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Hunting Shirts and Silk Stockings: Clothing Early Cincinnati
Fall 1987 Clothing Early Cincinnati Hunting Shirts and Silk Stockings: Clothing Early Cincinnati Carolyn R. Shine play function is the more important of the two. Shakespeare, that fount of familiar quotations and universal truths, gave Polonius these words of advice for Laertes: Among the prime movers that have shaped Costly thy habit as thy purse can buy, But not expressed infancy; history, clothing should be counted as one of the most potent, rich not gaudy; For the apparel oft proclaims the man.1 although its significance to the endless ebb and flow of armed conflict tends to be obscured by the frivolities of Laertes was about to depart for the French fashion. The wool trade, for example, had roughly the same capital where, then as now, clothing was a conspicuous economic and political significance for the Late Middle indicator of social standing. It was also of enormous econo- Ages that the oil trade has today; and, closer to home, it was mic significance, giving employment to farmers, shepherds, the fur trade that opened up North America and helped weavers, spinsters, embroiderers, lace makers, tailors, button crack China's centuries long isolation. And think of the Silk makers, hosiers, hatters, merchants, sailors, and a host of others. Road. Across the Atlantic and nearly two hundred If, in general, not quite so valuable per pound years later, apparel still proclaimed the man. Although post- as gold, clothing like gold serves as a billboard on which to Revolution America was nominally a classless society, the display the image of self the individual wants to present to social identifier principle still manifested itself in the quality the world. -
Money & Possessions Quick Reference
Money & Possessions Quick Reference All prices given in Pence (abbreviated “p”). England: 1 Shilling = 12p. 1 Pound = 2 0p. 1 "uinea = 2#2p. $rance: 1 Sous = .#p. 1 %ivre = 1!p. 1 Ecu = &!p. 1 Pistole = 1!!p. 1 %ouis '(or = 2!0p. 1 Franc = 12p (after 1*+#). "er,an States: 1 Pfennig = .2p. 1 Groschen = 2.#p. 1 -haler = .0p. 1 /eichsthaler = &!p. 0talian States: 1 Soldo = . p. 1 %ira = 1p. 1 Scudo = #&p. Spain: 1 2aravedi = ..p. 1 /eal = 10p. 1 Peso (Piece o) Eight) = 1!p. 1 Escudo = 1&!p. 1 'oubloon = .2!p. Pure Silver: 1!p per troy ounce. Pure "old: 14!2!p per troy ounce. GOODS FOR SALE Art4 5e6elr34 7 Art 8b9ects :laude Glass (black ,irror for appreciating landscapes): 12p /ing4 "old: *#0p Fan, %ad3(s: 12 < 2#!p /ing4 5e6eled: 24!!!p= %ocket, "old: 14!!0p /ing4 Silver: &!p Paste Ge, Pendant: 2#0p Shade (Silhouette) Portrait: .0p Pocket<6atch: #!!p Snuffbo>, 'ecorated: #!0p= Portrait, 'rawn: 14!!0p= Sculpture, ?ron@e 2onu,ent: 1!4!!!p= Portrait, Pastel: .4!!0p= Sculpture, 2arble ?ust: #4!!!p Portrait, Painted in Oils: 4!!!p= Aatch, Silver: 1,1!0 p :lothing Bote that al,ost all clothing has to be ,ade to order. :lothing can take up to a 6eek to ,ake. 1 ell o) fabric equals appro>i,ately # inches. 1# D .0 ells o) fabric are required for a lad3(s go6n. # ells are used )or a ,an(s 9acket, and 2 ells each )or a ,an(s breeches and 6aistcoat (vest). -
The Heritage of Dress
Purchased by the AVary Stuart Boor Fund Founded A.D. 1893 Cooper Union Library^ THE HERITAGE OF DRESS PLATE I. Frontispiec Very early man in Java. {See page 5.) THE HERITAGE OF DRESS BEING NOTES ON THE HISTORY AND EVOLUTION OF CLOTHES BY WILFRED MARK WEBB FELLOW OF THE LINNEAN SOCIETY OF LONDON GKNERAL SECRETARY OF THE SELBORNE SOCIETY EDITOR OF " KNOWLEDGE " WITH TWELVE PLATES AND ONE HUNDRED AND SIXTY-NINE FIGURES IN THE TEXT NEW AND REVISED EDITION LONDON Zbc Uimes :Booft Club 1912 TO HIS WIFE HILDA E. WEBB AS A SMALL TOKEN OF AFFECTION THIS BOOK IS DEDICATED BY THE WRITER 20IOST PREFACE TO THE SECOND EDITION HTHE HERITAGE OF DRESS having been out of print for some time, the writer has taken the opportunity afforded him of issuing a second edition, and at the same time of making certain alterations in and additions to the text. Through the efforts of the present publishers the book has been produced in a compacter and handier form without curtailing it in any way, while the price has been halved ; a fact which should tend to carry the volume into those " quiet places " where Ruskin tells us science only lives " with odd people, mostly poor," WILFRED MARK WEBB. Odstock, Hanwell, April, 1912. PREFACE TO THE FIRST EDITION TT would be difficult to find a subject of""more universal ^ interest than that of dress, and hosts of books have been written which deal \vT.th the attire that has been adopted at different times and by various nations or social classes. -
The Description and Use of Women's
