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Sumomomo, Momomo: V. 4 Free
FREE SUMOMOMO, MOMOMO: V. 4 PDF Shinobu Ohtaka | 192 pages | 22 Jun 2010 | Little, Brown & Company | 9780759531147 | English | New York, United States Sumomomo Momomo: Chijou Saikyou no Yome Sub Español Episodio 4 - MonosChinos The story centers on a young girl, a strong martial artistwho wants to Momomo: v. 4 and bear a child with a boy that she believes to be a strong fighter. The title is based on the Japanese tongue twister Sumomo mo momo, momo mo momo, sumomo mo momo mo momo no uchiwhich means Plums are peaches, and peaches are peaches, and plums and Sumomomo are both types of peaches. It was later adapted into an anime television series, that aired in Japan between October 5, and March 15, for twenty-two episodes, and two original video animations. The manga has been licensed by Yen Press for distribution in North America. The Dragon family is the head of the six families of the west, whereas the Dog family is the head of the six families of the east. This assassination would be the start of a martial Momomo: v. 4 war, which would be the seventh such war of the twelve zodiac Masters of Japan. The Sumomomo Momomo manga series was first serialized in Sumomomo Japanese manga magazine Young Gangan inSumomomo published by Square Enix. Later, the individual chapters were collected into bound volumesSumomomo twelve such volumes have been released in Japan. The manga was initially serialized in Yen Press' Yen Plus anthology magazine, the first issue of which went on sale on July 29, Sumomomo anime is directed by Nobuaki Nakanishi. -
Randolph Hale Valley Music Theatre Scrapbooks LSC.2322
http://oac.cdlib.org/findaid/ark:/13030/c8nc67dr No online items Finding aid for the Randolph Hale Valley Music Theatre Scrapbooks LSC.2322 Finding aid prepared by Kelly Besser, 2021. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding aid for the Randolph Hale LSC.2322 1 Valley Music Theatre Scrapbooks LSC.2322 Contributing Institution: UCLA Library Special Collections Title: Randolph Hale Valley Music Theatre scrapbooks Creator: Hale, Randolph Identifier/Call Number: LSC.2322 Physical Description: 1 Linear Feet(1 flat box) Date (inclusive): circa 1964-1966 Abstract: Randolph Hale was vice president and treasurer of the Valley Music Theatre, in the San Fernando Valley. The collection consists of two scrapbooks related to productions staged at the Valley Music Theatre. Included are playbills and cast (group) photographs representing 40 productions staged at the theater. Additionally included is a very small amount of ephemera including a Valley Music Theatre securities brochure. Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Language of Material: English . Conditions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Conditions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. -
La Complejidad Narrativa En Los Cuentos De Brujas Del Anime Contemporáneo: Autoconsciencia Y Cognoscibilidad En Kurozuka Y Madoka Magica1
B R U M A L Revista de Investigación sobre lo Fantástico DOI: https://doi.org/10.5565/rev/brumal.627 Research Journal on the Fantastic Vol. VIII, n.º 2 (otoño/autumn 2020), pp. 183-205, ISSN: 2014-7910 LA COMPLEJIDAD NARRATIVA EN LOS CUENTOS DE BRUJAS DEL ANIME CONTEMPORÁNEO: AUTOCONSCIENCIA Y COGNOSCIBILIDAD EN KUROZUKA Y MADOKA MAGICA1 ANTONIO LORIGUIllO-LÓPEZ Universitat Jaume I [email protected] Recibido: 30-09-2019 Aceptado: 27-07-2020 RESUMEN El fantástico es uno de los principales marcos temáticos de las producciones de la ani- mación comercial japonesa. Dentro de este género, las diversas adaptaciones y reelabo- raciones de mitos y cuentos tradicionales suponen recursos fértiles con los que cubrir las demandas de una industria extremadamente prolífica. Sin embargo, pese a su