Students to Elect Government Tuesday

Total Page:16

File Type:pdf, Size:1020Kb

Students to Elect Government Tuesday Montclair State University Montclair State University Digital Commons The Montclarion Student Newspapers 4-19-1962 The Montclarion, April 19, 1962 The Montclarion Follow this and additional works at: https://digitalcommons.montclair.edu/montclarion Recommended Citation The Montclarion, "The Montclarion, April 19, 1962" (1962). The Montclarion. 1398. https://digitalcommons.montclair.edu/montclarion/1398 This Book is brought to you for free and open access by the Student Newspapers at Montclair State University Digital Commons. It has been accepted for inclusion in The Montclarion by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. Students To Elect Government Tuesday Dean's List Names Colleges to Sponsor Honor Students Computer Research The following students have attained an average of 3.5 or better necessary for the Dean’s Exchange P ro gram Honor List for the fall semester Financed By G rant Several weeks ago the Mont- very near future. It is expected, of 1961-1962. The star indicates The Project of Information Hugh Allen, Chairman of the clarion carried a news item as indicated earlier, that this ex­ a 4.0 average. Processing, located at Montclair Science Department at Montclair Genie M. Abramowitz, Priscilla R. Al- announcing plans to enable change will take place during the aburda, Lorraine M. Alberto, Irene Arbo, State College, today announced State. At the present time, plans Montclair students to spend the junior year; meaning, of course, Albigail Arvesen, Barbara E. Aurich. a grant of $67,000 from the for a guidance booklet on Ca­ George E. Babbitt, Richard T. Balzer, junior year away from the cam­ that the only persons eligible to Carol J. Baugher, Rose M. Bellino, Jean International Business Machines reers in Information Processing, pus on exchange with students apply at this time' are sopho­ A. Bello, Nicholas S. Berardo, Barbara A. Corporation (IBM) to continue a motion picture concerned with Berezansky, Pamela R. Beyer, Barbara J. in one of several colleges in the mores. The costs to the student Briggs, Patricia A. Bush. its work during 1962. Since its computers as an instrument of western part of our country. will be limited to the cost of Barbara J. Carroll, *Carolyn M. Carter, initiation in 1961, the Project has scientific research, a paperback Bonnie A. Cassario, Constance M. Catania, Plans have now gone forth to the transportation and to incidental Valerie A. Cerciello, Mary Jane Clark, been engaged in the production on computers in NSTA’s VISTAS point where several of the in­ monies that the student might Esther Cohen, Barbara E. Conrad, *Joan and preparation of teaching mat­ OF SCIENCE series, and instruc­ M. Corby, Carol E. Cortese, Penny Costa, stitutions with whom we hope wish to spend taking advantage Theresa M. Csirak. erials on computers and their tional materials for junior high eventually to exchange numbers of the cultural opportunities Joseph. G. Daut, Anne E. Davies, Alan theory and function for the var­ school students are well under R. De Old, Brett D. Dermond, Robert W. of students have interested stu­ available to him in the area in Dey. ious levels of science teaching. way. Further materials are en­ dents on their campuses and are which he is visiting. Martin R. Falck, Philip Fallacaro, Clyde This project is administered by visioned for senior high shools L. Fenton, Ronnie H. Fiebach, Patricia C. desirous of setting in motion the An effort is being made at Flanagan, Robert A. Freda, Rita D. Free. the National Science Teachers and teacher training institu­ exchange program for Septem­ this time to secure financial sup­ Gloria I. Galanowsky, Grace Gallussek, Association (NSTA), with head­ tions. ber, 1962. port from several campus organ­ Donna Garlick, * Madeline F. Gerardi, *Michael J. Gilabert, Maureen V. Gill, quarters in Washington, D. C. The Project saw its inception The Committee making the izations in an effort to make sure Diane E. Gilmore, Mrs. Janet E. Glass- Director of the Project is Dr. when IBM, realizing the exist­ arrangements' at Montclair is that any worthy student should berg, Barbara L. Godbold, Gerald T. ence of an information gap be­ Goodman, Judith A. Graf, William A. now interested in ascertaining not be prevented from making Graf, Dianne M. Griesback, Nancy E. tween today’s textbooks and the the extent of student interest the exchange because of financial Gyula. state of knowledge in the data Carol A. Hart, Shirley A. Hookaylo, on this campus as indicated by limitation. Stephen D. Horowitz, Carol A. Huebner. Honor Code processing industry, came to students who are willing and Application forms for the ac­ Diane M. Jacko, Stephen P. Jacobsen, NSTA to devise a solution. In the *Ralph Jacobson, Diane E. Jones. desirous of making such an ademic year of 1962-63, are Arlene E. Kamiel, Charles Kane, Cath­ exchange. available in the Admissions erine A. Kerns, Mrs. Karla G. Kresge, Investigated