The Description and Use of Women’s Clothing in Eighteenth-century England: With special reference to the counties of Yorkshire and Nottinghamshire Elizabeth Amy Spencer PhD University of York History December 2017 Abstract Where was women’s clothing described in eighteenth-century England, and by whom? How was it described? And why? These are the questions at the heart of this thesis. Previous studies have already attempted to tackle some of them, focusing largely on the where and why. One of the key arguments which has emerged from this is that women used their clothing to engage in a form of feminine ‘sentimental’ consumption. Scholars argue that women described their clothing to express emotional meaning, which is betrayed in these ‘meticulous’ or ‘careful’ descriptions. I argue that these assumptions are long overdue a revision. The thesis is in two halves, and the first tackles where women’s clothing was described, by whom, and how. In chapters one and two, I identify a shared language of description across three sources – wills, newspaper advertisements, and account books. The description of clothing in these sources has been interpreted as emotional, but I argue that it cannot be read in this way; moreover, I outline a number of methodological issues with this approach. This has important implications for arguments about women and ‘sentimental’ consumption. The second half suggests some more productive approaches to description, as well as the study women and clothing in general. In chapters three and four, I respond to calls in the scholarship to focus on things in use; however, I argue that we also need to explore how and why clothing was being used in different sources. -
Army Women in July of 1775, the Continental Congress Passed a Resolution to Form an Army Hospital Corps
Army Women In July of 1775, the Continental Congress passed a resolution to form an army hospital corps. This was to include one nurse for every ten men. Though it does not state that these nurses are to be female, it seems to be common practice throughout the war to employ women where possible. Assigning nursing duty to men necessitated taking able bodies away from the front lines. The Connecticut soldiers at Ticonderoga in the late fall of 1775 were both sick and homesick. They had returned to New York from Canada and were waiting out the last month of their enlistments. Writing from the Fort on November 20th, General Phillip Schuyler described their eagerness to depart the Northern Army in a letter to the Continental Congress. Our Army in Canada is daily reducing; about three hundred of the troops, raised in Connecticut, having passed here within a few days; so that I believe not more than six hundred and fifty or seven hundred, from that Colony, are left. From the different New- York Regiments, about forty are also come away. An unhappy home-sickness prevails. Those mentioned above all came down invalids; not one willing to re-engage for the winter service, and unable to get any work done by them, I discharged them, en groupe. Of all the specificks ever invented for any, there is none so efficacious as a discharge for this prevailing disorder. No sooner was it administered, but it perfected the cure of nine out of ten, who, refusing to wait for boats to go by the way of Fort George, slung their heavy packs, crossed the lake at this place, and undertook a march of two hundred miles with the greatest good-will and alacrity. -
Truth to Nature: Pre-Raphaelite Dress in Nineteenth-Century Visual Culture Marta Heinrich Ryerson University
Ryerson University Digital Commons @ Ryerson Theses and dissertations 1-1-2012 Truth to Nature: Pre-Raphaelite Dress in Nineteenth-Century Visual Culture Marta Heinrich Ryerson University Follow this and additional works at: http://digitalcommons.ryerson.ca/dissertations Part of the Fashion Design Commons, Fine Arts Commons, Social History Commons, and the Women's History Commons Recommended Citation Heinrich, Marta, "Truth to Nature: Pre-Raphaelite Dress in Nineteenth-Century Visual Culture" (2012). Theses and dissertations. Paper 932. This Major Research Paper is brought to you for free and open access by Digital Commons @ Ryerson. It has been accepted for inclusion in Theses and dissertations by an authorized administrator of Digital Commons @ Ryerson. For more information, please contact [email protected]. TRUTH TO NATURE: PRE-RAPHAELITE DRESS IN NINETEENTH-CENTURY VISUAL CULTURE by Marta Heinrich B.A. Art History (Maj) Classical Studies (Min) (Hons) Queen’s University, Kingston, Ontario, 2009 A major research project presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Fashion Toronto, Ontario, Canada, 2012 © Marta Heinrich 2012 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A MAJOR RESEARCH PROJECT I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. -
