Blair's War on Terror: Selling Intervention to Middle England
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The Global Visual Memory a Study of the Recognition and Interpretation of Iconic and Historical Photographs
The Global Visual Memory A Study of the Recognition and Interpretation of Iconic and Historical Photographs Het Mondiaal Visueel Geheugen Een studie naar de herkenning en interpretatie van iconische en historische foto’s (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. H.R.B.M. Kummeling, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 19 juni 2019 des middags te 2.30 uur door Rutger van der Hoeven geboren op 4 juni 1974 te Amsterdam Promotor: Prof. dr. J. Van Eijnatten Table of Contents Abstract 2 Preface 3 Introduction 5 Objectives 8 Visual History 9 Collective Memory 13 Photographs as vehicles of cultural memory 18 Dissertation structure 19 Chapter 1. History, Memory and Photography 21 1.1 Starting Points: Problems in Academic Literature on History, Memory and Photography 21 1.2 The Memory Function of Historical Photographs 28 1.3 Iconic Photographs 35 Chapter 2. The Global Visual Memory: An International Survey 50 2.1 Research Objectives 50 2.2 Selection 53 2.3 Survey Questions 57 2.4 The Photographs 59 Chapter 3. The Global Visual Memory Survey: A Quantitative Analysis 101 3.1 The Dataset 101 3.2 The Global Visual Memory: A Proven Reality 105 3.3 The Recognition of Iconic and Historical Photographs: General Conclusions 110 3.4 Conclusions About Age, Nationality, and Other Demographic Factors 119 3.5 Emotional Impact of Iconic and Historical Photographs 131 3.6 Rating the Importance of Iconic and Historical Photographs 140 3.7 Combined statistics 145 Chapter 4. -
Brexit-Tales from a Divided Country: Fragmented Nationalism in Anthony Cartwright’S the Cut, Amanda Craig’S the Lie of the Land, and Jonathan Coe’S Middle England
Brexit-Tales from a Divided Country: Fragmented Nationalism in Anthony Cartwright’s The Cut, Amanda Craig’s The Lie of the Land, and Jonathan Coe’s Middle England Emma Linders, S2097052 Master thesis: Literary Studies, Literature in Society: Europe and Beyond University of Leiden Supervisor: Prof. Dr. P.T.M.G. Liebregts Second reader: Dr. M.S. Newton Date: 01-02-2020 (Zaichenko) Emma Linders 2 Table of Contents INTRODUCTION ....................................................................................................................................... 3 CHAPTER 1 – Strangers in a Familiar Land: National divisions in Anthony Cartwright’s The Cut ......... 10 Outsider Perspective ......................................................................................................................... 10 Personification .................................................................................................................................. 11 Demographic Divides ........................................................................................................................ 11 Foreign Home Nation ........................................................................................................................ 13 Class Society ...................................................................................................................................... 14 Geography ......................................................................................................................................... 16 Language -
Tory Modernisation 2.0 Tory Modernisation
Edited by Ryan Shorthouse and Guy Stagg Guy and Shorthouse Ryan by Edited TORY MODERNISATION 2.0 MODERNISATION TORY edited by Ryan Shorthouse and Guy Stagg TORY MODERNISATION 2.0 THE FUTURE OF THE CONSERVATIVE PARTY TORY MODERNISATION 2.0 The future of the Conservative Party Edited by Ryan Shorthouse and Guy Stagg The moral right of the authors has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a re- trieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. Bright Blue is an independent, not-for-profit organisation which cam- paigns for the Conservative Party to implement liberal and progressive policies that draw on Conservative traditions of community, entre- preneurialism, responsibility, liberty and fairness. First published in Great Britain in 2013 by Bright Blue Campaign www.brightblue.org.uk ISBN: 978-1-911128-00-7 Copyright © Bright Blue Campaign, 2013 Printed and bound by DG3 Designed by Soapbox, www.soapbox.co.uk Contents Acknowledgements 1 Foreword 2 Rt Hon Francis Maude MP Introduction 5 Ryan Shorthouse and Guy Stagg 1 Last chance saloon 12 The history and future of Tory modernisation Matthew d’Ancona 2 Beyond bare-earth Conservatism 25 The future of the British economy Rt Hon David Willetts MP 3 What’s wrong with the Tory party? 36 And why hasn’t -
