Death They Dispensed to Mankind the Funerary World of Ancient Mesopotamia 1
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UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
Namzitara FS Kilmer
Offprint from STRINGS AND THREADS A Celebration of the Work of Anne Draffkorn Kilmer Edited by WOLFGANG HEIMPEL and GABRIELLA FRANTZ - SZABÓ Winona Lake, Indiana EISENBRAUNS 2011 © 2011 by Eisenbrauns Inc. All rights reserved Printed in the United States of America www.eisenbrauns.com Drawing on the cover and beneath the title on p. iii by Cornelia Wolff, Munich, after C. L. Wooley, Ur Excavations 2 (1934), 105. Library of Congress Cataloging-in-Publication Data Strings and threads : a celebration of the work of Anne Draffkorn Kilmer / edited by Wolfgang Heimpel and Gabriella Frantz-Szabó. p. cm. Includes bibliographical references and index. ISBN 978-1-57506-227-3 (hardback : alk. paper) 1. Kilmer, Anne Draffkorn. 2. Music—Middle East—History and criticism. 3. Music archaeology— Middle East. I. Kilmer, Anne Draffkorn. II. Heimpel, Wolfgang. III. Frantz-Szabó, Gabriella. ML55.K55S77 2011 780.9—dc22 2011036676 The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. †Ê Contents Preface .............................................................. vii Abbreviations ......................................................... ix GUITTY AZARPAY The Imagery of the Manichean ‘Call’ on a Sogdian Funerary Relief from China ................ 1 DOMINIQUE COLLON Chinless Wonders ................................ 19 JERROLD S. COOPER Puns and Prebends: The Tale of Enlil and Namzitara. 39 RICHARD L. CROCKER No Polyphony before A.D. 900! ...................... 45 DANIEL A. FOXVOG Aspects of Name-Giving in Presargonic Lagash ........ 59 JOHN CURTIS FRANKLIN “Sweet Psalmist of Israel”: The Kinnôr and Royal Ideology in the United Monarchy .............. 99 ELLEN HICKMANN Music Archaeology as a Field of Interdisciplinary Research ........................ -
Burn Your Way to Success Studies in the Mesopotamian Ritual And
Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary. -
""B T6t @T66~Rtans. ·
THE EXPOSITORY TIMES. (!totta: upon t6t ®tfitfs of t6t ®aB~fonians ""b t6t @t66~rtans. · BY T. G. PINCHES, LL.D., M.R.A.S;, LECTURER IN ASSYRIAN f>.T UNIVERSITY COLLEGE, LONDON. THE earliest beliefs of the Babylonians are gener ocean.I The worship of Merodach was the last ally regarded as having been an.imistic - the important form of the religion of Babylonia, As attribution of a soul to the various powers of to Assyria, the changes seem to have been . nature. Traces of this creed, in fact, are met fewer or non-existent - from first to last the. with in the statements of their beliefs which have people remained faithful to their national go(f come down to us. Thus the first creative power Assur. was the sea (Tiamat or Tiawath), teeming, as it Notwithstanding the homogeneity of the Baby~ does, with so many and such wonderful forms of Ionian religious system, there were many differ life ; and next to the sea, the rivers and streams, ences of belief in the various states of that couritry, represented by the god Ea or Enki, with his each of which-and, indeed, every important city daughter Nin-alJ.a-kuddu, The god of .the air, -worshipped its own special divinity, with his and. of thi1'nder, wind; and rain (Rammapu or consort and attendants. The list of 'these is Rimmon, also known as Addu, Adad, or Hadad), naturally very long, but_ as examples may be men is another example ; and the god of pestilence tioned Anu and !Star at Erech; Enlil and later (Nergal) may also be regarded as being of a on Ninip 2 at Nippur; Enki or Ea at Eridu; similar origin, and perhaps identical with Ugga, Merodach and Zer-pan!tum at Babylon; the the god of death. -
Readingsample