Reflections on Medieval and Renaissance Thought
Reflections on Medieval and Renaissance Thought Reflections on Medieval and Renaissance Thought Edited by Darci N. Hill Reflections on Medieval and Renaissance Thought Edited by Darci N. Hill This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Darci N. Hill and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8612-2 ISBN (13): 978-1-4438-8612-3 CONTENTS Acknowledgements ................................................................................... vii Introduction ................................................................................................. 1 Darci N. Hill Part I: Art, Hymnody, Christian Rhetoric, and Psalters Chapter One ................................................................................................ 6 “The Ones Who Dance in Such a Way:” Linking Gesture and Judgment in the Danse Macabre des Femmes Kaia Magnusen Chapter Two .............................................................................................. 21 Christian Rhetoric and Thought in Orderic Vitalis’s Historia Ecclesiastica Carolyn Cargyle Chapter Three ........................................................................................... -
Historic Mansker's Station Frontier Life Center
Historic Mansker’s Station Frontier Life Center Clothing Guidelines Level 1 Men (Required Items in Bold) Hat – Tricorn, or Linen Workman’s Cap or Flat Brimmed Felt Hat Neckerchief / Neck Stock / Cravat Shirt- Long, Full Sleeved, Closed Neck with Stock, or Cravat Waistcoat –Revolutionary War Era Pattern Fall Front Breeches Stockings (Over the Knee) Center Seam Moccasins or Historically Accurate Colonial Shoes Hunting Frocks / Overshirts Match Coat/ Frock coat Great Coats or Woolen Capes Women (Required Items in Bold) Cap or Headcovering – No Mobcaps Shift Petticoat(s) Shortgown/Bedgown/Men’s Shirt Stockings (Over the Knee) Center Seam Moccasins or Historically Accurate Colonial Shoes Neckerchief / Modesty Cloth or Woven Shawl Pocket(s) Apron Woolen Cape *Bodices are not considered appropriate garments at this site. Stays shall not be worn without an outer garment that includes sleeves. These items are considered underwear. Children Many styles can be scaled down to fit your children, and they should be outfitted similarly to yourself. Shifts and petticoats are appropriate for little girls. Caps/ headcovering required after age 16. Center Seam Moccasins or Historically Accurate Colonial Shoes When Preparing Your Costume Please Remember... Linen and Wool Cloth are Preferred Plain Colors are Best Prints and Stripes Should Be Avoided No Polar Fleece, Polyester, Velcro, Plastic, or Any Other Man-Made Fiber Linen and Cotton Fabrics Should be Used When Making/Ordering Clothing No Modern Eyeglasses Light Make-Up No Nail Polish No Wristwatches -
Stamp Act Newport Historical
INTRODUCTION A picture is worth a thousand words, and in the following standards we have used period portraits and prints to help attendees prepare for the 1765 Stamp Act Event, sponsored by the Newport Historical Society, Newport, Rhode Island. The 1760’s produced a wide variety of portraiture of prominent New Englanders and artists, like Paul Sandby and others, offer us a glimpse of the clothing of the lower and working classes. You can incorporate many of the details found in the featured artwork to help make your impressions more date speciJic. We have written the standards as simply as possible, providing imagery to guide you in the development of your impression of Rhode Islanders in 1765. The standards are divided by class, upper, lower/middlin. Remember when trying to portray a speciJic date, you can go back, but you cannot go forward in time. Hallie Larkin & Stephanie Smith Larkin & Smith at the Sign of the Golden Scissors M EN’ S C LOTHING U PPER C LASS Coat or frock coat, waistcoat, breeches and shirts are the main garments for upperclass men. Cocked hat, neckcloth or neck stock, sleeve rufJles, bosom rufJles, sleeve buttons, watch and toys, and walking sticks are appropriate accessories that add to the overall appearance and impression. Visible seams should be hand-inished, fabrics should be of a quality that suits the level of society portrayed. Wool broadcloth, manchester velvet, silk taffeta, Jigured silks are good choices for the main garments of the upper classes as well as solid linen in shades of brown, blue, white and natural are acceptable choices for summer wear. -
University of Copenhagen