Vivien L. Kwiatek. The details of the exchange Office. Applications will be ac­ Rita Y. Lamanna, Josephine M. Lamela, Recently, members of the are not fully outlined. However, cepted until May 15. There is no Albert M. Lamorges, Frances R. Lasher, Phyllis R. Lassman, Carol C. Lazzara, Montclair Professional Integrity it is safe to assume that students fee required with the application, Roberta A. Lentz, Patricia A. Leone, Lynn Committee went to Stevens In­ who are interested must meet and interested students sure urged Levitt, Katherine L. Lindner, Robert to complete the application forms Lockwood. stitute to discuss with members the approval of the selection Lynne Magonigal, *Glenn R. Mahler, of the Stevens Honor Board, committee, the composition of and return them to Mr. King, Minette Makul, Rose L. Malarek, *Jane C. their program. Representing which will be announced in the Director of Admissions. (Continued on Page 3, Col. 2) Montclair were Bob Moore, Carol Mitch, Barbara Lawrence, and Nina D’Ambrosio. Dr. Walter, the committee’s adviser, accom­ panied the group. Since the Stevens’ honor sys­ tem has been successfully in effect for over sixty years, the committee had many worthwhile suggestions and ideas to convey to the Montclair group. Vol. XXXVI, No. 24 MONTCLAIR STATE COLLEGE April 19, 1962 Started by the seniors, the honor program has become an integral part of Stevens’ college life. The pride which is attached to this tradition and the college Dr. Hugh Allen Senior Cooks National Music Chapter is obvious to anyone visiting there. interest of promoting general Major aspects of the program education about data processing, Prepare Meal O rganized on Campus are: representation by three as .well as satisfying a growing On Thursday, April 26, at V ^ members of each class on the number of requests from schools 11:30, the second in a series of On March 31, 1962, at Mont­ Mcbride presented the chapter committee, a separate investigat­ for information, a committee of luncheons will be given in the clair State College, the men of with its official charter. Dr. Ward ing committee which looks into representatives from interested the Lambda Mu chapter of Phi Moore, faculty adviser to Sin­ charges and seeks evidence, and groups was formed. Home Economics Living Room in Mu Alpha, Sinfonia Fraternity of fonia, installed the following a jury, chosen from carefully Included were the American Finley Hall. These luncheons are America, were officially installed. officers: Ronald Owens, president; screened members of the stu­ Association for the Advancement laboratories for senior home ec­ This occasion was important not Garfield Jones, vice-president; dent body who hear the cases. of Science, the U. S. Office of onomics majors enrolled in a only to the Sinfonians of Mont­ Ernest Stuber, secretary; John For those found guilty of cheat­ Education, the office of Scientific clair State, but to the national Mayurnik, treasurer; James Gu- ing, suspension from the college Personnel of the National Acad­ required course, Nutrition and organization as well, for Lambda ter, warden; and Kenneth Licker, Group Feeding. for a year is usually the penalty. emy of Sciences, and the Nat­ Mu is the two-hundredth active historian. While suspended, the students’ ional Science Teachers Associa­ Two students, acting as man­ chapter of Sinfonia in America, Among the Sinfonians on our records are frozen so that they tion. From meetings of this agers, are responsible for one and it is the first chapter of the faculty are Dr. Arthur Christ- may not apply to any other music fraternity in the state of mann, Dr. Ward Moore, Mr. group, plans were formulated, luncheorf which involves plan­ New Jersey. Murray Present, and Mr. Louis school. and, in February, 1961, Dr. Allen ning the menu, organizing the Sinfonia was founded on Oct­ Zerbe. (Continued on Page 3, Col. 3) was named Director and Mont­ work, setting a time schedule, ober 6, 1898, at the New England clair State selected as the home purchasing the food, designing Conservatory of Music. It soon for the Project. center-pieces and supervising became the ambition of the mem­ operations in the kitchen. bers of the Sinfonia Club to be­ Kahn Climaxes Role This experience necessitates come a national male student the application of scientific music fraternity. By 1901 four Frat Awaits knowledge and training acquired chapters of Sinfonia had been throughout the four years. Topics installed. In 1948 the one-hun­ As Choral Director discussed in lecture include work dredth chapter of Sinfonia was On April 18 in Memorial Audi­ Rabindranath Tagor’s poems, simplification, sanitation, acci­ added to the roster of the ever­ “The Crescent Moon” and “Rev­ Sanctioning growing fraternity. Today there torium, Emil Kahn will conduct dent prevention, cost control, his own symphonic cantata, which elation,” are the basis for the can­ Zeta Epsilon Tau, which may are over two hundred active tata, with parts for chorus, or­ quantity food purchasing and he wrote 43 years ago.
