DOCSLIB.ORG

Undergraduate Bulletin 2019–2021 St

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Undergraduate Bulletin 2019–2021 St Undergraduate Bulletin 2019–2021 St. John’s University Undergraduate Bulletin Published by St. John’s University, New York Series 43, Number 1 This is your official guide to academic policies and regulations at St. John’s University. Students are required to familiarize themselves with this bulletin. Primary responsibility for knowing and fulfilling all requirements rests on every individual student. The bulletin in effect at the time of admission or readmission governs degree requirements. The University reserves the right to change or modify its schedule of tuition and fees and to withdraw, cancel, reschedule or modify any course, program of study, degree, or any other requirement in connection with any of the foregoing. St. John’s University does not discriminate on the basis of race, color, national or ethnic origin, sex (including sexual harassment and sexual violence), sexual orientation, gender identity or expression, disability, religion, age, status in the uniformed services of the United States (including veteran status), marital status, status as a victim of domestic violence, citizenship status, genetic predisposition or carrier status, or any other category protected by law, in its programs and activities. The following person has been designated to handle student inquiries regarding disabilities: Dorothy Schmitt, Associate Director of the Counseling Center, Marillac Hall, Room 130, 8000 Utopia Parkway, Queens, NY 11439, [email protected]; 718-990-1482. The following person has been designated to handle inquiries regarding non-discrimination and is the Title IX coordinator: Keaton Wong, Director of Equal Opportunity, Compliance and Title IX, 8000 Utopia Parkway, Queens, NY 11439, wongk1@ stjohns.edu; 718-990-2660. The following person has been designated a deputy Title IX coordinator: Jackie Lochrie, Associate Dean for Student Services, 8000 Utopia Parkway, Queens, NY 11439, [email protected]; 718-990-6568. The following person has been designated a deputy Title IX coordinator: Kathleen F. Meehan, Senior Deputy Athletics Director, 8000 Utopia Parkway, Queens, NY 11439, [email protected]; 718-990-6173. Inquiries concerning non-discrimination may be referred to the Title IX coordinators or to the Office for Civil Rights, United States Department of Education. Visit http://wdcrobcolp01.ed.gov/CFAPPS/OCR/contactus.cfm for the address and phone number of the U.S. Department of Education office that serves your area, or call 1-800-421-3481. Other bulletins and brochures of St. John’s University and up-to-date academic information may be obtained by contacting: Office of Admission St. John’s University St. John’s University St. John’s University 300 Howard Avenue 101 Astor Place 8000 Utopia Parkway Staten Island, NY 10301 New York, NY 10007 Queens, NY 11439 718-390-4500 1-888-9STJOHNS 1-888-9STJOHNS stjohns.edu USE OF THE NAME OF ST. JOHN’S UNIVERSITY Students of St. John’s University, either individually or collectively, shall not, without the written consent of the proper authorities, use the name of St. John’s University or any of its units in any activity of whatsoever kind outside of the regular work of the school. Violation of this rule is regarded as sufficient cause for dismissal. Undergraduate Bulletin 2019–2021 St. John’s College of Liberal Arts and Sciences The School of Education The Peter J. Tobin College of Business College of Pharmacy and Health Sciences The Lesley H. and William L. Collins College of Professional Studies 8000 Utopia Parkway 101 Astor Place 300 Howard Avenue Via Marcantonio Colonna, 21 Queens, NY 11439 New York, NY 10007 Staten Island, NY 10301 00192 Rome, Italy 1-718-990-2000 1-718-990-2000 1-718-390–4545 011 39 (06) 393-842 www.stjohns.edu Contents Academic Calendars ............................................................................................................................................... 3 Admission ............................................................................................................................................................... 4 Expenses .................................................................................................................................................................. 7 Tuition and Fees .................................................................................................................................. 7 Withdrawal and Refunds .................................................................................................................... 7 Academic Information and Regulations .............................................................................................................. 8 Approved Programs of Study .............................................................................................................. 8 Office of the Registrar ....................................................................................................................... 10 Global Studies Programs ................................................................................................................... 14 Division of Academic Support Services ............................................................................................ 15 Financial Aid ........................................................................................................................................................ 17 Student Support Services and Resources ............................................................................................................ 