Virginity in Ancient Mesopotamia*
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Burn Your Way to Success Studies in the Mesopotamian Ritual And
Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary. -
Desire, Discord, and Death : Approaches to Ancient Near Eastern Myth / by Neal Walls
DESIRE, DISCORD AND DEATH APPROACHES TO ANCIENT NEAR EASTERN MYTH ASOR Books Volume 8 Victor Matthews, editor Billie Jean Collins ASOR Director of Publications DESIRE, DISCORD AND DEATH APPROACHES TO ANCIENT NEAR EASTERN MYTH by Neal Walls American Schools of Oriental Research • Boston, MA DESIRE, DISCORD AND DEATH APPROACHES TO ANCIENT NEAR EASTERN MYTH Copyright © 2001 American Schools of Oriental Research Cover art: Cylinder seal from Susa inscribed with the name of worshiper of Nergal. Photo courtesy of the Louvre Museum. Cover design by Monica McLeod. Library of Congress Cataloging-in-Publication Data Walls, Neal H., 1962- Desire, discord, and death : approaches to ancient Near Eastern myth / by Neal Walls. p. cm. -- (ASOR books ; v. 8) Includes bibliographical references and indexes. ISBN 0-89757-056-1 -- ISBN 0-89757-055-3 (pbk.) 1. Mythology--Middle East. 2. Middle East--Literatures--History and crticism. 3. Death in literature. 4. Desire in literature. I. Title. II. Series. BL1060 .W34 2001 291.1'3'09394--dc21 2001003236 Contents ABBREVIATIONS vii ACKNOWLEDGEMENTS viii INTRODUCTION Hidden Riches in Secret Places 1 METHODS AND APPROACHES 3 CHAPTER ONE The Allure of Gilgamesh: The Construction of Desire in the Gilgamesh Epic INTRODUCTION 9 The Construction of Desire: Queering Gilgamesh 11 THE EROTIC GILGAMESH 17 The Prostitute and the Primal Man: Inciting Desire 18 The Gaze of Ishtar: Denying Desire 34 Heroic Love: Requiting Desire 50 The Death of Desire 68 CONCLUSION 76 CHAPTER TWO On the Couch with Horus and Seth: A Freudian -
MESOPOTAMIAN MAGIC in TEXT and PERFORMANCE Sam Mirelman
ACCEPTED PRE-PROOF: BOOK CHAPTER IN: S. PANAYOTOV, U. STEINERT AND L. VACÍN (EDS.), MAGIC AND MEDICINE IN MESOPOTAMIA. FESTSCHRIFT FOR M. J. GELLER. ANCIENT MAGIC AND DIVINATION SERIES. BRILL (2018). - HTTPS://DOI.ORG/10.1163/9789004368088_018 DOWNLOADED FROM SOAS RESEARCH ONLINE - HTTPS://EPRINTS.SOAS.AC.UK/30220 MESOPOTAMIAN MAGIC IN TEXT AND PERFORMANCE Sam Mirelman Any representation of an action or utterance in written form is, by definition, never a full reflection of its actual performance.1 Indeed, our knowledge of Mesopotamian magic, as it existed in performance, will always be partial and incomplete. This is a result of the simple fact that our knowledge of the practice of Mesopotamian magic is channeled mainly through the medium of text. 2 Assuming a written representation serves as a record of an existing ritual practice, it must be approached as a selective account of specific aspects of a ritual, which were deemed necessary to be written down, in a specific time, place and context.3 In addition, we cannot assume that a ritual text4 or written recitation merely records a practice which existed before it was written down; the action or recitation may have been composed initially in writing, by means of a combination of observation and writing, or with reference to an oral tradition. Following the initial writing of an incantation or ritual text, the composition represented by the text may have been transmitted in writing and/or orally. Similarly, the composition may have been performed with a full or partial reference to a text, a version of it, or as a purely or partially oral tradition. -
ANE Deities Compared Genesis 1-11 the Babylonians and Akkadians Adopted the Sumerian Pantheon with Little Changes
ANE Deities Compared Genesis 1-11 The Babylonians and Akkadians adopted the Sumerian pantheon with little changes. Gods were often renamed but their role and status in the pantheon generally remained the same. The dominance of Babylon, however, also led to the ascendancy of the god of Babylon: Marduk assumed power over An, Enlil, and Enki. Sumerian Aspect of Deity Babylonian/Akkadian An God of the heavens Anu Enlil God of the earth and air Enlil / Ellil Enki God of water; Ea god of wisdom and magic Ninhursag (Nimmah, Nintu, Ki) Mother-goddess Aruru Nanna-Sin Moon god Sin Utu Sun God; Shamash god of justice Ereshkigal Goddess of the underworld Nergal Ishkur Storm god Marduk (Adad, Ashur, Bel) Abzu Primordial sweet-water ocean Apsu (Enki’s abode) Nanshe The salt-water ocean Tiamat1 Dumuzi God of vegetation; god of the Tammuz underworld; shepherd god Inanna Fertility goddess; Ishtar goddess of love and war Ashnan God of grain Dagan Nidaba, Nisaba God of scribes, literacy, Nabu and wisdom Anunnaki2 Lesser gods, workers Anunnaki, Igigi2 Blue = the supreme gods (highest of the seven primary gods) Red = additional members of the seven primary gods Green = other important gods 1 Enuma Elish tells the story of Marduk’s victory over the sea monster Tiamat. 2 Anunnaki and Igigi are both collective terms for a group of otherwise nameless gods. It is uncertain whether or not they stand for the same group of gods. The Anunnaki seem to hold a higher position. Chart inspired by G. Herbert Livingston, The Pentateuch and Its Cultural Environment (pp. -
