Mesopotamian Gods and the Bull
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Antikenrezeption Im Hochbarock
Antikenrezeption im Hochbarock Herausgegeben van Herbert Beck und Sabine Schulze GEBR. MANN VERLAG· BERLIN lRVTNG LAVIN Bernini and Antiquity - The Baroque Paradox A Poetical View* My chief purpose in this paper is to bring together and consider under one heading two papers by earlier scholars on apparently quite different subjects that are fundamcntnl to some of our current views on the relationship of Baroque art to antiquity. In a brief note entitled ··Rhetoric and Baroque Art". published in 1955 . Giulio Carlo Argan for the first time offered what has since become perhaps the prevalent interpretation of Ba roque art. base d on the classical tradition of rhetoric'. The primary source book on the subject. Arist0tle's treatise on rhetoric. became available in Italian translation in 1570. The wide influence of Argan ·s essay was very salubrious. suggesting as it did that Baroque style. often regarded as a decadent superabundance of ornament and conceit. could better be under stood positively as a deliberate and sophisticated technique of persuasion. T he second paper. published by RudolfWiukower in 1963, compared the use ofanciem models by Poussin. the arch classicist of France. and Bernini, the outstanding representative of Italian Baroque 2 exuberance . With great perspicuity Wittkower showed from preparatory studies how classical sources functioned in diametrically opposite ways in the development of their works. Poussin would typicall y start with a dynamic. ··Baroque" design. into which ancient models would then intervene to produce a restrained. classicizing final version: Bernini. on the other hand. would often start with a classical prototype. which he would then transform into a free and volatile ·'Baroque'· solution. -
1 Inanna Research Script
INANNA RESEARCH SCRIPT (to be cut and shaped for performance) By Peggy Firestone Based on Translations of Clay Tablets from Sumer By Samuel Noah Kramer 1 [email protected] (773) 384-5802 © 2008 CAST OF CHARACTERS In order of appearance Narrators ………………………………… Storytellers & Timekeepers Inanna …………………………………… Queen of Heaven and Earth, Goddess, Immortal Enki ……………………………………… Creator & Organizer of Earth’s Living Things, Manager of the Gods & Goddesses, Trickster God, Inanna’s Grandfather An ………………………………………. The Sky God Ki ………………………………………. The Earth Goddess (also known as Ninhursag) Enlil …………………………………….. The Air God, inventor of all things useful in the Universe Nanna-Sin ………………………………. The Moon God, Immortal, Father of Inanna Ningal …………………………………... The Moon Goddess, Immortal, Mother of Inanna Lilith ……………………………………. Demon of Desolation, Protector of Freedom Anzu Bird ………………………………. An Unholy (Holy) Trinity … Demon bird, Protector of Cattle Snake that has no Grace ………………. Tyrant Protector Snake Gilgamesh ……………………………….. Hero, Mortal, Inanna’s first cousin, Demi-God of Uruk Isimud ………………………………….. Enki’s Janus-faced messenger Ninshubur ……………………………… Inanna’s lieutenant, Goddess of the Rising Sun, Queen of the East Lahamma Enkums ………………………………… Monster Guardians of Enki’s Shrine House Giants of Eridu Utu ……………………………………… Sun God, Inanna’s Brother Dumuzi …………………………………. Shepherd King of Uruk, Inanna’s husband, Enki’s son by Situr, the Sheep Goddess Neti ……………………………………… Gatekeeper to the Nether World Ereshkigal ……………………………. Queen of the -
The Epic of Gilgamesh: Tablet XI
Electronic Reserves Coversheet Copyright Notice The work from which this copy was made may be protected by Copyright Law (Title 17 U.S. Code http://www4.law.cornell.edu/uscode/17/) The copyright notice page may, or may not, be included with this request. If it is not included, please use the following guidelines and refer to the U.S. Code for questions: Use of this material may be allowed if one or more of these conditions have been met: • With permission from the rights holder. • If the use is “Fair Use.” • If the Copyright on the work has expired. • If it falls within another exemption. **The USER of this is responsible for determining lawful uses** Montana State University Billings