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Between the Local and the National: the Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty
Graduate Theses, Dissertations, and Problem Reports 2014 Between the Local and the National: The Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty Fabio Capano Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Capano, Fabio, "Between the Local and the National: The Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty" (2014). Graduate Theses, Dissertations, and Problem Reports. 5312. https://researchrepository.wvu.edu/etd/5312 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Between the Local and the National: the Free Territory of Trieste, "Italianità," and the Politics of Identity from the Second World War to the Osimo Treaty Fabio Capano Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Modern Europe Joshua Arthurs, Ph.D., Co-Chair Robert Blobaum, Ph.D., Co-Chair Katherine Aaslestad, Ph.D. -
Kosta P. Manojlović (1890–1949) and the Idea of Slavic and Balkan Cultural Unification
KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić SLAVIC AND BALKANSLAVIC CULTURAL UNIFICATION KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF P. KOSTA Institute of Musicology SASA Institute of Musicology SASA This collective monograph has been published owing to the financial support of the Ministry of Education, Science and Technological Development of the Republic of Serbia KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić Institute of Musicology SASA Belgrade, 2017 CONTENTS Preface 9 INTRODUCTION 13 Ivana Vesić and Vesna Peno Kosta P. Manojlović: A Portrait of the Artist and Intellectual in Turbulent Times 13 BALKAN AND SLAVIC PEOPLES IN THE FIRST HALF OF THE 20TH CENTURY: INTERCULTURAL CONTACTS 27 Olga Pashina From the History of Cultural Relations between the Slavic Peoples: Tours of the Russian Story Teller, I. T. Ryabinin, of Serbia and Bulgaria (1902) 27 Stefanka Georgieva The Idea of South Slavic Unity among Bulgarian Musicians and Intellectuals in the Interwar Period 37 Ivan Ristić Between Idealism and Political Reality: Kosta P. Manojlović, South Slavic Unity and Yugoslav-Bulgarian Relations in the 1920s 57 THE KINGDOM OF SERBS, CROATS AND SLOVENES/YUGOSLAVIA BETWEEN IDEOLOGY AND REALITY 65 Biljana Milanović The Contribution of Kosta P. Manojlović to the Foundation and Functioning of the Južnoslovenski pevački savez [South-Slav Choral Union] 65 Nada Bezić The Hrvatski pjevački savez [Croatian Choral Union] in its Breakthrough Decade of 1924–1934 and its Relation to the Južnoslovenski pevački savez [South-Slav Choral Union] 91 Srđan Atanasovski Kosta P. -
Guglielmo Oberdan
Mirko Riazzoli [email protected] Guglielmo Oberdan Guglielmo Oberdan nacque a Trieste il 1º febbraio del 1858. Il suo nome originariamente fu un altro, ossia Wilhelm Oberdank. Fu il figlio illegittimo di Josepha Maria Oberdank, una slovena di Gorizia, e del soldato veneto Valentino Falcier, arruolato nell'esercito austro-ungarico e che la lasciò prima del parto. A causa della sua illegittimità e dell'abbandono operato dal padre, prese il cognome materno (la madre si sposò nell'estate 1862 con un altro uomo, Francesco Ferencich, che provvide al mantenimento di entrambi). In gioventù decise di italianizzare il proprio nome e cognome in Guglielmo Oberdan, una scelta con ampia valenza politica. La sua propensione pro italiana maturò durante gli studi superiori, iniziati nel 1869: in questo periodo iniziò a leggere il periodico mazziniano “Gazzettino Rosso” e si iscrisse alla Civica Scuola di Ginnastica, retta dall'irredentista Gregorio Draghicchio (1851-1902). Fu in questo periodo che entrò in contatto con Riccardo Zampieri (1859-1930, giornalista), Adolfo Liebmann, Domenico Giovanni Battista, detto Menotti Delfino (1858-1937, tenore) ed altri che diverranno esponenti dell'irredentismo. Fondò con i suoi amici la Società di mutuo soccorso per studenti bisognosi, sciolta dopo un anno dalle autorità. Trascorse i primi anni di vita in una città segnata dai contrasti fra i fedeli all'Austria e gli irredentisti. Si distinse nelle attività scolastiche e nel 1877, grazie ad una borsa di studio del comune di Trieste (ottenuta per aver terminato “con distinzione” il corso di studi), poté iscriversi al Politecnico di Vienna (giunse in città il 13 giugno), ove studiò per divenire ingegnere. -