27 Core Curriculum .................................................................................................................................................. 35 St. John’s College of Liberal Arts and Sciences ................................................................................................ 36 The School of Education ................................................................................................................................... 103 The Peter J. Tobin College of Business ........................................................................................................... 113 College of Pharmacy and Health Sciences ...................................................................................................... 131 The Lesley H. and William L. Collins College of Professional Studies .......................................................... 161 General Information .......................................................................................................................................... 231 Officers of Administration .............................................................................................................. 234 Recognition/Accreditation .............................................................................................................. 234 Directions .......................................................................................................................................... 236 Index ................................................................................................................................................. 238 Please note: A complete version of the Undergraduate Bulletin can be found at our Web site: stjohns.edu/bulletins. Included on the site are the University’s mission and vision statements, complete sections of all schools and colleges with full course descriptions, historic dates, study abroad programs, special and opportunity programs, financial aid, student support services, administration of the University, campus facilities and directions. 4 Academic Calendars Academic Calendar 2020 Spring Semester 2020 Fall Semester 2019–2021 January September TBA Makeup examinations. Permission of 2 Wednesday: Spring semester 2019 Fall Semester the Dean is required. begins. 8 Wednesday: Last day to submit a 5 Saturday: University Closed. diploma application (via UIS) for No Classes. September January 2020 degree conferral. 7 Monday: Labor Day–University 2 Monday: Labor Day–University 20 Monday: Martin Luther King Jr. Closed. No Classes. Closed. No Classes. Day–University Closed. No Classes. 9 Wednesday: Last day to drop/add 4 Wednesday: Fall semester begins. 22 Wednesday: Spring semester classes. All registration ceases. 10 Tuesday: Last day to drop/add begins. 18 Friday: Last day to submit a diploma classes. All registration ceases. 28 Tuesday: Last day to drop/add application (via UIS) for September 17 Tuesday: Last day to submit a classes. All registration ceases. 2020 degree conferral. diploma application (via UIS) for 31 Friday: January 2020 degree 22 Tuesday: Last day to drop a class. September 2019 degree conferral. conferral date. (without transcript notation) 24 Tuesday: Last day to drop a class 23 Wednesday: Withdrawal period (without transcript notation.) February begins. 25 Wednesday: Withdrawal period 11 Tuesday: Last day to drop a class 30 Wednesday: September 2020 begins. (without transcript notation.) degree conferral date. 30 Monday: September 2019 degree 12 Wednesday: Withdrawal period conferral date. begins. November 17 Monday: Presidents’ Day–University 3 Tuesday: Presidential Election Day- October Closed. No Classes. University Closed. No Classes. 15 Tuesday: Mid-term gardes are due. 5 Thursday: Tuesday Classes Meet 29 Tuesday: Friday classes meet. March 9 Monday: Last day to withdraw from 2-7 Monday-Saturday: Spring Break. a class or apply for Pass/Fail option. November No Classes. 11 Wednesday:
Load more

Recommended publications
  • Summer 2019 Vol.21, No.3 Screenwriter Film | Television | Radio | Digital Media
    CANADIAN CANADA $7 SUMMER 2019 VOL.21, NO.3 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA A Rock Star in the Writers’ Room: Bringing Jann Arden to the small screen Crafting Canadian Horror Stories — and why we’re so good at it Celebrating the 23rd annual WGC Screenwriting Awards Emily Andras How she turned PM40011669 Wynonna Earp into a fan phenomenon Congratulations to Emily Andras of SPACE’s Wynonna Earp, Sarah Dodd of CTV’s Cardinal, and all of the other 2019 WGC Screenwriting Award winners. Proud to support Canada’s creative community. CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 21 No. 3 Summer 2019 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Publisher Maureen Parker Editor Tom Villemaire [email protected] Contents Director of Communications Lana Castleman Cover Editorial Advisory Board There’s #NoChill When it Comes Michael Amo to Emily Andras’s Wynonna Earp 6 Michael MacLennan How 2019’s WGC Showrunner Award winner Emily Susin Nielsen Andras and her room built a fan and social media Simon Racioppa phenomenon — and why they’re itching to get back in Rachel Langer the saddle for Wynonna’s fourth season. President Dennis Heaton (Pacific) By Li Robbins Councillors Michael Amo (Atlantic) Features Mark Ellis (Central) What Would Jann Do? 12 Marsha Greene (Central) That’s exactly the question co-creators Leah Gauthier Alex Levine (Central) and Jennica Harper asked when it came time to craft a Anne-Marie Perrotta (Quebec) heightened (and hilarious) fictional version of Canadian Andrew Wreggitt (Western) icon Jann Arden’s life for the small screen.