Mrs. Thatcher's Return to Victorian Values
proceedings of the British Academy, 78, 9-29 Mrs. Thatcher’s Return to Victorian Values RAPHAEL SAMUEL University of Oxford I ‘VICTORIAN’was still being used as a routine term of opprobrium when, in the run-up to the 1983 election, Mrs. Thatcher annexed ‘Victorian values’ to her Party’s platform and turned them into a talisman for lost stabilities. It is still commonly used today as a byword for the repressive just as (a strange neologism of the 1940s) ‘Dickensian’ is used as a short-hand expression to describe conditions of squalor and want. In Mrs. Thatcher’s lexicon, ‘Victorian’ seems to have been an interchangeable term for the traditional and the old-fashioned, though when the occasion demanded she was not averse to using it in a perjorative sense. Marxism, she liked to say, was a Victorian, (or mid-Victorian) ideo1ogy;l and she criticised ninetenth-century paternalism as propounded by Disraeli as anachronistic.2 Read 12 December 1990. 0 The British Academy 1992. Thanks are due to Jonathan Clark and Christopher Smout for a critical reading of the first draft of this piece; to Fran Bennett of Child Poverty Action for advice on the ‘Scroungermania’ scare of 1975-6; and to the historians taking part in the ‘History Workshop’ symposium on ‘Victorian Values’ in 1983: Gareth Stedman Jones; Michael Ignatieff; Leonore Davidoff and Catherine Hall. Margaret Thatcher, Address to the Bow Group, 6 May 1978, reprinted in Bow Group, The Right Angle, London, 1979. ‘The Healthy State’, address to a Social Services Conference at Liverpool, 3 December 1976, in Margaret Thatcher, Let Our Children Grow Tall, London, 1977, p. -
Pleksiglass Som Lokke Mat Og Mulighet Plexiglas As a Lure And
Pleksiglass som lokke mat og mulighet Pleksiglass som lokke mat og mulighet Plexiglas as a lure and Plexiglas potential By Liam Gillick Den britiske kunstneren Liam Gillick har gjerne The British artist Liam Gillick is often associated as a lure and blitt forbundet med den relasjonelle estetikken, with relational aesthetics, which emphasises the som la vekt på betrakteren som medskaper av ver- contribution of the viewer to an artwork and tends ket, og som ofte handlet om å tilrettelegge steder to focus on defining places and situations for social og situasjoner for sosial interaksjon. Men i mot- interaction. But in contrast to artists like Rirkrit setning til kunstnere som Rirkrit Tiravanija, som Tiravanija, who encourages audience-participation inviterte publikum til å samtale over et måltid, in a meal or a conversation, Gillick’s scenarios do gir ikke Gillicks scenarier inntrykk av å være laget not seem constructed for human activity. Instead, for menneskelig aktivitet. Installasjonene hans i his installations of Plexiglas and aluminium are potential pleksiglass og aluminium handlere snarere om concerned with the analysis of structures and types å analysere sosiale strukturer og organisasjons- of social organisation, and with the exploration of måter, og undersøke de romlige forutsetningene the spatial conditions for human interaction. Rec- for menneskelig interaksjon. Inspirert av hans ognising Gillick’s carefully considered relationship reflekterte forhold til materialene han jobber to the materials he uses, we invited him to write By med, ba vi ham skrive om sin interesse for pleksi- about his interest in Plexiglas, a material he has glass, et materiale han har arbeidet med i over 30 år. -
25 Haigron Ac
Cercles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
The Oxford Companion to English Literature, 6Th Edition
e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted. -
(Title of the Thesis)*