The Weeping Goddess: Sumerian Prototypes of the Mater Dolorosa Author(S): Samuel Noah Kramer Source: the Biblical Archaeologist, Vol
The Weeping Goddess: Sumerian Prototypes of the Mater Dolorosa Author(s): Samuel Noah Kramer Source: The Biblical Archaeologist, Vol. 46, No. 2 (Spring, 1983), pp. 69-80 Published by: The American Schools of Oriental Research . The Weeping Goddess: Sumerian Prototypes of the Mater Dolorosa by Samuel Noah Kramer Some time about 2000 B.c., a devasta- ting calamity befell Sumer, a disaster that well-nigh ended the existence of Sumer as a political entity. What made this catastrophe partic- Ur-Nammu, the founder of the ThirdDynasty, erected this stele at Ur. Only fragments of the stele werepreserved, but it has been restored to its original size of approximatelyten feet high ularly tragic, was and five feet wide. The top decorative zone shows the king pouring libations before an enthroned deity. The scene is repeated in the second zone with Ur-Nammu appearing the poignant fact twice-once before the moon-god Nanna and once before the goddess Ningal. The heavily damaged, lower zones of the stele originally depicted the king engaged in building that it marked operations. University Museum, University of Pennsylvania. BIBLICALARCHAEOLOGIST/SPRING 1983 69 the end of a Sumerian renaissance of at bay,but to no avail. They contin- Finally,in the twenty-fourth year political and economic power,a ued their inroads into Sumer dur- of his reign, the Elamites and their periodwhen learning, literature, and ing the reign of Ibbi-Sin,the last allies, the Su-people, overwhelmed music flourished throughout the king of the dynasty,who suc- and destroyedUr and led off Ibbi-Sin, land. -
A Comparative Study on the Reverence of the Goddess in Contemporary America and Ancient Mesopotamia Sierra Helm Roger Williams University, [email protected]
Roger Williams University DOCS@RWU Honors Theses RWU Theses 5-3-2011 The aP ssion for the Goddess; a Comparative Study on the Reverence of the Goddess in Contemporary America and Ancient Mesopotamia Sierra Helm Roger Williams University, [email protected] Follow this and additional works at: http://docs.rwu.edu/honors_theses Part of the Art and Design Commons, and the Historic Preservation and Conservation Commons Recommended Citation Helm, Sierra, "The asP sion for the Goddess; a Comparative Study on the Reverence of the Goddess in Contemporary America and Ancient Mesopotamia" (2011). Honors Theses. Paper 14. http://docs.rwu.edu/honors_theses/14 This Thesis is brought to you for free and open access by the RWU Theses at DOCS@RWU. It has been accepted for inclusion in Honors Theses by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. Helm 1 Inanna represented in a contemporary artwork by artist Shylo Love from her Deviant Art Gallery <http://book-of- light.deviantart.com/art/Inanna-Goddess-of-Goddesses-79396861>. The image combines the symbology of Inanna with Angelina Jolie’s face. The Passion for the Goddess; a Comparative Study on the Reverence of the Goddess in Contemporary America and Ancient Mesopotamia. Sierra Helm Bachelor of Arts History of Art and Architecture School of Architecture, Art, and Historic Preservation May 6, 2011 Helm 2 Signature Page Thesis Title: The Passion for the Goddess; a Comparative Study of the Reverence of the Goddess in Contemporary America and Ancient Mesopotamia. Author: Sierra Helm signature ______________________________________ date _______________ Advisor: Rebecca Leuchak signature ______________________________________ date _______________ Dean: Stephen White, School of Architecture, Art, and Historic Preservation signature ______________________________________ date _______________ Helm 3 Table of Contents 1. -
Planets in Ancient Mesopotamia
