WGC Screenwriting Awards 2020 Celebrating Canadian Screenwriters
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Presents a Film by TRACEY DEER 92 Mins, Canada, 2020 Language: English with Some French
Presents a film by TRACEY DEER 92 mins, Canada, 2020 Language: English with some French Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com BEANS Festivals, Achievements and Awards Awards & Achievements DGC Discovery Award – 2020 WGC Screenwriting Award, Feature Film – 2021 Canadian Screen Awards – 2021 Best Motion Picture, Winner John Dunning Best First Feature Film Award, Winner Achievement in Casting, Nomination Achievement in Sound Mixing, Nomination Achievement in Cinematography, Nomination Vancouver Films Critics Circle – 2021 One to Watch: Kiawentiio Best Supporting Actress: Rainbow Dickerson Festivals Berlinale, Generation Kplus, Germany – 2021 Crystal Bear for Best Film Toronto International Film Festival, Canada – 2020 TIFF Emerging Talent Award: Tracey Deer TIFF Rising Stars: Rainbow Dickerson TIFF’s Canada’s Top Ten Vancouver International Film Festival, Canada – 2020 Best Canadian Film Yukon Available Light Film Festival, Canada – 2021 Made in the North Award for Best Canadian Feature Film Audience Choice Best Canadian Feature Fiction Kingston Canadian Film Festival, Canada – 2021 Limestone Financial People’s Choice Award Minneapolis St. Paul International Film Festival, USA – 2021 Audience Choice Award: Nextwave Global Features Provincetown Film Festival - 2021 NY Women in Film & Television Award for Excellence -
OIFF2013 Programavis.Pdf
facebook.com/NordiskFilmNorge BASERT PÅ JUSSI ADLER OLSENS BESTSELGER PÅ KINO I JANUAR! facebook.com/NordiskFilmNorge 23. OSLO INTERNASJONALE FILMFESTIVAL 20.↗24. NOVEMBER 2013 3 FILMER FILMER/FILMS LAND/COUNTRY SIDE/PAGE TOM AT THE FARM Canada, France 4 FINSTERWORLD Germany 7 TEENAGE Germany, USA 7 COMPUTER CHESS USA 8 UPSTREAM COLOR USA 8 KVINNEN I BURET Germany, Denmark, Sweden 9 PRISONERS USA 9 THE DIRTIES Canada 11 IRENES TO LIV France, Italy 11 MANAKAMANA USA, Nepal 12 FREMMED VED SJØEN France 12 IL FUTURO Chile, Germany, Italy, Spain 13 GERONTOPHILIA Canada 13 I USED TO BE DARKER USA 14 WHY DON’T YOU PLAY IN HELL? Japan 14 PROLOGUE TO THE GREAT DESAPARECIDO Philippines 15 REDEMPTION France, Germany, Italy, Portugal 15 UNG LØS GRIS Norway 16 KOPFKINO Norway 16 THE FORESTER Norway 17 DET ER IKKE SÅ LETT Norway 17 EGRESS Norway 17 Velkommen til 23. Oslo filmfestival Velkommen til en ny runde med sterke Den unge canadiske regissøren Xavier Dolan får Super dansk krim med Kvinnen i buret. Chilensk filmopplevelser, humor, spenning, filmkunst og det åpne årets festival med sin fjerde spillefilm, den film basert på roman av Roberto Bolaño. Italiensk unike fellesskapet i kinomørket. Filmen står i fokus psykologiske thrilleren Tom at the Farm, som fikk kvalitetsdrama om alternativ dødshjelp i Valeria i noen hektiske dager, og vi kan stolt presentere kritikerprisen for beste film i hovedkonkurransen Golino sikre regidebut. Bruce LaBruce med en fantastisk filmmeny. i Venezia i år. Nå midt i innspillingen av sin femte film, romantisk komedie. En Zenpreget reise i moderne og bare 24 år gammel. -
Film & Television
416 466 1450 • [email protected] • www.larissamaircasting.com FILM & TELEVISION Kids in the Hall (Series) Amazon (Present) Hardy Boys S2 (Series) YTV/HULU (Present) Run the Burbs (Series) CBC (Present) All My Love, Vadim (Feature) Serendipity Points Films, 6 Bees Productions (Present) Take Note S1 (Series) NBC Universal (Present) Holly Hobbie S3, 4, 5 (Series) Hulu / Family Channel (Present) Detention Adventure (Season 3) CBC (Present) Ghostwriter (Season 2) Apple & Sesame (Present) Kiss the Cook (MOW) Champlain Media Inc./Reel One Entertainment (Present) A Country Proposal (MOW) M6 Métropole Television, France (Present) First Person S2 (Short Films) Carousel Pictures (2021) Overlord and the Underwoods S1(Series) marblemedia & Cloudco Entertainment (2021) Say Yes To Christmas (MOW) Lifetime (2021) Christmas in Detroit (MOW) Lifetime (2021) Terror in the Country (MOW) ReelOne Entertainment (2021) Summer Memories (Series) Family Channel (2021) The Color of Love (MOW) Lifetime (2021) Mistletoe & Molly (MOW) Superchannell Heart & Home (2021) Secret Santa (MOW) Superchannel Heart and Home (2021) Christmas At the Movies (MOW) Superchannell (2021) Christmas in Angel Heights (MOW) M6 Métropole Television, France (2021) Left For Dead (MOW) Lifetime (2021) The Christmas Market (MOW) Vortex Productions (2021) Loving Christmas (MOW) M6 Métropole Television, France (2021) Lucas the Spider Warner Brothers (2020) Sissy Picosphere (2020) Death She Wrote M6 Métropole Television, France (2020) SPIN (Canadian Casting) Disney + (2020) TallBoyz S2 (Series) CBC (2020) Odd Squad Mobile Unit (Season 4) PBS, TVO (2020) Love Found in Whitbrooke Harbor M6 Métropole Television, France (2020) Rule Book of Love M6 Métropole Television, France (2020) Overlord and The Underwoods MarbleMedia & Beachwood Canyon Pictures (2020) Dying to be Your Friend Neshama (2020) The Young Line CBC Kids (2020) The Parker Andersons / Amelia Parker BYUtv (2020) Locked Down (Season 2) YouTube (2020) The Enchanted Christmas Cake Enchanted Christmas Cake Productions Inc. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Television Cartoons: Do Children Notice It's a Boy's World?
'A', DOCUMENT RESUME ED 376 539 CS 508 750 AUTHOR Thompson, Teresa L.; Zerbinos, Eugenia TITLE Television Cartoons: Do Children Notice It's a Boy's World? PUB DATE Aug 94 NOTE 33p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (77th, Atlanta, GA, August 10-13, 1994). PUB TYPE Speeches/Conference Papers (150) Reports Research /Technical (143) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Attitude Measures; *Cartoons; *Childhood Attitudes; Early Childhood Education; Higher Education; *Sex Role; *Sex Stereotypes; Television Research; *Television Viewing ABSTRACT This study, a part of a larger project, investigated what children learn about gender roles from cartoons and how these cartoons might color the children's view of the world. A total of 89 children ranging in age from four to nine were sampled from three different locations (a university-affiliated day-care center and two parochial schools near the university). Interviewers were eight trained senior-level university students in a Women and Communication class. Interviews with the children lasted from 4 to 10 minutes. Results indicated that:(1) children watched more "chase-and-pratfall" cartoons than any other type, but the favorite cartoon type for neavly half of the children was continuing adventure; (2) a strong correlation existed between continuing adventure cartoons and more stereotypically male behaviors; (3) children attributed more of all behaviors to boy characters than to girl characters;(4) both boys and girls -
Corner Gas: the Movie
TABLE OF CONTENTS 3 ABOUT CORNER GAS: THE MOVIE 4 SHORT SYNOPSIS 5 CORNER GAS: THE LEGACY 8 Q&A: ON-SET WITH THE CAST AND PRODUCERS 14 CORNER GAS: THE MOVIE: FUN FACTS 18 CHARACTER DESCRIPTIONS 20 CAST BIOGRAPHIES 35 CREATIVE TEAM BIOGRAPHIES 41 ABOUT THE FUNDERS CORNER GAS: THE MOVIE 3 ABOUT CORNER GAS: THE MOVIE Just as it did when it began more than 10 years ago, the smash hit Canadian television franchise CORNER GAS continues to blaze new trails. Corner Gas: The Movie, a 90-minute feature film, is being distributed on multiple screens across Canada this holiday season. Beginning with an exclusive Cineplex Front Row Centre Events theatrical debut for five days only, the film is in select Cineplex and independent theatres across the country from Dec. 3 to 7, 2014. Tickets are on sale now at cornergasthemovie. com, or check local theatre listings. Following its theatrical release, Corner Gas: The Movie makes its super- simulcast network premiere on Wednesday, Dec. 17 at 8 p.m. ET/PT on CTV, CTV Two, and CTV GO. The movie debuts Monday, Dec. 22 at 8 p.m.ET/PT on The Comedy Network and a special sneak peek airs on The Movie Network Monday, Dec. 8 at 9 p.m. ET in advance of its CTV premiere. Corner Gas: The Movie will also be the first Canadian program to receive a first-look screening on Bell Media’s CraveTV when the premium subscription TV streaming service launches Thursday, Dec. 11. Headlined by creator and comedian Brent Butt, Corner Gas: The Movie stars the original award-winning ensemble cast including Gabrielle Miller, Eric Peterson, Fred Ewanuick, Janet Wright, Lorne Cardinal, Tara Spencer-Nairn, and Nancy Robertson. -
Gemini Awards: the Winners Prix Gemeaux
