THETHE DEVIL’S DEVIL’S DISCIPLE DISCIPLE

2021 Ensemble

ARTISTIC DIRECTOR Tim Carroll EXECUTIVE DIRECTOR Tim Jennings ASSOCIATE ARTISTIC DIRECTOR Kimberley Rampersad DIRECTORS Philip Akin • Molly Atkinson • Tim Carroll • Craig Hall • Kate Hennig • Eda Holmes • Kimberley Rampersad MUSIC DIRECTORS / COMPOSERS / SOUND DESIGNERS Ryan deSouza • John Gzowski • John Lott • Paul Sportelli • Claudio Vena CHOREOGRAPHY / MOVEMENT / PUPPETRY / FIGHT DIRECTION Julio Fuentes • Alexandra Montagnese • Allison Plamondon • John Stead DIALECT CONSULTANT Alicia Richardson DESIGNERS Judith Bowden • Rachel Forbes • Gillian Gallow • Michael Gianfrancesco • Christine Lohre • Hanne Loosen • Ken MacKenzie • Joyce Padua • Ming Wong LIGHTING DESIGNERS Nick Andison • Louise Guinand • Mikael Kangas • Kevin Lamotte • Michelle Ramsay PROJECTION DESIGNER Cameron Davis STAGE MANAGEMENT Beatrice Campbell • Katie Fitz-Gerald • Ashley Ireland • Amy Jewell • Diane Konkin • Meredith Macdonald • Leigh McClymont • Annie McWhinnie • Théa Pel • Ken James Stewart • Allan Teichman • Dora Tomassi MUSICIANS David Atkinson • Andy Ballantyne • Erica Beston • Sasha Boychouk • Alex Grant • Tom Jestadt • Nancy Kershaw • Jason Logue • Ross MacIntyre • Shawn Moody • Christine Passmore • Anna Redekop • Tom Skublics • Rob Somerville THE ENSEMBLE Kaleb Alexander • David Alan Anderson • Damien GBS, BY MAX BEERBOHM. Atkins • Neil Barclay • Kristopher Bowman • Andrew Broderick • Fiona Byrne • Jason Cadieux • Julia Course • James Daly • Peter Fernandes • Kristi Frank • Patrick Galligan • Katherine Gauthier • Alexis Gordon • Martin Happer • Claire Jullien • Andrew Lawrie • Julie Lumsden • Marie Mahabal • Tom McCamus • Kevin McLachlan • Marla McLean • Peter Millard • Michelle Mohammed • Alexandra Montagnese • Nafeesa Monroe • Mike Nadajewski • Mike Petersen • Drew Plummer • Chick Reid • Ric Reid • Kiera Sangster • Travis Seetoo • Olivia Sinclair-Brisbane • Donna Soares • Graeme Somerville • Johnathan Sousa • Gabriella Sundar Singh • Sanjay Talwar • Jonathan Tan • Jacqueline Thair • Shauna Thompson • Jay Turvey • Kelly Wong • Jenny L. Wright

IN MEMORIAM Zoe Caldwell • dawn e. crysler • Richard Farrell • Ann Ferencz • Mary Haney • Martha Mann • Jennifer Phipps • David Schurmann • Bob Vernon • Colin D. Watson welcome to a season unlike any yet seen at The Shaw. That’s not surprising, is it? This year and a bit has been unlike anything any of us have lived through before. The frustration, for anyone who works in the field of live performance, has at times been overwhelming. But if one looks for a silver lining, it isn’t hard to find: I think I will never again hear anyone say that live theatre is dying, or an unnecessary luxury. The sparkling eyes of the audiences who came to our concert series last fall tell a different story. Even with masks on, there could be no mistaking the smiles on their faces. Human connection will never be a luxury. However we gather this year (and of course our priority will be keeping everyone safe), let’s take a moment to look at each other, to smile with our eyes, and to feel grateful for the chance to experience something together. We can’t make it on our own. tim carroll, artistic director

FESTIVAL THEATRE THE DEVIL’S DISCIPLE • SHERLOCK HOLMES AND THE RAVEN’S CURSE ROYAL GEORGE THEATRE CHARLEY’S AUNT • FLUSH JACKIE MAXWELL STUDIO THEATRE DESIRE UNDER THE ELMS • TROUBLE IN MIND HOLIDAY SEASON A CHRISTMAS CAROL • HOLIDAY INN The Shaw wishes to acknowledge and honour the land upon SPECIAL THANKS which we gather as the historic and traditional territory of Rachel O’Brien’s internship in First Nations peoples. In particular, we recognize and thank Music Direction was made pos- the Neutral Nation, the Mississauga and the Haudenosaunee sible through an investment by the for their stewardship of these lands over millennia. We also George Cedric Metcalf Charitable wish to thank all of the First Nations peoples in Canada, and Foundation and the support of the the Indigenous peoples of the United States, for their ongoing Shaw Guild. Julie Lumsden, Kevin and important roles in the caretaking of the lands beneath McLachlan, Drew Plummer and our feet, wherever we travel on Turtle Island. Shauna Thompson are supported by the RBC Foundation and the RBC Emerging Artists Project. The 2021 Christopher Newton Intern 2021 Boards is Olivia Sinclair-Brisbane, gener- ously supported by Marilyn and Charles Baillie. SHAW FESTIVAL THEATRE, CANADA The Shaw Festival Archives are housed at the University of Guelph BOARD OF DIRECTORS Peter E.S. Jewett, Chair • Ian M.H. and maintained by the staff of the Joseph, Vice Chair • Timothy R. Price, Vice Chair • Kevin J. Pat- L.W. Conolly Theatre Archives. terson, Treasurer • Colleen Johnston, Secretary • Tim Carroll, Artistic Director (ex officio) • Tim Jennings, Executive Director Lobby display materials courtesy of (ex officio) • Philip Akin • Glen Bandiera, M.D. • Sylvia Bennett David Grapes II. • Sheila Brown • Elizabeth S. Dipchand • Vivien Dzau • Lyle ACKNOWLEDGEMENTS Hall • Thomas R. Hyde • Tim Johnson • Eugene J. Lundrigan • Corinne Foster Rice • Robin Ridesic • Nicole R. Tzetzo • Alan The Shaw Festival is a member of J. Walker (President, Shaw Guild) • Jaime Watt the Professional Association of Ca- nadian Theatres, and engages pro- BOARD OF GOVERNORS Timothy R. Price, Chair & Frances fessional artists who are members M. Price • Peter E.S. Jewett, Vice Chair & Robin Campbell of the Canadian Actors’ Equity As- • Tim Carroll, Artistic Director (ex officio) • Tim Jennings, sociation and The Niagara Region Executive Director (ex officio) • Marilyn Baillie & A. Charles Musicians’ Association, American Baillie • Charles E. Balbach • Barbara Besse & Ronald D. Besse Federation of Musicians of the Unit- • James F. Brown & Jean Stevenson, M.D. • Alberta G. Cefis & ed States and Canada, Local 298. Ilio Santilli • Betty Disero (Lord Mayor, Town of Niagara-on- the-Lake) • Wendy Gitelman & Bruce Gitelman • Lyle Hall 828 (Chair, Development Committee) • Nona Macdonald Heaslip • Mary E. Hill • Carolyn Keystone & James D. Meekison • Diane The Shaw Festival engages stage K. King • Elizabeth A. Simmons & Edward D. Simmons, M.D. technicians, audience sales and ser- • Nancy Smith • Marc St-Onge (Chair, Boxing Committee) • vices staff, and facilities staff sup- Elaine G. Triggs & Donald L. Triggs • Alan J. Walker (President, plied by Local 461, and scenic art- Shaw Guild) • Barbara D. Watson ists and properties staff supplied by Local 828, of the International Alli- SHAW FESTIVAL THEATRE ENDOWMENT FOUNDATION ance of Theatrical Stage Employees, Anthony R. Graham, Chair • Lorne R. Barclay, Vice Chair • Moving Picture Technicians, Art- Tim Jennings, Secretary (ex officio) • Roy Reeves, Treasurer (ex ists and Allied Crafts of the United officio) • Richard D. Falconer • Kenneth P. Friedman • Colleen States, its Territories, and Canada. Johnston • Peter E. Nesbitt • Andrew M. Pringle • William J. Saunderson (Chair, Investment Committee) • Bruce Winter Copyright © Shaw Festival 2021. SHAW FESTIVAL FOUNDATION (USA) James M. Wadsworth, The Shaw’s house programmes are President • James F. Brown, Vice President • Victor A. Rice, designed and produced by Scott McKowen at Punch & Judy Inc. They Vice President • Kenneth P. Friedman, Treasurer • Ronald H. are compiled and edited by Jean Luczak, Secretary • Sylvia Bennett • Nicole R. Tzetzo (Legal German, with assistance, editorial Counsel) writing and research by Leonard FOUNDERS Conolly. Additional assistance by Brian Doherty, C.M. 1906-1974( ) Elaine Calder. Artists’ portraits by Calvin G. Rand (1929-2016) David Cooper. Production photog- raphy by Lauren Garbutt. Printed HONORARY PATRONS by Sportswood Printing, Stafford- The Right Honourable Justin Trudeau ville. The Honourable Doug Ford A ROUND OF APPLAUSE FOR OUR PARTNERS

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Untitled-1 1 2021-07-29 12:32 PM THE NONA MACDONALD STAGE, JULY 14 TO OCTOBER 9

TIM CARROLL TIM JENNINGS Artistic Director Executive Director

KATHERINE GAUTHIER, MARTIN HAPPER and GRAEME SOMERVILLE in THE DEVIL’S DISCIPLE

by BERNARD SHAW

with DAVID ALAN ANDERSON, DAMIEN ATKINS, KRISTOPHER BOWMAN, JULIA COURSE, TOM M cCAMUS, PETER MILLARD, CHICK REID, JOHNATHAN SOUSA, SHAUNA THOMPSON and JENNY L. WRIGHT

Directed by EDA HOLMES Set designed by MICHAEL GIANFRANCESCO Costumes designed by GILLIAN GALLOW Original music by PAUL SPORTELLI

THIS PRODUCTION IS DEDICATED TO THE MEMORY OF MALCOLM “MAC” MACDONALD (1940-2020).

The videotaping or other video or audio recording of this production is strictly prohibited.

THE DEVIL’S DISCIPLE and the Nona Macdonald Stage are sponsored by the William & Nona Macdonald Heaslip Foundation

Additional production sponsorship from the Gabriel Pascal Memorial Fund

FRONT COVER: PHOTO BY KEY GORDON. THE DEVIL’S DISCIPLE and the Nona Macdonald Stage are sponsored by the William & Nona Macdonald Heaslip Foundation Additional production sponsorship from the Gabriel Pascal Memorial Fund

MARTIN HAPPER AS RICHARD DUDGEON The Cast IN ALPHABETICAL ORDER

Uncle Titus / Officer 1 / Chaplain DAVID ALAN ANDERSON Lawyer Hawkins / Officer 2 / Executioner DAMIEN ATKINS Major Swindon KRISTOPHER BOWMAN Mrs Titus / Soldier 1 JULIA COURSE Judith Anderson KATHERINE GAUTHIER Richard Dudgeon MARTIN HAPPER General Burgoyne TOM McCAMUS Uncle William / Sergeant PETER MILLARD Ann Dudgeon CHICK REID Reverend Anthony Anderson GRAEME SOMERVILLE Christy Dudgeon JOHNATHAN SOUSA Essie SHAUNA THOMPSON Mrs William / Soldier 2 JENNY L. WRIGHT

act i: The kitchen of Mrs Dudgeon’s farmhouse, Websterbridge, New Hampshire, 1777, early morning. act ii: The Reverend Anthony Anderson’s house, that evening. intermission act iii: British headquarters in the Town Hall, the next day. The town square, Websterbridge, just before noon.

Stage Manager ALLAN TEICHMAN Assistant Stage Manager AMY JEWELL Production Stage Manager MEREDITH MACDONALD Assistant Director BRENLEY CHARKOW Assistant Set Designer KARA PANKIW Assistant Costume Designer BEYATA HACKBORN Lighting Co-ordinator MIKAEL KANGAS Sound Co-ordinator FRED GABRSEK Fight Co-ordinator JOHN STEAD Voice and Dialect Coach JEFFREY SIMLETT

The original music for this production was recorded by Andy Ballantyne (fife, piccolo), Jason Logue (trumpet), Ross MacIntyre (bass), Paul Sportelli (piano), Tom Jestadt (drums), Kelly Wong (production).

Special thanks to Bonnie Beecher, Ron Dale and Michael Healey.

