Ciceronian Rhetoric in More╎s Utopia and Ultimate Ends of Counsel
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Alternate History – Alternate Memory: Counterfactual Literature in the Context of German Normalization
ALTERNATE HISTORY – ALTERNATE MEMORY: COUNTERFACTUAL LITERATURE IN THE CONTEXT OF GERMAN NORMALIZATION by GUIDO SCHENKEL M.A., Freie Universität Berlin, 2006 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (German Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Guido Schenkel, 2012 ABSTRACT This dissertation examines a variety of Alternate Histories of the Third Reich from the perspective of memory theory. The term ‘Alternate History’ describes a genre of literature that presents fictional accounts of historical developments which deviate from the known course of hi story. These allohistorical narratives are inherently presentist, meaning that their central question of “What If?” can harness the repertoire of collective memory in order to act as both a reflection of and a commentary on contemporary social and political conditions. Moreover, Alternate Histories can act as a form of counter-memory insofar as the counterfactual mode can be used to highlight marginalized historical events. This study investigates a specific manifestation of this process. Contrasted with American and British examples, the primary focus is the analysis of the discursive functions of German-language counterfactual literature in the context of German normalization. The category of normalization connects a variety of commemorative trends in postwar Germany aimed at overcoming the legacy of National Socialism and re-formulating a positive German national identity. The central hypothesis is that Alternate Histories can perform a unique task in this particular discursive setting. In the context of German normalization, counterfactual stories of the history of the Third Reich are capable of functioning as alternate memories, meaning that they effectively replace the memory of real events with fantasies that are better suited to serve as exculpatory narratives for the German collective. -
Construing the Elaborate Discourse of Thomas More's Utopia
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2006 Irony, rhetoric, and the portrayal of "no place": Construing the elaborate discourse of Thomas More's Utopia Davina Sun Padgett Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the English Language and Literature Commons, and the Rhetoric Commons Recommended Citation Padgett, Davina Sun, "Irony, rhetoric, and the portrayal of "no place": Construing the elaborate discourse of Thomas More's Utopia" (2006). Theses Digitization Project. 2879. https://scholarworks.lib.csusb.edu/etd-project/2879 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. IRONY, RHETORIC, AND THE PORTRAYAL OF "NO PLACE" CONSTRUING THE ELABORATE DISCOURSE OF THOMAS MORE'S UTOPIA A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Davina Sun Padgett June 2006 IRONY,'RHETORIC, AND THE PORTRAYAL OF "NO PLACE": CONSTRUING THE ELABORATE DISCOURSE OF THOMAS MORE'S UTOPIA A Thesis Presented to the Faculty of California State University, San Bernardino by Davina Sun Padgett June 2006 Approved by: Copyright 2006 Davina Sun Padgett ABSTRACT Since its publication in 1516, Thomas More's Utopia has provoked considerable discussion and debate. Readers have long grappled with the implications of this text in order to determine the extent to which More's imaginary island-nation is intended to be seen as a description of the ideal commonwealth. -
The Link Between Utopia and Nostalgia and Its Reflection on Literature Fattahi Seroreh Department of Persian Literature, Iran
28848 Fattahi Seroreh/ Elixir Literature 77 (2014) 28848-28856 Available online at www.elixirpublishers.com (Elixir International Journal) Literature Elixir Literature 77 (2014) 28848-28856 The link between Utopia and Nostalgia and its reflection on literature Fattahi Seroreh Department of Persian Literature, Iran. ARTICLE INFO ABSTRACT Article history: Nostalgia technically refers to human feeling of missing the past and those things she Received: 14 June 2014; has lost. Different factors contribute to this feeling, including the human's social and Received in revised form: political situation and, in general, hisher life situation. This nostalgic feeling, in itself, 19 November 