Schlangendarstellungen in Mesopotamien und Iran vom 8. bis 2. Jt. v. Chr. Quellen, Deutungen und kulturübergreifender Vergleich Bearbeitet von Birgit Kahler Erstauflage 2015. Taschenbuch. 140 S. Paperback ISBN 978 3 95935 056 3 Format (B x L): 15,5 x 22 cm Weitere Fachgebiete > Geschichte > Alte Geschichte & Archäologie > Altorientalische Geschichte & Archäologie schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Leseprobe Textprobe 3.1.4 Ningizzid Ningizzida ist wie sein Vater Ninazu ein Unterwelts- und Kriegsgott. Man kann davon ausgehen, dass er in Lagaš von Gudea eingeführt wurde, da er dort erst mit diesem auftaucht, wohingegen er in Ešnunna früher schon sehr oft zu sehen ist. Gudea beruft sich auf ihn in Verbindung mit Fruchtbarkeit („a god of much good progeny”). Sein zweiter Name Gišbanda, junger Baum, ist sowohl in der Nippur-Götterliste enthalten, als auch der Name seines Kultzentrums zwischen Ur und Lagaš. Dieses Zentrum erscheint nicht in Wirtschaftstexten, sondern wird nur in Tempelhymnen als „ehrfurchteinflößender Platz mitten auf dem Feld” genannt Schlange und Wurzeln Interessant ist in diesem Zusammenhang, dass man Schlangen und Baumwurzeln für identisch ansah und demzufolge das Wort Wurzel mit dem Bild überkreuzter Schlangen schrieb. Hierzu passt auch die Geschichte von Inanna, wie sie in ihrem Garten in Uruk einen Baum pflanzt, in dessen Wurzelwerk eine Schlange nistet Inanna fischt einen ausgerissenen Baum aus dem Fluss und pflanzt ihn in ihrem Garten in Uruk ein, um daraus später ein Bett und einen Stuhl zu fertigen. -
INITIATIVE for CUNEIFORM ENCODING PROPOSAL November 1, 2003
INITIATIVE FOR CUNEIFORM ENCODING PROPOSAL November 1, 2003 [IMPORTANT NOTE: Due to the pressures of time and other considerations this is one of two proposals submitted to the Unicode Technical Committee by the Initiative for Cuneiform Encoding prior to the UTC meeting at Johns Hopkins University in Baltimore, Nov. 4-7, 2003. This is NOT, however, intended as two competing proposals; it is merely insurance to make sure all exigencies are covered before the ICE proposal presentation at UTC. We intend to present a single proposal.] We find ourselves at an historic crux in the history of writing. From our vantage point we can look backwards 5600 years to the beginnings of the world's first writing, cuneiform, and we can look forward into a future where that heritage will be preserved. International computer standards make it possible. Sumero-Akkadian cuneiform is the world's oldest and longest used writing system. The earliest texts appear in Mesopotamia around 3600 BC and the last native cuneiform texts were written around 75 AD. The ancient scribes pressed the ends of their styluses into damp clay in order to write the approximately 800 different syllabic, logographic, or taxographic signs of this complex, poly-valent script. The clay tablets were sun-dried or baked by fire and were thus preserved in the sands of the Near East for millennia. Since the decipherment of Babylonian cuneiform some 150 years ago museums have accumulated perhaps 300,000 tablets written in most of the major languages of the Ancient Near East - Sumerian, Akkadian (Babylonian and Assyrian), Eblaite, Hittite, Hurrian, and Elamite. -
Miscellaneous Babylonian Inscriptions
MISCELLANEOUS BABYLONIAN INSCRIPTIONS BY GEORGE A. BARTON PROFESSOR IN BRYN MAWR COLLEGE ttCI.f~ -VIb NEW HAVEN YALE UNIVERSITY PRESS LONDON HUMPHREY MILFORD OXFORD UNIVERSITY PRESS MDCCCCXVIII COPYRIGHT 1918 BY YALE UNIVERSITY PRESS First published, August, 191 8. TO HAROLD PEIRCE GENEROUS AND EFFICIENT HELPER IN GOOD WORKS PART I SUMERIAN RELIGIOUS TEXTS INTRODUCTORY NOTE The texts in this volume have been copied from tablets in the University Museum, Philadelphia, and edited in moments snatched from many other exacting duties. They present considerable variety. No. i is an incantation copied from a foundation cylinder of the time of the dynasty