Library 1500 University Drive Billings, MT 59101-0298 (406) 657-1687 The Epic of Gilgamesh: Tablet XI The Story of the Flood Tell me, how is it that you stand in the Assembly of the Gods, and have found life!" Utanapishtim spoke to Gilgamesh, saying: "I will reveal to you, Gilgamesh, a thing that is hidden, a secret of the gods I will tell you! Shuruppak, a city that you surely know, situated on the banks of the Euphrates, that city was very old, and there were gods inside it. The hearts of the Great Gods moved them to inflict the Flood. Ea, the Clever Prince(?), was under oath with them so he repeated their talk to the reed house: 'Reed house, reed house! Wall, wall! O man of Shuruppak, son of Ubartutu: Tear down the house and build a boat! Abandon wealth and seek living beings! Spurn possessions and keep alive living beings! Make all living beings go up into the boat. -
Burn Your Way to Success Studies in the Mesopotamian Ritual And
Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary. -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
3 a Typology of Sumerian Copular Clauses36
3 A Typology of Sumerian Copular Clauses36 3.1 Introduction CCs may be classified according to a number of characteristics. Jagersma (2010, pp. 687-705) gives a detailed description of Sumerian CCs arranged according to the types of constituents that may function as S or PC. Jagersma’s description is the most detailed one ever written about CCs in Sumerian, and particularly, the parts on clauses with a non-finite verbal form as the PC are extremely insightful. Linguistic studies on CCs, however, discuss the kind of constituents in CCs only in connection with another kind of classification which appears to be more relevant to the description of CCs. This classification is based on the semantic properties of CCs, which in turn have a profound influence on their grammatical and pragmatic properties. In this chapter I will give a description of CCs based mainly on the work of Renaat Declerck (1988) (which itself owes much to Higgins [1979]), and Mikkelsen (2005). My description will also take into account the information structure of CCs. Information structure is understood as “a phenomenon of information packaging that responds to the immediate communicative needs of interlocutors” (Krifka, 2007, p. 13). CCs appear to be ideal for studying the role information packaging plays in Sumerian grammar. Their morphology and structure are much simpler than the morphology and structure of clauses with a non-copular finite verb, and there is a more transparent connection between their pragmatic characteristics and their structure. 3.2 The Classification of Copular Clauses in Linguistics CCs can be divided into three main types on the basis of their meaning: predicational, specificational, and equative. -
Virginity in Ancient Mesopotamia*
COOPER VIRGINITY IN ANCIENT MESOPOTAMIA JERROLD S. COOPER Baltimore Virginity in Ancient Mesopotamia* 1. Virginity, Ours and Theirs “ virgin body has the freshness of would be an older adolescent girl. But in secret springs, the morning sheen actual Akkadian usage, ardatu is confined Aof an unopened flower, the orient to literary texts, whereas batultu, attested luster of a pearl on which the sun has never only after the Old Babylonian period, is the shone. Grotto, temple, sanctuary, secret word that would be used for adolescent girls garden – man, like the child, is fascinated in royal enumerations of booty, and in per- by enclosed and shadowy places not yet sonnel lists and legal texts.5 The Sumerian animated by any consciousness, which wait terms are restricted entirely to literary texts; to be given a soul: what he alone is to take the only case where a girl seems to progress and to penetrate seems to be in truth created from ki-sikil-tur to ki-sikil is in Enlil by him.”1 What a pity that neither Sumerian and Ninlil, where Ninlil first appears as ki- nor Akkadian has a proper word for a young sikil-tur (1. 11) alongside Enlil as guruš- woman whose flesh is capable of inspiring tur, but subsequently is called ki-sikil.6 such marvel! At least since the foundational In western languages, too, there is no word articles of Finkelstein and Landsberger,2 that originally designated virgin. Parthenos,7 Assyriologists have recognized that Sume- virgo, Jungfrau – all designate nubile girls rian ki-sikil-tur and ki-sikil,3 Akkadian before marriage, -
The Evolution of Fragility: Setting the Terms
McDONALD INSTITUTE CONVERSATIONS The Evolution of Fragility: Setting the Terms Edited by Norman Yoffee The Evolution of Fragility: Setting the Terms McDONALD INSTITUTE CONVERSATIONS The Evolution of Fragility: Setting the Terms Edited by Norman Yoffee with contributions from Tom D. Dillehay, Li Min, Patricia A. McAnany, Ellen Morris, Timothy R. Pauketat, Cameron A. Petrie, Peter Robertshaw, Andrea Seri, Miriam T. Stark, Steven A. Wernke & Norman Yoffee Published by: McDonald Institute for Archaeological Research University of Cambridge Downing Street Cambridge, UK CB2 3ER (0)(1223) 339327 [email protected] www.mcdonald.cam.ac.uk McDonald Institute for Archaeological Research, 2019 © 2019 McDonald Institute for Archaeological Research. The Evolution of Fragility: Setting the Terms is made available under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 (International) Licence: https://creativecommons.org/licenses/by-nc-nd/4.0/ ISBN: 978-1-902937-88-5 Cover design by Dora Kemp and Ben Plumridge. Typesetting and layout by Ben Plumridge. Cover image: Ta Prohm temple, Angkor. Photo: Dr Charlotte Minh Ha Pham. Used by permission. Edited for the Institute by James Barrett (Series Editor). Contents Contributors vii Figures viii Tables ix Acknowledgements x Chapter 1 Introducing the Conference: There Are No Innocent Terms 1 Norman Yoffee Mapping the chapters 3 The challenges of fragility 6 Chapter 2 Fragility of Vulnerable Social Institutions in Andean States 9 Tom D. Dillehay & Steven A. Wernke Vulnerability and the fragile state -
Beyond Belief 06 Archeology
Beyond Belief 06 God Revealed in History 01 – Archeology Archeology and the Scriptures Pre-flood period: A. Sumerian King List: B. Non-Biblical flood accounts Tower of Babel A. Enmerkar Epic B. This epic takes place in “Eridu” C. E-Abzu D. Unfinished foundation E. Language issues Patriarchs A. The Lament for Ur B. Desecration of Names C. Code of Hammurabi (Gen 37:28) D. Use of Camels E. The Gold of Valor (Gen 41:42) Captivity and Exodus A. Tomb of Rekmire (Slavery of Thutmose III) B. “Louvre Leather Roll” C. Ipuwer text D. Elephantine Stele (Life of Amenhotep II) E. The Dream Stele (Thutmose IV gains power, Exo 12:29). The Period of the Conquest A. The Balaam Inscription (Numbers 22) B. Jericho (Joshua 6) C. Hapiru (Canaan complaints about Hebrews) The Time of the Judges A. Egypt mentions Israel as the dominant people of the land B. The Mysterious Piym The Period of the Kings (United Kingdom, Early Israel) A. The things skeptics say - King David is like King Arthur B. Tel Dan Stele - “byt dwd” (House of David) Divided Kingdom A. Seal of Jeroboam B. We have archeological biblical name usage C. Black Obelisk of Shalmaneser III (Jehu offering tribute) D. Hezekiah’s religious purge (Ex 20:24-25, Deut 12, 2 Chron 31:1) E. Isaiah Seal The Babylonian Conquest A. Bulla of Baruch (Jer 36:32) The New Testament Era A. Evidence Regarding Jesus - Flavious Josephus B. Evidence Supporting Luke and Acts C. Evidence of the Early Church – Pliny the Younger, Tacitus Questions for Discussion: Q1. -
Women in the Ancient Near East: a Sourcebook
WOMEN IN THE ANCIENT NEAR EAST Women in the Ancient Near East provides a collection of primary sources that further our understanding of women from Mesopotamian and Near Eastern civiliza- tions, from the earliest historical and literary texts in the third millennium BC to the end of Mesopotamian political autonomy in the sixth century BC. This book is a valuable resource for historians of the Near East and for those studying women in the ancient world. It moves beyond simply identifying women in the Near East to attempting to place them in historical and literary context, follow- ing the latest research. A number of literary genres are represented, including myths and epics, proverbs, medical texts, law collections, letters and treaties, as well as building, dedicatory, and funerary inscriptions. Mark W. Chavalas is Professor of History at the University of Wisconsin-La Crosse, where he has taught since 1989. Among his publications are the edited Emar: The History, Religion, and Culture of a Syrian Town in the Late Bronze Age (1996), Mesopotamia and the Bible (2002), and The Ancient Near East: Historical Sources in Translation (2006), and he has had research fellowships at Yale, Harvard, Cornell, Cal-Berkeley, and a number of other universities. He has nine seasons of exca- vation at various Bronze Age sites in Syria, including Tell Ashara/Terqa and Tell Mozan/Urkesh. ROUTLEDGE SOURCEBOOKS FOR THE ANCIENT WORLD HISTORIANS OF ANCIENT ROME, THIRD EDITION Ronald Mellor TRIALS FROM CLASSICAL ATHENS, SECOND EDITION Christopher Carey ANCIENT GREECE, THIRD EDITION Matthew Dillon and Lynda Garland READINGS IN LATE ANTIQUITY, SECOND EDITION Michael Maas GREEK AND ROMAN EDUCATION Mark Joyal, J.C. -
Inanna: a Modern Interpretation
The University of Maine DigitalCommons@UMaine Honors College Spring 2019 Inanna: A Modern Interpretation Erin Butts University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Communication Commons, and the Theatre and Performance Studies Commons Recommended Citation Butts, Erin, "Inanna: A Modern Interpretation" (2019). Honors College. 485. https://digitalcommons.library.umaine.edu/honors/485 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. INANNA: A MODERN INTERPRETATION By Erin Butts A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Communications, Theatre) The Honors College The University of Maine May 2019 Advisory Committee: Elizabeth Neiman, Associate Professor of English and Women’s, Gender, and Sexuality Studies, Co-Advisor Mary Jean Sedlock, Lecturer in Theatre, Production Manager, and Technical Director, Co-Advisor Daniel Bilodeau, Chair of Theatre and Dance Julie Lisnet, Instructor of Theatre Jennie Woodard, Preceptor in the Honors College © 2019 Erin H. Butts All Rights Reserved ABSTRACT Sumer has a culture lost to history. Currently, the University of Maine offers no courses about ancient Mesopotamia, one of the first civilizations. Over the years, historians have been translating the cuneiform tablets containing their religion and history. There has been one adaptation of those translations, by Diane Wolkstein in 1983 to bring the stories to a wider audience through a collection of stories around the goddess Inanna. -
The H. Weld-Blundell Collection in the Ashmolean Museum
OXFORD EDITIONS OF CUNEIFORM INSCRIPTIONS EDITED UNDER THE DIRECTION OF S. LANGDON PROFESSOR OF ASSYRIOLOGY, OXFORD VOL. I J ~ THE H. WELD-BLUNDELL COLLECTION IN THE ASHMOLEAN MUSEUM VOL. I SUMERIAN AND SEMITIC RELIGIOUS AND HISTORICAL TEXTS BY S. LANGDON, M.A. OXFORD UNIVERSITY PRESS LONDON EDINBURGH GLASGOW COPENHAGEN .NEW YORK TORONTO MELBOURNE CAPE TOWN BOMBAY CALCUTTA MADRAS SHANGHAI HUMPHREY MILFORD 1923 PREFACE. The Series of Oxford Editions of Cuneiform Inscriptions which begins with this volume has been planned primarily for the purpose of publishing the tablets and inscribed monuments presented to the University of Oxford bv Mr. H. WELD- BLUNDELL of Queenfs College. The material contained in the earlier volumes has been obtained by Mr. WELD-BLUNDELL by purchase during his first visit to Mesopotamia in the spring to 1921 and later through the valuable assistance of Captain COOK of the Ministry of Awkaf in 13aodad. The munificent patron of the university then decided to send out an expedition to excavate in Mesopotamia and after a prolonged conference with the writer he decided to excavate Kish, the ancient capital of BabyloniaL, for the University of Oxford. In view of the heavy expense involved in such a project; for the ruins of Kish consist in two great mounds, Tel-el-Ah.aimer and Umm Gharra, which revert to the oldest period of human history, we gladly accepted the generous offer of the Director of the Field Museum of Natural History (Chicago), under sanction of his Board of Trustees, to form a joint expedition. The philological material which shall accrue to Oxford and the Field Museum will be published in this Series.