TENDENCIA THATCHERITIS OR ENGLISHNESS REMADE The Fictions of Julian Barnes, Hanif Kureishi and Pat Barker by Heather Ann Joyce A thesis submitted to the Department of English In conformity with the requirements for the degree of Doctor of Philosophy Queen‘s University Kingston, Ontario, Canada (July, 2011) Copyright © Heather Ann Joyce, 2011 Abstract Julian Barnes, Pat Barker, and Hanif Kureishi are all canonical authors whose fictions are widely believed to reflect the cultural and political state of a nation that is post-war, post-imperial and post-modern. While much has been written on how Barker‘s and Kureishi‘s early works in particular respond to and intervene in the presiding political narrative of the 1980s – Thatcherism – treatment of how revenants of Thatcherism have shaped these writers‘ works from 1990 on has remained cursory. Thatcherism is more than an obvious historical reference point for Barker, Barnes, and Kureishi; their works demonstrate a sophisticated understanding of how Thatcher‘s reworkings of the repertoires of Englishness – a representational as well as political and cultural endeavour – persist beyond her time in office. Barnes, Barker, and Kureishi seem to have reached the same conclusion as political and cultural critics: Thatcher and Thatcherism have remade not only the contemporary political and cultural landscapes but also the electorate and consequently the English themselves. Tony Blair‘s conception of the New Britain proved less than satisfactory because contemporary repertoires of Englishness repeat and rework historical and not incidentally imperial formulations of England and Englishness rather than envision civic and populist formulations of renewal. Barnes‘s England, England and Arthur & George confront the discourse of inevitability that has come to be attached to contemporary formulations of both political and cultural Englishness – both in terms of its predictable demise and its belated celebration. -
A Discourse Analysis of the Western-Led Intervention in Libya (2011)
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS POLÍTICAS Y SOCIOLOGÍA DEPARTAMENTO DE CIENCIA POLÍTICA Y DE LA ADMINISTRACIÓN III TESIS DOCTORAL Human rights as performance: a discourse analysis of the Western-led intervention in Libya (2011) MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Matthew Robson DIRECTOR Heriberto Cairo Carou Madrid, 2018 © Matthew Robson, 2017 PHD THESIS HUMAN RIGHTS AS PERFORMANCE: A DISCOURSE ANALYSIS OF THE WESTERN-LED INTERVENTION IN LIBYA (2011) Matthew Robson Director de tesis: Heriberto Cairo Carou Departamento de Ciencia Política y de la Administración III (Teorías y Formas Políticas y Geografía Humana) Universidad Complutense de Madrid 1 Dedicated to Mum and Dad. 2 CONTENTS Acknowledgements 6 Transliteration 7 Abstract 8 Summary 9 Resúmen 13 INTRODUCTION 20 Objectives and elaboration of research questions 22 Literature review on the military intervention in Libya 26 -Concerning the legality of the NATO mission 28 -Ethical considerations 30 -The politics of Western intervention in Libya 33 Summary of Sections 48 PART 1 METHODOLOGICAL AND THEORETICAL 40 FRAMEWORK CHAPTER 1 METHODOLOGY / RESEARCH DESIGN 41 1. 1 Making choices in post-structural discourse analysis 41 1. 2 Research design for the Western-led intervention in Libya 44 CHAPTER 2 THEORETICAL FRAMEWORK 53 2.1 The 'critical geopolitics' research project and 'imperiality' 53 2. 2 Questions of ontology and epistemology 62 3 2.3 Discourse, power and knowledge 69 2.4 Identity, performativity and intertextuality in foreign 77 policy discourse PART 2 LIBYA IN THE WESTERN GEOPOLITICAL 97 IMAGINATION CHAPTER 3 US AND UK RELATIONS WITH LIBYA 99 DURING THE COLD WAR 3. -
Contemporary British Conservatism Contemporary British Conservatism
Contemporary British Conservatism Contemporary British Conservatism Edited by Steve Ludlam and Martin J. Smith Selection, editorial matter and Chapters I and 14 © Steve Ludlam and Martin J. Smith 1996 Individual chapters (in order) © Andrew Gamble, Charles Pattie and Ron Johnston, Patrick Seyd and Paul Whiteley, David Baker and Imogen Fountain, Steve Ludlam, Adam Lent and Matthew Sowemimo, Martin J. Smith, Helen Thompson, Ben Rosamond, Chris Pierson, Jim Buller, Stephen George and Matthew Sowemimo 1996 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London WIP 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1996 by MACMILLAN PRESS LTD Houndinills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 978-0-333-62949-9 ISBN 978-1-349-24407-2 (eBook) DOI 10.1007/978-1-349-24407-2 A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 I 05 04 03 02 01 00 99 98 97 96 Copy-edited and typeset by Povey-Edmondson Okehampton and Rochdale, England Published in the United States of America 1995 by ST. -