of Agade. It is the oldest known religious text from Babylonia, and perhaps the oldest in the world. No. 8 contains a new account of the creation of man and the development of agriculture and city life. No. 9 is an oracle of Ishbiurra, founder of the dynasty of Nisin, and throws an interesting light upon his career. It need hardly be added that the first interpretation of any unilingual Sumerian text is necessarily, in the present state of our knowledge, largely tentative. Every one familiar with the language knows that every text presents many possi- bilities of translation and interpretation. The first interpreter cannot hope to have thought of all of these, or to have decided every delicate point in a way that will commend itself to all his colleagues. The writer is indebted to Professor Albert T. Clay, to Professor Morris Jastrow, Jr., and to Dr. Stephen Langdon for many helpful criticisms and suggestions. Their wide knowl- edge of the religious texts of Babylonia, generously placed at the writer's service, has been most helpful. -
NINAZU, the PERSONAL DEITY of GUDEA Toshiko KOBAYASHI*
NINAZU, THE PERSONAL DEITY OF GUDEA -The Continuity of Personal Deity of Rulers on the Royal Inscriptions of Lagash- Toshiko KOBAYASHI* I. Introduction 1. Historical materials from later periods For many years, I have examined the personal deities of rulers in Pre- Sargonic Lagash.(1) There are not many historical materials about the personal deities from Pre-Sargonic times. In as much as the materials are limited chiefly to the personal deities recorded in the royal inscriptions, not all aspects of personal deities are clear. In my paper "On Ninazu, as Seen in the Economic Texts of the Early Dynastic Lagas (1)" in Orient XXVIII, I discussed Ninazu, who appears in the administrative-economic texts of Pre-Sargonic Lagash. Ninazu appears only in the offering-lists in the reign of Uruinimgina, the last ruler of Pre-Sargonic Lagash. Based only on an analysis of the offering-lists, I argued that Ninazu was the personal deity of a close relative of Uruinimgina. In my investigation thus far of the extant historical materials from Pre-Sargonic Lagash, I have not found any royal inscriptions and administrative-economic texts that refer to Ninazu as dingir-ra-ni ("his deity"), that is, as his personal deity. However, in later historical materials two texts refer to Ninazu as "his deity."(2) One of the texts is FLP 2641,(3) a royal inscription by Gudea, engraved on a clay cone. The text states, "For his deity Ninazu, Gudea, ensi of Lagash, built his temple in Girsu." Gudea is one of the rulers belonging to prosperous Lagash in the Pre-Ur III period; that is, when the Akkad dynasty was in decline, after having been raided by Gutium. -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
Hanigalbat and the Land Hani
Arnhem (nl) 2015 – 3 Anatolia in the bronze age. © Joost Blasweiler student Leiden University - [email protected] Hanigal9bat and the land Hana. From the annals of Hattusili I we know that in his 3rd year the Hurrian enemy attacked his kingdom. Thanks to the text of Hattusili I (“ruler of Kussara and (who) reign the city of Hattusa”) we can be certain that c. 60 years after the abandonment of the city of Kanesh, Hurrian armies extensively entered the kingdom of Hatti. Remarkable is that Hattusili mentioned that it was not a king or a kingdom who had attacked, but had used an expression “the Hurrian enemy”. Which might point that formerly attacks, raids or wars with Hurrians armies were known by Hattusili king of Kussara. And therefore the threatening expression had arisen in Hittite: “the Hurrian enemy”. Translation of Gary Beckman 2008, The Ancient Near East, editor Mark W. Chavalas, 220. The cuneiform texts of the annal are bilingual: Babylonian and Nesili (Hittite). Note: 16. Babylonian text: ‘the enemy from Ḫanikalbat entered my land’. The Babylonian text of the bilingual is more specific: “the enemy of Ḫanigal9 bat”. Therefore the scholar N.B. Jankowska1 thought that apparently the Hurrian kingdom Hanigalbat had existed probably from an earlier date before the reign of Hattusili i.e. before c. 1650 BC. Normally with the term Mittani one is pointing to the mighty Hurrian kingdom of the 15th century BC 2. Ignace J. Gelb reported 3 on “the dragomans of the Habigalbatian soldiers/workers” in an Old Babylonian tablet of Amisaduqa, who was a contemporary with Hattusili I. -