Recommended publications
  • Randolph Hale Valley Music Theatre Scrapbooks LSC.2322
    http://oac.cdlib.org/findaid/ark:/13030/c8nc67dr No online items Finding aid for the Randolph Hale Valley Music Theatre Scrapbooks LSC.2322 Finding aid prepared by Kelly Besser, 2021. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding aid for the Randolph Hale LSC.2322 1 Valley Music Theatre Scrapbooks LSC.2322 Contributing Institution: UCLA Library Special Collections Title: Randolph Hale Valley Music Theatre scrapbooks Creator: Hale, Randolph Identifier/Call Number: LSC.2322 Physical Description: 1 Linear Feet(1 flat box) Date (inclusive): circa 1964-1966 Abstract: Randolph Hale was vice president and treasurer of the Valley Music Theatre, in the San Fernando Valley. The collection consists of two scrapbooks related to productions staged at the Valley Music Theatre. Included are playbills and cast (group) photographs representing 40 productions staged at the theater. Additionally included is a very small amount of ephemera including a Valley Music Theatre securities brochure. Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Language of Material: English . Conditions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Conditions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs.
    [Show full text]
  • B£Om\ PLAZA I****?™.Mth Republic 7-1000 5:20, 7:20 and 9:30 Pm
    ¦ ¦ n fWW.'Vf • 1 'W W W 1 , i.m.i **so issif ¦pr—- THE EVENING STAR PRIOR TO NEW YORK Washington, D. C., Tuesday, November 3, 1959 \ - ’*> s • . ... A-14 4 vi... NATIONAL-MAT, . /v' TOM’W 2! hollywoodm/M "AMERICA'S FIRST THEATRE" Tonight 8:10; Motinoo, Wad. 4 Sat. THE PASSING SHOW ON STAGE IN PERSON Mother Sought By SHEILAH GRAHAM New rfiifijm/ AFli fh* For Inge's Drama ML, Metro's a Busy Place Ih.Him . irn mi M s be lllAlOn. HOLLYWOOD (NANA)— i on low budgets, and have good By JAT CARMODY “To please you,” said pro- i selling campaigns. “Take TOMIOHT at S«3G Oram* Editor of The Star ducer A1 Zugsmith, “I’m 1 *AI Capone’—it cost $538,000, mo MAUNBf7004 f) Ifit did not sound frivolous, one could suggest that the title changing the title of ‘Teacher i and will gross around $3 million Tickets New at fcaelfca, Motels, Fair Was a Sexpot’ to j . One Steses. Sean. Inge's play at National be amplified to read ‘Teacher America . Bill Cas- of William the could ” in alone "A Loss of Roses and Shirley Booth." Was Not a Sexpot.’ We , tle’s ‘House on a Haunted Hill’ PELLEAS «t America! Secsrity ITmt U It used to read "A Loss of Roses" with Shirley Booth, as were lunching at Metro where < cost only $125,000 to make, and everyone knows, but this was before Miss Booth decided that A1 is preparing the “Teacher” : has already earned a million MELISANDE the play was not for her and vice versa.