2014; manifests in different forms, such as missing the past, extreme tendency to return to Accepted: 29 November 2014; homeland, the recourse to childhood and its regretful reminisce, myth, archaism, visualization of utopia. One of the important causes of human feeling of missing is Keywords dissatisfaction with the situation in which she lives, and this itself is the crucial and Memory, Dissatisfaction, fundamental cause of visualization of utopia in human mind. In this article, the Literature, Utopia. researchers have discussed the relationship between utopia and Nostalgia from the perspectives of the world's best thinkers and scientists. © 2014 Elixir All rights reserved. Introduction restless spirit seeking to achieve perfection in this study, we As we noted several factors contribute to the creation of a have examined this issue in detail. sense of nostalgia is one of the major causes of dissatisfaction Nostalgia and times of the status of the inventory that person's life. The NostalgiainFarsi, "nostalgia" is translated, the phrase that social discontent and suffering from it in the works of the great has recently entered the literature of psychology, but it is not thinkers of the world and Iran, has varied expression and many new and dates back to the early history of literature. -
Summer 2019 Vol.21, No.3 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SUMMER 2019 VOL.21, NO.3 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA A Rock Star in the Writers’ Room: Bringing Jann Arden to the small screen Crafting Canadian Horror Stories — and why we’re so good at it Celebrating the 23rd annual WGC Screenwriting Awards Emily Andras How she turned PM40011669 Wynonna Earp into a fan phenomenon Congratulations to Emily Andras of SPACE’s Wynonna Earp, Sarah Dodd of CTV’s Cardinal, and all of the other 2019 WGC Screenwriting Award winners. Proud to support Canada’s creative community. CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 21 No. 3 Summer 2019 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Publisher Maureen Parker Editor Tom Villemaire [email protected] Contents Director of Communications Lana Castleman Cover Editorial Advisory Board There’s #NoChill When it Comes Michael Amo to Emily Andras’s Wynonna Earp 6 Michael MacLennan How 2019’s WGC Showrunner Award winner Emily Susin Nielsen Andras and her room built a fan and social media Simon Racioppa phenomenon — and why they’re itching to get back in Rachel Langer the saddle for Wynonna’s fourth season. President Dennis Heaton (Pacific) By Li Robbins Councillors Michael Amo (Atlantic) Features Mark Ellis (Central) What Would Jann Do? 12 Marsha Greene (Central) That’s exactly the question co-creators Leah Gauthier Alex Levine (Central) and Jennica Harper asked when it came time to craft a Anne-Marie Perrotta (Quebec) heightened (and hilarious) fictional version of Canadian Andrew Wreggitt (Western) icon Jann Arden’s life for the small screen. -
Before Utopia: the Function of Sacrifice in Dystopian Narratives
Before Utopia: The Function of Sacrifice in Dystopian Narratives Maria Varsamopoulou Abstract The aim of this study is to illustrate the ways in which the practice and logic of sacrifice in dystopian narratives is anti-utopian. There is a dearth of research on the dystopian fiction, very little which investigates ethical issues and none which consider sacrificial ethics. In the first half of the thesis, the concept of dystopia is delineated against definitions of utopia, concrete utopia and utopian literature. In the second theoretical chapter, major and minor theories of sacrifice are examined for their normative bias in order to question their function in practice. Two important literary examples are read in light of a cross section of sacrifice and utopia: the influential story of Isaac's near sacrifice by Abraham in Genesis 22, and Ursule Molinaro's The New Moon with the Old Moon in her Arms, a literary depiction of the ancient Greek sacrificial ritual of the 'pharmakos'. The works chosen are canonical examples of the genre and in each a different aspect of sacrifice is foregrounded. In George Orwell's Nineteen Eighty-Four, the structure of sacrifice and the rigid hierarchy it imposes engenders perpetual violence. In Margaret Atwood's The Handmaid's Tale, women's sacrifice of reproductive freedom renders them commodities which cannot sustain friendships. In Octavia Butler's Kindred, the scapegoating of women slaves prevents vertical relationships as a result of the severing of mothers from their offspring. In the final chapter, Ursule Le Guin's 'The Ones who Walk Away from Ornelas' and Lois Lowry's The Giver foreground the cost of utopia based on a sacrificial ethics and problematises the relationship between self and community. -