UNDERSTUDIES KRISTOPHER BOWMAN, Richard Dudgeon; JASON CADIEUX, Lawyer Hawkins, Officer 2, Executioner, Uncle William, Sergeant; JULIA COURSE, Judith Anderson; MARIE MAHABAL, Essie; KEVIN McLACHLAN, Major Swindon, Christy Dudgeon; PETER MILLARD, General Burgoyne; NAFEESA MONROE, Ann Dudgeon; TRAVIS SEETOO, Uncle Titus, Officer 1, Chaplain; DONNA SOARES, Mrs Titus, Soldier 1; SANJAY TALWAR, Reverend Anthony Anderson

Running time is approximately 2 hours and 10 minutes including one intermission CLOCKWISE FROM TOP: KATHERINE GAUTHIER AS JUDITH ANDERSON AND GRAEME SOMERVILLE AS REVEREND ANTHONY ANDERSON; CHICK REID AS ANN DUDGEON AND MARTIN HAPPER AS DICK DUDGEON; MARTIN HAPPER AS DICK DUDGEON, TOM M cCAMUS AS GENERAL BURGOYNE, KRISTOPHER BOWMAN AS MAJOR SWINDON AND JENNY L. WRIGHT AS A SOLDIER. Director’s Note by Eda Holmes

We started work on this production in 2019. It was planned for the Festival stage and would have premiered before the last American election. We imagined a theatre full of over 800 people, a good 40% of them being Americans. We focused on the idea that the play was an allegory for individual courage in the face of undemocratic tyranny. We imagined a final scene with giant images of King George with puffy hair and a smug expression plastered on all the surfaces of the town square set. We were going to invite members of the audi- ence onto the stage to bear witness to the unjust sacrifice of the Devil’s Disciple. Inspired by Shaw’s own activist spirit, we hoped that you the audience would come away from the evening with the belief that we must all participate in our western democracy and stand up against tyranny. As Dick Dudgeon says, “let us cow them by showing we can stand by one another to the death.” The pandemic descended on Canada in March. Our first day of rehearsal in Niagara-on-the-Lake on the 15th brought us to the theatre only to be told to go home. By March 18th we had begun what would become many months of Zoom rehearsals. The 2020 theatre season was cancelled and the world witnessed the horrific murder of George Floyd and the extraordinary manifestation of public outrage that has upended forever our collective belief that western democracies offer equal justice to all. Trump was defeated in America, but the poisonous political divide he nurtured is still entrenched. Now Canada itself is coming face to face with its own grim Colonial legacy of which the discovery of the thousands of unmarked graves of children of the Residential School system is only a part. And now here we are back at the the- atre. In April of 2021, the cast and crew of this production of The Devil’s Disciple gathered once again on Zoom with the unstoppable optimism that we would find a way to put on this play about risking your life for the greater good. We moved the production to an outdoor setting in the hopes that it would be safer for all involved. We dove into the questions that the play poses and the ones that Shaw as a white man of the Victorian Era did not even think to ask. I have been profoundly inspired and moved by the collective intelligence, talent, perseverance and humanity of this group of artists. Their courage to ask the hardest questions has opened my mind and my heart over and over again through the odyssey of the last eigh- teen months. I hope you will find that same inspiration in this production and join us in standing by one another to make the world better for everyone. THE MIDNIGHT RIDE OF PAUL REVERE IN APRIL, 1775, AS IMAGINED BY AMERICAN ILLUSTRATOR HARVEY DUNN (1884— 1952) (ALAMY); THE FIVE ALLS , AN ALLEGORICAL ENGRAVING BY JOHN KAY, C.1780 (MARY EVANS PICTURE LIBRARY). OPPOSITE: WILLIAM TERRISS AND W.L. ABINGTON IN THE FATAL CARD , AT THE ADELPHI THEATRE, 1894 (MARY EVANS). Military Thespians by Christopher Wixson

“There never was a play more certain to be written than The Devil’s Disciple at the end of the nineteenth century” because, Shaw wrote in the play’s preface, “the age was pregnant with it.” For him, the play’s DNA was a hybrid of contemporary “advanced thought” (including early sketches of his own latent ideas about the Superman and Creative Evolution) and the “hackneyed stage tricks of our own time”, the mechanics of melodrama. The genre’s extreme popularity derived from its emphasis on sentiment and sensation, heightened by the latest in special effects and transpiring within a black and white ethical universe in which the forces of evil are always punished and the forces of good always triumph despite severest woe. For Shaw, this simplistic schema mirrored the knee-jerk, intolerant middle-class Victorian morality against which he railed throughout his career. Nonetheless, he praised William Terriss’ proficiency directing such plays at London’s Adelphi Theatre and was intrigued when the actor-manager sug- gested to him that he try his hand at creating one. While he was not interested in Terriss’ idea of a burlesque that ran together incredible cliff- hangers and improbable escapes to the point of absurdity, Shaw sought to infuse some intellec- tual athleticism into a set of conventions geared primarily towards stoking audience adrenaline, adding some substance to what was too often empty-calorie theatre. He applauded Henrik Ibsen’s addition of a “discussion scene” to the well-made play as a step towards reclaiming the theatre as a site for serious engagement with ideas, particularly with regard to pressing social issues. With some creative augmentation, melodramatic plays, according to Shaw, had the potential to be “allegorical, idealistic, full of generalizations and moral lessons” and could “represent conduct as producing swiftly and certainly on the individual the results which in actual life it only produces on the race in the course of many centuries.” Written during the autumn of 1896 and set in New Hampshire during the American Revolution, Shaw’s swift-moving, muscular mash-up of the genre’s stock characters and shock reversals followed the usual template, but its journey lays to rest outmoded conventions of thought and makes space for a new set of values. His intelligent, witty and charismatic hero, Richard Dudgeon, styles himself a “devil’s disciple” opposing the hypocrisy and heartless tyranny of his mother’s Puritanism and shames the rest of his family and the townspeople with his rebellious reputation. Brave and kind, Dudgeon, at a moment of crisis in an already volatile and uncertain world, acts unhesitatingly in the selfless service of humanity, and his decision provokes a great awak- ening in the local Presbyterian minister Anthony Anderson. Over the course of roughly thirty hours and through a breathtaking series of events, both men are animated by a new understanding of themselves and renewed senses of place and purpose. The Devil’s Disciple reclaims melodrama as a site of what Shaw calls in a stage direction “transfigu- ration” as, by the play’s conclusion, the progressive activism of Dudgeon and Anderson applies truly moral remedies to the grimly self-serving, inhumane and authoritarian culture they inhabit, and will work to reshape. In that sense, the form as it endures in the twenty-first century, as screen sagas of superheroes and spaceships, feels much closer in spirit to Shaw’s rendition than to the rote, simplistic machinations of its stage predecessors. The Devil’s Disciple’s most fantastical incident (even in a genre predicated on pre- posterous turns) is the appearance in act three of British General John Burgoyne, quite far from his campaign headquarters in Quebec. Over Christmas 1896, Shaw borrowed E.B. DeFonblanque’s biography from his future wife Charlotte Payne-Townshend and likely was struck by its subject’s unusual achievements in two distinct professional fields, public service as a soldier and politician and the theatre as a respected playwright. Once in a while, they overlapped, most notably in the spring of 1775, when the Major-General was stationed in Boston, a city notori- ous for its Puritanical disapproval of stage performance. In a cheeky rebuke to the shuttering of the public theatres by the American Continental Congress in October 1774, Burgoyne organized his officers into a company of “Military Thespians” who acted British plays to raise money for “the Widows and Children of the Soldiers.” Subsequent amateur troupes of officers soon ap- peared in New York and Philadelphia under the direction of Generals Howe and Clinton and would continue to per- form until 1783. Undoubtedly, Shaw also recog- nized more than a few personal affini- ties with the General. Each enjoyed a witty and flamboyant public persona; Burgoyne’s was lastingly mythologized by his contemporaries as “Gentleman Johnny” while Shaw had deliberately crafted “G.B.S.” himself through myriad speaking engagements and periodical publications. When he wrote The Devil’s Disciple, Shaw had had just a single stage success under his belt with Arms and The Man, a romantic comedy about war whose 1894 premiere marked the fledgling playwright’s sole venture into the English and American commercial theatre up to that point. Similarly, in 1777 (the year Shaw’s play is set), Burgoyne had had only his first dramatic effort The Maid of the Oaks (1774) produced, though to much acclaim, by David Garrick at the Theatre Royal, Drury Lane. Apart from Arms and The Man, the six plays Shaw wrote before The Devil’s Disciple JOSHUA REYNOLDS, GENERAL JOHN “Revolutionary moments attract BURGOYNE, C.1766 (A DECADE BEFORE those who are not good enough for THE SETTING OF SHAW’S PLAY), OIL ON CANVAS, THE FRICK COLLECTION, NEW established institutions as well as YORK. OPPOSITE: TOM M cCAMUS AS those who are too good for them.” GENERAL BURGOYNE IN THIS PRODUCTION. Bernard Shaw CLOCKWISE FROM TOP: PETER MILLARD AS THE SERGEANT AND MARTIN HAPPER AS DICK DUDGEON; KATHERINE GAUTHIER AS JUDITH; GRAEME SOMERVILLE AS REVEREND ANDERSON. OPPOSITE: THE SURRENDER OF BURGOYNE AT SARATOGA, IN 1777 (BRIDGEMAN IMAGES/NATIONAL LIBRARY, MADRID). were unconventional in style and occasionally provocative enough to attract government censure; unable to secure public productions, he eventually resorted instead to their pub- lication in Plays Pleasant and Unpleasant (1898). Burgoyne also ran into trouble with the censor’s office over his second play, a comic opera entitled The Lord of the Manor (1780) that in part satirized the British army. Besides acting as a highbrow rhetorical adversary for Dudgeon, Shaw’s scene-stealing Burgoyne also castigates military and governmental bureaucracy, the “jobbery and snobbery, incompetence and Red Tape” that will eventually cost Britain its American colonies and the real Burgoyne his reputation. While it’s easy to detect the playwright’s own diabolic sensibility in Dudgeon, Shaw was surprised by charges in the press that, as he put it, the outspoken Burgoyne was an authorial transfiguration, “nothing but my own sardonic self in an eighteenth century uniform”. As much as its dramaturgy was part of Shaw’s professional quest to recast the English theatre from merely, as he describes it, a “place of amusement [for] the sportsman and the sensualist” into a “place of edification”, The Devil’s Disciple also was indeed transfigurative for Shaw. The play’s success in America on its 1897 New York premiere and subsequent tour returned to him a considerable financial harvest, enabling him, in 1898, to retire from his position as Saturday Review drama critic and make his living solely as a playwright, a role he understood as an extension of his own public service and activism. More importantly, this success signalled a change in how Shaw was perceived on both sides of the Atlantic. Before the premiere, the New York Times, ticking off the dominant associations with “G.B.S.” up to that point, was not certain what to expect from “that distinguished Irish wit, cynic, vegetarian, and dress reformer”. Upon the production’s opening a week later, the same newspaper declared that The Devil’s Disciple “reveals him as a dramatist, a real dramatist”.

A PROFESSOR OF ENGLISH AND THEATRE ARTS AT EASTERN ILLINOIS UNIVERSITY, CHRISTOPHER WIXSON IS THE AUTHOR OF BERNARD SHAW AND MODERN ADVERTISING (2018) AND BERNARD SHAW: A VERY SHORT INTRODUCTION (2020). SINCE 2017, HE HAS SERVED AS THE GENERAL EDITOR OF SHAW: THE JOURNAL OF BERNARD SHAW STUDIES AND IS A LONGTIME SHAW FESTIVAL PATRON. The Devil’s Disciple, 2021

CLOCKWISE FROM TOP LEFT: THE READING OF THE WILL; SHAUNA THOMPSON AS ESSIE AND CHICK REID AS ANN DUDGEON; KATHERINE GAUTHIER AS JUDITH ANDERSON AND MARTIN HAPPER AS DICK DUDGEON; JOHNATHAN SOUSA AS CHRISTY DUDGEON; KRISTOPHER BOWMAN AS MAJOR SWINDON; KATHERINE GAUTHIER AS JUDITH ANDERSON AND GRAEME SOMERVILLE AS REVEREND ANTHONY ANDERSON.

The Author

GEORGE BERNARD SHAW (1856-1950), the acclaimed dramatist, critic and social re- former, was born in Dublin where he grew up in an atmosphere of genteel poverty. He attended four schools and was tutored by a clerical uncle, but left his formal schooling behind him at the age of fifteen. He developed a wide knowledge of music, art and literature under the influence of his mother, a singer and vocal music teacher, and as a result of his visits to the National Gallery of Ireland. In 1876 he moved to London, where he spent his afternoons in the British Museum, and his evenings pursuing his informal education in the form of lectures and debates. Shaw declared himself a socialist in 1882 and joined the Fabian Society in 1884; soon he distinguished himself as a fluent and effective public speaker and an incisive and irreverent critic of music, art and drama. Shaw’s first play, Widowers’ Houses, was produced privately in 1892 for the members of GBS C.1890 a progressive theatre club called the Independent Theatre Society. It was followed by The Philanderer and Mrs Warren’s Profession. Published as Plays Unpleasant (1898), these reflect Shaw’s admiration for the “new drama” of Ibsen. More palatable, though still rich with challenges to conventional middle-class values, were his Plays Pleasant (1898), which included Arms and The Man, Candida, The Man of Destiny and You Never Can Tell. In 1897 Shaw attained his first commercial success with the American premiere of The Devil’s Disciple, which enabled him to quit his job as a drama critic and to make his living solely as a playwright. In 1898 he married Charlotte Payne-Townshend, an Irish heiress whom he had met through his Fabian friends Beatrice and Sidney Webb. Shaw’s plays first attained popularity in London through a famous repertory experi- ment at the Royal Court Theatre from 1904 to 1907. Among his plays presented there were the premieres of John Bull’s Other Island (1904), Man and Superman (1905), Major Barbara (1905) and The Doctor’s Dilemma (1906). His best-known play, Pygmalion, was first performed in

1913. During World War I, Shaw’s anti-war pamphlets and GILLIAN GALLOW speeches made him very unpopular as a public figure. In Heartbreak House (performed 1920) he exposed the spiritual bankruptcy of the generation responsible for the carnage. Next came Back to Methuselah (1922) and Saint Joan (1923), acclaim for which led to his receiving the Nobel Prize for Literature for 1925. Shaw continued to write plays and essays until his death in 1950 at the age of 94. For full biographical information about our cast EDA HOLMES and creative team, please visit shawfest.com/ ensemble.

