The Goon Show: Shut up Eccles Volume 12 Pdf, Epub, Ebook
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Wales-Ireland Travelogue 2009
WALES AND IRELAND TRIP MAY 12 TO JUNE 4, 2009 What a coincidence! Meaningless, to be sure - but a coincidence, nonetheless. Our trip to the British Isles in 2009 began and ended one day earlier than our trip to Scotland, May 14 to June 5, 2001. (One can only hope that September of this year doesn't hold the same sort of unpleasant surprise that was visited upon us eight years ago.) OK, so I made a "small" error - we are departing two days earlier, not one. And, OK, so it wasn't much of a coincidence, was it? I mean, a real coincidence - one of excruciating consequence - occurred at the Polo Grounds in NYC on October 3, 1951 when Ralph Branca of the Blessed Brooklyn Dodgers was called in to pitch in the 9th inning and, by coincidence, Bobby Thomson of the Bestial New York Giants happened to come to bat, and, by coincidence, Mr. Branca happened to throw a pitch that the aforementioned Mr. Thomson happened to swing at, and, by coincidence, made contact with said pitch and drove it a miserable 309 feet into the first row of the left- field seats of the absurdly apportioned Polo Grounds, thus ending the Dodgers' season and causing a certain 12-year-old, watching on TV, in Brooklyn to burst into tears. Now that was a coincidence! But I digress. Tuesday, May 12 to Wednesday, May 13 Rather than leaving our car at the Seattle Airport Parking Garage (cost for three-plus weeks $468) or at an airport hotel (about $335) we decide to try the new Gig Harbor Taxi (at $95 each way, including tip). -
HANCOCK's HALF HOUR COLLECTIBLES Notes To
HANCOCK’S HALF HOUR COLLECTIBLES Notes to Accompany Volume 3 All photographs copyright (C) BBC (unless otherwise stated) The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost works of Tony Hancock. Tony Hancock: BBC Publicity Shot for Hancock’s Half Hour, November 1956 The Tony Hancock Appreciation Society (THAS) Since its creation in 1976, the THAS has dedicated itself to preserving and promoting the works of Tony Hancock and, more crucially, to finding his broadcasts that were missing from the archives. Over the decades, these efforts have yielded a wealth of material, most notably lost episodes of his most beloved work on Hancock’s Half Hour for both television and radio. Many of these have now been located and returned to the BBC; some feature in this special series of Collectibles, now into 1 its third volume. However, many still remain lost at this time. In addition, our efforts have found other material – shows recorded before Hancock became a household name – from series such as Calling All Forces, Variety Bandbox and Star Bill. Again, examples of these can be found in this series. In the previous volumes, there was an extensive analysis of missing recordings from Hancock’s radio career, and, as ever, we remain hopeful that some of these recordings will emerge from private collections or, perhaps, the archives of the BBC or other institutions. In these notes, we will focus on a number of missing recordings and shows outside the ‘core’ work Hancock did on his eponymous series and those that preceded it. -
5.1 May 2018 Newsletter.Cdr
5.1 3D BBC CiNA/RNIB May 2018 Newsletter Summary April 1. April Competition 4. March Winner’s email 2. Clues & Explanations 5.May Extra mid-month 2018 3. Presentations 2017 6. Spike Milligan Crossword Enigmatist Pickles 1. April Competition I TOLD YOU I WAS ILL The April competition with Spike Milligan themed grid by Pickles and clued by Enigmatist, was won by Jos Tait of Preston Australia. Excellent solving! SPIKE MILLIGAN Feedback included: Enigmatist is one of my favourite setters and many of the reasons for that can be found in this puzzle: clever and challenging exploitation of an interesting theme; complex, cryptic and misleading clues – for example, it took me a long time to unravel the clue to IRONIC, but it is, as indeed are all his clues, ultimately both intricate and fair. A most enjoyable solve this month. Kmc One solver is speaking to another :- “Would you like to do this puzzle set by Enigmatist or climb the North face of the Eiger?” “Wait right there – I'll get the crampons!” GS Much fun to be had here, as Andre always has a go first. He was amazed when he came to complain that nothing could really contain Y__G T__G and I immediately burst into song... Quite an education in British culture for him! AR Thanks again for the great, and consistently entertaining, puzzles. JN Lovely to have the brilliant madcap humour of Spike Milligan celebrated and brought back to life again in such a clever puzzle. Again I am in awe of how much Engimatist was able to pack into the grid, and how many references Grid by there are, since I imagine the constraints of 3D must be greater than those Pickles of 2D. -