Full Edition 1
WAKE FOREST JOURNAL OF BUSINESS AND INTELLECTUAL PROPERTY LAW VOLUME 14 NUMBER 1 FALL 2013 AN EXAMINATION OF BASEL III AND THE NEW U.S. BANKING REGULATIONS Andrew L. McElroy .................................................................. 5 HOW TO KILL COPYRIGHT: A BRUTE-FORCE APPROACH TO CONTENT CREATION Kirk Sigmon ........................................................................... 26 THE MIXED USE OF A PERSONAL RESIDENCE: INTEGRATION OF CONFLICTING HOLDING PURPOSES UNDER I.R.C. SECTIONS 121, 280A, AND 1031 Christine Manolakas ............................................................... 62 OPEN SOURCE MODELS IN BIOMEDICINE: WORKABLE COMPLEMENTARY FLEXIBILITIES WITHIN THE PATENT SYSTEM? Aura Bertoni ......................................................................... 126 PRIVATE FAIR USE: STRENGTHENING POLISH COPYRIGHT PROTECTION OF ONLINE WORKS BY LOOKING TO U.S. COPYRIGHT LAW Michał Pękała ....................................................................... 166 THE DMCA’S SAFE HARBOR PROVISION: IS IT REALLY KEEPING THE PIRATES AT BAY? Charles K. Lane .................................................................... 192 PERMISSIBLE ERROR?: WHY THE NINTH CIRCUIT’S INCORRECT APPLICATION OF THE DMCA IN MDY INDUSTRIES, LLC V. BLIZZARD ENTERTAINMENT, INC. REACHES THE CORRECT RESULT James Harrell ........................................................................ 211 ABOUT THE JOURNAL The WAKE FOREST JOURNAL OF BUSINESS AND INTELLECTUAL PROPERTY LAW is a student organization sponsored by Wake Forest University -
Demanding the Impossible: Utopia, Dystopia and Science-Fiction
COLLOQUY text theory critique issue 17, august 2009 Demanding the Impossible: Utopia, Dystopia and Science-Fiction guest edited by Matthew Ryan and Simon Sellars Editorial Committee: Editorial Board: Geoff Berry Bill Ashcroft David Blencowe Andrew Benjamin Rachel Funari Andriana Cavarero David Lane Joy Damousi Adam Lodders Alex Düttmann Blair MacDonald Jürgen Fohrmann Barbara Mattar Sneja Gunew Diane Molloy Kevin Hart Eleonora Morelli Susan K. Martin Elyse Rider Steven Muecke Tanya Serisier Paul Patton Robert Stilwell Georg Stanitzek Rachel Torbett Terry Threadgold Julia Vassilieva Advisory Board: Axel Fliethmann Brett Hutchins Alison Ross COLLOQUY text theory critique 17 (2009). © Monash University. www.colloquy.monash.edu.au/issue17.pdf ISSN: 13259490 Issue 17, August 2009 Editorial 3 DEMANDING THE IMPOSSIBLE: UTOPIA, DYSTOPIA AND SCIENCE FICTION ARTICLES On Failure and Revolution in Utopian Fiction and Science Fiction of the 1960s and 1970s Darren Jorgensen 6 The Flight from History: From HG Wells to Doctor Who – and Back Again Alec Charles 16 Iain M Banks, Ernst Bloch and Utopian Interventions Michał Kulbicki 34 “Extreme Possibilities”: Mapping “the sea of time and space” in J G Bal- lard’s Pacific fictions Simon Sellars 44 Spectres of Orwell, or, the Impossible Demand of the Subject David Jack 62 Sarah Palin’s JerUSAlem and Pentecostal Faith; a Hysteric Symptom of American Utopianism? Sarah Curtis 70 Historical Optimism: the Use of Utopia in the Enlightenment Era Amy Crawford 83 BOOK REVIEWS Paul Bogard. Let There Be Night. Reno, Nevada: University of Nevada Press, 2008. Geoff Berry 94 Michel Faber. The Fire Gospel. Melbourne: Text Publishing, 2008. Geoff Berry 98 COLLOQUY text theory critique 17 (2009). -
Novel, Utopia, Nation: a History of Interdependence Hrvoje Tutek University of Zagreb