    [Show full text]
  • Full Edition 1
    WAKE FOREST JOURNAL OF BUSINESS AND INTELLECTUAL PROPERTY LAW VOLUME 14 NUMBER 1 FALL 2013 AN EXAMINATION OF BASEL III AND THE NEW U.S. BANKING REGULATIONS Andrew L. McElroy .................................................................. 5 HOW TO KILL COPYRIGHT: A BRUTE-FORCE APPROACH TO CONTENT CREATION Kirk Sigmon ........................................................................... 26 THE MIXED USE OF A PERSONAL RESIDENCE: INTEGRATION OF CONFLICTING HOLDING PURPOSES UNDER I.R.C. SECTIONS 121, 280A, AND 1031 Christine Manolakas ............................................................... 62 OPEN SOURCE MODELS IN BIOMEDICINE: WORKABLE COMPLEMENTARY FLEXIBILITIES WITHIN THE PATENT SYSTEM? Aura Bertoni ......................................................................... 126 PRIVATE FAIR USE: STRENGTHENING POLISH COPYRIGHT PROTECTION OF ONLINE WORKS BY LOOKING TO U.S. COPYRIGHT LAW Michał Pękała ....................................................................... 166 THE DMCA’S SAFE HARBOR PROVISION: IS IT REALLY KEEPING THE PIRATES AT BAY? Charles K. Lane .................................................................... 192 PERMISSIBLE ERROR?: WHY THE NINTH CIRCUIT’S INCORRECT APPLICATION OF THE DMCA IN MDY INDUSTRIES, LLC V. BLIZZARD ENTERTAINMENT, INC. REACHES THE CORRECT RESULT James Harrell ........................................................................ 211 ABOUT THE JOURNAL The WAKE FOREST JOURNAL OF BUSINESS AND INTELLECTUAL PROPERTY LAW is a student organization sponsored by Wake Forest University
    [Show full text]
  • Production in Ontario 2019
    SHOT IN ONTARIO 2019 Feature Films – Theatrical A GRAND ROMANTIC GESTURE Feature Films – Theatrical Paragraph Pictures Producers: David Gordian, Alan Latham Exec. Producer: n/a Director: Joan Carr-Wiggin Production Manager: Mary Petryshyn D.O.P.: Bruce Worrall Key Cast: Gina McKee, Douglas Hodge, Linda Kash, Rob Stewart, Rose Reynolds, Dylan Llewellyn Shooting dates: Jun 24 - Jul 19/19 AGAINST THE WILD III – THE JOURNEY HOME Feature Films – Theatrical Journey Home Films Producer: Jesse Ikeman Exec. Producer: Richard Boddington Director: Richard Boddington Production Manager: Stewart Young D.O.P.: Stephen C Whitehead Key Cast: Natasha Henstridge, Steve Byers, Zackary Arthur, Morgan DiPietrantonio, John Tench, Colin Fox, Donovan Brown, Ted Whittall, Jeremy Ferdman, Keith Saulnier Shooting dates: Oct 2 - Oct 30/19 AKILLA'S ESCAPE Feature Films - Theatrical Canesugar Filmworks Producers: Jake Yanowski, Charles Officer Exec. Producers: Martin Katz, Karen Wookey, Michael A. Levine Director: Charles Officer Production Manager: Dallas Dyer D.O.P.: Maya Bankovic Key Cast: Saul Williams, Thamela Mpumlwana, Vic Mensa, Bruce Ramsay, Shomari Downer Shooting dates: May 14 - Jun 6/19 AND YOU THOUGHT YOU WERE NORMAL Feature Films - Streaming Side Three Media Producers: Leanne Davies, Tim Kowalski Exec. Producer: Colin Brunton Director: Tim Kowalski, Kevan Byrne Production Manager: Woody Whelan D.O.P.: Tim Kowalski Key Cast: Gary Numan, Owen Pallett, Tim Hill, Cam Hawkins, Steve Hillage Shooting dates: Jan 28 - Mar 5/19 AWAKE As of January 14, 2019 1 SHOT IN ONTARIO 2019 Feature Films - Streaming eOne / Netflix Producers: Mark Gordon, Paul Schiff Executive Producer: Whitney Brown Director: Mark Raso Production Manager: Szonja Jakovits D.O.P.: Alan Poon Key Cast: Gina Rodrigues Shooting dates: Aug 6 - Sep 27/19 CASTLE IN THE GROUND Feature Films - Theatrical 2623427 Ontario Inc.