Guglielmo Oberdan in Immagini D'epoca Tratte Da Internet GUGLIELMO OBERDAN Wilhelm Oberdank (Trieste, 1º Febbraio 1858 – Trieste, 20 Dicembre 1882)
Guglielmo Oberdan in immagini d'epoca tratte da Internet GUGLIELMO OBERDAN Wilhelm Oberdank (Trieste, 1º febbraio 1858 – Trieste, 20 dicembre 1882) Guglielmo Oberdan è il nome italianizzato di Wilhelm Oberdank, figlio illegittimo di Josepha Maria Oberdank, slovena di Gorizia, e del soldato veneto Valentino Falcier. Nacque a Trieste nell’Impero Austro- ungarico il 1º febbraio 1858, venne educato in un ambiente di cultura italiana e maturò ideali patriottici e irredentisti che lo spinsero a italianizzare il suo nome in “Guglielmo Oberdan”. Nel 1877 grazie ai suoi meriti scolastici ottenne una borsa di studio e poté iscriversi al politecnico di Vienna. L’anno seguente fu chiamato alle armi, nell’ambito della spedizione di occupazione della Bosnia-Erzegovina da parte dell’Austria sancita dal congresso di Berlino. Oberdan si rifiutò di combattere nell’armata austriaca e, grazie all’aiuto di alcuni patrioti italiani, fuggì a Roma dove proseguì gli studi in Ingegneria e strinse contatti con il movimento irredentista. Nel 1882 Oberdan decise, con altri irredentisti, di organizzare un attentato ai danni dell’imperatore austriaco Francesco Giuseppe, in visita a Trieste. Questo atto sensazionale aveva l’esplicito fine di risollevare il patriottismo italiano fiaccato dalla scomparsa di Garibaldi avvenuta proprio in quell’anno. Oberdan, entrato clandestinamente a Trieste, fu scoperto e arrestato. Condannato a morte dalla giustizia austriaca per diserzione e cospirazione, avendo confessato le intenzioni di attentare alla vita dell'imperatore Francesco Giuseppe, fu impiccato a Trieste il 20 dicembre 1882. L’Italia lo considera un martire dell’irredentismo e gli ha dedicato un mausoleo a Trieste. E’ ricordato anche nella celeberrima canzone del Piave, in una targa scritta da Carducci a Bologna, e in innumerevoli vie e lapidi e targhe come quella della nostra scuola (vedi Gobbi, 1927, pp. -
It Was Not Always Awarded with Swords and Those That Were Have the Swords Suspended by a Ring Attached to the Center of Two Cros
striking medals as it’s gilded and is quite different than the ubiquitous cross patee. In this case, the cross is a 35mm bronze gilt cross with the tips of the straight arms curving slightly outwards (Figure 25). The obverse has a five-arched crown over the stylized A for Ftirst Adolf* in the center intersection of the four arms with FOR on the top arm, and TREUE DIENST bracketing the central A, and with 1914 on the bottom arm. The seriffed inscription, FI)R/TREUE DIENST, translates as "For Faithful Service." The reverse is plain but polished. It is suspended from a 39mm cornflower-blue ribbon with three 4.5ram white stripes; one in the center and two inset lmm from the edge. The non-combatant ribbon is white with three red stripes with light-blue edges. Figure 26: Full-size Schwarzburg-Sonderhausen traditional modified medal bar with the Honor Cross *Note: World War I issues do not carry the royal cipher replaced with the World War I Veteran’s Organization of Prince Adolf-Georg but of Prince Adolf. Medal (Deutscher Reichskreigerbund Kyffhiiuser- DRKB), which should have a black and white ribbon. Waldeck The Principality of Waldeck had existed since 1625 and was tiny with an area of 411 square miles. It had a population of only 63,000 citizens in 1914. The Princely Waldeck Merit Medal, 4th Class with Swords was only awarded 4,205 times making it scarce to find on a medal bar (Figure 27). It was instituted in March 1915 and eventually the silver-minted medals were made of a silvered alloy, which are thicker than the original silver medals. -