Openair@RGU the Open Access Institutional Repository at Robert
OpenAIR@RGU The Open Access Institutional Repository at Robert Gordon University http://openair.rgu.ac.uk This is an author produced version of a paper published in International Journal of Gender and Entrepreneurship (ISSN 1756-6266) This version may not include final proof corrections and does not include published layout or pagination. Citation Details Citation for the version of the work held in ‘OpenAIR@RGU’: SMITH, R., 2013. Documenting Essex-Boy as a local gendered regime. Available from OpenAIR@RGU. [online]. Available from: http://openair.rgu.ac.uk Citation for the publisher’s version: SMITH, R., 2013. Documenting Essex-Boy as a local gendered regime. International Journal of Gender and Entrepreneurship, 5 (2), pp. 174-197. Copyright Items in ‘OpenAIR@RGU’, Robert Gordon University Open Access Institutional Repository, are protected by copyright and intellectual property law. If you believe that any material held in ‘OpenAIR@RGU’ infringes copyright, please contact [email protected] with details. The item will be removed from the repository while the claim is investigated. ‘This article is (c) Emerald Group Publishing and permission has been granted for this version to appear here (https://openair.rgu.ac.uk/). Emerald does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from Emerald Group Publishing Limited.' file:///H|/OpenAir%20documents%20and%20files/rob%20smith/Smith%20emerald%20statement.txt[24/09/2013 10:14:11] Documenting ‘Essex-Boy’ as a local gendered regime 1. Introducing the notion of gendered entrepreneurial regimes This article documents the existence of ‘Essex-Boy’ culture to illustrate at a theoretical level how certain forms of masculinity and entrepreneurship via the process of neo- liberalism are intertwined with and within local enterprise cultures, entrepreneurial dreams and gender regimes. -
Plans for the 2009 London G20 Summit
Plans for the London G20 Summit 2009 Jenilee Guebert Senior Researcher, G20 Research Group February 21, 2009 Preface 2 7. Appendices 49 1. Introduction 2 G20 Leaders’ Experience for the April Summit 49 2. Agenda and Priorities 3 Members of G20, Gleneagles Dialogue and Major G20 Charter of Principles 7 Economies Meeting 50 International Cooperation 8 G20 Leaders’ Biographies 50 Bank Supervision 9 Statistical Profiles 55 Hedge Funds 11 Argentina 55 Regional Reserve Currencies 11 Australia 56 Export Credit 11 Brazil 57 Credit Cards 12 Canada 59 Unemployment 12 China 60 Reform of the International Financial Institutions13 France 62 Trade 15 Germany 63 Climate Change 17 India 65 Oil Prices and Energy 17 Indonesia 66 Working Groups 18 Italy 68 3. Participants 19 Japan 69 Sideline Meetings 22 Korea 70 4. Implementation and Preparations 24 Mexico 72 Implementation 24 Russia 73 Economic Performance 30 Saudi Arabia 75 Preparatory Meetings 30 South Africa 76 Preparations 30 Turkey 78 Site 44 United Kingdom 79 5. Future Meetings 45 United States 80 6. G20-G8 Relationship 46 European Union 82 7. Civil Society 47 G20 Research Group Preface This report on the “London Economic Summit: Plans for the Second Meeting” is compiled by the G20 Research Group largely from public sources as an aid to researchers and other stakeholders interested in the meetings of G20 leaders and their invited guests. It will be updated periodically as plans for the summit evolve. Note that this document refers to the first G20 leaders’ meeting (or summit), which took place on November 14- 15, 2008, in Washington DC (as opposed to the G20 finance ministers forum, which was founded in 1999, and other groupings such as the G20 developing countries formed in response to the agricultural negotiations at the World Trade Organization).