    [Show full text]
  • Corporate Plan Summary, “We”, “Us”, “Our” and “The Corporation” Mean CBC/Radio-Canada
    TABLE OF CONTENTS 1. PRESIDENT’S MESSAGE 2 2 . OUR COMMITMENT TO TRANSPARENCY AND ACCOUNTABILITY 3 3. WHO WE ARE AND OUR SERVICES 4 4. OUR OPERATING ENVIRONMENT 6 5. Y OUR STORIES, TAKEN TO HEAR T – STRATEGIC INITIATIVES 2019-2022 8 6. MEASURING OUR PERFORMANCE 15 7. FINANCIAL OUTLOOK 22 APPENDIX A: FINANCIAL PROJECTIONS 24 APPENDIX B: CAPITAL BUDGET 25 APPENDIX C: RISK MANAGEMENT 28 APPENDIX D: OUR MANDATE AND GOVERNANCE 34 EDITORIAL NOTE In the Corporate Plan Summary, “we”, “us”, “our” and “the Corporation” mean CBC/Radio-Canada. NOTE REGARDING FORWARD-LOOKING STATEMENTS The Corporate Plan Summary contains forward-looking statements regarding objectives, strategic initiatives, and expected financial and operational results. Forward-looking statements are typically identified by words such as “may,” “should,” “could,” “would” and “will,” as well as expressions such as “believe,” “expect,” “forecast,” “anticipate,” “intend,” “plan,” “estimate” and other similar expressions. Forward-looking statements are based on the following broad assumptions: CBC/Radio-Canada’s government funding remains consistent with amounts announced in the federal budget, and the broadcasting regulatory environment will not change significantly. Key risks and uncertainties are described in the Risk Management section in Appendix C. However, some risks and uncertainties are by definition difficult to predict and are beyond our control. They include, but are not limited to, economic, financial, advertising market, technical and regulatory conditions. These and other factors may cause actual results to differ substantially from the expectations stated or implied in forward-looking statements. NOTE REGARDING PERFORMANCE MEASUREMENT We rely on data from both internal tools and third parties to measure our performance metrics.