EDA HOLMES Director SHAW 2021: Director for The Devil’s Disciple. Born in Beaumont, Texas, my first time in the theatre was at the age of four – a movie of the Royal Ballet doing Sleeping Beauty. My favourite part was the Puss’n Boots pas de deux. I was inspired to become a director twenty-six years later, near the end of my ballet career when I saw Robert LePage’s The Dragons’ Trilogy in London. I learned the most about directing here at Shaw from Neil Munro and Jackie Maxwell. My production of Arcadia in 2013 is still one of the highlights for me – even when I heard a couple in the audience say, “What were they thinking?!” as they left at intermission.

MICHAEL GIANFRANCESCO Set Designer SHAW 2021: Set designer for The Devil’s Disciple. I grew up in Cambridge, studied design for the theatre in Montreal and cur- rently live in Toronto. I was inspired to work in the theatre when I saw a production of the play Amadeus, designed by Desmond Heeley. After studying in Montreal, my friends and I ran a the- atre company producing musicals. Travelling is a big source of inspiration for me and I spend a lot of time looking at visual art, MICHAEL GIANFRANCESCO MICHAEL which greatly influences my work. I have had the opportunity to work all over Canada and abroad on theatre, musicals, opera and ballet, and have enjoyed collaborating with so many incredible theatre artists.

GILLIAN GALLOW Costume Designer SHAW 2021: Costume designer for The Devil’s Disciple. I was born and raised in Oakville, Ontario. The first show I was ever in was during first grade when I played the Apple of Monday. In high school, my drama class included a design assignment for which we had to build a maquette. The set I designed ended up being used for our Sears Drama production that year, and after that I was hooked on designing. This is my fourth production with the Shaw Festival; I previously designed set and costumes for The Russian Play, Stage Kiss and An Octoroon.

PAUL SPORTELLI PAUL SPORTELLI Composer SHAW 2021: Composer for The Devil’s Disciple. My mom starred in community theatre and my parents took me to rehearsals when I was quite young. Other parents brought their kids too; but while the other kids were in the parking lot playing, I was inside watching rehearsal, mesmerized. Years later, I was music direct- ing Gypsy for the same community theatre – with my mom playing Rose. Shaw productions of Tristan and Maria Severa – two musicals I co-wrote – have been two of many highlights at Shaw. Another was composing music for The Madras House in my first season at Shaw, in part because it was my first time composing music for a play. I’m thankful to have had many wonderful teachers in my life, and I’m happy to mentor up-and-coming music directors at Shaw – twenty-plus interns to date. There’s nothing like having interns around to keep me learning! DAVID ALAN ANDERSON Uncle Titus / Officer 1 / Chaplain SHAW 2021: The Devil’s Disciple and Trouble in Mind; 2nd season. I was born and raised in Indianapolis, Indiana, where our house was filled with creative energy – my mother’s drawings; music she played on her childhood piano; soul music being played in the family room, coming from the band my dad managed as they rehearsed. I first stepped onto a stage when I was about nine. I attended a wedding reception at the Madam Walker Building in Indianapolis. While exploring, I got lost. While trying to find my way back, I found the stage.

DAMIEN ATKINS Lawyer Hawkins / Officer 2 / Executioner SHAW 2021: The Devil’s Disciple and Sherlock Holmes and The Raven’s Curse, 5th season. I used to write fan letters to Brent Carver. I had first seen him as Cyrano de Bergerac at the Citadel Theatre in Edmonton, and I decided that night that he was – and would always be – my favourite living actor. DAVID ALAN ANDERSON He set my heart on fire. He was incredibly funny, unpredictable, emotional. It looked like magic, but I knew it must be hard work. So I sent him fan let- DAMIEN ATKINS ters, and to my delight he often replied; graciously, encouragingly. Brent’s work and generosity meant the world to me as a young actor. In time, Brent became a mentor, a castmate, and a friend. He is gone now, and the loss is piercing, but I cannot quite conceive of it; I feel his spirit around me, near me, ever-present as air.

KRISTOPHER BOWMAN Major Swindon SHAW 2021: The Devil’s Disciple and Desire Under the Elms; 5th season. Mine is the most ridicu- lous and delightful job on the planet (Earth). It is my pleasure to get to do it at you (or some- KRISTOPHER BOWMAN one like you). Tonight’s performance may include such genuine internal struggles as “What’s my next line?”, “Boy this guy’s speech is loooong…”, and the chef’s special, “Would anyone even notice if I left the stage to use the bathroom?!” Acting’s not for the faint of heart or the delicately bladdered; but, at this point, beyond pie, it’s all I know. I feel blessed to be here, though I worry people will think me disingenuous for saying so, because of my habit of always joking about everything, and my job as a professional pretender. Three fun facts about ME: A) I’ve never been convicted of a (major) crime (in Canada) (recently). And, B) I resent structure.

JULIA COURSE Mrs Titus / Solider 1 SHAW 2021: The Devil’s Disciple and Desire Under the Elms; 12th sea- son. My first theatre experience was on my seventh birthday. I memo- rized the box office phone number for The Phantom of the Opera and begged my parents to take me. My dad bought Phantom-shaped wine gums, and I can still remember the dress I wore. It was all very exciting and, as I watched the show, I knew that’s what I wanted to do. But, it wasn’t until my high school drama class that I truly fell in love with playing pretend. Our teacher, Debra McLauchlan, inspired in us curiosity and creativity. She became a mentor and dear friend, and has watched almost every play I’ve been in since.

KATHERINE GAUTHIER Judith Anderson SHAW 2021: The Devil’s Disciple and Sherlock Holmes and The Raven’s Curse; 3rd season. Are you out there? Are you masked? Am I masked? What does the show look like? What does the world look like? If you are reading this: You made it to the theatre! I made it to the theatre! Words fail, so let me just say this: I’m deeply grateful that you came. Theatre needs you and boy, have I missed you. Thank you for braving this strange time to sit in a dark room or tent with a bunch of strangers. You are my miracle. Thanks also to Peter Hinton for directing my sister in Jacob TwoTwo in Kingston in the 1990s. I was six, apparently “too young to audition” (even though my heart-wrenching rendition of “On My Own” was ready to go). This early defeat made me hungry to get on-stage.

MARTIN HAPPER Richard Dudgeon SHAW 2021: The Devil’s Disciple and Desire Under the Elms; 16th season. I thought I’d come a long way since my days as an amateur, living in Abbotsford, KATHERINE GAUTHIER when I offended audiences enough for them to throw water balloons, ping-pong balls and pocket change (mostly pennies) at

TOM McCAMUS me, but who knows? It’s now been over a year since being on-stage, so I’ve missed the experience enough to welcome and, given I’m out of practice, perhaps expect flying pro-

MARTIN HAPPER MARTIN jectiles once again. Of the many les- sons learnt over the last year, one of them was the reminder that getting to act upon the stage is a great gift, so I’ve been craving the day, this day, when I can again take my place in front of you the audience. I hope the feeling is mutual, but if not, please hold the tomatoes for the sake of my friends up here.

TOM McCAMUS General Burgoyne SHAW 2021: The Devil’s Disciple and Desire Under the Elms; 12th season. I was introduced to the theatre by the playwright James Reaney – play- ing the role of the kitchen faucet in one of his plays – at age twelve. We rehearsed in the old Alpha Centre in London, Ontario and performed in the original Grand Theatre – buildings full of creaking stairs, pine floors, secret PETER MILLARD tunnels, old posters, musty dressing rooms, drafty windows, history, ghosts and magic. If I had any other thought at that time of what to do with my life, this immediately changed it. And I have never JULIA COURSE JULIA once regretted the choice.

PETER MILLARD Uncle William / Sergeant SHAW 2021: The Devil’s Disciple and Trouble in Mind; 34th season. My brother and sister laughed at my antics, taught me how to play the ukulele and many family jokes. My father played drums, piano and cello, became a pharmacist like his father, was a Justice of the Peace, and built a 150-seat, 16mm- movie theatre. We, the family, became box office, ticket takers, ushers, popcorn sellers and projectionists. My mother, the daughter of a Methodist minister, taught in a one-room schoolhouse before she married, made me practice piano, sing in music festivals, and often wouldn’t accept the real reasons I was absent or late home from school. So I got used to making up stories that sounded more believable to her than the truth. How could I not end up in the theatre? I am also inspired, daily, by my grandson Charles Eliot Millard. CHICK REID Ann Dudgeon SHAW 2021: The Devil’s Disciple and Sherlock Holmes and The Raven’s Curse; 8th season. I was born in Toronto and raised in Ajax, Ontario. I was one of the lucky ones who made the annual trek to Stratford, and my first play was A Midsummer Night’s Dream, starring a cast of now Canadian legends, one of whom was Barbara Bryne as Puck. The dream began in that magnificent room and would be fulfilled when I wore Barbara’s mantle, playing Puck there years later. I watch similar dreams begin near my home in Warkworth, where an inspiring group of professional and community players gather each Christmas in The Barn to weave storytelling and music in a magical setting of boughs and fairy lights. Sometimes I am a storyteller, other years I am in the audience – either on- or off-stage, I see youngsters dream; and that makes me happy.

GRAEME SOMERVILLE Reverend Anthony Anderson SHAW 2021: The Devil’s Disciple and Trouble in Mind; 19th season. The entreaty of Henry V’s chorus to “eke out our performance with your mind” is what enthralled me from a young age to this life in the theatre. Raised in Cambridge, Ontario, I spent many summer evenings of my youth being

driven to Shaw and Stratford and then, for a few hours, being transported CHICK REID into Illyria or Rome, down into the alleys of Canning Town, or up into West End drawing rooms. As the chorus in Henry suggests, the audience never really forgets that they are sitting in a theatre of an evening; that the marble GRAEME SOMERVILLE is a cunning paint job, the stars are electric, and the characters are but players with a memorized script. But every so often, our imaginations intertwine and together we transcend.

JOHNATHAN SOUSA Christy Dudgeon SHAW 2021: The Devil’s Disciple and Desire Under the Elms; 2nd season. I was born in North York, but raised in Caledon, Ontario. The high school that I attended had a pretty good drama program, and in a production of a Scottish play there was a cute girl who is now my wife. My first time in a theatre was to see Beauty and the Beast at the Royal Alexandra. Over the course of my career, I would say that Ian Watson and Janine Peason are probably the biggest influences for me. Most recently, you may have seen me in Othello or Coriolanus at Stratford, or on Frankie Drake Mysteries on cbc. I have to say that my favourite comment from an audience member was “This play was lots of fun, but how do you bear to do the other one four days a week. It’s terrible!” JENNY L. WRIGHT

SHAUNA THOMPSON Essie SHAW 2021: The Devil’s Disciple; 3rd season. I’m a Jamaican-Canadian actor, born in Etobicoke and raised in Brampton, Ontario. My love for performing began as early as eight years old, and was cemented when I was accepted to the Regional Arts Program at Mayfield Secondary School. After high school, I attended the University of Guelph where I met Judith Thompson and Ed Roy. Both professors mentored and encouraged me to pursue acting as a career. Three years after completing my BA program, I graduated from the acting program at the National Theatre School of Canada. Since gradu- ating, I’ve had the pleasure of playing Romeo in Repercussion Theatre’s Romeo and Juliet: Love is Love. I feel incredibly hon- oured and excited to be an ensemble member in this season at the Shaw Festival, and to work with these immensely talented and dedicated artists. JENNY L. WRIGHT Mrs William / Soldier 2 SHAW 2021: The Devil’s Disciple; 25th season. When I was a tween, a friend’s mom took us to see a touring show in Regina, Saskatchewan. It was a big deal and a two-and-a-half-hour drive from my hometown of Swift Current. We saw Anne of Green Gables. I’d never seen a live musical. I was completely entranced, especially by the big dance numbers. Years later, studying in Montreal, I fell in love with acting through community theatre. I wound SHAUNA THOMPSON SHAUNA up playing Anne in a Concordia University production which toured to Hong Kong – still one of my favourite theatre experiences! I joined the Shaw Festival ensemble in 1996. I’m very proud to have “grown up” as an actor in this very special company, learning from some of the best along the way. Niagara-on-the-Lake is home for me with my spouse, two kids and many animals.

ALLAN TEICHMAN Stage Manager SHAW 2021: Stage manager for The Devil’s Disciple; 35th season. As I write this bio, I am listening to a rehearsal taking place by internet video conference, as we all continue our efforts to stem the advance of covid-19. It’s truly surreal: developing something that depends for its vitality on in-person contact during a time of legislated imperative to have as little of that as possible. All this is made even stranger by not knowing for sure when the result of our rehearsals will make it to the stage, and what that will look like. Is it art if no one else is there to participate in it? Here’s hoping the question remains hypothetical.

AMY JEWELL ALLAN TEICHMAN ALLAN Assistant Stage Manager SHAW 2021: Assistant stage manager for The Devil’s Disciple; stage man- ager for Trouble in Mind; 22nd season. Although I grew up in Ajax, Ontario, I have spent most of my adult life in the Niagara Region. The first profes- sional production I remember seeing was The Phantom of the Opera at the Pantages Theatre. I loved it so much (the effects! the singing!) I saw it three times, and my love of theatre began. In high school I worked on productions both at school and in the community and ultimately, with the support of my family, decided to pursue theatre as a career. I initially began university with an acting focus, but I quickly fell in love with the technical side. Although I ultimately chose to pursue a career in AMY JEWELL stage management, in my spare time I con- tinue to make use of the carpentry and sewing skills I learned at school. JOHNATHAN SOUSA JOHNATHAN CLOCKWISE FROM TOP: EVAN BULIUNG AS DICK DUDGEON WITH THE ENSEMBLE IN THE FINAL SCENE OF THE 2009 PRODUCTION, DIRECTED BY TADEUSZ BRADECKI; CAMILLE MITCHELL AS JUDITH AND JIM MEZON AS DICK IN THE 1984 PRODUCTION DIRECTED BY LARRY LILLO; MARTIN HAPPER AS DICK IN THE CURRENT PRODUCTION; GORDON RAND AS DICK AND SARAH ORENSTEIN AS JUDITH IN 1996, DIRECTED BY GLYNIS LEYSHON (PHOTOS BY DAVID COOPER).