Novel, Utopia, Nation: A History of Interdependence Hrvoje Tutek University of Zagreb 424 From a contemporary vantage point outside of utopian studies, the long history of utopia seems a suspicious one. No matter how productive the utopian imaginary of modernity has been, how persistent a genre utopian narrative, or in how wide a range of practices echoes of the Blochian utopian impulse can be detected, the con- cept of utopia stands in an awkward relationship to the dominant institutions and discourses regulating the socio-political normality of the early twenty-first century. It is the previous century, the twentieth, with its vigorous innovations in aesthetics, politics, and cruelty that is supposedly the utopian one; the twenty-first, judging at least by the culture industry, seems to be taking a pass on utopia, and is enjoying the apocalypse instead.1 But it would be wrong to suppose that the contemporary anti-utopianism, in which dullness of the political imagination has been elevated to the level of a criterion of rationality, is a unique phenomenon. The suspicion has been around for a long time, often justifiably so. In political-theoretical discourse, for example, utopia has been an easy target. There is usually no place for its impossible demands in the rational- ist pragmatism of liberal thought.2 Many conservative positions are fundamentally wary of the anticipatory, untested alterity that utopia postulates as desirable.3 And at least the “classical” Marxist strain of leftist thought condemns it on grounds of both theoretical inadequacy and political inefficiency.4 So, most of the stern charges leveled at utopian projections as a form of political practice warn against the seemingly arbitrary and misleading flights of fancy imma- nent to utopia’s figurational mission, and against its political impotence or passive idealism. -
Production in Ontario 2019
SHOT IN ONTARIO 2019 Feature Films – Theatrical A GRAND ROMANTIC GESTURE Feature Films – Theatrical Paragraph Pictures Producers: David Gordian, Alan Latham Exec. Producer: n/a Director: Joan Carr-Wiggin Production Manager: Mary Petryshyn D.O.P.: Bruce Worrall Key Cast: Gina McKee, Douglas Hodge, Linda Kash, Rob Stewart, Rose Reynolds, Dylan Llewellyn Shooting dates: Jun 24 - Jul 19/19 AGAINST THE WILD III – THE JOURNEY HOME Feature Films – Theatrical Journey Home Films Producer: Jesse Ikeman Exec. Producer: Richard Boddington Director: Richard Boddington Production Manager: Stewart Young D.O.P.: Stephen C Whitehead Key Cast: Natasha Henstridge, Steve Byers, Zackary Arthur, Morgan DiPietrantonio, John Tench, Colin Fox, Donovan Brown, Ted Whittall, Jeremy Ferdman, Keith Saulnier Shooting dates: Oct 2 - Oct 30/19 AKILLA'S ESCAPE Feature Films - Theatrical Canesugar Filmworks Producers: Jake Yanowski, Charles Officer Exec. Producers: Martin Katz, Karen Wookey, Michael A. Levine Director: Charles Officer Production Manager: Dallas Dyer D.O.P.: Maya Bankovic Key Cast: Saul Williams, Thamela Mpumlwana, Vic Mensa, Bruce Ramsay, Shomari Downer Shooting dates: May 14 - Jun 6/19 AND YOU THOUGHT YOU WERE NORMAL Feature Films - Streaming Side Three Media Producers: Leanne Davies, Tim Kowalski Exec. Producer: Colin Brunton Director: Tim Kowalski, Kevan Byrne Production Manager: Woody Whelan D.O.P.: Tim Kowalski Key Cast: Gary Numan, Owen Pallett, Tim Hill, Cam Hawkins, Steve Hillage Shooting dates: Jan 28 - Mar 5/19 AWAKE As of January 14, 2019 1 SHOT IN ONTARIO 2019 Feature Films - Streaming eOne / Netflix Producers: Mark Gordon, Paul Schiff Executive Producer: Whitney Brown Director: Mark Raso Production Manager: Szonja Jakovits D.O.P.: Alan Poon Key Cast: Gina Rodrigues Shooting dates: Aug 6 - Sep 27/19 CASTLE IN THE GROUND Feature Films - Theatrical 2623427 Ontario Inc. -
The Politics of the Contemporary Alternate History Novel
What Almost Was 63 What Almost Was: The Politics of the Contemporary Alternate History Novel Matthew Schneider-Mayerson Between August of 1995 and July of 1996, Speaker of the House of Rep- resentatives Newt Gingrich published two books. One, To Renew America, a folksy Republican polemic cobbled together from Gingrich’s speeches, served as a sequel to Contract with America, the blueprint of the conservative movement that assumed control of Congress in 1995.1 The other was 1945, coauthored with William R. Forstchen, a novel set in an alternate universe.2 In 1945’s divergent timeline, Germany does not declare war on the United States, the Soviet Union is split into fragments, and the United States and Germany have settled into a cold war. Nazi soldiers parachute into the United States to a capture a nuclear facility in Tennessee, but posses of arms-bearing American veterans successfully defend their country. 1945 was representative of the flourishing genre of alternate history novels in all but two ways: an author’s celebrity and its media exposure. Due to Gingrich’s status as the public leader of the conservative renaissance of the mid-1990s, 1945 was widely reviewed in mainstream publications. Treated as a curiosity and ridiculed for its poor literary quality, very few reviewers noted the libertarian themes in 1945, and even fewer placed it in the context of an inchoate literary genre.3 1995 can be considered the birth year of the alternate history novel as a genre. As a conceptual category, the counterfactual, as historians term their what-if narratives, has been pursued in print since classical Greece, if not earlier. -