    [Show full text]
  • Catégories En Télévision
    CATÉGORIES EN TÉLÉVISION Best TV Movie Christmas Jars Citytv (Rogers Media) (Muse Entertainment) Jesse Prupas, Jonas Prupas, Misha Solomon, Shane Boucher, Andra Johnson Duke, Michael A. Dunn, Barry McLarren Glass Houses Crave (Bell Media) (Incendo) Jean Bureau, Ian Whitehead No Good Deed Crave (Bell Media) (Incendo) Jean Bureau, Ian Whitehead The Sanctuary Hollywood Suite Inc. Canada (Hollywood Suite Inc. Canada) (AKOOLFILM Company Inc.) Allen Kool, Robin E. Crozier, David O'Keefe, Michael A. Charbon Best Drama Series Sponsor | Canada Media Fund Burden of Truth CBC (CBC) (ICF Films / Eagle Vision / eOne) Ilana Frank, Linda Pope, Adam Pettle, Jocelyn Hamilton, Kyle Irving, Brad Simpson, Lisa Meeches, Kristin Kreuk Cardinal: Until The Night CTV (Bell Media) (Sienna Films / Entertainment One) Jennifer Kawaja, Julia Sereny, Randy Lennox, Jocelyn Hamilton, Patrick Tarr, Nathan Morlando, Jessica Daniel Departure Global (Corus Entertainment) (Shaftesbury) Christina Jennings, Scott Garvie, Malcolm MacRury, T.J. Scott, Vincent Shiao, Patrick Cassavetti, Julie Lacey, Tina Grewal Transplant CTV (Bell Media) (Sphere Media) Jocelyn Deschênes, Bruno Dubé, Joseph Kay, Randy Lennox, Virginia Rankin, Jeremy Spry, Tara Woodbury Vikings History (Corus Entertainment) (Take 5 Productions Inc.) Sheila Hockin, John Weber, Michael Hirst, Morgan O'Sullivan, James Flynn, Alan Gasmer, Sherry Marsh, Bill Goddard Best Comedy Series Baroness Von Sketch Show CBC (CBC) (Frantic Films) Jamie Brown, Carolyn Taylor, Meredith MacNeill, Aurora Browne, Jennifer Whalen, Sally
    [Show full text]
  • WGC Awards Winners Beans Co-Writers Animation Nation?
    SUMMER 2021 Animation Nation? WGC Awards Winners Beans co-writers Tracey Deer & Meredith Vuchnich talk teamwork Joseph Kay On breaking new ground in Canadian drama with Transplant Contents | Canadian Screenwriter 3 “It wasn’t a straightforward process for Deer to turn her story into a script.” Page 20 Features 20 26 31 Through the Eyes of a Child Suspended Animation? WGC Screenwriting Awards How Tracey Deer and Meredith Vuchnich A drop in Canadian broadcaster It may have been virtual, but the fun, scripted feature film Beans, based on commissions is affecting resident writers surprise and emotion were very real Deer’s 12-year-old self. and indie prodcos in the the toon business. — hear from the 2021 award winners By Kelly Boutsalis By Gary Rusak in their own words. 4 Canadian Screenwriter | Contents “The breakthrough SUMMER 2021 | VOL. 23 | NO. 2 Publisher representation in Maureen Parker Editor/Director of Communications Transplant was always Lana Castleman ([email protected]) Editorial Advisory Board seen for what it was, Michael Amo Sean Jara Rachel Langer an exciting set of JP Larocque Susin Nielsen opportunities.” President Alex Levine (Central) Page 12 Councillors Michael Amo (Atlantic) Marsha Greene (Central) Dennis Heaton (Pacific) Anne-Marie Perrotta (Quebec) Lienne Sawatsky (Central) Andrew Wreggitt (Western) Design Taylee Buttigieg Cover Photo Mauricio Calero Printing Vibrant Graphics On the cover Madeline Donohue’s new series Tiny & Canadian Screenwriter is published 12 Doctors Within Borders 35 Tall officially heads into development two times a year by the Writers Guild of Canada (WGC) Creator Joseph Kay and the series’ writers talk 366 Adelaide Street West, Suite 401 Transplant, the hit CTV series breaking new Toronto, Ontario M5V 1R9 ground in Canadian drama.