Creating National Space(S): Anthropogeography and Nation-Building in Interwar Yugoslavia, 1918-1941
Creating National Space(s): Anthropogeography and Nation-Building in Interwar Yugoslavia, 1918-1941 Vedran Duančić Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 25 January 2016 European University Institute Department of History and Civilization Creating National Space(s): Anthropogeography and Nation-Building in Interwar Yugoslavia, 1918-1941 Vedran Duančić Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Prof. Pavel Kolář, European University Institute (Supervisor) Prof. Alexander Etkind, European University Institute Prof. Dejan Djokić, Goldsmiths, University of London Prof. Hannes Grandits, Humboldt University of Berlin © Vedran Duančić, 2016 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author ABSTRACT The dissertation examines anthropogeography in and of interwar Yugoslavia. It studies geography as a scientific enterprise, its institutional growth, which in the Yugoslav context began in the 1880s and intensified during the first half of the twentieth century, and the communication between scientific centers in Yugoslavia and abroad. Professionalization and institutionalization were crucial for obtaining a scientific apparatus and social authority that enabled geographers to act as politically engaged “nationally conscious” intellectuals who, nevertheless, insisted on -
BETWEEN EMPIRE and NATION STATE. URBAN SPACE and CONFLICTING MEMORIES in TRIESTE (19Th–EARLY 20Th CENTURY)
JOURNAL OF ARCHITECTURE AND URBANISM ISSN 2029-7955 / eISSN 2029-7947 2015 Volume 39(1): 17–27 doi:10.3846/20297955.2015.1031441 Theme of the issue “Center and periphery: borderline cities and borderlines of cities” Žurnalo numerio tema „Simbolizmo tradicija architektūroje“ BETWEEN EMPIRE AND NATION STATE. URBAN SPACE AND CONFLICTING MEMORIES IN TRIESTE (19th–EARLY 20th CENTURY) Andrea GRIFFANTE Departement of History, Faculty of Humanities, Vytautas Magnus University, K. Donelaičio g. 52-216, 44244 Kaunas, Lithuania E-mail: [email protected] Received 18 November 2014; accepted 9 March 2015 Abstract. Cities are particular spaces in which such a fight for territory occurs. By their own nature, cities imply a work of trans- formation and appropriation of territory into a narrative construct or text. In the 19th and early 20th century, Trieste underwent a transformation of its own urban space that expressed the existence and concurrence of different national narratives. In the 18th and 19th centuries the Trieste’s coastline performed the cosmopolitan elite’s identity by highlighting the relation between social status, ethnic origins of elite’s member, and the individuals’ conscience of participating in the exceptionality of a city ‘without history.’ As the elite’s economic ground changed, the representation of identity in space changed consequently. The consolidation of fascist regime supported the construction of a new myth of Trieste characterized by an old Roman origin and the heroic efforts of its inhabitants to join the ‘Motherland’ that led to the creation of a new main urban axis constellated with sites highly representative of Trieste’s ‘Latinity’ and permeated by a sense of collective participation in historical continuity. -
Doing Anthropology in Wartime and War Zones