Enn Kasak, Raul Veede UNDERSTANDING PLANETS IN ANCIENT MESOPOTAMIA This is a copy of the article from printed version of electronic journal Folklore Vol. 16 ISSN 1406-0957 Editors Mare Kõiva & Andres Kuperjanov Published by the Folk Belief and Media Group of ELM Electronic Journal of Folklore Electronic version ISSN 1406-0949 is available from http://haldjas.folklore.ee/folklore It’s free but do give us credit when you cite! © Folk Belief and Media Group of ELM, Andres Kuperjanov Tartu 2001 6 UNDERSTANDING PLANETS IN ANCIENT MESOPOTAMIA Enn Kasak, Raul Veede On our planet time flows evenly everywhere but the history as we know it has different length and depth in every place. Maybe the deepest layer of history lies in the land between Tigris and Eufrat – Mesopotamia (Greek Mesopotam a ‘the land between two rivers’). It is hard to grasp how much our current culture has inherited from the people of that land – be it either the wheel, the art of writing, or the units for measuring time and angles. Science and knowledge of stars has always – though with varying success – been important in European culture. Much from the Babylonian beliefs about con- stellations and planets have reached our days. Planets had an im- portant place in Babylonian astral religion, they were observed as much for calendrical as astrological purposes, and the qualities of the planetary gods were carried on to Greek and Rome. The following started out as an attempt to compose a list of planets together with corresponding gods who lend their names and quali- ties to the planets. -
Mesopotamian Gods and the Bull
ARTÍCULO / ARTICLE Sociedades Precapitalistas, vol. 8, nº 1, e030, diciembre 2018. ISSN 2250-5121 Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios de Sociedades Precapitalistas (CESP) Mesopotamian Gods and the Bull Renate Marian van Dijk-Coombes * Stellenbosch University, Sudáfrica [email protected] Cita sugerida: van Dijk-Coombes, R. M. (2018). Mesopotamian Gods and the Bull. Sociedades Precapitalistas, 8(1), e030. https://doi.org/10.24215/22505121e030 Recibido: 16 agosto 2018 - Aceptado: 13 noviembre 2018 - Publicado: 07 diciembre 2018 Esta obra está bajo licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional http://creativecommons.org/licenses/by-nc-sa/4.0/deed.es_AR PDF generated from XML JATS4R by Redalyc Project academic non-profit, developed under the open access initiative Sociedades Precapitalistas, vol. 8, nº 1, e030, diciembre 2018. ISSN 2250-5121 Mesopotamian Gods and the Bull Los dioses mesopotámicos y el toro Renate Marian van Dijk-Coombes Stellenbosch University, Sudáfrica [email protected] Abstract: In Mesopotamia, gods were associated with the bull from at least the Early Dynastic Period until the Neo-Babylonian or Chaldean Period. This relationship took on many forms – the bull could serve as the god’s divine animal, the god could be likened to the bull, or he could actually take on the form of the beast. In this paper, the various gods identified with or related to the bull will be identified and studied in order to identify which specific types of god were most commonly and especially associated with the bull. The relationships between the gods and the bull are evident in textual as well as iconographic sources, although fewer instances of this connection are found in iconography. -
The World of the Sumerian Mother Goddess
ACTA UNIVERSITATIS UPSALIENSIS Historia Religionum 35 The World of the Sumerian Mother Goddess An Interpretation of Her Myths Therese Rodin Dissertation presented at Uppsala University to be publicly examined in Ihresalen, Tun- bergsvägen 3L, Uppsala, Saturday, 6 September 2014 at 10:00 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Professor Britt- Mari Näsström (Gothenburg University, Department of Literature, History of Ideas, and Religion, History of Religions). Abstract Rodin, T. 2014. The World of the Sumerian Mother Goddess. An Interpretation of Her Myths. Historia religionum 35. 350 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-554- 8979-3. The present study is an interpretation of the two myths copied in the Old Babylonian period in which the Sumerian mother goddess is one of the main actors. The first myth is commonly called “Enki and NinপXUVDƣa”, and the second “Enki and Ninmaপ”. The theoretical point of departure is that myths have society as their referents, i.e. they are “talking about” society, and that this is done in an ideological way. This study aims at investigating on the one hand which contexts in the Mesopotamian society each section of the myths refers to, and on the other hand which ideological aspects that the myths express in terms of power relations. The myths are contextualized in relation to their historical and social setting. If the myth for example deals with working men, male work in the area during the relevant period is dis- cussed. The same method of contextualization is used regarding marriage, geographical points of reference and so on. -
New Fragments of Gilgameš and Other Literary Texts from Kuyunjik