po- pularidad como objeto de estudio, las exploraciones textuales sobre anime fantástico rara vez se aventuran más allá de las coordenadas temáticas o históricas de sus argu- mentos. El presente artículo persigue atender a la relación entre la intricada narración de dos series televisivas significativas dentro del fantástico en el anime —Kurozuka y Madoka Magica— y la representación de las brujas que las protagonizan. Mediante el uso de las categorías narratológicas de la autoconsciencia y de la cognoscibilidad inda- 1 El autor quiere hacer constar el apoyo de las fuentes de financiación de esta investigación: Conselle- ria d’Educació, Investigació, Cultura i Esport de la Generalitat Valenciana y Fondo Social Europeo de la Unión Europea (ref. APOSTD/2019/067). Universitat Jaume I, proyectos «Análisis de identidades en la era de la posverdad. -
Program Design: Tim Osborne
MATC Offi cers President: Beth Osborne, Florida State University 1st Vice President: Chris Woodworth, Hobart and William Smith Colleges 40th 2nd Vice President/Conference Coordinator: Shawna Mefferd Kelty, ANNUAL College at Plattsburgh, Mid-America Theatre Conference State University of New York Associate Conference Coordinator: March 7-10, 2019 La Donna Forsgren, Cleveland Marriott Downtown University of Notre Dame at Key Tower Cleveland, Ohio Secretary: Jennifer Goff, Virginia Tech University Treasurer: Brian Cook, Invention University of Alaska, Anchorage Theatre History Studies, the Journal of the Mid-America Theatre Conference Editor: Sara Freeman, Conference Keynote Speakers: University of Puget Sound Tami Dixon and Jeffrey Book Review Editor: Robert B. Shimko, Carpenter, University of Houston Co-founders Bricolage Production Company Theatre/Practice: The Online Journal of the Practice/Production Symposium of MATC Theatre History Symposium Editor: Jennifer Schlueter, Respondent: The Ohio State University Amy E. Hughes, www.theatrepractice.us Brooklyn College, City University of New York Website/Listserv: Travis Stern, Bradley University Playwriting Symposium Respondent: matc.us/[email protected] Lisa Langford Graduate Student Coordinators: Sean Bartley, Florida State University Shelby Lunderman, University of Washington Program Design: Tim Osborne 3 40th Mid-America Theatre Conference Symposia Co-Chairs MATC Fellows Theatre History Symposium Arthur Ballet, 1988 Shannon Walsh, Louisiana State University Jed Davis, 1988 Heidi Nees, Bowling Green State University Patricia McIlrath, 1988 Charles Shattuck, 1990 Practice/Production Symposium Ron Engle, 1993 Karin Waidley, Kenyatta University Burnet Hobgood, 1994 Wes Pearce, University of Regina Glen Q. Pierce, 1997 Julia Curtis, 1999 Playwriting Symposium Tice Miller, 2001 Eric Thibodeaux-Thompson, University of Felicia Hardison Londré, 2002 Illinois, Springfi eld Robert A. -
Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
The Route and Purpose of Champlain's Journey to the Petun in 1616
Document généré le 24 sept. 2021 08:18 Ontario History The Route and Purpose of Champlain’s Journey to the Petun in 1616 Charles Garrad Volume 107, numéro 2, fall 2015 Résumé de l'article Dans cet essai, nous revisitons l’expédition entreprise par Samuel de URI : https://id.erudit.org/iderudit/1050633ar Champlain, lors de laquelle il rencontra les Odawas, les Petuns, ainsi que des DOI : https://doi.org/10.7202/1050633ar délégations de Neutres qui se trouvaient dans la région. Tout en confirmant les conclusions déjà établies, nous émettons de nouvelles hypothèses sur les Aller au sommaire du numéro raisons pourquoi la poursuite de la route qui conduirait vers les Neutres et ensuite vers l’Orient n’a pas eu lieu.. Éditeur(s) The Ontario Historical Society ISSN 0030-2953 (imprimé) 2371-4654 (numérique) Découvrir la revue Citer cet article Garrad, C. (2015). The Route and Purpose of Champlain’s Journey to the Petun in 1616. Ontario History, 107(2), 159–178. https://doi.org/10.7202/1050633ar Copyright © The Ontario Historical Society, 2015 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. -