Reinhard Johler, Christian Marchetti, Monique Scheer (eds.) Doing Anthropology in Wartime and War Zones Histoire | Band 12 Reinhard Johler, Christian Marchetti, Monique Scheer (eds.) Doing Anthropology in Wartime and War Zones. World War I and the Cultural Sciences in Europe An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlat- ched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-1422-4. More information about the initiative and links to the Open Access version can be found at www. knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contac- ting [email protected] Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access pu- blication and further permission may be required from the rights holder. The obligation to research and clear permission lies solely with the party re-using the material. © 2010 transcript Verlag, Bielefeld Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Inter- net at http://dnb.d-nb.de Cover layout: Kordula Röckenhaus, Bielefeld Cover illustration: The Hamburg anthropologist Paul Hambruch with soldiers from (French) Madagascar imprisoned in the camp in Wüns- dorf, Germany, in 1918. -
Mark Cornwall
ANNUAL LECTURE A Typology of Traitors in Late Nineteenth Century Austria-Hungary Mark Cornwall FOUNDATION FOR AUSTRIAN STUDIES A Typology of Traitors in Late Nineteenth Century Austria-Hungary A heroic portrayal of the execution of the ‘traitor’ Lajos Batthyány in 1849 (French lithograph, c.1850). A Typology of Traitors in Late Nineteenth Century Austria-Hungary Mark Cornwall I begin this first Austrian Studies Lecture with a dramatic event that occurred in Prague on the evening of 27 October 1866. In the aftermath of the Austro-Prussian War, Emperor Franz Joseph was on a tour of Bohemia, studying the region but also bringing it both material and moral support. According to one Prague newspaper, the visit was a great success: ‘Over everything there has radiated a spirit of attachment and loyalty towards the common state and its ruler, that genuine Austrian idea [echter österreichischer Gedanke] and that steadfast love for the fatherland’. The emperor even told the Czech patriot František Palacký that he had encountered ‘ein treues Volk’. It all seemed to disprove the rumours circulating during the recent Prussian occupation, that Bohemia was a hostile territory whose inhabitants were keen to secede from the Habsburg empire.1 Yet Franz Joseph’s visit was also disturbed by a strange incident. One evening, he attended a performance of Smetana’s Bartered Bride at the Czech Provisional Theatre by the Vltava River; Smetana had just become principal conductor, and this opera had had its premiere there that spring. After the first act, the emperor left the theatre and entered his waiting carriage, whereupon an assassination attempt took place. -
Irredentismo Italiano (1880 – 1915). Irredenti, Irredentisti E Irredenti Irredentisti Italian Irredentism (1880-1915)
ZBD # 11 Irredentismo Italiano (1880 – 1915). Irredenti, irredentisti e irredenti irredentisti Italian irredentism (1880-1915). Unredeemed, irredentist and unredeemed irredentist Renate Lunzer Università di Vienna (Austria) [email protected] Artículo recibido el 23/12/2017, aceptado el 10/01/2018 y publicado el 30/01/2018 Reconocimiento-No comercial-Sin obras derivadas 3.0 License 15] RIASSUNTO: Dopo una breve spiegazione del termine e del fenomeno storico “irredentismo italiano” l’articolo verte sul concetto della “redenzione” nel senso politico e (pseudo) religioso. Sacerdote e cantore più efficace di questa fascinosa ambiguità risulta Gabriele D’Annunzio, che saldò il mito nazionale con quello soteriologico. Uno sguardo sulle città simbolo dell’irredentismo, Trento e Trieste, si arresta su due figure di spicco o, se si vuole, due martiri: Guglielmo Oberdan, attentatore senza attentato a Francesco Giuseppe, e Cesare Battisti, protagonista di una vera tragedia tra socialismo internazionale e interventismo guerriero del 1915. Voci di intellettuali e scrittori italiani e austriaci accompagnano le varie vicende del 25) movimento irredentista italiano anche oltre il 1918, fino all’irredentismo inverso dei - sudtirolesi degli anni 1960/70. Infine si commemora una politica che ha il coraggio di non credere in “redenzioni” e di contentarsi del “parecchio” che si ottiene senza (pp. 14 (pp. spargimento di sangue. Parole chiave: Irredentismo italiano; Redenzione; Trento; Trieste; Gabriele D’Annunzio ∫ 3576 - ABSTRACT: After a brief explanation of the term and the historical phenomenon known as “Italian irredentism”, the article deals with the concept of “redemption” in a N: 2255 N: political and (pseudo) religious sense. Effective priest and singer of this charming SS I ambiguity is Gabriele D’Annunzio, who settled the national myth with this curse. -
Rado V an Cukić , Ve Selinka Ka S Tra T O Vić Ris Tić , Marija
MARIJA VASILJEVIĆ MARIJA RISTIĆ, KASTRATOVIĆ VESELINKA CUKIĆ, RADOVAN BELGRADE 2018 I THE DAY WORTH A CENTURY – 1 XII 1918 Title of Original in Serbian ДАН ВРЕДАН ВЕКА – 1. XII 1918. 4 5 ON THE REASONS FOR AN EXHIBITION ABOUT THE CREATION OF YUGOSLAVIA The main reason for the exhibition The Day Worth a Century is the centenary of the Yugoslav unification, i.e. the formal act of proclamation of the Kingdom of Serbs, Croats and Slovenes, which falls on 1 December 2018. As one of the few institutions that still bear the name of the former state in their own name, the Museum of Yugoslavia has a duty to adequately mark the cente- nary of the formation of that state. In addition to the exhibition, the centenary is to be marked with a conference entitled The Musealization of Yugoslavia – Free- zing or Renegotiating Shared Heritage, which is to take place on 2-3 Decem- ber 2018. At this moment in time, twenty years after its founding, the Mu- seum of Yugoslavia is undergoing a process of rethinking its place and role; conception and systematization of collections; redefining its vision and attract- ing new audiences. The museum was created with the intention of safeguarding the collections of two institutions: the Memorial Center ‘Josip Broz Tito’ and the Museum of the Revolution of Nations and Nationalities of Yugoslavia, both of which were seen as relics of an obsolete ideology in the early 1990s. For several years, the Museum barely survived in conditions that were hardly adequate to secure its operation. Although various programmatic texts state that the Muse- um’s task is to study Yugoslavia from its formation to its dissolution, it has always been clear that the limitations of its collections and the strong memorial aspect of the building that houses it make it primarily a museum of socialist Yugoslavia. -
Stevan Dedijer – My Life of Curiosity and Insights a Chronicle of the 20Th Century
Stevan Dedijer – My Life of Curiosity and Insights A Chronicle of the 20th Century Edited by Carin Dedijer & Miki Dedijer nordic academic press Nordic Academic Press P.O. Box 1206 SE-221 05 Lund Sweden www.nordicacademicpress.com © All texts Carin Dedijer © This edition Nordic Academic Press and Carin Dedijer 2009 Typesetting: Stilbildarna i Mölle, Frederic Täckström Cover photos: Stevan Dedijer as a paratrooper of the 101st Airborne Division, 1944, and as a scholar at Yale, New Haven, 1965. Printed by ScandBook, Falun 2009 ISBN: 978-91-85509-32-4 Contents Foreword by Wilhelm Agrell 7 Preface by Carin Dedijer 11 All Autobiographers are Liars 17 1. My World Before Me (1878–1911) 28 2. The Black Hand War (1911–1918) 38 3. My First Departure (1919 –1923) 52 4. America from the Top I – Taft School (1929–1930) 73 5. America from the Top II – Princeton (1930–1934) 85 6. Beitul Guides Me – Belgrade (1934) 93 7. America from the Bottom (1934–1936) 102 8. Pittsburgh and My First Marriage (1936–1944) 113 9. Muyaga (1937) 116 10. I Learn to Spy – the OSS (1942–1943) 118 11. A Damned Place Called Bastogne (1943–1945) 125 12. Communist Socialism (1945–1949) 151 13. The Capture of Draza Mihajlovic (1946) 159 14. Tito’s Bomb (1950–1954) 164 15. Body Here, Soul Elsewhere (1952–1961) 178 16. How to Make a Newton (1961–1972) 182 17. Our Intelligence Revolution 185 18. Parachuting at 70 (1980–1981) 194 19. Consultant for Saudi Arabia and the PLO (1980) 206 20. My Most Horrible Wars (1991–1995) 220 Thank You, God, and Goodbye 224 My Dubrovnik Morning Insight 229 My Life-Changing Decisions 236 Notes 237 Foreword Stevan Dedijer was a remarkable man, as I guess that everyone who ever met him could confirm.