Howard University Follow this and additional works at: http://dh.howard.edu/msrc_pub Part of the United States History Commons Recommended Citation Staff, MSRC, "Guide to Resources on the Black Press" (2015). Moorland Spingarn Research Center Publications. Paper 8. http://dh.howard.edu/msrc_pub/8 This Article is brought to you for free and open access by the Moorland-Spingarn Research Center at Digital Howard @ Howard University. It has been accepted for inclusion in Moorland Spingarn Research Center Publications by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. GUIDE TO RESOURCES ON THE BLACK PRESS IN THE MOORLAND-SPINGARN RESEARCH CENTER HOWARD UNIVERSITY TABLE OF CONTENTS LIBRARY DIVISION RESOURCES............................................................................... , UNITED STATES............................................................................................... ' Bibliographies ......................................................................................... I Biographies (Collected).................................................................... Biographies/Remimscences............................................................ -j Books (General)...................................................................................... -
David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts................................................................................................................................... -
An Annotated Bibliography of Saxophone Works by Taiwanese Composers Po-Fang Chang University of South Carolina - Columbia
University of South Carolina Scholar Commons Theses and Dissertations 12-14-2015 An Annotated Bibliography of Saxophone Works by Taiwanese Composers Po-Fang Chang University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Chang, P.(2015). An Annotated Bibliography of Saxophone Works by Taiwanese Composers. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3222 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. AN ANNOTATED BIBLIOGRAPHY OF SAXOPHONE WORKS BY TAIWANESE COMPOSERS by Po-Fang Chang Bachelor of Arts National Tsing Hua University, 2007 Master of Music Bowling Green State University, 2012 ________________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2015 Accepted by: Clifford Leaman, Major Professor Michael Harley, Committee Member Jennifer Parker-Harley, Committee Member Greg Stuart, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies © Copyright by Po-Fang Chang, 2015 All Rights Reserved ii DEDICATION This dissertation is dedicated to my parents, Song-Che Chang and Hui-Ching Huang, for their love, encouragement, and support of my endeavors and dreams. iii ACKNOWLEDGMENTS I would like to express my sincere appreciation to Dr. Clifford Leaman for his wisdom and guidance during my doctoral study, and endless energy in assisting my research project; to the other committee members, Dr. -
The Hilltop 11-13-1998
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 11-13-1998 The iH lltop 11-13-1998 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 11-13-1998" (1998). The Hilltop: 1990-2000. 227. https://dh.howard.edu/hilltop_902000/227 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. The Voice ofHoward University Since 1924 FRIDAY, NOVEMBER 13, 1998 hilltop.howard.edu VOLUME 82, No. 13 Women's G-roup Aims to Bolster Awareness At Predominatelyjemale Howard, Group Aims for Women's Studies Program ways to raise the consciousness of By CHARLES COLEMAN JR. female students toward leadership Hilltop Staff Writer roles on campus. "In terms of females in positions Aiming to raise the level of con of leadership, we are definitt:ly sciousness toward gender issues at underrepresented, given the number Howard University, leaders of the (of women] in the student body," Women's Action Coalition say they said Lakeysba Thompson, a sopho arc vehemently pushing for the cre more history major. "Having more ation of a women's studies pro women in leadership positions on gram al Howard, and say that it's campus helps bring women's issues time for a new era of female polit closer to the forefront," she said. -
The Hilltop 9-25-1992
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 9-25-1992 The iH lltop 9-25-1992 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 9-25-1992" (1992). The Hilltop: 1990-2000. 59. http://dh.howard.edu/hilltop_902000/59 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. • • • ' • ' Volume 76, No.4 Serving the Howard University community since 1924 Sept¥ber 25, 1992 • J i ' ~~-+~~~~~~~~~~~---,,-.~~~~ • e a n OID · By Larry W. Brown Thon1pson, director of Howard untied themselves and made a pened from 8 to 8:15. Both the key conce rn s w,e,re, fo r th ings has suggested a silent signal to Hilltop Staff Writer Uni versity book stores. e1nploy break for the door. Apparently campus security a 11d they need to do to prevent reoc security for emergencies. ees at the store have to knock on the {O bbers were in another pan Metropolitan police came by curances. The center is invest The store y,·as closed for the The Howard University cam the front door to en ter before the of the store, he said. 8:30 to 8:35." ing money into ways to look remainder of the day yesterday' ~ puS store was robbed yesterday store ,..is ope11 . -
Mccoy Tyner Doesn't Like Interviews Might Be That Mccoy Tyner Doeso'r Have Much to Say
su rreal mccoy,n,hec,ub they're asking, "rrVho piano player?" But Philip r/Yatson has some questions of his own in this rare talk with the rarely talkatiye keyboard master, who has a new album ready and a British visit in the offing, Life, Coltrane and everything . Photo by Nick White. McCoy Tr,NER doesn't like interviews. Even his New York booking agents, Paul and Abbie Hofer, don't like interviews. You're not encouraged; McCoy cannot be con- racted; he's nor to be hassied. \When you do get a date, Tyner cancels. Then he cancels again, leaving a cursory and unapo- logetic, "Something came up". And when he finally ar:ives 4t minutes late for our lunch appointment in Greenwich Village, he is polite but profoundly saturnine; a man ill at ease wirh the situation and himself. He is either unfathomable behind dark glasses, or he looks away rwo feet to your left. For an imposing, big-faced man, his expressions give very little away. And he keeps his hands clasped tight in front of his mouth, further stifling the introverted gruffness io his voice. It leads you to believe the Hofers know something about Tyner that most don't. A man who describes himseif as "avery private person", and whose responses to questions about his music often run along the lines of "it's difficult ro articulate, difficult to put into words", the reason McCoy Tyner doesn't like interviews might be that McCoy Tyner doeso'r have much to say. O N T H E bandstand, of course, Tyner is somewhat more expansive. -
A Tribute to Mccoy Tyner
Is This Jazz?: Passion Reverence Transcendence — A Tribute to McCoy Tyner On December 11, the legendary jazz pianist McCoy Tyner turned 80 years old. A few months earlier, I received an album by the trio of pianist Benito Gonzalez, drummer Gerry Gibbs and bassist Essiet Okon Essiet that was conceived and recorded as a tribute to Tyner’s musical genius and legacy, and released on Whaling City Sound this past April. Unfortunately, I never got around to sitting down with the album and giving it a proper listen, but Tyner’s 80th birthday made me think now would be as good time to dig into this album: Passion Reverence Transcendence. If anyone was ever going to question how much passion this trio was bringing to this project, then any doubt would be furiously extinguished in the first seconds of the opening track “Fly With The Wind,” a McCoy Tyner classic. They come out slinging fire, playing this chart at full tilt. This explosiveness segues well into “Just Feelin’,” which imbues Tyner’s chart with a contemporary, slightly fusion sound with the use of the electric bass and the loose half-time groove, followed by the heavy swinging “Rotunda,” which is a brilliant showcase for the pocket of Gibbs and Okon Essiet. The arrangement and production on the intro to “Festival In Bahia” are a lovely reprieve before launching into another full on sonic boom, this time with some interesting Afro-Cuban rhythms and a range of percussion. By the time I reached track 5, “Blues On The Corner,” I was itching for a new feel and the trio delivered with a wonderfully laid-back blues on which everyone hangs back without losing any of the momentum they’ve established over the first third of this album.