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • THE ELEANOR ROOSEVELT PROGRAM April 13, 1951 Description
    THE ELEANOR ROOSEVELT PROGRAM April 13, 1951 Description: In the opening segment, ER and Elliott Roosevelt respond to a listener's question about the different commissions that are a part of the United Nations. In the interview segment, ER's guest is Shakespearean actor Maurice Evans. In a final segment, ER quotes a passage from the Declaration of Independence. Participants: ER, Elliott Roosevelt, Maurice Evans [ER:] How do you do? This is Eleanor Roosevelt speaking. It gives me great pleasure to visit with you as I do each day at this time from my living room atop the Park Sheraton Hotel overlooking New York. I'm grateful for the many encouraging letters you send me, and most happy that you find my guests both informative and entertaining as I do. Now my son Elliott, who assists me on these programs will speak to you. [Elliott Roosevelt] Yes I will Mother, thank you. Today's guest Mr. Maurice Evans [1901-1989] has brought Shakespearian plays to life for many people in many places but his role on today's program will be strictly Mr. Evans playing himself. Mrs. Roosevelt will introduce him a little later on the program but first we're going to look over the mail and also hear a message from the sponsors who make this recorded program possible. (Break 1:00-1:05) [Elliott Roosevelt:] Mother, today I have a request from Mrs. Tony Rosengarten of Point Pleasant Pennsylvania. She says she wants to learn much more from you about the United Nations, and especially about the different commissions, what is done and what could have been done.
    [Show full text]
  • LSA Template
    ARCHITECTURE Copyright Lighting &Sound America May 2017 http://www.lightingandsoundamerica.com/LSA.html 44 • May 2017 • Lighting &Sound America The Hud son Tak es a Bow Inside Broadway’s newest vintage theatre By: David Ba rbour B he Broadway community received a gleaming new/old gift this spring with the reopening of the Hudson Theatre. Since its 1903 debut, with Ethel Barrymore starring in a comedy titled Cousin Kate , the Hudson, Tlocated on West 44th Street, between Seventh and Sixth Avenues, has played host to premieres by Somerset Maugham, Howard Lindsay and Russel Crouse, and Lillian Hellman, starring, among others, Judith Anderson, Van Heflin, Maureen Stapleton, Laurence Olivier, Jason Robards Jr., Jane Fonda, and Geraldine Page. The theatre has had many lives since in the following decades; its return provides Broadway with a much-needed additional house for intimate drama and musicals. As a bonus, its new owner, the London-based Ambassador Theatre Group, appears determined to keep the Hudson busy. The theatre reopened in March, with a limited-engagement revival of the musical Sunday in the Park with George , starring Jake Gyllenhaal and Annaleigh Ashford. It will be followed by a stage adaptation of George Orwell’s 1984 , a transfer from London’s Almeida Theatre, starring Tom Sturridge, Olivia Wilde, and Reed Birney. Originally designed by William H. McElfatrick, a noted turn-of-the-last-centu - a k ry theatre architect, the Hudson was built by Henry B. Harris, a successful pro - a M g ducer, who also was responsible for the Fulton Theatre, later known as the e r G : Helen Hayes, on 46th Street.
    [Show full text]
  • Illustrations
    Illustrations 1. Long shot of Flora, The Birth of a Nation 10 2. Image of a fence in the frame showing Gus, a black man about to pursue a young white woman, The Birth of a Nation 12 3. Close-up of Gus, The Birth of a Nation 14 4. Flora through Gus’s eyes, The Birth of a Nation 15 5. An extreme long shot of the people running down the Odessa Steps, The Battleship Potemkin 29 6. A big close-up of a pair of legs, The Battleship Potemkin 29 7. The purposeful, organized movement of the soldiers, The Battleship Potemkin 30 8. The chaotic, disorganized movements of the victims, The Battleship Potemkin 30 9. A boy’s body creates a graphic conflict with the line of the steps, The Battleship Potemkin 31 10. A woman carrying a wounded child ascends the steps, her body casting a shadow, The Battleship Potemkin 35 11. Soldiers’ bodies cast their shadows on the woman and child, The Battleship Potemkin 35 12. Cesare, shortly before he collapses in exhaustion, The Cabinet of Dr. Caligari 38 ix x ILLUSTRATIONS 13. Buildings lean, bend, or rear straight up, The Cabinet of Dr. Caligari 39 14. Emil Jannings in a medium close-up from slightly below, The Last Laugh 41 15. Emil Jannings photographed from a high angle, The Last Laugh 42 16. From the doorman’s point of view, the neighbor woman’s face grotesquely elongated, The Last Laugh 43 17. Images of the hotel dining room merge with images of the doorman’s tenement neighborhood, The Last Laugh 46 18.