Corporate Plan Summary, “We”, “Us”, “Our” and “The Corporation” Mean CBC/Radio-Canada
TABLE OF CONTENTS 1. PRESIDENT’S MESSAGE 2 2 . OUR COMMITMENT TO TRANSPARENCY AND ACCOUNTABILITY 3 3. WHO WE ARE AND OUR SERVICES 4 4. OUR OPERATING ENVIRONMENT 6 5. Y OUR STORIES, TAKEN TO HEAR T – STRATEGIC INITIATIVES 2019-2022 8 6. MEASURING OUR PERFORMANCE 15 7. FINANCIAL OUTLOOK 22 APPENDIX A: FINANCIAL PROJECTIONS 24 APPENDIX B: CAPITAL BUDGET 25 APPENDIX C: RISK MANAGEMENT 28 APPENDIX D: OUR MANDATE AND GOVERNANCE 34 EDITORIAL NOTE In the Corporate Plan Summary, “we”, “us”, “our” and “the Corporation” mean CBC/Radio-Canada. NOTE REGARDING FORWARD-LOOKING STATEMENTS The Corporate Plan Summary contains forward-looking statements regarding objectives, strategic initiatives, and expected financial and operational results. Forward-looking statements are typically identified by words such as “may,” “should,” “could,” “would” and “will,” as well as expressions such as “believe,” “expect,” “forecast,” “anticipate,” “intend,” “plan,” “estimate” and other similar expressions. Forward-looking statements are based on the following broad assumptions: CBC/Radio-Canada’s government funding remains consistent with amounts announced in the federal budget, and the broadcasting regulatory environment will not change significantly. Key risks and uncertainties are described in the Risk Management section in Appendix C. However, some risks and uncertainties are by definition difficult to predict and are beyond our control. They include, but are not limited to, economic, financial, advertising market, technical and regulatory conditions. These and other factors may cause actual results to differ substantially from the expectations stated or implied in forward-looking statements. NOTE REGARDING PERFORMANCE MEASUREMENT We rely on data from both internal tools and third parties to measure our performance metrics. -
Suggested List of Readings: Plato, the Republic; Thomas More, Utopia
UTOPIAN LITERATURE Zsolt Czigányik Humanities Initiative Fellow at CEU-IAS MA course, 2 credits, Winter, 2014 Course description The course intends to give a comprehensive introduction to the history of utopian literature with a perspective that integrates literary criticism and hermeneutics with the ideas and methods of political science. In the analysis of utopias profit is drawn from the fact that in this genre literature and social sciences overlap. Literary theory will be kept to a necessary minimum within the framework of this course, however students will be acquainted with the basic literary concepts of satires and their interpretation, the understanding of fictional space, the uses and versions of displacement and alternative literary realities. In the second part of the course some outstanding films will also be discussed, however, the full movies cannot be watched during the meetings. A major issue in interpreting utopias is whether they are to be analysed as alternative sociological statements (cf. Kumar 1991) or as works of fiction (cf. Firchow 2007). This course aims at an intermediate position; utopias and anti-utopias are interpreted as works that negotiate fictional social terrains which often serve as laboratories to discuss alternative options for the workings of society. Most of these works can be seen as indirect anatomies of human freedom; these books usually depict worlds where human liberty is curtailed, which makes human life deformed or meaningless, hence dystopias offer a manifold analysis of the philosophical concept of liberty. Learning outcome Students will be able to understand the major traditions of literary utopianism, its relationship with political ideologies and the differences between utopian and dystopian literature.