Sherlock Holmes and the Nazis: Fifth Columnists and the People’S War in Anglo-American Cinema, 1942-1943
Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Smith, C Author post-print (accepted) deposited by Coventry University’s Repository Original citation & hyperlink: Smith, C 2018, 'Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943' Journal of British Cinema and Television, vol 15, no. 3, pp. 308-327. https://dx.doi.org/10.3366/jbctv.2018.0425 DOI 10.3366/jbctv.2018.0425 ISSN 1743-4521 ESSN 1755-1714 Publisher: Edinburgh University Press This is an Accepted Manuscript of an article published by Edinburgh University Press in Journal of British Cinema and Television. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/jbctv.2018.0425. Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it. Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Christopher Smith This article has been accepted for publication in the Journal of British Film and Television, 15(3), 2018. -
2018 EARLY DECEMBER 2018 Text & Photos by Mike Ritto [email protected] Fullerton Photo Quiz NEW in TOWN
OBSERVER 40 TH B-D AY page 20 COMMUNITY Fullerton bsCeALErNDAvR Peage 1r 3-15 O EAR FULLERTON’S ONLY INDEPENDENT NEWS • Est.1978 (printed on 20% recycled paper) • Y 40 #20 • EARLY DECEMBER 2018 Submissions: [email protected] • Contact: (714) 525-6402 • Read Online at : www.fullertonobserver.com Vinny De La Torre Honored by Fullerton and France by Ed Paul The City of Fullerton proudly recognized long-time resident, Ventura “Vinny” De La Torre, for his heroic service to his country over 70 years ago. The presentation was made at the November 19 Council meeting and Vinny was given a standing ovation by all present. Vinny De La Torre was also recognized by receiving France’s Legion of Honor, the coun - try’s highest honor, on November 11, 2018, in recognition for his service with Gen. George Patton’s Third Army during WWII. Vinny was in more than 200 days of contin - uous combat, liberating many French cities and in 1945, was part of the division that fought at the Battle of the Bulge and liberated two concentration camps, Buchenwald and Ebensee. He was almost 21 years old at that time. Like many of the WW II generation, Vinny kept much of this story to himself. But in recent years his family, mostly his grandchil - dren, slowly obtained bits and pieces of his service. They conducted some research and provided it to the French Consulate General who, after reviewing it for over a year, made the presentation to Vinny on November 11 at the National Cemetery in West Los Angeles. -
Green Door #3
The Green Door Citizens Supporting Ontario's Prosperous and Sustainable Future The Yorklands Green Hub Newsletter | April 2015 | No. 3 Greetings from the YGH Board We see YGH as part of the change- making. We have been assured that if GREAT NEWS: we can show enough public support for Yorklands Green Hub it will OUR FIRST happen. YOUR support is therefore critical to the Yorklands Green A.G.M.! Hub. Food and water security as The Yorklands Green Hub community health concerns, and will be holding its first sustainable urban agriculture (as The Superintendent's house Annual General Meeting on outlined in the Ontario Local Food Thursday, April 23rd at Act) will be central to our focus and We have important news to share with Innovation Guelph research. our supporters and members! 