    [Show full text]
  • Autograph Albums - ITEM 936
    Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman
    [Show full text]
  • Academy of Television Arts & Sciences
    67 YEARS OF EMMY® 1948 The Emmy Awards are conceived. The Television Academy’s founding fathers struggle to name the award: Television Academy founder Syd Cassyd suggests “Ike,” the nickname for the television iconoscope tube. Pioneer television engineer and future (1949) Academy president Harry Lubcke suggests “Immy,” a nickname for the image-orthicon camera tube instrumental in the technical development of television. “Immy” is feminized as “Emmy” because the statuette, designed by engineer Louis McManus (who enlisted his wife Dorothy to model for it) depicts the winged “muse of art uplifting the electron of science.” 1949 First Emmy Awards – given to Los Angeles area programming – take place at the Hollywood Athletic Club on January 25. Tickets are $5.00. It is broadcast on local station KTSL. There are less than a million television sets in the U.S. The master of ceremonies was popular TV host Walter O’Keefe. Six awards are given: Most Outstanding Television Personality: Twenty-year-old Shirley Dinsdale and her puppet sidekick Judy Splinters for “The Judy Splinters Show.” The Station Award for Outstanding Overall Achievement: KTLA (the first commercial television station west of the Mississippi River). Technical Award: Engineer Charles Mesak of Don Lee Television for the introduction of TV camera technology. The Best Film Made for Television: “The Necklace” (a half hour adaptation of Guy de Maupassant's classic short story). Most Popular Television Program: “Pantomime Quiz.” A special Emmy is presented to Louis McManus for designing the statuette. 1950 Second Emmy Awards (January 27, Ambassador Hotel) KFI-TV broadcasts, the six other Los Angeles area stations share expense of the telecast.
    [Show full text]
  • "Enhanced Filmography." Hitchcock's Appetites
    McKittrick, Casey. "Enhanced Filmography." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 176–192. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781501311642.0013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 17:41 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Enhanced Filmography 1) The Pleasure Garden (1925) Screenplay : Eliot Stannard, based on the novel The Pleasure Garden by Oliver Sandys Producer : Michael Balcon, Erich Pommer, Bavaria Film, Gainsborough Pictures, M ü nchner Lichtspielkunst AG (Emelka) Runtime : 75 minutes Cast : Virginia Valli, Carmelita Geraghty, Miles Mander, John Stuart, Ferdinand Martini, Florence Helminger During two intercut dinner table sequences, two couples sit with tea sets and small plates in front of them; the couple that is eating and drinking end up falling in love. 2) The Lodger (also titled The Lodger: A Story of the London Fog ) (1927) Screenplay : Eliot Stannard, Alfred Hitchcock (uncredited), based on the novel The Lodger and the play Who Is He? , both by Marie Belloc Lowndes Producer : Gainsborough Pictures, Carlyle Blackwell Productions, Michael Balcon, Carlyle Blackwell Runtime : 68 minutes Cast : Marie Ault, Arthur Chesney, June, Malcolm Keen, Ivor Novello When the Lodger (Ivor Novello) arrives at the Buntings ’ boardinghouse, he immediately requests some bread, butter, and a glass of milk. Hitchcock wanted to suggest that he was preserving his waifi sh fi gure. 3) Downhill ( When Boys Leave Home ) (1927) Screenplay : Constance Collier (play), Ivor Novello (play), Eliot Stannard (adaptation) Producer : Gainsborough Pictures, Michael Balcon, C.
    [Show full text]
  • No Surrender! No Retreat!