The Goon Show: the Spanish Suitcase
THE GOON SHOW: THE SPANISH SUITCASE First broadcast on December 7, 1954. Script by Spike Milligan and Eric Sykes. Produced by Peter Eton. Announced by Wallace Greenslade. The orchestra was conducted by Wally Stott. Transcribed by Kurt Adkins, corrections by Peter Olausson. Greenslade: This is the BBC Home Service. Grytpype: Oh dear! Greenslade: Never-the-less, this is the BBC Home Service, my almamata! Bluebottle: Olé! Seagoon: That olé of olés can only herald the coming of the highly esteemed Goon Show! Grams: [Panic stricken audience running out, door slams] Seagoon: Who unlocked the doors? Mr. Greenslade, emergency music! Grams: [’The Archers’ theme tune and animal noises] Seagoon: Stop! [Music stop] I knew that would get them back in. Heads above the trough! [country accent] Now then, Dan Greenslade, me dear, tell 'em as 'ow we're going to be doing that there Goon Show. I'll be off to mend my tractor. Greenslade (country accent): Aaaaah, aaalright me old dear Ned Archer, I reckon as all we'll be having a ripe harvest of compost from 'im tonight! Greenslade: Aaaaaarh! Seagoon: Aaaaaarh! Regal Woman: Hello you two, still arguing about the old cow? Greenslade: Aaaaaaaarh! Regal Woman: Where's Daddy? Greenslade: Well, he were asking if them beams up in the barn were strong. 1 Seagoon: Ay, he asked I that, he did, he asked I that then he went up there with a coil of rope and a noose around his neck. Regal Woman: No no, he... Oh look! Grams: [’The Archers’ end theme tune] Sellers: Easy money! Seagoon (himself): Right, now Greenslade, off with your dung smock and into a serious vein. -
British Series About a Group of With
104 G000 LISTENING First Broadcast:1929 (under title "Rise of Milligan); Moriarity (Harry Secombe); Ma- the Goldbergs"). jor Bloodknock, Indian Army, retired (Harry Secombe);Bluebottle,the Good Listening character who always reads the stage directions in his script (Harry Secombe), Type:Quiz Min and Henry (Harry Secombe, Spike Milligan). Format:Calledforcontestantstoans- wer questions based on a medley of vocalAnnouncer:Wallace Greenslade. clues that were constantly interrupted by Vocalist:Max Geldry. plants in the studio audience. A playerOrchestra:Wally Stark. won money ($3, $6, or $9) based on how Also:The Ray Ellington Quartet. many questions he could answer thatLength:30 minutes. were related to the interrupted songs. Network:NBC. Host:Lionel Kaye. First Broadcast: 1955. Vocalists:The Three Chances. Orchestra:Van Alexander. Length:30 minutes. The Gordon MacRae Show Network:CBS. First Broadcast: 1943. Type:Musical Variety Host:Gordon MacRae. Vocalists:Sheila Stevens, Marian Bell. Good News Announcer:Dan Seymour. Orchestra:Archie Bleyer, Johnny Guar- Type:Musical Variety neri. Host:Dick Powell. Length:15 minutes. Vocalist:Mary Martin. Network:CBS. Orchestra:Meredith Wilson. First Broadcast:1945. Length:30 minutes. Network:NBC. First Broadcast:1939. The Gracie Fields Show The Goon Show Type:Variety Hostess:Gracie Fields (a British comed- Type:Comedy ienne). Format:British series about a group ofRegulars:Bob Burns, The Spartan Quar- goons, people "of inarticulate language tet, Don Hancock. with one -cell brains who think in theAnnouncer:Bill Goodwin. fourth dimension," who are anti -every-Orchestra:Harry Sosnik, Lou Bring, Carl thing and whose sole purpose is first to Hoffman. destroy the British Empire, then the restLength: 5minutes(1942),15minutes of the world. -
The National Life Story Collection
Daphne Shadwell Page 1 COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed. CITATION: Women’s Work in British Film and Television, Daphne Shadwell, http://bufvc.ac.uk/bectu/oral-histories/bectu-oh [date accessed] By accessing this transcript, I confirm that I am a student or staff member at a UK Higher Education Institution or member of the BUFVC and agree that this material will be used solely for educational, research, scholarly and non-commercial purposes only. I understand that the transcript may be reproduced in part for these purposes under the Fair Dealing provisions of the 1988 Copyright, Designs and Patents Act. For the purposes of the Act, the use is subject to the following: The work must be used solely to illustrate a point The use must not be for commercial purposes The use must be fair dealing (meaning that only a limited part of work that is necessary for the research project can be used) The use must be accompanied by a sufficient acknowledgement. Guidelines for citation and proper acknowledgement must be followed (see above). It is prohibited to use the material for commercial purposes and access is limited exclusively to UK Higher Education staff and students and members of BUFVC. I agree to the above terms of use and that I will not edit, modify or use this material in ways that misrepresent the interviewees’ words, might be defamatory or likely to bring BUFVC, University of Leeds or my HEI into disrepute. -