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Universität München: Elektronischen Publikationen IRAQ (2014) 76 99–121 Doi:10.1017/irq.2014.2 99 NEW FRAGMENTS OF GILGAMEŠ AND OTHER LITERARY TEXTS FROM KUYUNJIK By E. JIMÉNEZ The public availability of photographs of the entire British Museum Kuyunjik collection has allowed the identification of many hitherto unplaced fragments. Some of them are particularly relevant for the reconstruction of passages in a number of ancient Mesopotamian literary texts. These are published here for the first time. They include three new fragments of the Gilgameš epic, one or two of the Theodicy, several of the Diviner’s Manual and of the Rituals of the Diviner, several prayers previously only poorly known, and fragments from the seventh tablet of the exorcistic series Muššuʾu. Ashurbanipal’s libraries represent the single most important collection of literary tablets from first millennium Mesopotamia, and they will continue to do so for the foreseeable future. Almost all genres are represented within them, and the reliability and legibility of their manuscripts have proven an invaluable touchstone when confronted with duplicates from different cities and periods. Despite the intensive work of several generations of scholars, their wealth is far from exhausted, and many of their texts still remain unpublished and many of the fragments unidentified. This makes the possibility of accessing the entirety of their contents at the click of a button, via the British Museum’s online database of photographs,1 particularly welcome news for the student of Babylonian literature. -
Assyrian and Babylonian Scholarly Text Catalogues Die Babylonisch-Assyrische Medizin in Texten Und Untersuchungen
Assyrian and Babylonian Scholarly Text Catalogues Die babylonisch-assyrische Medizin in Texten und Untersuchungen Begründet von Franz Köcher Herausgegeben von Robert D. Biggs und Marten Stol Band 9 Assyrian and Babylonian Scholarly Text Catalogues Medicine, Magic and Divination Edited by Ulrike Steinert The work on this volume as part of the project BabMed – Babylonian Medicine has been funded by the European Research Council (ERC) under the European Union’s Seventh Framework Programme (FP7/2007–2013; Project No. 323596). ISBN 978-1-5015-1363-3 e-ISBN (PDF) 978-1-5015-0491-4 e-ISBN (EPUB) 978-1-5015-0487-7 Library of Congress Control Number 2018935702 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2018 Walter de Gruyter Inc., Boston/Berlin Cover image: Florentina Badalanova Geller Typesetting: Michael Peschke, Berlin Printing: CPI books GmbH, Leck www.degruyter.com Table of Contents Acknowledgements 1 Abbreviations 3 Ulrike Steinert Introduction: Catalogues, Corpora and Canons in Mesopotamian Scholarship 7 Part 1: Studies on Mesopotamian Text Catalogues Irving L. Finkel On Three Tablet Inventories 25 Markham J. Geller A Babylonian Hippocrates 42 J. Cale Johnson Towards a New Perspective on Babylonian Medicine: The Continuum of Allegoresis and the Emergence of Secular Models in Mesopotamian Scientific Thought 55 Strahil V. Panayotov Notes on the Assur Medical Catalogue with Comparison to the Nineveh Medical Encyclopaedia 89 Francesca Rochberg The Catalogues of Enūma Anu Enlil 121 Eric Schmidtchen Esagil-kīn-apli’s Catalogue of Sakikkû and Alamdimmû 137 Ulrike Steinert Catalogues, Texts and Specialists: Some Thoughts on the Assur Medical Catalogue, Mesopotamian Medical Texts and Healing Professions 158 vi Table of Contents Part 2: Text Sources U. -
A Reconstruction of the Assyro-Babylonian God-Lists, AN
TEXTS FROM THE BABYLONIAN COLLECTION Volume 3 William W. Hallo, Editor TEXTS FROM THE BABYLONIAN COLLECTION Volume 3 ARECONSTRUCTION OF THE ASSYRO-BABYLONIAN GOD-LISTS, AN: dA NU-UM AND AN: ANU SA AMÉLI by Richard L. Litke LOC 98-061533 Copyright © 1998 by the Yale Babylonian Collection. All rights reserved. This book may not be reproduced, in whole or in part, in any form (beyond that copying permitted by Sections 107 and 108 of the U. S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Printed in the United States of America Distributed by CDL Press, P.O.B. 34454 Bethesda, MD 20827, U.S.A. YALE BABYLONIAN COLLECTION New Haven The publication of thiS volume haS been made possible by a grant from Elizabeth DebevoiSe Healy in honor of her grandfather, Albert T. Clay. FOREWORD The publication of the present work has a long and complicated history. When FerriS J Stephens retired from the curatorship of the Babylonian Collection in 1962, and I arrived to take his place, one of the first problems confronting me was a large backlog of unfinished and half-finished manuscripts. These included dissertations written under the direction of Stephens or of Albrecht Goetze, and monographs and collections of copies prepared by former students and other collaborators. I therefore decided to bring the authorS in question back to New Haven to finish their manuscripts where possible, or to enlist other collaborators for the same purpose where it was not. To this end, applications were successfully made to the National Endowment for the Humanities for summer grants—five in all during the period 1968-77—which eventually resulted in, or contributed materially to, the publication of a dozen monographs (BIN 3, YNER 4-7, and YOS 11-14 and 17-18, as well as B.