111 Farquhar St. Our renewable energy demon- Last fall we were informed by the strations will be the third pillar of our 7:00 PM Ministry of Infrastructure Ontario that outreach. Lifestyle changes are the Yorklands Green Hub lands and coming, and achieving carbon buildings will not be for lease, but BECOME A MEMBER TODAY! neutrality in our municipalities is a will only be for sale. We are now key overall goal. fundraising to purchase the Super- YGH is now a The “adaptive reuse” and “signifi- intendent's house and approximately membership cant natural area” designations on our 47 acres of the former Guelph organization. chosen site are important for us. Correctional Centre heritage site. This is a huge step for YGH, but one which will give us a more secure footing for We need a strong membership our eco-centre for the public good. -
B£Om\ PLAZA I****?™.Mth Republic 7-1000 5:20, 7:20 and 9:30 Pm
¦ ¦ n fWW.'Vf • 1 'W W W 1 , i.m.i **so issif ¦pr—- THE EVENING STAR PRIOR TO NEW YORK Washington, D. C., Tuesday, November 3, 1959 \ - ’*> s • . ... A-14 4 vi... NATIONAL-MAT, . /v' TOM’W 2! hollywoodm/M "AMERICA'S FIRST THEATRE" Tonight 8:10; Motinoo, Wad. 4 Sat. THE PASSING SHOW ON STAGE IN PERSON Mother Sought By SHEILAH GRAHAM New rfiifijm/ AFli fh* For Inge's Drama ML, Metro's a Busy Place Ih.Him . irn mi M s be lllAlOn. HOLLYWOOD (NANA)— i on low budgets, and have good By JAT CARMODY “To please you,” said pro- i selling campaigns. “Take TOMIOHT at S«3G Oram* Editor of The Star ducer A1 Zugsmith, “I’m 1 *AI Capone’—it cost $538,000, mo MAUNBf7004 f) Ifit did not sound frivolous, one could suggest that the title changing the title of ‘Teacher i and will gross around $3 million Tickets New at fcaelfca, Motels, Fair Was a Sexpot’ to j . One Steses. Sean. Inge's play at National be amplified to read ‘Teacher America . Bill Cas- of William the could ” in alone "A Loss of Roses and Shirley Booth." Was Not a Sexpot.’ We , tle’s ‘House on a Haunted Hill’ PELLEAS «t America! Secsrity ITmt U It used to read "A Loss of Roses" with Shirley Booth, as were lunching at Metro where < cost only $125,000 to make, and everyone knows, but this was before Miss Booth decided that A1 is preparing the “Teacher” : has already earned a million MELISANDE the play was not for her and vice versa. -
Make Room for Daddy
Make Room for Daddy ( later: “The Danny Thomas Show” ) US TV sitcom : 1953-55, 1957-63 : dir. : ABC / T & L : 199 x 26 min prod: : scr: : dir.ph.: Rusty Hamer; Sherry Jackson; Angela Cartwright ………………………………………………… Danny Thomas; Jean Hagan; Marjorie Lord; Jesse White Ref: Pages Sources Stills Kbytes Ω Copy on VHS Last Viewed 2879a 3½ 4 4 - - - - No unseen Happy families mk.I – Jean Hagen, Rusty Hamer, Sherry Jackson, Jesse White, Danny Thomas Source: How Sweet it Was Happy families mk.II – Rusty Hamer, Angela Cartwright, Sherry Jackson, Danny Thomas, Marjorie Lord Source: How Sweet it Was Halliwell’s Television Companion review: scatterbrained, the father is a jerk (indeed two separate "BLONDIE" TV adaptations were “A Copa Club entertainer has family trouble. mounted in the 1950s). Ozzie Nelson certainly Efficient long-running star comedy, later played this role, and others - like Danny known as "The Danny Thomas Show". It Thomas in "Make Room For Daddy" and was followed in 1970 by 26 hours of "Make "The Danny Thomas Show" (he was a Room for Granddaddy", in colour, but this showbiz star but not immune to problems of was not a success. Won Emmies in 1953 for his own making) - followed suit to greater or Best New Series and 1954 for Best Situation lesser degrees…” Comedy * ” How Sweet It Was review: Incidental note from History of Television: “ "Make Room For Daddy" appeared on “The image of the American father has been television in 1953 with Danny Thomas starring much written about, especially by those as Danny Williams, a night-club entertainer anthropologists whose views of societies are who often had to spend long periods of time seen through glasses coloured Matriarchal or away from home.