OPPOSITE: JAMES VALENTINE AS MAJOR SWINDON, STUART KENT AS THE SERGEANT, TONY VAN BRIDGE AS GENERAL BURGOYNE, ALAN SCARFE AS DICK DUDGEON AND NORMAN WELSH AS REVEREND ANDERSON IN THE 1974 PRODUCTION, DIRECT- ED BY BRIAN MURRAY (PHOTO BY ROBERT C. RAGSDALE). The Devil’s Disciple at The Shaw

Production History The world premiere of The Devil’s Disciple was at the Hermanus Bleecker Hall in Albany, New York, on October 1, 1897, for one performance, before it transferred on October 4 to the Fifth Avenue Theatre in New York City, where it ran for sixty-four performances, directed by Richard Mansfield, who also played Dick Dudgeon. The first British performance was at the Prince of Wales Theatre in Kennington, London, on September 26, 1899. Murray Carson directed, and also played Dudgeon. The Canadian premiere was at Toronto’s Royal Alexandra Theatre on November 19, 1923 in a New York Theatre Guild production. A 1959 film version starred Burt Lancaster (Anthony Anderson), Janette Scott (Judith Anderson), Kirk Douglas (Dudgeon), Eva Le Gallienne (Mrs Dudgeon) and Laurence Olivier (Burgoyne). This is the Shaw Festival’s fifth production of the play. Previous productions were in 1974, 1984, 1996 and 2009. Technical Directors Cutters Audio Mixer/Technician Staff MARK CALLAN TRULY CARMICHAEL DEAN MALTON ANRITA PETRAROIA RAMONA CRAWFORD Electrics EXECUTIVE TEAM JASON WOODGATE MORGAN MACKINTOSH Head of Electrics Assistant Technical AVRIL STEVENSON JOHN BOBREL Artistic Director Director – Logistics TIM CARROLL Junior Cutter Festival Electrician DAN GALLO BOBBI PIDDUCK JOHN MARSHALL Executive Director Design TIM JENNINGS Tailors Royal George Electrician Lighting Design Director MONIQUE MacNEILL PAUL McMANIS Executive Assistant KEVIN LAMOTTE DENIS PIZZACALLA JANET HANNA Studio Electrician Design Assistants First Hands BILL TALBOT BEYATA HACKBORN CREATIVE AUDREY-JOY BERGSMA Festival Deck Electrician MANAGEMENT KARA PANKIW PILLING JASON CHESWORTH Assistant Lighting Designers CHRISTINE Associate Artistic Director 1st Spot Operator/Deck NICK ANDISON GROSSKURTH KIMBERLEY RAMPERSAD DARLENE HENDRY Electrician MIKAEL KANGAS JEAN ST ONGE Planning Director JEFF PYBUS ANDREA MacKENZIE JEFF CUMMINGS KATHY SCOZZAFAVA 2nd Spot Operator Assistant Projection Designer BRIAN SKELTON Producer LAURA WARREN Sewers NATALIE ACKERS TIINA ADAMS Festival Changeover Stage Management Electrician REBECCA BOYD Music Director Production Stage Manager PETER GRACIE PAUL SPORTELLI CASEY BROWN MEREDITH MACDONALD Stage Crew SAMANTHA FELSBOURG Associate Music Director/ Stage Managers Company Pianist SANDRA LaROSE Head Stage Carpenter BEATRICE CAMPBELL DAVID EDWARDS RYAN deSOUZA DARLENE NASZADOS AMY JEWELL KATHRYN URBANEK Festival Stage Carpenter Company Manager DIANE KONKIN STÉPHANIE FILIPPI KATHLEEN VAN DYKE ARCHIE MacKENZIE LEIGH McCLYMONT Publications Co-ordinator VERONICA WATKINS Royal George Stage KEN JAMES STEWART Carpenter/Holiday Props JEAN GERMAN ALLAN TEICHMAN Scenic Art Runner Head of Scenic Art 24 Assistant Producer DORA TOMASSI MARTIN WOODYARD MEGHAN FROEBELIUS GWYNETH STARK Assistant Stage Managers Studio Stage Carpenter CAEA/SEA Contract Manager ASHLEY IRELAND Scenic Artists JEFF BINGLEY MARK CARREIRO LISA LI ANNIE McWHINNIE Royal George Holiday Stage CAEA/SEA Contract THÉA PEL ANDREA HARRINGTON Carpenter Co-ordinator REBECCA LEE KEVIN WATSON Apprentice Stage Managers JESSICA MacDUFF SARAH PHILLIPS KATIE FITZ-GERALD Studio Swing Stage Scenic Construction Supervisor History of Niagara Producer Production Assistant Head of Scenic Construction JOE BONAR LAURA McCALLUM FRANCES JOHNSON LESSLIE TUNMER Covid Compliance Manager Properties Festival Flyperson ALISON PEDDIE Assistant Head of DAVID SCHILZ Properties Manager Scenic Construction WAYNE REIERSON Festival Properties Runner THE SLAIGHT PAUL JENKINS JOY BEELEY FAMILY ACADEMY Assistant Properties Manager Trades TAMMY FENNER Royal George Properties Director of Artist JOE BONAR Runner Development Properties Buyer ROB BROPHY LAURA MASCITELLI KATE HENNIG BRENT HICKEY ROBIN FARMER Festival Stage Trade Voice and Dialect Coaches Properties Builder 1 GEORGE GALANIS FRANK ZALOKAR EDDA SHARPE ANNA-MARIE MICHAEL HASLEHURST Changeover Crew JEFFREY SIMLETT BAUMGART TOM HURST JEFF BINGLEY Festival Changeover Alexander Technique Shop Administrator ROD HILLIER Supervisor VICTORIA HEART SHANNON ENGEMANN KEVIN McGUIRE ANDREA WILLETTE Singing Coaches Construction Electrics Festival Changeover VAN ABRAHAMS Properties Builder 2 Head of Construction Flyperson PATRICK BOWMAN MATT LECKIE Electrics ROB MAZZA Wardrobe EILEEN SMITH JOHN VANIDOUR Festival Changeover Hand Head of Wardrobe Movement Coaches Construction Electrician CARM SACCO JASON BENDIG ESIE MENSAH ANTHONY BLASCHUCK, Royal George Changeover JR ALEXIS MILLIGAN Associate Head of Wardrobe Supervisor JANET ELLIS Audio Senior Manager, Education ROB GRINDLAY SUZANNE MERRIAM Wardrobe Co-ordinator Head of Audio Wardrobe Running KENDRA COOPER ETHAN RISING Education Co-ordinator Head of Wardrobe Running MEGAN GILCHRIST Wardrobe Apprentice Festival Audio Operator MARGARET MOLOKACH FRED AMDUR FRED GABRSEK Education Assistant 1st Festival Wardrobe WARREN BAIN Buyer Royal George Audio Operator Supervisor MAUREEN GURNEY JULIAN MAINPRIZE JOANNE BLASCHUK Music Intern RACHEL O’BRIEN Milliner Studio Audio Operator Royal George Wardrobe MARGIE BERGGREN ROB ROBBINS Supervisor Intern Directors KATY NAGY BRENLEY CHARKOW Bijoux/Decoration 1st Festival RF Technician MICHELLE HARRISSON COREY MACFADYEN Studio Wardrobe Supervisor ROB KEMPSON MICHELLE GADULA Boots/Shoes 2nd Festival RF Technician PRODUCTION DAYNA RIEMLAND JAMES MASSWOHL Festival Wardrobe Trades STACEY BONAR Production Director Fabric Art/Dyer RF Technician SADIE DUCROIX DON FINLAYSON JEAN RUMNEY TIMOTHY MURPHY CHRISTINA GALANIS Production Administrator Audio Operator/RF and MARGARET FERENCZ Systems Technician Royal George Wardrobe Trade WAYNE BERGE DOT WARD Wigs and Make-up Membership Representatives NINA TAYLOR Sales Head of Wigs and Make-up ELIZABETH ABRAHIM MELANIE THOMPSON Senior Manager, LORNA HENDERSON TERESA COSTELLO OLIVIA TRIVIERI Ticketing and Analytics AARON BOYD Festival Wigs Supervisor THERESA FEOR JEANETTE WARD FLORENCE LEWIS JESS GORMAN JOCELYN WARD Box Office Manager NICOLE MEADE KELLY McNEELY Royal George Wigs Supervisor JULIEN WARD LORENA GHIRARDI ANNE WILSON Housekeeping Staff Assistant Managers, FINANCE AND PAMELA BRAZEAU Sales and Box Office Studio Wigs Supervisor CARI GOSNELL BRIGETTE CLARK- ADMINISTRATION DOROTHY CARTER CARMICHAEL Director MARIE DUMOULIN RYAN HULL 2nd Festival Wigs Supervisor ROY REEVES WENDY JARRY Co-ordinator, Reports CHRISTINE SMITH Controller LORI-ANN McALLISTER and Scheduling PAT McAULAY SARAH RODGERS 2nd Royal George Wigs JULIE ALLEN-SARGENT Supervisor Assistant Controller NELLA MULLEN Co-ordinator, EMMA DIRKS YULIA BOIVIN CARMELLA SAPIENZA Sales Technology SHANNA TAILLON Festival Wigs Trades Payroll Co-ordinator JUDY SOBIERAJ ROXANNE RICK FOKKENS Maintenance Lead Hand Administrative Assistant DiFRANCESCO PIPPA BARWELL Senior Accounting Clerk DAVID McCARTHY JOE PAONESSA KIM EPP Maintenance Crew Heads Box Office Staff ANDY LOUTER ERIC BAUER MANAGEMENT Accounts Payable Clerks GENY COLICCHIO- MONICA BUDD NEIL SMITH Human Resources QUINN TRISH FEDOROWICH Grounds Crew TESSA GROOMBRIDGE Director TYLER LEYLAND DIANNE GIBBS Audience Services SUSANNE HESLOP and Facilities Distribution JOEL RENNER Wellness and Senior Manager Supervisor Inclusion Facilitator ANTONETTA TREMONTE CHUCK MEWETT PAUL RODGERS KHAN BOUBA- Senior Manager, DELAMBAYE Manager, Food and Beverage Co-ordinator Group and On-site Sales Housing JULIANNA UGUCCIONI MARGARET CUMMING WES BROWN Manager Administrative Manager, Information Technology Green Room NIKI POIRIER Front-of-House Director Cook GREG McARTHUR Interim Co-ordinators SARAH FABIANI JUDE JONES SUSAN ASHUKIAN Managers, Front-of-House Senior Developer Staff NINA TAYLOR LAURA CAHILL MIKE FARR ERIKA LOFFELMANN RYAN HULL Maintenance Database Analyst SIMON MARTINSON GEORGINA PIOVESANA LARRY BENNETT VIKTOR STREMLER Retail MURIEL TRIANO DEVELOPMENT Network Administrator Manager, Retail Sales Director of Advancement Head of Housekeeping JOHN CHRISTIAN and Shaw Express CINDY MEWHINNEY DONNA SMITH Reception MATT WEAVER Associate Director Head of Maintenance/ Supervisor Staff Security MARION RAWSON LEEANNE PRICE MARCUS ANDREWS GREIG HUNTER SAMARA BISSONNETTE Senior Officer, Individual Database-Maintenance Gifts and Legacy Giving Front-of-House/Food and Receptionists MICHELLE CHASE Beverage Staff KIMBERLEY WHITE HANNAH ANDERSON MARK FRIESEN DENNIS ALBERT SUSAN ASHUKIAN JENNIFER PALABAY Senior Development and JEANNIE BERG MAUREEN BUTLER DANA PERESSOTTI U.S. Relations Ambassador LAUREN BOWMAN CHARLIE OWENS ADAEZE MBATA CHELSEA TOTTEN LEA BOWMAN Special Ticketing Manager, Governors Council OWEN BROWN MARKETING, CHRISTINE PELLERIN COMMUNICATIONS Senior Manager WILLIAM CROTHERS AND SALES ALLISON COCHRAN Manager, Membership THERESE CZYCHUN Director Assistant Co-ordinator Services SUSAN DYER TIM CZABAN VALERIE TAYLOR JANE McINTYRE ELIZE EARWICKER Stewardship Officer BEVERLY EDWARDSON Senior Marketing Assistant and Brand Manager HEATHER SARGESON- DARCY ELLISON JULIE JONES CALLARA NATHALIE IVANY- CATHERINE ENS BECCHETTI Research Officer WENDY FRASER House Programmes CATHY LINDSEY Direct Marketing PUNCH & JUDY INC GAIL HEWITT Co-ordinator Covid Testing Partner Associate, Donor Relations JULIA HILL MARY CLARE LAMON RENATA DiFILIPPO McMaster HealthLabs/ SHARON JEAN Graphic Designer Research Co-ordinator, Corporate ANTHONY KUCHAR SARAH DOWSE St Joseph’s HealthCare Partnerships ANNE MARIE LENC Communications Hamilton TINA SCHMIDT JODI GILCHRIST VERA LENC Senior Manager NICOLE SMIEJA Co-ordinator, Major and ISAAC LILLIE ASHLEY BELMER Special Gifts MATT MARTIN DR DAVID BULIR LAURA LANGLOIS Communications DR MAREK SMIEJA MARY MATHEWS Co-ordinator Co-ordinator, Data and AMANDA McDONNELL JENNIFFER ANAND Theatre Chiropractor Reporting SARAH McDOUGALL DR BREANNE SCHULTZ COLLEEN MONFILS Digital Engagement Specialist Shaw Librarian JENNIFER McLAREN RHIANNON FLEMING Co-ordinator, Gift Processing STERLING PENTAL NANCY BUTLER Communications Assistant ANTOINETTE MOORE JOANNE PRIESTMAN Resident Scholar MICHELLE MOHAMMED Administrative Assistant MELANIA RADELICKI LEONARD CONOLLY STEPHANIE BROWN ROSS RINGLER Digital Content Creator KELLY WONG Supervisors, Membership KATHERINE ROBERT Artistic Director Emeriti Services JESS SCHRYER Production Photographer JACKIE MAXWELL JEFF MacKAY ELEANOR SNIDER LAUREN GARBUTT CHRISTOPHER NEWTON MATT RATELLE PAUL SNIDER PAXTON WHITEHEAD KEITH SUTHERLAND KATHERINE GAUTHIER AS JUDITH ANDERSON AND MARTIN HAPPER AS DICK DUDGEON. DONORS AS OF JUNE 1, 2021 + BOARD ALUMNI ++ BOARD MEMBER * SHAW COMPANY/ENSEMBLE MEMBER We salute all of the generous donors who help us to create great theatre!

Cumulative Giving Cumulative donations and pledges of $250,000 or more. $1 MILLION+ The 1916 Foundation • Anonymous Buffalo Donors • Marilyn++ & Charles++ Baillie • Estate of Mona M. Campbell • Estate of Valerie Delacorte, Gabriel Pascal Memorial Fund • Val Fleming+ • Nona Heaslip++ • Tim++ & Frances++ Price • The Slaight Family Foundation • Donald++ & Elaine++ Triggs • Carol Walker and Estate of John Greenhill Walker $750,000+ Carol & David+ Appel • Estate of Walter Carsen • Richard++ & Darleen Falconer • Diane++ & James King • The Catherine & Maxwell Meighen Foundation • The John R. Oishei Foundation • William++ & Meredith Saunderson • Shaw Festival Guild • 1 anonymous gift $500,000+ Estate of Bram & Bluma Appel • Rennie & Bill+ Humphries • Colleen++ & Brian Johnston • Nancy & John McFadyen • Philip & Berthe Morton Foundation • Andrew++ & Valerie Pringle • Corinne++ & Victor++ Rice • Estate of Ada W. Slaight+ • The Margaret L. Wendt Foundation • 1 anonymous gift $250,000+ Charles Balbach++ • James F. Brown++ • Cullen Foundation • Michael Eagen & Michele Darling+ • Donner Canadian Foundation • DeRoy Testamentary Foundation • Mr & Mrs Anthony++ R. Graham • Corinne Hansen • The Joan & Clifford Hatch Foundation • Mary E. Hill++ • Mr Richard M. Ivey • Don & Gundy+ Jackson • Chris & Jeanne Jennings • The Henry White Kinnear Foundation • Michael & Sonja+ Koerner • Cynthia & Malcolm+ Macdonald • Richard McCoy+ • The McLean Foundation • George Cedric Metcalf Charitable Foundation • Bernard Ostry+, oc • Barbara Palk+ & John Warwick+ • Peter M. Partridge • Allan Slaight+ • Maureen+ & Wayne Squibb • Liz Tory+ • Jim++ & Michal+ Wadsworth (Carlos & Elizabeth Heath Foundation, Mulroy Family Foundation, Robert & Patricia Colby Foundation) • Estate of Gerald D. Yanke • 3 anonymous gifts We also recognize the following corporations for their cumulative donations. $1 MILLION+ Bell Canada • Canada Life • CIBC • Honda Canada Inc • HSBC • RBC • Scotiabank • Sun Life Financial • TD Bank Group • Vintage Hotels

Endowment & Estate Gifts Contributions of $600 or more, made over the last 13 months. Marilyn++ & Charles++ Baillie, Christopher Newton Intern Program • Estate of Ruth Bolt • Department of Canadian Heritage • Fiera Capital Corporation • Martha+ & Tom++ Hyde • Estate of Dr Mary Beth Jennings • Colleen++ & Brian Johnston, Andy Pringle Creative Reserve • Diane++ & James King • Estate of Malcolm Macdonald+ • Mary I. McLeod Foundation • H & R Mida Charitable Foundation • Tim++ & Frances++ Price, Tim & Frances Price Risk Fund • Andrew++ & Valerie Pringle, Andy Pringle Creative Reserve • RP Investment Advisors • Estate of Ada W. Slaight+ • The Slaight Family Foundation • Estate of Helen Allen Stacey • Michael & Anne Tyler Fund through the Victoria Foundation • Estate of Dr Jannie Woo • Estate of Elizabeth Work • 1 anonymous gift

Annual Donors Gifts in support of annual operations and special projects. MAJOR CONTRIBUTORS $250,000+ VISIONARIES Estate of Ada W. Slaight+ • The Slaight Family Foundation • 1 anonymous gift $100,000+ DIRECTORS CIRCLE Ron++ & Barbara++ Besse • David & Amy Fulton • Nona Heaslip++ • Colleen++ & Brian Johnston • Corinne++ & Victor++ Rice • 1 anonymous gift $50,000+ ARTISTS CIRCLE Patricia & Barrie Barootes • James F. Brown++ • Mary E. Hill++ • Chris & Jeanne Jennings • Oliver Kent & Martine Jaworski • Diane++ & James King • Mona+ & Harvey Levenstein • The Jim Meekison++ & Carolyn Keystone++ Foundation • Philip Terranova & Audrey Allen $25,000+ PRODUCERS CIRCLE Richard & Mona Alonzo • Carol & David+ Appel • Charles Balbach++ • Robin Campbell++ & Peter Jewett++ • Truly Carmichael* & Tim Jennings*++ • Tim Carroll*++ & Alexis Milligan* • Michael Eagen & Michele Darling+ • Val Fleming+ • Wendy++ & Bruce++ Gitelman • In memory of Charles J. Hahn • Nathan & Marilyn Hayward • Mr & Mrs C.L. Hunt • Martha+ & Tom++ Hyde • Paul & Valerie Kirkconnell • Kristian+ & Anita Knibutat • Richard McCoy+ • Andrew++ & Valerie Pringle • William++ & Meredith Saunderson • Nancy Smith++ • Donald++ & Elaine++ Triggs • Jaime Watt++ & Paul Ferguson • 1 anonymous gift GOVERNORS COUNCIL SANJAY TALWAR DRESS CIRCLE ($15,000+) Sheila Brown++ & Doug Guzman • Alberta G. Cefis++ & Ilio Santillli++ • Vivien Dzau++ & Daniel MacIntosh • Dr Bob Gaines & Toni Burke • Mike Grey • Maxine A. Hartley • Betty & Jamie Knight • Janet & Sidney Lindsay • R. Susan MacIntyre • David & Agatha Moll Charitable Fund • Petrina & Peter++ Nesbitt • The Jasmine & Kevin++ Patterson Family Foundation • J+ & L Rogers Charitable Foundation • Esther Sarick • Linda Sauro • Diane P. Stampfler • Dorothy Strelsin Foundation • Barbara++ & Colin++ Watson FOUNDERS CIRCLE ($10,000+) Keith Ambachtsheer & Virginia Atkin • Gail+ & Mark Appel • Lee & Barbara Bentley • William Chapman • Robert & Karen Christmann • Mark Curry, in loving memory of Ann • John & Patricia Dimitrieff • Elizabeth S. Dipchand++ & Gregory Prekupec • Richard++ & Darleen Falconer • Wayne & Isabel Fox • Kenneth++ & Amy Friedman • Marlene & Darryl Fry • Judy Goetz Sanger+ • Ruth Grandoni & Sande Farrauto • John & Judith Grant • Lyle Hall++ • John Hawley, in loving memory of Liz Hawley • John & Liz Heersink • Rebecca & Ian++ Joseph • Kingfisher Foundation • Mr & Mrs Charles F. Kreiner, Jr • Lori Labatt • Mrs Susan Lee • Eugene Lundrigan++ & Tracey Remkes • Nancy & John McFadyen • David & Audrey Mirvish • Marilyn Pilkington+ & Wayne Shaw • Dr Reza Rastegar, Elissa Rastegar & Mrs Sheryl Armstrong Rastegar • Margaret & Joseph Reynolds • Margaret A. Riggin • Mr & Mrs Paul Rowcliffe • Mr & Mrs Scott Snow • Ken Stowe & Nita Farmer • Bill Van Wyck • Jim++ & Michal+ Wadsworth • Carol Walker • M & N Walker Fund at the Niagara Community Foundation • Jeanne & William Watson • 2 anonymous gifts BENEFACTOR ($6000+) Susan Addario & David Farrar • Scott & Ruth Aspinall • Marilyn++ & Charles++ Baillie • Lorne++ & Rosemary Barclay • Laurie Barrett & Martin Block • Dr Brian & Jenifer Bassil • Jim Bertram & Bonnie Foster • Nani & Austin Beutel • Doug & Valerie Brenneman • Edward & Caryn Chatten • John+ & Pattie Cleghorn • Patricia G. Debrusk • Marilyn Dickinson • Mr James Duhaime & Dr Heather Hannah • Bill & Barbara Etherington • Vaughn & Lauren Goettler • Laurie+ & Douglas Harley • Sally Harmer, in memory of Jack Harmer • Naomi & Dave Lee • Larry Lubin • Robert+ & Margaret MacLellan • Dr & Mrs Mario Malizia • Leo Maloney, in loving memory of Dennis Thomson • Sandra & Dennis McCarthy • Dr Donna McRitchie & Dr Shaf Keshavjee • Noel D. Mowat • Bill & Lee Nelson • The Pottruff Family Foundation • Drs Jolie Ringash & Glen Bandiera++ • Susan & Peter Salomonsson • Frank & Susan Saraka • Dr Diane M. Soubly • Maureen+ & Wayne Squibb • Gerald & Margaret Sutton • Liz Tory+ • Tom & Carmela Vert • Jack Watkins & Erin English • Dr Richard & Mrs Marion Wilkinson • Ron & Kay Woodfine – Just Christmas • 1 anonymous gift LEADING PATRON ($3500+) Hy & Phyllis Ackerman • Robert C. Anderson • Mr & Mrs Gregory+ James Aziz • Ed & Connie Babcock • Aubrey+ & Marsha Baillie • Peter & Marilyn Balan • Roland H. & Mary Bauer • Bob & Marilyn Beach • David & Faith Bell • Michel & Doreen Bell • Dr David H. Bergen & Deborah Kehler • Ronald James Boone • Mary & Tony Brebner • Rita & Charles Bronfman • Bob & Lynn Burt • Jeffrey Chessum • Jean & Joe Chorostecki • Roger & Susan Christensen • John+ & Lynn+ Clappison • Hazel Claxton+ & Jude Robinson • Cathy & Gary+ Comerford • Marion Cross • Margaret Davidson • Patrick J. Devine • Mario Ferrara & Annabel Kennedy • Andy Filardo & Beth Profit • Russell C. & Carol N. Finch • Five B Family Foundation • Donald & Cathy Fogel • Patricia & Robert Forsythe • Carol & Burke Fossee • Richard Gallagan & Bud Coffey • John & Therese Gardner • Paul & Helen Gareau • Nancy & Graham Garton • Dianne Gibbs* • Robert C. Gibson • Robert H. Gibson • Suzanne Gouvernet • Mr++ & Mrs+ Anthony R. Graham • Roe Green • In memory of Charles J. (Jack) Hahn: Perelandra Fund • Rob Haines, ue • Mike & Cindy Hansen • Doris Hausser • Pamela+ & Robert Heilman • Mary Ellen Herman • April & Norbert Hoeller • A. Hyde & D. McIntyre • Oliver Jakob & Bettina Buss • David & Joanne Jones • Douglas Kahn • Ellen & Nick Kammer • Ed+ & Ann King • Dr Gordon Kirke • Suzanne Kopas • Barry Kropf • Andy Lam • Joanne Lang • Alan & Margaret Leaver • Esther Lee • Ms Nancy Lockhart • Ronald Luczak++ • Sharmini Mahadevan & Diana Dimmer • Jefferson & Sally Mappin • Dennis & Bernadette Martin • Gail Martin & John Kaloyanides • John & Marg Mather • Hon Margaret McCain • Janet+ & Bruce McKelvey • Cindy* & Derek Mewhinney • Michael+ & Katie Militello • Karen Munninghoff, in loving memory of Paul Munninghoff • Blake Murray & Nancy Riley • Lois Murray & Linda Murray • Sue & Wayne Murray, in memory of Jeffrey Marshall • Richard & Nadine Osborn • David Pakrul & Sandra Onufryk • Barbara Palk+ & John Warwick+ • Peter Partridge & Poppy Gilliam • Julian+ & Alice K. Rance • Joyce & Roy* Reeves • Chick Reid* & Tom McCamus* • Sam & Robin++ Ridesic • Margaret Rieger • Joy Rogers • Dr Frederick Ross & Mrs Nancy Gosewich Ross • Lori Russell • Mr & Mrs Michael S. Schwenger • Rick & Jari Searns • Brent Simmons & Devon Richardson • Matthew & Pam Skinner • Britton Smith Foundation • Stuart & Wendy Smith • Wendy & Wayne Smith • Estate of Helen Allen Stacey • Glen & Heather Steeves • Elizabeth Stirling & Tom Millward • Marc St-Onge++ & Kellie Saunders • Lynda & Stephen Tepperman • Gail & Doug Todgham • Mrs Nicole Tzetzo++ • Greg Virelli & Mario Vecchi • Ian Waldron & Tim Redmann • Jack Walsh • Thomas & Sasha Weisz • Mark & Marilyn Wheaton • Robert & Marina Whitman • Bruce++ & Susan Winter • Morden S. Yolles • 6 anonymous gifts PATRON ($2000+) Judith M. Adam & Marc Zwelling • Mr Doug & Dr Lavonne Adams • Michael & Judy Alexander • Jerome Andersen & June Hajjar • Elaine Anderson • David Antscherl & Carol Lewis • Callie Archer • Ms Heather Bacon • Bob & Irene Bader • Graham Bailey • James Baillie & Elizabeth Kocmur • Janet & Roy Baldwin • Richard J. Balfour • Michael Barnstijn & Louise MacCallum • Robert & Loretta Barone • Paul & Sue Baston • Elizabeth Bedford-Jones • Ruthanne Beighley • Peggy Bell, in memory of Ken Bell • Sylvia Bennett++ • Robert Berckmans & Joanne Heritz • Elisabetta Bigsby • Stacey Lynn Bilotta • John & Isabella Bisanti • David & Marion Bogert • Lisa Balfour Bowen • Terry Brackett • Michael & Kate Bradie • Ann-Louise Branscombe Fund at Niagara Community Foundation • Debra Breuer & Douglas Goodman • Mr & Mrs Bruce R. Brown • Dr & Mrs+ John L. Butsch • Mark Callan* & Marion Rawson* • Douglas & Maureen Cameron • Patrick & Vanda Carbone • Ellen & Brian Carr • Rob & Arlene+ Carson • Karen Cheah • In memory of Joan Chilcott • Gerry & Carol Chrisman • Don Cole, in memory of Jon Kaplan • Mr Robert Cole • Glenna & Derek Collins • Drs Charlie & Diana Cook • Harry M. Core • Dr George Corella & James Frackenpohl • Catherine Cornell & Declan Lane • Dr Lesley S. Corrin • Cathy & Paul Cotton • Sheila Croft • John & Libby Crossingham • Dr Roger I. Dacre • Elizabeth T. Daly+ • Prof K.G. Davey • Barry Davidson, md • David & Linda Dayler • Michael+ & Honor de Pencier • George & Kathy Dembroski • Amanda Demers & Brian Collins • Dr Delf Dodge & Mr Timothy Dodson • Britt & Nancy Doherty • Andrew W. Dorn • Ken & Ginny Douglas • Vicky Downes • Robert Dunigan & Robert McDonald • Peter & Suzanne Durant • Paula & Thomas Elsinghorst • Sarah* & Tom Fabiani • Mrs Margaret Fairman • Tina Filoromo • Don Finlayson* • James R. Fleck & Dr Sandra Zakarow • Mr David Flora • Gary & Valerie Foerster • Ron Folkes • Robert & Julia+ Foster • Mr Randal Froebelius • Richard Furnstahl & Teresa Stankiewicz • Rev Ivars Gaide & Rev Dr Anita Gaide • Marian Galligan • Angeline Galotta • John Geller • Hope & Libby Gibson • Robert & Ann Gillespie • Susan Glass & Arni Thorsteinson • Dr Alexander Gluskin & Ms Shauna Sexsmith • Laurie Goetz • Steve Goldberger & Dorothy S. Karr • Fred & Charleen Gorbet • David & Sharon Graper • Myfanwy Hall • Annette Hamm & Daniel Smith • Donald Harrington • Alton B. Harris & Andrea S. Kramer • Shira Hart • Roberta Heath • Suzanne Hébert+ • Mary & Arthur Heinmaa • Hon Paul & Mrs Sandra Hellyer • Yolanda & Mike Henry • Margot Hickson & Ian Reece • Lauri & Jean Hiivala • Anne T. & Thomas C. Hilbert • Marion F. Hill • In memory of Pauline Hinch • James Hinds • Timothy & Pamela Hines • Mary E. Hofstetter & R. David Riggs • Ann Holcomb & Rene Bertschi • Richard & Susan Horner • Oleh Hrycko • John J. & Maureen O. Hurley • Kathy Inch • Roberta Jacobs-Meadway & Jay Meadway • Tim++ & Lisa Johnson • Dr & Mrs D. Bruce Johnstone • Dr David & Glenda Jones • C. & D. Kaloutsky • Howard Kaplan • Patrick & Barbara Keenan Foundation • Joel Keenleyside & Paula Donahue • Tony & Val Keenleyside • Prof Joseph Kelly, esq • David Ker & Vivienne Salamon • Carol A. Kortanek • David & Sarena Koschitzky • George & Carolyn Kotlewski • Kelly & Bryce Kraeker • Ms Janet Kramer • Jane E. Laird • Helen H.S. Lam • David Lane & Grayson Sless • Rai Lauge & Jo Holden • Victor C. Laughlin, MD Memorial Foundation Trust • Lorraine Lee & Michael O’Bee • Kay & Sheldon Lenahan • Elizabeth Lewis & Thomas Saunders • Dr Harlan L. Lewis & Doris F. Wittenburg • Richard & Lynne Liptrap • Richard & Dianne Lococo • Virginia Lovelace & Jonathan Taylor • Daniel & Sharon Lowenstein • Brian & Joanna MacDonald • Edward & Dorene MacDonald • Ms Linda MacDonald & Dr Thomas Gray • Mary Maglio • Rita & Charles Maimbourg • Susan R. & P. Todd Makler • M. & M. Marques • Ms Eileen Martin & Dr Hugh Gayler • Marlene Masales & Victor Ramanauskas • Sue & Biff Matthews • Mr Spurgeon McAdams • Dr & Mrs James W. McClellan • I. McDorman • Donald McGerrigle & Christina Brouillette • Heather L. McKee • Ian & Carol McLeod • Daina & Heinz Meusel • Mrs Norma Meyer • Alan & Patricia Mills • Valerie & Jim Milostan • Florence Minz • Mary Mogford & Tom Campbell • Gary & Linda Molinaro • Gerda Molson • Alfred & Nancy+ Mouget • John D. Nicklas • Peter & Laurie Nixon • Penny Noble • Novick Family, in memory of Olga Novick • Wanda & Jim Novinger • Pamela & Richard Nowina • George Oleske & Carol Duncan • Emile Oliana & Alvin Iu • Maureen & Robin Ollerhead • J. Orange & F. Clayton • Jonathan F. Orser • Anne & Don Palmer • Brian & Paddy Parr, honorary members • Victor & Esther Peters • David & Daphne Pfaff • Wally Pieczonka • Carole & Paul Pizzolante, on • Cecylia Podoski & Derwyn Sangster • Polk Family Charitable Trust • Tom & Mary Powers • John & Norine Prim • The Racioppo Family Foundation • Mrs Shirley Rednall • Pinky+ & Bill Regan • Carol Reid+ • Heather & David Ring • Shirley E. Roberts • Dr Lynn Rosen & Bradley C. Rosen • Tuula & John Ross • Rubens Family Foundation • David & Dinah Sanderson • Robert & Marlene Savlov • Mr & Mrs John Sayers • Terry Schoenick & Debra Reger • Paul Gerard Schreiber • Drs Michael & Joanne Schwartz • Doug & Cheryl Seaver • Kadri & Cecilia Sercan • Heather Sheehan • Dr A.P.J. Sheppard • Edward++ & Elizabeth++ Simmons • Dr Joyce E. Sirianni • Sara & Michelle Sirkin • Ms Suzanne V. Slater • Dr Kevin Smith & Marian Lips Fund • William & Linda Smith • Dr & Mrs Robert J. Sokol • Victor & Anne Solomatenko • Robert D. Sommerville • Dennis Souder & Deborah Bannerman • Sylvia Soyka • Martha Spears • Paul Sportelli* • Mrs H. Stairs+ & Mr E. Mooney • John Stanley & Helmut Reichenbacher • Susan & Ron Starkman • Dr Jean Stevenson++ • Mr Lawrence+ & Mrs Pamela Stevenson • Jim & Sidney Storry • Styles Family Foundation • Doug & Lynda Swackhamer • Douglas Tallon • Rosalie Tansey • Lois Tatelman • Jacques Thibault & Ruth M. Gover • Dr Peter & Mrs Janet Thomas • Tim & Alice Thornton • In memory of Dr John Treilhard, Dr Lynne Thurling • Brenda Trauttmansdorff, in memory of Fritz Trauttmansdorff • Marilyn & Geoff Trout • Ross & Elsie Tucker • Mark & Bettie Tullis • Upper Canada Animal Hospital • Richard Wachsberg • Nick & Marg Walker • Carolyn J. Warner • Gregg+ & Joan Watkins • Harriet ‘Sis’ Bunting Weld+ • Garry & Shirley West • Alan & Leia Wheable • Mark Wilton • Donna & Barry Winnick • Brenda Wivell • The Hon & Mrs Theo Wolder • Bob & Joan Wright • Walter & Marie Zelasko • Carole Zucker Family Fund at the Jewish Foundation of Greater Toronto • 9 anonymous gifts

FRIENDS PREMIER ($1000+) M. Ackerman • Susan Aihoshi • Allan Sherwin • Tom & Laurie Allers • Ronald Andersen • Diane Arsenault & Gwyer Moore • Cameron Bedford • Ms Abigail Bennett • Diane F. Berlinski • John R. Birkett • Roy & Ronna Birnboim • Steve & Helen Bittner • Mr Tim Blake • Ellen & Murray Blankstein • Barbara Gage Bolton • Patricia Bossert • Joan & Larry Bourk • Wendy Bousfield & David Marcus • David P. Boyd • Helen & Bob Bradfield • Sheila Bristo • Desi Brownstone & Kandice McKee • Chris Bucko & Eva Wu • The Paul Butler & Chris Black Foundation at Toronto Foundation • Don Chamblee & Edward Trenn • Briana Chen • Rosemary Chew • Dr John & Nancy Christodoulides • Henry & Jeanne Ciok • Dr & Mrs Terence Clark • Dr Arthur & Virginia Cott • Robert Crouse • Al Cummings • Judith Bowden* & Jeff Cummings* • Kathleen Curtis • Christine Dear • Mrs Margot Devlin • William & Eileen DeWood • Linda & Steven Diener • Dr & Mrs Richard Farr Dietrich • John & Carol Dinsmore • Mr Michael Disney • Frank & Joan Donath • H.W.O. Doyle • Reed Drews & Lisa Iezzoni • Rabbi George & Sue Driesen • Ms Sheila Drury • Mr Michael Durman • Alan & Susan* Dyer • Donna Marie Eansor • Robert & Ellen Eisenberg • Eleanor L. Ellins • Tom & Kim Elltoft • Paul Epner & Janet Gans-Epner • Dr Sara Epp • Doone & George Estey • Mr & Mrs Sheldon & Bev Fainer • James Farquharson • Trevor & Sandra Francis • Mr & Mrs Ian Fraser • Janet Fraser • Thomas M. Gervasi • Susan Ginsberg • Robin Girdhar & Madelyn Reilly • Judith & A.C. Goodson • Jack & Yana Graver • Alan Green • C.S. Greiner • John D. Ground • Mr & Mrs S. Halas • Maura Harrington • Margaret Ann Harris • Judith & David Hecker • Lawrence & Beatrice Herman • Ann & Glen Herring • Steve Millward & Mary L. Holley • Dr & Mrs C.E.M. Horning • Mary Ellen Hoy & James Keller • Robin & Charlotte Hoy • James Hughes • Roger Hughes & Susan Peacock • The Law Firm of Janice M. Iati, pc • Tina Lee Isham • Dr Jann Istead • Mr George Iwanchyshyn & Ms Wilma DeGroot • Don & Judy Jackson • Leslie Jackson • Janet Jenson • Catherine L Jevons • Stuart & Carrie Johnson • E. Merle Jones • Dagmar Kanzler & David Ross • Elaine & Clarence Katz • Jim & Jean Keenleyside • Brent & Marilyn Kelman • Johanna Killam • Ross Kippen • Ms Cecilia Kloecker • Peter & Elke Kluge Family Foundation • Janet Lamb • Mrs D. Laubitz • Alexander Leggatt & Anna Leggatt • Susan & Rebekah Little • Norman & Gay Loveland • Alyce Lyne • Ms Susan MacDonald • Terry+ & Terry Mactaggart • Vanessa Magee • James & Virginia Mainprize • Bruce Mair • Nancy Mannes • Fred W. Martin • Anthony B. & Mary+ S. Martino • Robert McChlery & Lorne Swan • Robert McClure • Dr & Mrs David M. McConnell, Jr • B. McCurdy & C. Muncaster • Jon & LoriLee McDaniel • Jim McDonald & Michelle Arsenault • Francis & Viola McDowell • Ross & Fran McElroy • Mr David McLean • Ms Marcia McClung & Franklyn J. Griffiths • Micki M. Meek • John & Erna Mewhinney • Dr Lisa Mikitch • Mr Stephen Miller • Doug Moles • Frederick W. & Linda K. Moncrief • Patricia Monger & Ralph Pudritz • John A. Morrison • Richard & Mary Ann Morse • Karen & Peter Mount • Robert & Patricia Neill • Mr Fergus ODonnell • Alex B. Pagel • Marnie & Larry Paikin • Ms Jennifer Palabay* • Mr Robert Paskulin • Lynne Patterson • Dr Elizabeth Pearce • Mr Ken Peters • Lisa Rae Philpott • Martin & Denise Pick • Mr Robert W. Plyler • Dr S. Provencher • Ms Dyanne Ratner • Mr & Mrs John Rennie • Dr Lyn Robinson • Dr John Rosenbach & Dr Joanne Powers • Lorraine & Manfred Rudolph • Neil Rudolph & Susan Cluff • Ms Ann Savege • Jan Schmitt • John & Barbara Schubert • Ruth & Charles Schwartz • Phyllis & Chuck Scott • Mary-Anne Seppala • Ivor & Renee Simmons • Bryan Smale & Sherry Dupuis • Mr Rob Smith • Stephen & Monica Spaulding • Phil Spencer • Mr Jonathan Tan* • Gordon & Annette Thiessen • Mr David Thomas • Jan & Ken Thompson • Brian & Christine Thorne • Garin Tomaszewski • Lawrence Weis & Dr Kathi McCarroll • Ms Jane Wilson • Dr Christopher M. Wixson • Mrs Bobbye Raye Womack • Mr Leighton Wong • Elspeth Wood • William Young • 21 anonymous gifts SUSTAINING ($600+) Urve & Lewis Abbott • Larry & Susan Agranove Family Fund • Marilyn & Joseph Allevato • Audrey Amo & Alan Bowers • Alan & Karen Anderson • Laurie & Michael Andrews • Trish Anthony & Kathryn O’Grady • Catherine Arnott & Brian Jones • Gail Asper, oc, om, ll.d & Michael Paterson • Wendy & Robert Atkinson • Barb & Terry Babij • Mr & Mrs Baron • Ms Pippa Barwell* • S. Basmajian & K.J. Conway • Mr Robert F. Beach • Fred & Karen Beattie • Robert & Mary Beck • Donald Behr • Timothy & Susan Benning • Michael Berlis & Ellen Cheslock • Mr George Birnbaum • Albert & Lynne Bishop • Ms Christine Bloch • Katharine Bocking • Ms Kimberley Bolton • Arlene Book • Dave & Wendy Bourgeois • Doris Bradley • Linda Rose Bradley • Elise Brais • Don & Debbie Breiter • Jeannette Briggs • Sigrid & Paul Britton • Dena Broeders & David Hunter • Barbara Brothers & Larry Haims • Ron Bruce • Barbara & John Burbidge • Richard Burnham • Heather Caloren • Donald G. Campbell • Graham & Maureen Carpenter • Francesco & Betty Catanzariti • Ms Yvonne Causer & David Bell • Elizabeth Cayer • Dean & Mary Jane Chamberlain • Sandra Chodarcewicz • Mary & Gordon Churchill • Mark Cipra & Ann Fairhurst • Mr & LEAVE A LASTING IMPACT