Epigraphic Bulletin for Greek Religion 1996
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 12 | 1999 Varia Epigraphic Bulletin for Greek Religion 1996 Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou Electronic version URL: http://journals.openedition.org/kernos/724 DOI: 10.4000/kernos.724 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 1999 Number of pages: 207-292 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou, « Epigraphic Bulletin for Greek Religion 1996 », Kernos [Online], 12 | 1999, Online since 13 April 2011, connection on 15 September 2020. URL : http://journals.openedition.org/kernos/724 Kernos Kemos, 12 (1999), p. 207-292. Epigtoaphic Bulletin for Greek Religion 1996 (EBGR 1996) The ninth issue of the BEGR contains only part of the epigraphie harvest of 1996; unforeseen circumstances have prevented me and my collaborators from covering all the publications of 1996, but we hope to close the gaps next year. We have also made several additions to previous issues. In the past years the BEGR had often summarized publications which were not primarily of epigraphie nature, thus tending to expand into an unavoidably incomplete bibliography of Greek religion. From this issue on we return to the original scope of this bulletin, whieh is to provide information on new epigraphie finds, new interpretations of inscriptions, epigraphieal corpora, and studies based p;imarily on the epigraphie material. Only if we focus on these types of books and articles, will we be able to present the newpublications without delays and, hopefully, without too many omissions. -
University of Cincinnati
! "# $ % & % ' % !" #$ !% !' &$ &""! '() ' #$ *+ ' "# ' '% $$(' ,) * !$- .*./- 0 #!1- 2 *,*- Atomic Apocalypse – ‘Nuclear Fiction’ in German Literature and Culture A dissertation submitted to the Graduate School of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of German Studies of the College of Arts and Sciences 2010 by Wolfgang Lueckel B.A. (equivalent) in German Literature, Universität Mainz, 2003 M.A. in German Studies, University of Cincinnati, 2005 Committee Chair: Sara Friedrichsmeyer, Ph.D. Committee Members: Todd Herzog, Ph.D. (second reader) Katharina Gerstenberger, Ph.D. Richard E. Schade, Ph.D. ii Abstract In my dissertation “Atomic Apocalypse – ‘Nuclear Fiction’ in German Literature and Culture,” I investigate the portrayal of the nuclear age and its most dreaded fantasy, the nuclear apocalypse, in German fictionalizations and cultural writings. My selection contains texts of disparate natures and provenance: about fifty plays, novels, audio plays, treatises, narratives, films from 1946 to 2009. I regard these texts as a genre of their own and attempt a description of the various elements that tie them together. The fascination with the end of the world that high and popular culture have developed after 9/11 partially originated from the tradition of nuclear fiction since 1945. The Cold War has produced strong and lasting apocalyptic images in German culture that reject the traditional biblical apocalypse and that draw up a new worldview. In particular, German nuclear fiction sees the atomic apocalypse as another step towards the technical facilitation of genocide, preceded by the Jewish Holocaust with its gas chambers and ovens.