Fashionable Encounters. Perspectives and Trends in Textiles and Dress in the Early Modern Nordic World Nosch, Marie Louise Bech; Ringgaard, Maj ; Venborg Pedersen, Mikkel; Toftegaard, Kirsten; Engelhardt Mathiasen, Tove Publication date: 2014 Document version Publisher's PDF, also known as Version of record Citation for published version (APA): Nosch, M. L. B., Ringgaard, M., Venborg Pedersen, M., Toftegaard, K., & Engelhardt Mathiasen, T. (Eds.) (2014). Fashionable Encounters. Perspectives and Trends in Textiles and Dress in the Early Modern Nordic World. Oxbow Books. ANCIENT TEXTILE SERIES Vol. 14 Download date: 26. sep.. 2021 FASHIONABLE ENCOUNTERS Perspectives and Trends in Textile and Dress in the Early Modern Nordic World Edited by Tove Engelhardt Mathiassen, Marie-Louise Nosch, Maj Ringgaard, Kirsten Toftegaard and Mikkel Venborg Pedersen ANCIENT TEXTILES SERIES VOL. 14 Oxbow Books Oxford & Philadelphia Published in the United Kingdom in 2014 by OXBOW BOOKS 10 Hythe Bridge Street, Oxford OX1 2EW and in the United States by OXBOW BOOKS 908 Darby Road, Havertown, PA 19083 © Oxbow Books and the individual authors 2014 Hardcover Edition: ISBN 978-1-78297-382-9 Digital Edition: ISBN 978-1-78297-383-6 A CIP record for this book is available from the British Library All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or by any information storage and retrieval system, without permission from the publisher in writing. Printed -
Viewed for the Project Imply That Indentured Female Labor Had Been Replaced with Slavery South of Virginia
Readex Report Runaway! Recapturing Information about Working Women's Dress through Runaway Advertisement Analysis, 1750-90 By Rebecca Fifield Head of Collection Management, Special Collections, The New York Public Library Indentured and enslaved women in the American colonies provided domestic, agricultural, and commercial labor, but left behind little documentary evidence of their lives. Some women chose to abscond from service. In Figure 1 below, a runaway woman’s master has recorded details of her appearance in a newspaper advertisement which seeks her return. Written from the master’s perspective, such runaway ads often state the name of the woman, describe her visual appearance, record the clothing she wore when she eloped, and occasionally mention personality quirks and aptitudes. These ads offer intriguing glimpses of women whose story is otherwise difficult to tell through other documentary sources. Very little imagery of 18th-century American working women exists, so runaway advertisements provide us with the most comprehensive source for study of their dress. (Figure 2) Garments described in the advertisements are tantalizing in their detail, listing an array of textiles, pattern, and color. In past studies, garment descriptions in runaway ads have been minimally analyzed in quantity or were randomly selected to illustrate working men and women’s dress in costume studies. [1] In creating the Runaway Clothing Database [2], I aimed to examine what was typical in working women’s dress, and how that dress was influenced by geography, type of servitude, and other criteria. Searching for words like “run,” “ran,” “women,” and “girl,” I was able to collect over 1,000 runaway advertisements from digitized sources for female servants during the period 1750-90. -
The Invention of Tradition
The Invention of Tradition Edited by ERIC HOBSBA WM and TERENCE RANGER .:... ,.;.,.CAMBRIDGE - ::: UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011-4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarc6n 13, 28014 Madrid, Spain © E. J. Hobsbawm 1983 © Hugh Trevor-Roper 1983 © Prys Morgan 1983 © David Cannadine 1983 © Bernard S. Cohn 1983 © Terence Ranger 1983 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1983 First paperback edition 1984 Reprinted 1985,1986, 1987, 1988, 1989 Canto edition 1992 Reprinted 1993,1994,1995,1996,1997,1999,2000 Printed in the United Kingdom at the University Press, Cambridge Library of Congress Catalogue card number: 82-14711 British Library Cataloguing in Publication data The invention of tradition- (Past and present publications) 1. Sociology 2. Folklore- History I. Hobsbawm, E. J. II. Ranger, Terence Ill. Series 303.3'72 HM201 ISBN 0 521 43773 3 paperback Cover illustration: Car! Haag, Evening at Balmoral. Watercolour, 1854. Windsor Castle, Royal Library. © Her Majesty The Queen. Contents Contributors page vi Introduction: Inventing Traditions ERIC HOBS BA WM 2 The Invention of Tradition: The Highland Tradition of Scotland HUGH TREVOR-ROPER 15 3 From a Death to a View: The Hunt for the Welsh Past in the Romantic Period PRYS MORGAN 43 4 The Context, Performance and Meaning of Ritual: The British Monarchy and the 'Invention of Tradition', c.