CINEMA CAN A D A • SesSiOIlS, Da vid Foster, Tony Greco, Linda . Series: Tim Dunphy, Peter Monahan (Night Heat Gemini awards: Thompson (Davlin Productions/CBC); Best "Dead Rillger"); Best Writing in a Comedy or Prix Gemeaux: Variety Series: It's Oilly Rock 'N' Roll , Joe Variety Program or Series: Avrum Jacobson the winners Bodolai, John Brunton, Judith Dryland (Family Reullioll); Best Writing in an Information! Quatre Saisons (insightiCBC); Best Information Series: Vellture, Documenta ry Program or Series: Kent Martin, TORONTO - The fo llowing is a complete list of Duncan McEwan (CBC); Best Light Information James Laxer (Reckollillg: The Politica l Eco llomy Of to boycott awards the 1988 Gemini Award winners in ceremonies Series: Live It Up, Alan Edmonds, Jack McGa w Callada "Part Olle -111 Bed With All Elephant"); sponsored by the Academy of Canaclian Cinema (CTV); Best Documentary Program : RUllaways- Best Photography in a Dramatic Program or MONTREAL - The third- annual Prix Gemeaux and Television at the Metro Toronto Convention 24 HOllrs 011 The Street, Lon Appleby, Howard Series: Marc Champion (Alille Of Green Gables was a unqualified success fo r some and a Centre November 29 and 30th. Bernstein, David Sobelman (CBC); Best TIle Sequel); Best Photography in a Comedy, complete waste of time for others. In the Program categories the winners were: Documentary Series: Th e Nature Of Things, Variety or Performing Arts Program or Series: Over 50 awards were presented during the Best Short Drama: A Child's Christmas III Wales, James R. Murray (CBC); Best Performing Arts Rene Ohashi (Masterclass With MeI1l1hill); Best televised gala event to honor the Quebec Seaton McLean, Gillian Richardson (Atlantis/ Program: Masterclnss With Melluhill, Niv Photography in an InformationIDocumentary television industry. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SPRING 2020 VOL.22, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Law & Order Issue The Detectives: True Crime Canadian-Style Peter Mitchell on Murdoch’s 200th ep Floyd Kane Delves into class, race & gender in legal PM40011669 drama Diggstown Help Producers Find and Hire You Update your Member Directory profile. It’s easy. Login at www.wgc.ca to get started. Questions? Contact Terry Mark ([email protected]) Member Directory Ad.indd 1 3/6/19 11:25 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 22 No. 2 Spring 2020 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover Publisher Maureen Parker Diggstown Raises Kane To New Heights 6 Editor Tom Villemaire [email protected] Creator and showrunner Floyd Kane tackles the intersection of class, race, gender and the Canadian legal system as the Director of Communications groundbreaking CBC drama heads into its second season Lana Castleman By Li Robbins Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen The Detectives: True Crime Canadian-Style 12 Simon Racioppa Rachel Langer With a solid background investigating and writing about true President Dennis Heaton (Pacific) crime, showrunner Petro Duszara and his team tell us why this Councillors series is resonating with viewers and lawmakers alike. Michael Amo (Atlantic) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Murdoch Mysteries’ Major Milestone 16 Lienne Sawatsky (Central) Andrew Wreggitt (Western) Showrunner Peter Mitchell reflects on the successful marriage Design Studio Ours of writing and crew that has made Murdoch Mysteries an international hit, fuelling 200+ eps. -
Bureaucrats and Movie Czars: Canada's Feature Film Policy Since
Media Industries 4.2 (2017) DOI: 10.3998/mij.15031809.0004.204 Bureaucrats and Movie Czars: Canada’s Feature Film Policy since 20001 Charles Tepperman2 UNIVERSITY OF CALGARY c.tepperman [AT] ucalgary.ca Abstract: This essay provides a case study of one nation’s efforts to defend its culture from the influx of Hollywood films through largely bureaucratic means and focused on the increasingly outdated metric of domestic box-office performance. Throughout the early 2000s, Canadian films accounted for only around 1 percent of Canada’s English-language market, and were seen by policy makers as a perpetual “problem” that needed to be fixed. Similar to challenges found in most film-producing countries, these issues were navigated very differently in Canada. This period saw the