“The Shaw has always been a form of respite from our busy lives. It was only natural for us to become actively involved in the Shaw community as volunteers and donors. Over the past year, we have reflected on all the pleasant experiences and activities that we’ve enjoyed at the Festival and it became apparent that we both needed and wanted to leave the Shaw Festival a legacy that would support this

wonderful organization’s ability to continue Schmidt. Tina by Photo Collins. Glenna and Derek touching the lives of all those who enjoy its work now and into the future.” – Derek & Glenna Collins

To find out more about becoming a part of the Brian Doherty Legacy Circle, contact Kim White at [email protected] or call 289-783-1924.

Client: SHAW FESTIVAL Publication: 2021 House Programme Insertion Date: 2021 MrsSize: James 4.875 Clemensin in x 3.875 in• Contact:Mr Cal [email protected] • Monica Codjoe • Mr & Mrs Harry Cohen • Janice Coles • Kenneth Copland • Mr & Mrs M.G. Corbett • Maria del Rosario Corral • Constance & Ron Corrigan • Jim Cressman • Ms Margo Crist • Mike & Heather Cross • Mr & Mrs Bill Crothers • Joyce Czaban • Gary Dallaire & Rosemary Lambie • Dr John & Mrs Sue Darracott • Mr & Mrs George Davie • James & Caroline Dawson • Charles & Raisa Deber • John & Rita Densley • James & Mary Frances Derby • In memory of Mary Anne Devereaux • Margaret Dickson • Staff ord & Susan Dobbin • Joan M. Doerr • Cory & Bob Donnalley Foundation • Sharon Dowdall • Fr Michael W. Downey • J. Driskill & L. Bryant • Mr Philip Dyke • Mary & Frank Eberl • Carl S. Ehrlich & Michal Shekel • Mrs Evelyn Ernest • Robert W. Esler & Silvia Marcus • Mr Greg Fedoryn & Mrs Susan Henry • Mr David Feeny • Dan Ferrier • Barbara Fingerote • Harry Fisher • Ms Gina Foster • Catherine Fournier & John Harvey • Tom & Peggy Freese • Mr & Mrs Gardner • David P. Gardner & Tim O. Mains • Courtney & Gerard Garneau • Bente & Tom Garner • Allen & Maida Gerskup • Virginia Gilbert • Judy & Peter+ Gill • Sharon & Ian Gillespie • Robert & Ann Glass • Marcia & Bernie Glick • Marie J Golombek • Mr Richard Gotlib & Ms Virginia Kairys • Dorothy Graham • Tom Graham • Ms Cindy Grant • Brian & Lenore Greaves • Sandra Green • Mr Mason Greenaway • Joanne Hall • Tanis Hall • Virginia Hamill • Dale Gray & James Hamilton • Patrick & Val Handscombe • Phil & Dolores Haverstick • Glynis A. Henry • Ms Catherine Hertel • Wendi & Murray Hiebert • Bill & Rosette Hillgrove • Dennis & Susan Hohl • Ms Sharon Holland • Bill Horbett, Sr • Art Huber & Janet Jeff rey • Michael W. Hulls • Mr Timothy R. Hulsey • Barbara G. Inglese • Linda Irenegreene & Dr Martin Kesselman • Barbara Jackel • Bonnie Jackson • Jean Jagendorf • Janet James • Mr & Mrs Robert L. Janson • Joseph & Averil Jany • Mrs Erin Jennings • James Jennings • Mr Paul Jensen & Ms Julie Harrington • Don & Susan Johnston • Dave+ & Joanna Jones • Keith Jones • Mike & Jody Jones • Scott & Beth Jorgensen • Christine & George Joyce • Geoff rey & Lorraine Joyner • George & Gail Julie • Graham & Kate Jullien • Doug & Gail Kaiura • Barbara Kessler & Richard Soble • Richard & Sally Kinsey • Ms Patricia Knipe • Mr & Mrs I. Paul & O.M. Komarnicky • Mr Jim & Sandy Koteles • Lois Kurtz • David & Donna Lailey • Kevin Lamotte* & Cynthia Kamin • Mr Spencer Latimer • Mr & Mrs B.J. Laws • Robert David Lawson • Joyce Leon • Dr Renee S. Lerche • Craig & Abby Lewis • S. Leyton & L. Wambaugh • Mr Colin Lindsay • Cathy Lindsey • David & Diane Lisburn • Mrs Gillian Little • Ms Sonya Livingston • Robert & Bonnie Logan • Mr Steve Lowden • Donald C. Lubick • Patricia Lucas • Edward Lupa • Beverly & Charles Lynde • Mr Arthur MacDonald • Ms Joan M. Mackay • James & Gladys MacPherson • Mr Th omas A. MacWilliam • Mr J. Sharman • Norma Maguire • Kathy & David Maister • Mrs Helen Markus • Pauline Mateas, in memory of Lyle R. Nickle • Patricia & Louis Mautino • Heather May & Dr Joe Pagliarello • Colin & Sharen Mayers • D. Ann McClure • Maryann McGeorge & Susan Sanderson • Ms Adrienne McLennan • Ms Judi Megarity • Bishop Daniel Miehm • Virginia Fallon & George Miller • Lynda & Jim Miller • William & Jane Milne • Elliott & Elyse Milstein • Alan Moffett • Kelly & Sally Monaghan • David & Gail Moorcroft • Mary Elizabeth & Ron Moore • Mr & Mrs Francis Morigi • Arthur & Franca Moss • Carol & Linda Muehlig, in memory of Gladys Muehlig • Lynn & Stephen Muench • Mrs Dawn D. Mullinger • Robert & Geraldine Murray • Debbie Myers • Janet-Lee & George Nadas • Doug & Mary Neal • Miriam & Ben Nelson • Michael Nemeth • Nick & Jean Neumann • Dr Peter & Gillian Norton • Warren & Mary Ober • Lynn & John O’Donnell • Alek & Dyanne Oleszkowicz • Dr Elizabeth Oliver-Malone • Michael & Lisa Orlandi • Charles & Judy Overland • Nancy Kay Owens • Thomas & Susan Palmer • G. Papatheodorou & K. Deeth • John Park & Sharon Tocher • Lee & Maria Parks • Mrs Audrey Paton • D. Murray Paton • Richard & Elizabeth Paul • Irmgard Penner • Ms Memoree Philipp • Nina & Terry Picton • Mr & Mrs John G. Polzin • Jim & Bonnie Powell • Rev David & Mrs Judith Pritchard • Adele Quarrington & David Robinson • Leila Ram & Rhys Beak • David & Judith Reed • A. Reeve & C. Rose • Mr & Mrs Reideler • Celia & Owen Ricker • Dr & Mrs E. Lee Robbins • Mr Bruce Roberts • Mr Robert Robinson • J. Roddick • Mary Anne Rokitka • Mr & Mrs G. Rosenberg • Diane & Joe Rosenthal • Rowena & Peter Samuel • Thomas Schmitz • John & Donna Schwartzburg • Marilyn & Wes Scott • Linda Seifert • Linda Seppanen • John Siegel • Robert Simpson & Catherine Craig • Jim & Nancy Sissons • John Sivell • Ms Miriam Skey • John & Gayle Smallbridge • Reta & Brant Smith • Sheila & Peter Smith • Myrna Stait-Gardner • Paul Stanborough & Elizabeth Jarvis • Linda & Mark Steinman • David & Beverley Stone • Mrs Roselyn Stratford • Barbara Stratton • Donald Szydlo • David Szymborski & Marilyn Sicklesteel • Jan & Bob Tanouye • Maureen Simpson & Almos Tassonyi • Ms Jane Taylor • Helen E. Tazzman • Harriet & Alan Tenenhouse • Dr R. Thompson & Ms J. McShane • George Thomson & Judith Beaman • The Toby Family • Mary Toll & William Heimann • Martha Tory • Judith Trotter-Field & Richard Field • Philip & Nanci Turk • Lori L. & John R. Twombly • Larry & Joan Urbanoski • Gary & Marie Van Graafeiland • Dr & Mrs W.C. Vaughan • Vito Volterra • Helen Vosu & Donald Milner • W.D. Waite • Peter Watson • Ms Lucy Waverman • June & David Weind • Joel H. Weiner • Ms Lynn Weiner • Alden & Susan White • Philip & Kimberley* White • Mr Patric Whyte & Mrs Oralyn Whyte • Sherrill & Bob Willard • Larry Willis & Robyn Ellis • James Wilson • Robert & Dana Wilson • Vida Winegarden • Rev Mark J. Wolski • Mrs Beverley Wood • Mr & Mrs Doug Woods • 30 anonymous gifts

ENDOWMENT The Shaw’s Endowment Fund totals more than $33.2 million and provides this Festival with a portion of the net income earned each year – a vital and reliable source of revenue. The Shaw’s Endowment has grown thanks to the following generous donors and their Funds which support a diverse range of initiatives and programs: Bram & Bluma Appel, Bram & Bluma Appel Playwright in Residence Fund • Carol & David+ Appel, Carol & David Appel Play Development Fund • Estate of Lillian M. Aylesworth, Robert & Lillian Aylesworth Endowed Academy Fund • Marilyn++ & Charles++ Baillie, Christopher Newton Interns Fund • Charles Balbach++, Gardens & Beautification Fund • James F. Brown++, Debra J. Graham and James F. Brown Fund • Walter Carsen+, oc, Rose Fund • John Cronyn, John Cronyn Fund • Margaret & Jim Fleck, Paul D. Fleck Fund • Doralee & Lawrence Garfinkel, David Garfinkel Memorial Fund • George Weston Ltd, Director’s Project Fund • Corinne Hansen, Ali & Corinne Hansen Fund • Martha+ & Tom++ Hyde, Jackie Maxwell Studio Theatre Fund • Ivey Foundation, Academy Professional Endowment Fund • Beryl Ivey & Richard M. Ivey, Academy Professional Endowment Fund • Don & Gundy+ Jackson, Gundy Jackson Fund • Diane++ & James King, Shaw Festival Travel Fund • Ed+ & Ann King, Ed & Ann King Wardrobe Endowment Fund • Cynthia & Malcolm+ Macdonald, The Macdonald Family Fund • H & R Mida Charitable Foundation, H & R Mida Fund • Michael+ & Katie Militello, Katie and Michael Militello Endowed Fund • Tim++ & Frances++ Price, Tim & Frances Price Risk Fund • Andrew++ & Valerie Pringle, Andy Pringle Creative Reserve Fund • Calvin G. Rand+, Calvin Rand Fund • William++ & Meredith Saunderson, William & Meredith Saunderson Acting Apprentice Program Fund • Shaw Festival Guild, Shaw Guild Endowed Fund • The Slaight Family Foundation, The Slaight Family Academy Endowed Fund • Allan Slaight+ & Standard Broadcasting, The Newton Awards • Donald++ & Elaine++ Triggs, Donald & Elaine Triggs Technology Endowment Fund • Michael & Anne Tyler, Michael & Anne Tyler Fund for the Academy • 1 anonymous gift In addition, we would like to thank the following who have generously contributed $25,000 or more for Endowment purposes to the Shaw Festival Endowment Fund: Estate of Lillian M. Aylesworth • J.P. Bickell Foundation • John & Nancy Bligh • Estate of Ruth Bolt • Estate of Penelope Carter • Cathy & Gary+ Comerford • Michael Eagen & Michele Darling+ • Richard++ & Darleen Falconer • Art & Val+ Fleming • Rennie & Bill+ Humphries • Martha+ & Tom++ Hyde • Estate of Dr Mary Beth Jennings • Lewfam Foundation • Manulife Financial • Estate of John Mappin • Catherine & Maxwell Meighen Foundation • Norman & Marian Robertson Charitable Foundation • Estate of Angela Roland • Maureen+ & Wayne Squibb • Uplands Charitable Foundation • Walker Industries Holdings Limited • Carol Walker & Estate of John Greenhill Walker • Barbara++ & Colin++ Watson • Bruce++ & Susan Winter • 1 anonymous gift With the participation of the Government of Canada and the Government of Ontario.