    [Show full text]
  • CMPA (Formerly CFTPA) Signatory Producers 2015 to 2017 (Extended to June 30, 2019) Live Action up to April 9, 2019
    CMPA (formerly CFTPA) Signatory Producers 2015 to 2017 (extended to June 30, 2019) Live Action up to April 9, 2019 #REF! Production Ltd. 0744770 B.C. Ltd. 0897624 B.C. Ltd. 0897624 B.C. Ltd. For ""Prison MD"" 0978603 B.C. Ltd for ""Year of the Rat"" 101117088 Saskatchewan Ltd 10237981 Pelee Entertainment 10283690 Canada Inc. for ""Trump's Left Behind America"" 10564141 Canada Inc. 1106126 BC Ltd. for ""Angel's Flight"" 1162831 B.C. Ltd. 1181106 Alberta Inc (o/a) Draw Your Cat 1259534 Alberta Inc. 1380099 Ont. Inc. Heroic Films Co. for ""Ladies Killing Circle"" 1380099 Ont. Inc.as Heroic Film Cpy for ""First Things First"" 1380099 Ontario Inc. o/a Heroic Film Company 1514373 Ontario Inc. 1555135 Alberta Inc 16 Lighthouse Road Productions, Ltd. for "Cedar Cove" - TV Series - Season 1 1664121 Ontario Ltd for ""Ganesh Boy Wonder"" 1743722 Ontario, Inc. 1746020 Ontario, Inc. 1760451 Ontario, Inc. 1900333 Ontario Limited for ""Asset"" 1921391 Ontario Inc 1972 Productions Inc. 1972 Productions Inc. 1st Person Media Inc. for ""My Wife's Affair is Kind of A Funny Story"" 2005519 Ontario Limited 2006376 Ontario Inc. 2033162 Ontario Inc c.o.b.a Floating Island Entertainment for ""Untitled AI Television Series"" 2051657 Alberta Ltd. 2075382 Ontario Limited 2104023 Ontario Inc. 2108602 Ontario Ltd 22 Minutes (Nye) IV Incorporated 22 Minutes XI Incorporated 22 Minutes XIV Limited 2215190 Ontario, Inc. 2215190 Ontario, Inc. for "The Backpackers" 2218373 Ontario Inc for ""Splashings"" 2218373 Ontario Inc for ""Upstaged"" 2223702 Ontario, Inc. 2255478 Ont. Ltd. 2282131 Ontario Inc for ""Hardy Boys"" 2289543 Ontario Ltd 229543 Ontario, Inc for "URL" 2296613 Ontario Inc.
    [Show full text]
  • Ciceronian Rhetoric in Moreâ•Žs Utopia and Ultimate Ends of Counsel
    The Catholic University of America, Columbus School of Law CUA Law Scholarship Repository Scholarly Articles and Other Contributions Faculty Scholarship 2004 Sacrifice in the Public Square: Ciceronian Rhetoric in More’s Utopia and Ultimate Ends of Counsel A.G. Harmon The Catholic University of America, Columbus School of Law Follow this and additional works at: https://scholarship.law.edu/scholar Part of the Law Commons Recommended Citation A.G. Harmon, Sacrifice in the Public Square: Ciceronian Rhetoric in More’s Utopia and Ultimate Ends of Counsel, 16 L. & LIT. 93 (2004). This Article is brought to you for free and open access by the Faculty Scholarship at CUA Law Scholarship Repository. It has been accepted for inclusion in Scholarly Articles and Other Contributions by an authorized administrator of CUA Law Scholarship Repository. For more information, please contact [email protected]. Sacrifice in the Public Square CICERONIAN RHETORIC IN MORE'S UTOPIA AND THE ULTIMATE ENDS OF COUNSEL A.G. Harmon Abstract. The different rhetoricalstrategies of the charactersin Thomas More's Utopia revealpar- allels with Cicero'srhetoric andphilosophy. Those parallels resonate with the modern discourse of "counsel, " andprovide a context through which the nature of the counselor's dilemma-a tension between what should be done and what can be done-is analyed. In his work on ideology and utopia, Paul Ricouer speaks of the ideal fantasy world-the "utopia" that exists "nowhere"-as the means by which we rethink nature, life, society, and government. The utopia allows us to evaluate the status quo to decide what is lacking and what is not; in this role, it is valu- able.' However, when utopia remains at a purely platonic stage, floating so far from the material world that it is of no practical import, it is worse than useless.