introduction of a new market-based but cultural “defense” oriented approach to Canadian film policy. Keywords: Film Policy, Production, Canada Introduction For over a century, nearly every film-producing nation has faced the challenge of competing with Hollywood for a share of its domestic box office. How to respond to the overwhelming flood of expensively produced and slickly marketed films that capture most of a nation’s eye- balls? One need not be a cultural elitist or anti-American to point out that the significant presence of Hollywood films (in most countries more than 80 percent) can severely restrict the range of films available and create barriers to the creation and dissemination of home- grown content.3 Diana Crane notes that even as individual nations employ cultural policies to develop their film industries, these efforts “do not provide the means for resisting American domination of the global film market.”4 In countries like Canada, where the government plays a significant role in supporting the domestic film industry, these challenges have political and Media Industries 4.2 (2017) policy implications. -
Accommodations
ACCOMMODATIONS ALICION BED & BREAKFAST (902) 634-9358 66 McDonald Street (902) 212-2964 Lunenburg, NS B0J 2C0 E. [email protected] CONTACT Lorne Johanson, Janet Johanson W. www.alicionbb.com BLACKBERRY SHORE BED & BREAKFAST (902) 354-4288 643 Shore Road E. [email protected] Liverpool, NS B0T 1K0 W. www.bbcanada.com/8470.html CONTACT Karen Miller DESCRIPTION Queen bed, private ensuite bath, wireless internet CAMBRIDGE SUITES HOTEL (902) 425-6187 1583 Brunswick Street C. (902) 483-4604 Halifax, NS B3J 3P5 F. (902) 420-9379 CONTACT Lesa Griffin E. [email protected] W. www.cambridgesuiteshotel.com CREDITS Haven, Jumping the Broom, November Christmas DESCRIPTION The Cambridge Suites Hotel offers suites in a range of sizes from studio suites to one bedroom suites with full kitchens. Free breakfast each morning, high speed internet, and local calls are included. DELTA BARRINGTON HOTEL (902) 474-7061 1875 Barrington Street TOLL FREE 1-877-814-7706 Halifax, NS B3J 3L6 F. (902) 492-6405 CONTACT Lesa Canzio E. [email protected] W. www.deltahotels.com VISIT US AT WWW.FILMNOVASCOTIA.COM 129 ACCOMMODATIONS DELTA HALIFAX HOTEL (902) 474-7061 1990 Barrington Street TOLL FREE 1-877-814-7706 Halifax, NS B3J 1P2 F. (902) 492-6405 CONTACT Lesa Canzio E. [email protected] W. www.deltahotels.com CREDITS Host Hotel for the Atlantic Film Festival DELTA SYDNEY HOTEL (902) 562-7500 300 Esplanade TOLL FREE 1-800-565-1001 Sydney, NS B1P 1A7 F. (902) 562-3023 CONTACT Darcy MacDonald E. [email protected] W. www.deltasydney.com GALLERY GUEST HOUSE B&B (902) 354-5431 611 Shore Road F. -
I Spent More Time with the Beachcombers As a Kid Than
WesTern TV, eh? the best of the West By diane Wild hoosing the best TV show to of convoluted conspiracy, but the And then there’s the right choice: radio station using a tape recorder come out of Western Cana- mostly-monster-of-the-week sea- SCTV. I can hear you now – does and our best attempt to capture Cda in the last 30 years is al- sons remain a favourite today. Ex- that really qualify as a Western Ca- some of the SCTV spirit. Those most as hard as figuring out wheth- cept Home. I don’t need those kind nadian show, when most seasons tapes didn’t survive for long, but I er Nick or Relic was my favourite of nightmares again. were produced in Ontario? As a don’t think the SCTV writers would beachcomber. I loved them for such APTN’s Blackstone would be my born and bred Edmontonian, where have been quaking in their boots at different and opposing reasons. socially conscious choice. It’s The you can take an SCTV shooting loca- the competition. And that is the obvious nostal- Wire of Canada, equally relegated to tion walking tour, I can definitively It made household names out gia winner if I’m going to make a a cult audience – which in Canada say yes. Just as Gretzky will always of people who are still household choice. I spent more time with The means a cult of a cult audience -- be ours, so too will SCTV. Argue with names 30 years later. Eugene Levy Beachcombers as a kid than I did with and equally willing to delve into me and I’ll send Dave Semenko af- and Catherine O’Hara are still most of my extended family.