RESILIENCY FUND ($500+) Gifts to The Shaw Resiliency Fund are restricted and invested by our Endowment Foundation to provide essential relief to the Shaw Festival and help us through the longer-term impacts and costs associated with recovering from COVID-19. Keith Ambachtsheer & Virginia Atkin • Laurie Barrett & Martin Block • David & Amy Fulton • Ruth Grandoni • Pamela+ & Robert Heilman • Mary E. Hill++ • Mrs Erin Jennings • Oliver Kent & Martine Jaworski • Lori Labatt • Leo Maloney, in loving memory of Dennis Thomson • Mrs Helen Markus • Richard McCoy+ • The Jim Meekison++ & Carolyn Keystone++ Foundation • Brian & Paddy Parr • Ms Ann Savege • Matthew & Pam Skinner • Christina Skublics • Estate of Helen Allen Stacey • Ann & Ross Stuart • Donald++ & Elaine++ Triggs • Connie & Jerry Voight • 1 anonymous gift

SPECIAL APPEAL ($300+) David & Catherine M. Abbott • Ronald Andersen • Wendy & Robert Atkinson • Richard J. Balfour • Peggy Bell, in memory of Ken Bell • Margaret & Stephen Bethea • Nani & Austin Beutel • Terry Brackett • Mary & Tony Brebner • Paul F. Brett • Debra Breuer & Douglas Goodman • Mr & Mrs Bruce R. Brown • Donald G. Campbell • Linda & Verne Chant • Gerald Chapman • Jeffrey Chessum • Ruth-Ellen Cohen • Cathy & Paul Cotton • Mr Anatole Crane & Ms Sharron Andresen • William & Anna Jean Cushwa • Cory & Bob Donnalley Foundation • John & Hedy Dreyer • Michael & Sandy Ensley • Richard Furnstahl & Teresa Stankiewicz • Angeline Galotta • Dianne Gibbs* • Hope & Libby Gibson • Mr R. Dale Gibson & Mrs Sandra Anderson • Wendy++ & Bruce++ Gitelman • Lyn Goldman • Barbara Goorevitch-Cook • Suzanne Gouvernet • Dr Philip B. Graham • Roe Green • Laurie+ & Douglas Harley • The Joan & Clifford Hatch Foundation • Audrey Hendrickson • Ann & Glen Herring • Richard Heye • Jim & Jean Horne • Barbara Jackel • Art & Judy James • Mr David Jeanes • C. & D. Kaloutsky • Howard Kaplan • Mr Michael Kedar & Dr Eva Seidner • Diane++ & James King • Betty & Jamie Knight • George & Carolyn Kotlewski • Ms Val Koziol • Kelly & Bryce Kraeker • Lori Labatt • Naomi & Dave Lee • Michael & Margaret Locke • Ms Nancy Lockhart • Marjorie Lord & Lester Westphal • David & Terry Lowe • John Brian MacIntyre • Leo Maloney, in loving memory of Dennis Thomson • Gail Martin & John Kaloyanides • James F. & Pamela M. McGowan • Linda Murray • Lois Murray • NOTL Ukesters • David & Daphne Pfaff • Dr Reza Rastegar, Elissa Rastegar & Mrs Sheryl Armstrong Rastegar • Carol Reid+ • Margaret & Joseph Reynolds • Heather & David Ring • Tuula & John Ross • Ross & Susan Routliffe • Mr & Mrs Paul Rowcliffe • Mr Juan Salinas • Keith J. Salmon • Ms Ann Savege • John & Donna Schwartzburg • Mr & Mrs Michael S. Schwenger • Doug & Cheryl Seaver • Gregory Semerdjian • Shaw Festival Guild • Matthew & Pam Skinner • Christina Skublics • Bryan Smale & Sherry Dupuis • John & Karen Sterbenz • Mr Robert Stitt • David & Beverley Stone • Mr Rod Story • Betty & Doug Symington • Maureen Simpson & Almos Tassonyi • Lynda & Stephen Tepperman • Greg Virelli & Mario Vecchi • Harriet ‘Sis’ Bunting Weld+ • Craig & Patty Wynn • Morden S. Yolles • Deborah & Joseph Zingaro • 9 anonymous gifts

BRIAN DOHERTY LEGACY CIRCLE Recognizes generous individuals who commit to future support through bequests or other legacy gifts. Robert G. Anderson & Charles William Tate • Callie Archer • Scott & Ruth Aspinall • Rob Ayling • Charles Balbach++ • Patricia & Barrie Barootes • Laurie Barrett • Peggy Bell • Dr Brenda Birkin • Norman Bradshaw • James F. Brown++ • Harriet ‘Sis’ Bunting Weld+ • Truly Carmichael* & Tim Jennings*++ • Thomas A. Caster • Anne Cattermole Levy • Dr Kathy Jane Chambery • Glenna & Derek Collins • William & Lacey Anne Collins • Douglas G. Crowe • Barry H. Davidson • Patricia G. Debrusk • Marilyn L. Dickinson • Dr L. Delf Dodge & Mr Timothy M. Dodson • Mr James Duhaime & Dr Heather Hannah • Steven Endicott • Carol Baggott Forte • Lorna & Walter C. Gates, Jr • John Geller • Mrs Priscilla Gerde • Wendy Glazier & Chris Henry • Alexander Gluskin & Shauna Sexsmith • Mr & Mrs David Graper • Pat Graves • Mike Grey • Maryann & Peter Grierson • Dr Marilyn J. Haring • Donald Harrington • Brian Harrison & Daryl Novak • Ellen L. Hawman • Suzanne Hébert+ • Mary E. Hill++ • Lauri & Jean Hiivala • Susan A. Howard • Ron & Nancy Johnston • Steve Johnston & Ron Price-Jones • Douglas Kahn • Tom & Barb Kuby • Tammy Laber • Dr & Mrs Richard V. Lee • Larry Lubin • R. Susan MacIntyre • Joann Bean • Joanna Manning • Dennis & Bernadette Martin • Gail Martin • Dr Donald McCreary • Mary I. McLeod Foundation • Sylvia M. McPhee • Mrs Stephanie Meredith • Cindy Mewhinney* • Karen Munninghoff • Christopher Newton* • Robin Pitcher • Margaret A. Riggin • Patricia C. & Forrest H. Riordan • Thomas R. Roese & William H. Frank • Joy Rogers • Larry J. Santon • Manfred & Phyllis Schaefer • Sabine & Jochen Schleese • Cairine Caldwell • Wendy & Wayne Smith • Gordon & Joan Stevenson • Elizabeth A. Stirling • John & Patricia Stocker • Ken Stowe & Nita Farmer • Scott Sunderland • H. Allen & Valerie R. Swanson • Douglas Elton Tallon • Lynda & Stephen Tepperman • Elizabeth Terry • Merilyn & Jim Thompson • Peter & Marie Van Der Gulik • Ian Waldron & Tim Redmann • Carolyn J. Warner • In memory of Sandra Louise Warun • Jim Whitehead • Deborah & Grant Williams • 50 anonymous gifts

TRIBUTES & IN MEMORIAM GIFTS GIFTS RECEIVED IN MEMORY OF Brian David Allingham • Josef Blass • William W. Brackett • Linda Camp • Nina Cole • Louise Coumans • Ms Anita David • Mary Anne Devereaux • Jane Eyton • Richard Farrell • Dr Catherine Henderson • Joan Louise Clark Jarvis • Barbara Leroeye • Malcolm Macdonald • Gloria McGinley • Gladys Muehlig • Carole Reeve-Newson • Lyle R. Nickle • Dennis A. Pines • Gail Reed • Fritz Trauttmansdorff • Bob Vernon • Colin Watson GIFTS RECEIVED IN HONOUR OF Dr Marcia Blumberg • Tim Carroll • Tim Jennings • The McPhee Family • Kimberley Rampersad • Gordana Sifer Valois

DONATIONS IN KIND ($1000+) Suzanne Hébert+ • David Murry • Richard & Nadine Osborn • Donald++ & Elaine++ Triggs • Dorothy Ward* • Harriet ‘Sis’ Bunting Weld+ • Don Wilson

FOUNDATIONS Cullen Foundation • DeRoy Testamentary Foundation • Donner Canadian Foundation • Elcan Ridge Foundation, in memory of Elspeth Johnson • Fleming Foundation • The Joan & Clifford Hatch Foundation • Humeniuk Foundation • Kingfisher Foundation • The Henry White Kinnear Foundation • The Lawrason Foundation • The McLean Foundation • Mary I. McLeod Foundation • The Catherine & Maxwell Meighen Foundation • George Cedric Metcalf Charitable Foundation • Jack & Anne Mollenhauer Family Foundation at Toronto Foundation • Philip & Berthe Morton Foundation • Roach Family Foundation • The Slaight Family Foundation • Dorothy Strelsin Foundation • 1 anonymous gift

CORPORATE THEATRE, PRODUCTION & STAGE SPONSORS BMO Financial Group • Burgundy Asset Management Ltd • CIBC • Hummel Properties Inc • Paradigm Capital Inc • Shaw Guild • TD Bank Group PROGRAM SUPPORTERS Canada Life • Critelli’s Fine Furniture • Riverview Cellars Estate Winery • Guelph Infiniti • Hodgson Russ LLP • Holiday Inn Express & Staybridge Suites Niagara-on-the-Lake • Meridian Credit Union • Niagara Airbus • RBC Foundation and the RBC Emerging Artist Project • Scotiabank • Somerset B&B • Sun Life • Trafalgar Tours • Vintage Hotels PRODUCT SPONSORS Hummel Properties Inc • Peller Estates Winery & Restaurant • Trius Winery & Restaurant • Wayne Gretzky Estates Winery & Distillery PERFORMANCE HOSTS & BUSINESS MEMBERS 7 Communications • Irish Design • Miskin Law Professional Corporation • Niagara-on-the-Lake Bed & Breakfast Association • Niagara Holiday Rentals • Old Town Goodies • Procor Limited • Simpson’s Pharmacy, Virgil & Simpson’s Apothecary, Niagara-on-the-Lake • The Woodbridge Company Limited​

VOLUNTEER COMMITTEES Thanks to all of our volunteers – without their support, many of our programs and events would not be possible. THE SHAW GUILD Alan Walker++, President • Laurie Harley+, Past President The Shaw Guild is a large group of volunteers who support and promote the Shaw Festival. They are involved in many activities including greeting patrons, taking tickets, leading backstage tours, beautifying the theatre gardens, running successful fundraising events, and building awareness and engagement for The Shaw. Collectively, they donate more than 13,000 volunteer hours each year. SHAW BOXING EVENING Marc St-Onge+, Chair Setting the stage for ON WITH THE SHAW! deeper connection.

Join us as we step forward and build programs that set the stage for deeper connections including: • new outdoor stages and programming • increased digital engagement with students • significant investments in health and safety protocols for a safe return to live theatre • enhanced support of our artists, providing them with more stable, and longer-term

employment Lusztyk. Andrew Peter by Photo Gordon. Alexis

DONATE TODAY TO HELP THE SHAW REACH A GOAL OF $500,000 FOR THIS SPECIAL APPEAL. VISIT SHAWFEST.COM/ON-WITH-THE-SHAW TO TRACK OUR PROGRESS! SHAWFEST.COM/ON-WITH-THE-SHAW | 1-800-657-1106 ext 2556

Client: SHAW FESTIVAL Publication: 2021 House Programme Insertion Date: 2021 Size: 4.875 in in x 3.875 in Contact: [email protected] - Key Gordon Communications

Proud Presenting Sponsor of Shaw Festival’s Theatre for All program We live in a country with a rich and deep appreciation for arts and culture, and we’re committed to fund programs that enable Canadians of all means and backgrounds to enjoy the very best.

Making the Arts More Accessible® OUTDOORS THE DEVIL’S @ THE SHAW A fresh air summer fête DISCIPLE

We’re going outside! Discover all the plays, concerts and events The Shaw has to offer on the beautiful grounds of the Shaw Festival. Join us! Photo by Andrew Broderick. Andrew by Photo

Buy your tickets today! SHAWFEST.COM | 1-800-511-7429

Client: SHAW FESTIVAL Publication: 2021 House Programme Insertion Date: 2021 Size: 5.375 in x 8.375 in Contact: [email protected] - Key Gordon Communications