The Rude Mechanicals Present Ying Tong – a Walk with the Goons
The Rude Mechanicals present The Australian première of Ying Tong – A Walk With The Goons By Roy Smiles, Directed by Ian Hart The Street Theatre, Canberra 17 August – 2 September 2006 Great wits are sure to madness near allied, And thin partitions do their bounds divide. —John Dryden The subversive anarchy and surreal humour of The Goon Show burst on post-war Britain and Australia like an exploding batter pudding. The shockwave wrenched English comedy off its secure moorings and set the course for Monty Python, Beyond the Fringe, The Goodies… all the way to Little Britain. Peter Sellers, Harry Secombe and Spike Milligan became household names. Today, 50 years later, The Goon Show is still being repeated on the ABC. Roy Smiles’ brilliant new play celebrates the genius of The Goons, but also demonstrates the truth of Dryden’s couplet in the high price that Milligan, its creator, paid for his success. Ying Tong opened at the West Yorkshire Playhouse and then transferred to The West End and has been touring in Britain and South Africa for the past year. The Street Theatre season is its Australian première. The Rude Mechanicals production is directed by Ian Hart and features four talented Canberra actors: Robert de Fries (Spike Milligan), Steven Kennedy (Peter Sellers), Robbie Matthews (Harry Secombe) and John Honey (Wallace Greenslade). The choral performance of The Ying Tong Song is by OOTS Choir, Tuggeranong, directed by Jenny Sawer. Visit the Rude Mechanicals web site http://www.camrin.com/rudemech Preview: 16 August Season: 17-19, 22-26, 29 August-2 September Wednesdays-Saturdays 7:30pm, Tuesdays 6:30pm Matinees 19 Aug, 26 Aug, 2 Sept at 1:30pm Venue: The Street Theatre Studio Tickets: $28 Concessions available. -
The Last Goon Show of All
The Last Goon Show of All Transcribed by John Koster, corrections by Sean Dwyer. Final corrections and colour-coded separation of versions by Helen. Green text = Radio version only Red text = TV version only (At least, the TV version that's on YouTube) Black text = Both versions ORCHESTRA: OLD COMRADES MARCH BROWELL: Well, good evening and welcome to the Camden. And if you'll forgive me, this is a most illustrious occasion. We're are playing this Goon Show, the first since 1960, in front of a very distinguished audience. And I am very glad to see you and I hope you have a wonderful time. First of all the "Old Comrades", obviously played by the Wally Stott Orchestra. Wally Stott, I'm afraid is not able to be with us this evening, so the orchestra is conducted by Peter Knight. AUDIENCE APPLAUSE BROWELL: Well, when Con Mahoney, who's head of my department, said "Can you get these bods together?", it was a bit of a job. But I got the principals. And I found Ray Ellington. But Max was a bit more difficult because he's in America. But the BBC dug deep into its pocket… AUDIENCE APPLAUSE BROWELL: …which was most unusual. But here, from America, is Max Geldray. AUDIENCE APPLAUSE BROWELL: Ha, ha. Well, we didn't have quite so far to go for our colour sergeant. Who else but Ray Ellington! AUDIENCE APPLAUSE BROWELL: Now it's absolutely fascinating because I am so delighted than nearly every one of the old musicians… Old? …have returned for tonight. -
The House of Teeth by Spike Milligan