    [Show full text]
  • De/Mystifying Smartphone-Video Through Vilém Flusser's Quanta
    De/Mystifying Smartphone-Video through Vilém Flusser’s Quanta Jamie Jenkinson 64,028 words 1 Contents Abstract 3 Introduction 4 Methodology 21 In Practice: Structure (iPhone 4, 2011) 24 Film and Video Structural/Materialist Film 28 Technical Supports 35 “Moving Image” 38 The Instability of Digital Video 48 Unstable Methods in Structural Practice 54 Digital Duration 59 The ‘Coming into Presence’ of Film and Video 64 In Practice: Desert Rose (iPhone 6, 2016) and Elm (iPhone 6, 2016) 73 Smartphone-Video User-Video 2005-2010: Production and Distribution 81 User-Video 2010-2020: Video Hierarchy and the Poor Image 89 Smart Cameras and AI Aesthetics 97 Early Awareness of Video Automation 103 User Integration of 20th Century Avant-Garde Techniques 109 High Profile Usership 117 A Brief Survey of Distributed Camera Phone Video Practice 126 User Anonymity 129 In Practice: Symi (iPhone 7 Plus, 28/09/17-03/10/17) 135 Quanta Thinking in Quanta 145 Quantum Dialogues and Intersubjective user(s) 155 Thinking Machines, Soft Thought, and the ‘Something-New’ 162 Smartphone-Video as a Non-Polarised Quantum Dialogue 168 The Act of Recording 174 In-Camera Smartphone-Video 179 The Ritual Gestures in Smartphone-Video 181 Improvisation in Smartphone-Video 189 The Gesture of De/Mystification 195 In Practice: T-rex, Stone Circling, It’s Gonna be a Beast (iPhone 7 Plus, 13-15/08/19) 204 Conclusion 214 In Practice: Online Archive selection 219 Bibliography 220 Works 239 2 Abstract Videos made on smartphones are recognised in popular culture in a manner that is not reciprocated in media theory and fine art practice.
    [Show full text]
  • Series List 2021-05-15
    Series List Action (74) A Simple Murder Airwolf Alex Rider Almost Human American Odyssey Angel Arrow Birds of Prey Blade: The Series Blindspot Blood & Treasure Blood Drive Blue Thunder Chicago Fire Cobra Kai Condor Crackdown Curfew Deadly Class Deep State Die Hart Dominion Flashpoint Generation Kill Hawaii Five-0 Helstrom Kung Fu L.A.'s Finest Lethal Weapon Lost MacGyver Magnum P.I. Magnum, P.I. Marvel's Iron Fist Miami Vice Most Dangerous Game NCIS: Los Angeles Naxalbari Nikita Person of Interest Power Rangers Beast Professionals Revolution Rome S.W.A.T. Morphers SEAL Team SIX Shooter Shrikant Bashir Spartacus Spartacus: Gods of the Arena Spooks Taken Teen Wolf The A-Team The Fugitive The Gifted The Incredible Hulk The Last Kingdom The Librarians The Long Road Home The Musketeers The Pacific The Passage The Unit Timeless Torchwood Transporter: The Series Treadstone Walker Watchmen Whiskey Cavalier Wynonna Earp Your Honor Animation (96) Adventure Time: Distant Adventure Time American Dad! Animaniacs Apple & Onion Lands Barbie: Life In The Archer Be Cool, Scooby-Doo! Ben 10 Ben 10 Reboot Dreamhouse Ben 10: Alien Force Ben 10: Omniverse Ben 10: Ultimate Alien Ben and Holly's Little Kingdom Bless the Harts Bob's Burgers Brickleberry Chop Socky Chooks Clarence Close Enough Corner Gas Animated Counterfeit Cat Courage The Cowardly Dog Crossing Swords DC Super Hero Girls Foster's Home For Imaginary Dicktown Dragon Ball Super Duncanville Final Space Friends He-Man and the Masters of Jayce and the Wheeled Freedom Fighters: The Ray Harley Quinn
    [Show full text]
  • WGC Screenwriting Awards 2020 Celebrating Canadian Screenwriters
    WGC SCREENWRITING AWARDS 2020 CELEBRATING CANADIAN SCREENWRITERS See you next year! April 26, 2021 Koerner Hall WGC SCREENWRITING AWARDS 2020 APRIL 27, 2020 HOSTED BY GAVIN CRAWFORD • WRITTEN BY KYLE TINGLEY THE PRESENTATION WILL BE AVAILABLE ON THE WGC’S YOUTUBE CHANNEL AT 8:00 PM ET CHILDREN’S Jennifer Daley, Tim McKeon, Andrew Orenstein, Jeff Sager, Ashley Spires, Mark Steinberg, John van Bruggen COMEDY SERIES Jann Arden, Diana Frances, Jennica Harper, Daniel Levy, Mike McPhaden, David West Read DOCUMENTARY Nance Ackerman, Teresa MacInnes, Michael McNamara, Ariella Pahlke, Robert Sandler, John Walker DRAMA SERIES Seneca Aaron, Noelle Carbone, Ken Kabatoff, Vivian Lin, Simon McNabb, Derek Robertson FEATURE FILM Katherine Collins, Wilson Coneybeare, Adriana Maggs, Jane Maggs, Laura Phillips, Thom Richardson MOW & MINISERIES David Elver, Andrea Stevens PRESCHOOL Jennifer Daley, Rob Hoegee, J.J. Johnson, Amish Patel, Andrew Sabiston, Christin Simms SHORTS & WEBSERIES Carmen Albano, Hannah Cheesman, Fabrizio Filippo, Joe Kicak, Darrin Rose TWEENS & TEENS Cole Bastedo, Emma Campbell, Sarah Glinski, Jesse Shamata, Courtney Jane Walker WGC SCREENWRITING AWARDS 2020 CELEBRATING CANADA’S SCREENWRITERS The 24th Annual WGC Screenwriting Awards will go down in history as the first virtual edition of our awards. We continue to celebrate Canada’s talented screenwriters and the outstanding scripts they write – just not on stage at Koerner Hall until April 26, 2021. And we want to take this opportunity to congratulate our nominees and winners on their achievements this year, regardless of venue. We’ll also be presenting special awards, including the Sondra Kelly Award, the Alex Barris Mentorship Award and the WGC Showrunner Award.
    [Show full text]
  • Thomas More Studies 2 (2007)
    Thomas More Studies Volume 2 2007 Thomas More’s Richard III Differing Designs, Differing Rhetorics: Why Two Versions of More’s Richard III? ELIZABETH MCCUTCHEON Questions and Discussion More on Tyranny GEORGE M. LOGAN Questions and Discussion Educating Citizens for Self-Government: More’s History of King Richard III GERARD B. WEGEMER Questions and Discussion More’s Reflections on Complicity with Evil In The History of King Richard III JOSEPH KOTERSKI, SJ Questions and Discussion Comedy and Tyranny in Richard III STEPHEN W. SMITH Questions and Discussion Concluding Round Table on Richard III with GEORGE M. LOGAN CLARENCE H. MILLER ELIZABETH MCCUTCHEON Lawyers’ Perspectives on the Sanctuary Scene in Richard III Law and Tyranny LOUIS KARLIN, ESQ. Law without Virtue BARBARA PANZA, ESQ. Questions and Discussion These are the refereed proceedings from the 2006 Thomas More Studies Conference, held at the University of Dallas, November 3-5, 2006. Intellectual Property Rights: Contributors retain in full the rights to their work. Elizabeth McCutcheon 2 by indirection, about significant shifts in focus between the two versions. The third passage, which is about Richard’s III’s accession (95-96), ends the Latin version. Its importance has gone largely unrecognized, but I think that this passage is especially interesting, because it highlights political questions that involve the author as well as the work. The king’s accession is essentially a legal occasion, while his coronation, which is primarily sacramental, customarily follows it. Generally we hear much more about the latter, with its sacraments and elaborate ceremony. But Richard III separated them and actually dated his reign from his accession day on June 26, when he Differing Designs, Differing Rhetorics: appeared in Westminster Hall and sat himself on the throne of justice, rather than Why Two Versions of More’s Richard III? from July 6, when he was anointed and crowned in Westminster Abbey.
    [Show full text]