    No Surrender! No Retreat! No Surrender! No Retreat! African American Pioneer Performers ofTwentieth~Century American Theater Glenda E. Gill Palgrave Macmillan NO SURRENDER! NO RETREAT! Copyright © 2000 Glenda E. Gill. All rights reserved. Softcover reprint of the hardcover 1st edition 2000 978-0-312-21757-0 No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin's Press, Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y. 10010. ISBN 978-1-349-62002-9 ISBN 978-1-137-05361-9 (eBook) DOI 10.1007/978-1-137-05361-9 Library of Congress Cataloging-in-Publication Data to be found at the Library of Congress. Design by Letra Libre, Inc. First edition: April 2000 10 9 8 7 6 5 4 3 2 To the memory of my mother and father, Olivia Dunlop Gill and Melvin Leo Gill Sr. and to the memory of my maternal grandparents, Sanford Lee and Lu9' Tandy Dunlop Until the lions have their own historian, the tale of the hunt will always glorify the hunter. -Kenyan proverb Table of Contents Preface and Personal Memoir xi Foreword by Daniel Lamer XV Acknowledgements XlX Chapter I What Shall the Negro Dance About? 1 Chapter II Crucible and Community: The Vision of Rose McClendon 21 Chapter III The Silencing of Paul Robeson 35 Chapter IV Measure Her Right: The Tragedy of Ethel Waters 59 ChapterV Marian Anderson: A Serene Spirit 75 Chapter VI Five Interpreters of Porgy and Bess 91 Chapter VII Swifter than a Weaver's Shuttle: The Days of Canada Lee 107 Chapter VIII Pearl Bailey: The Black Dolly Gallagher Levi 137 Chapter IX Ossie and Ruby are One! 151 Chapter X James Earl Jones: "My Soul Looks Back , and Wonders How I Got Over 173 Chapter XI Morgan Freeman's Resistance and Non-Traditional Roles 193 Chapter XII Has Anything Changed? 205 Index 219 Preface and Personal Memoir n 15 April 1999, distinguished African American actor Charles S.
    [Show full text]
  • He Arthenon MARSHALL UNIVERSITY STUDENT NEWSPAPER
    Marshall University Marshall Digital Scholar The Parthenon University Archives Summer 7-12-1962 The Parthenon, July 12, 1962 Marshall University Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Marshall University, "The Parthenon, July 12, 1962" (1962). The Parthenon. 1553. https://mds.marshall.edu/parthenon/1553 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. he arthenon MARSHALL UNIVERSITY STUDENT NEWSPAPER Vol. 62 HUNTINGTON, W. VA. THURSDAY, JULY 12, 1962 No. 2 1962-63 CULTURAL CALENDAR By LARRY ASCOUGH to the event with the presentation include: the second night of "The an hour, are better than or equal FORUMS Editor-In-Chief of the I.D. and activity cards. All Sou n d of Music", direct from to Artists Series at other colleges All Forums are presented in A thorough examination of the seats are reserved. three years on broadway; second and universities. Old Main Auditorium at 8 p.m. on schedules for the 1962-63 Artists The Artists Series, now in its night of Helen Hayes and Maurice No classes are held when con- the date announced. Students are Series, Convocations and Forums, 27th year, is still under the direc- Evans in "As We Like It," an vocations are being presented. admitted by presenting their I.D. shows promise of many delightful tion of its original manager, Pro- evening of Shakespeare; original Another important fact concern- cards.
    [Show full text]
  • Dame Judith Anderson (1898-1992)
    AUSTRALIAN EPHEMERA COLLECTION FINDING AID DAME JUDITH ANDERSON (1898-1992) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA FEBRUARY 2018 CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance. The list is based on imperfect holdings, and is updated as gaps in the Library’s holdings are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. ACCESS The Dame Judith Anderson PROMPT files may be accessed through the Library’s Special Collections Reading Room by eCallslip request: http://nla.gov.au/nla.cat-vn2608577. ARRANGEMENT Programs in the National Library’ PROMPT collection are arranged chronologically in three parts Early Australian career Tours to Australia Overseas stage career Under each heading they are listed, chronologically by performance and then as follows: Date (day and month); Venue, City Name of production or performer Headline performers etc. An index to staged productions is provided at the end of the document. This document is also keyword searchable. OTHER RESOURCES The National Library’s collection also includes: Biographical cuttings file Pictures Published works and scrapbooks Other institutional holdings relating to Anderson National Film & Sound Archive (Canberra ACT) Performing Arts Collection of South Australia University of California, Santa Barbara (USA) Dame Judith Anderson Collection, PA Mss 6, Department of Special Collections, University Libraries, University of California, Santa Barbara. Dame Judith Anderson (1898-1992) 2 EARLY AUSTRALIAN CAREER See also Digitised Australian newspaper coverage of Judith Anderson. 1915 1 November.
    [Show full text]