The House of Teeth Instructions. Select Menu Edit.. Names of People to fill in the names of the Characters to revise them; (do not attempt to directly edit the names between the square brackets). The keystrokes shown will then start a dialogue for the named person. Keystroke Person Keystroke Person CTRL+1 [SEAGOON] CTRL+Shift +1 [THROAT] CTRL+2 [O'BRIEN] CTRL+Shift +2 [BLOODNOK] CTRL+3 [WILLIUM] CTRL+Shift +3 [BILL] CTRL+4 [CRUN] CTRL+Shift +4 [HARRY] CTRL+5 [MINNIE] CTRL+Shift +5 [PETER] CTRL+6 [LONDONGLE] CTRL+Shift +6 [ABDUL] CTRL+7 [ECCLES] CTRL+Shift +7 [SPIKE] CTRL+8 [BLUEBOTTLE] CTRL+Shift +8 [PERSON 18] CTRL+9 [MORIATY] CTRL+Shift +9 [PERSON 19] CTRL+0 [GRYTPYPE-THYNNE] CTRL+Shift +0 [OMNES] When you have finished filling in the person names I suggest you print this page and place it above your keyboard. This is Section 0; do not delete this page! Paragraph styles can be set quickly with the following keystrokes. These should be pressed just before typing such a paragraph, or later when editing paragraphs. The action will affect which ever paragraph contains the current insertion point. Keystroke Paragraph-Style Details CTRL+SHIFT+A ACT Insert first line of ACT N CTRL+SHIFT+B Page Break Inserts (CONTINUED) etc CTRL+SHIFT+D Dialogue Subsequent paragraphs of dialogue CTRL+SHIFT+E Scene End - Write End of Scene n CTRL+SHIFT+F F/X Sound Effects CTRL+SHIFT+G Grams Sound Effects (Music) CTRL+SHIFT+L Location Sometimes second line of a scene CTRL+SHIFT+M Normal Misc left justified (notes?) CTRL+SHIFT+N Name Name & first paragraph of a persons dialogue CTRL+SHIFT+P Parenthesis (OOV), mode of speech etc. -
The Goon Show: the Spon Plague
THE GOON SHOW: THE SPON PLAGUE First broadcast on March 3, 1958. Script by Spike Milligan and John Antrobus. Produced by Charles Chiltern. Announced by Wallace Greenslade. Orchestra conducted by Wally Stott. Transcribed by anon, corrections by Paul Webster and Peter Olausson. Greenslade: This is the BBC. It might not sound much but [tearfully] it’s home to me. [Sings] We’ve been together now fer forty years and it ain’t been a day... FX: [Pistol shot] Secombe: Got him, folks! It was the kindest way out. We had the vet’s permission, ha ha. Now, folks, by permission of one of the Lord Chamberlain’s secretaries, we present - Orchestra: [Timpani roll (come in on word ‘secretary’)] Throat: ‘The Great Spon Plague.’ Orchestra: [Dramatic chords] Sellers: My name is Doctor Hairy MacSquirter, Squirter MacSquirters of the Clan MacThud and Jim Thudder of Leeds. Our history goes back over half a decade. I have got nothing to do with tonight’s show, so I’ll bid ye all a guid night. Orchestra: [Tatty chord] Greenslade: The scene opens in a granny-hurling factory in Tooting. FX: [Stone chisel sculpting on granite. Then hammering iron from the forge] Grytpype (over FX): Ah, my masterpiece! Don’t move, Moriarty, keep that pose. Ahh - how Michaelangelo would have envied me. Moriarty: What are you making? Grytpype: A pill, Moriarty. Moriarty: Sapristi - you mean you made me pose in the nude to model for a pill?! Grytpype: I wasn’t using all of you, just a certain area you know. Ahm - round off the pill with sandpaper. -
Oliver! (1968) AUDIENCE 82 Liked It Average Rating: 3.4/5 User Ratings: 55,441
Oliver! (1968) AUDIENCE 82 liked it Average Rating: 3.4/5 User Ratings: 55,441 Movie Info Inspired by Charles Dickens' novel Oliver Twist, Lionel Bart's 1961 London and Broadway musical hit glossed over some of Dickens' more graphic passages but managed to retain a strong subtext to what was essentially light entertainment. For its first half-hour or so, Carol Reed's Oscar-winning 1968 film version does a masterful job of telling its story almost exclusively through song and dance. Once nine- year-old orphan Oliver Twist (Mark Lester) falls in with such underworld types as pickpocket Fagin (Ron Moody) and murderous thief Bill Sykes (Oliver Reed), it becomes necessary to inject more and more dialogue, and the film loses some of its momentum. But not to worry; despite such brutal moments as Sikes' murder of Nancy (Shani Wallis), the film gets back on the right musical track, thanks in great part to Theatrical release poster by Howard Terpning (Wikipedia) Onna White's exuberant choreography and the faultless performances by Moody and by Jack Wild as the Artful Dodger. The supporting cast TOMATOMETER includes Harry Secombe as the self-righteous All Critics Mr. Bumble and Joseph O'Conor as Mr. Brownlow, the man who (through a series of typically Dickensian coincidences) rescues Oliver from the streets. Oliver! won six Oscars, 85 including Best Picture, Best Director, and a Average Rating: 7.7/10 Reviews special award to choreographer Onna White. ~ Counted: 26 Fresh: 22 | Rotten: 4 Hal Erickson, Rovi Top Critics G, 2 hr. 33 min. Drama, Kids & Family, Musical & Performing Arts, Classics, Comedy 60 Directed By: Carol Reed Written By: Vernon Harris Average Rating: 6/10 Critic Reviews: 5 Fresh: 3 | Rotten: 2 In Theaters: Dec 11, 1968 Wide On DVD: Aug 11, 1998 It has aged somewhat awkwardly, but the Sony Pictures Home Entertainment performances are inspired, the songs are [www.rottentomatoes.com] memorable, and the film is undeniably influential. -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole.