University of Birmingham Servian Readings of Religion in The
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ovid's Metamorphoses and the Transformation of Metamorphosis In
Ovid’s Metamorphoses and the transformation of metamorphosis in Christoph Ransmayr’s novel Die letzte Welt David Gallagher Department of German University of London, Royal Holloway October 2007 Working Paper 07-2 Center for Austrian Studies The Center for Austrian Studies serves scholars who study the politics, society, technology, economy, and culture of Habsburg Central Europe, modern Austria, and other Habsburg successor states. It encourages comparative studies involving Austria or the Habsburg lands and other European states. The CAS Working Papers in Austrian Studies series seeks to stimulate discussion in the field and to provide a vehicle for circulating work in progress. It is open to all papers prior to final publication, but gives priority to papers by affiliates of the Center or by scholars who have given seminars or attended conferences at the Center. The executive editor of the series is Gary B. Cohen. This paper was edited by Josh Kortbein. If you would like to have a paper considered for inclusion in the series, please contact the editor at: Center for Austrian Studies 314 Social Sciences Building 267 19th Avenue South Minneapolis, MN 55455 Tel.: 612-624-9811 Fax: 612-626-9004 e-mail: [email protected] ©2007, Center for Austrian Studies, University of Minnesota. Permission to reproduce must generally be obtained from CAS. Copying is permitted within the fair use guidelines of the U.S. Copyright Act of 1976. CAS permits the following additional educational uses without permission or payment of fees: academic libraries may place copies of Working Papers on reserve for students enrolled in specific courses; teachers may reproduce multiple copies for students in their courses. -
Flowers in Greek Mythology
Flowers in Greek Mythology Everybody knows how rich and exciting Greek Mythology is. Everybody also knows how rich and exciting Greek Flora is. Find out some of the famous Greek myths flower inspired. Find out how feelings and passions were mixed together with flowers to make wonderful stories still famous in nowadays. Anemone:The name of the plant is directly linked to the well known ancient erotic myth of Adonis and Aphrodite (Venus). It has been inspired great poets like Ovidius or, much later, Shakespeare, to compose hymns dedicated to love. According to this myth, while Adonis was hunting in the forest, the ex- lover of Aphrodite, Ares, disguised himself as a wild boar and attacked Adonis causing him lethal injuries. Aphrodite heard the groans of Adonis and rushed to him, but it was too late. Aphrodite got in her arms the lifeless body of her beloved Adonis and it is said the she used nectar in order to spray the wood. The mixture of the nectar and blood sprang a beautiful flower. However, the life of this 1 beautiful flower doesn’t not last. When the wind blows, makes the buds of the plant to bloom and then drifted away. This flower is called Anemone because the wind helps the flowering and its decline. Adonis:It would be an omission if we do not mention that there is a flower named Adonis, which has medicinal properties. According to the myth, this flower is familiar to us as poppy meadows with the beautiful red colour. (Adonis blood). Iris: The flower got its name from the Greek goddess Iris, goddess of the rainbow. -
HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH and HISTORY in CELTIC-HELLENIC CONTACTS Timothy P.Bridgman
STUDIES IN CLASSICS Edited by Dirk Obbink & Andrew Dyck Oxford University/The University of California, Los Angeles A ROUTLEDGE SERIES STUDIES IN CLASSICS DIRK OBBINK & ANDREW DYCK, General Editors SINGULAR DEDICATIONS Founders and Innovators of Private Cults in Classical Greece Andrea Purvis EMPEDOCLES An Interpretation Simon Trépanier FOR SALVATION’S SAKE Provincial Loyalty, Personal Religion, and Epigraphic Production in the Roman and Late Antique Near East Jason Moralee APHRODITE AND EROS The Development of Greek Erotic Mythology Barbara Breitenberger A LINGUISTIC COMMENTARY ON LIVIUS ANDRONICUS Ivy Livingston RHETORIC IN CICERO’S PRO BALBO Kimberly Anne Barber AMBITIOSA MORS Suicide and the Self in Roman Thought and Literature Timothy Hill ARISTOXENUS OF TARENTUM AND THE BIRTH OF MUSICOLOGY Sophie Gibson HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH AND HISTORY IN CELTIC-HELLENIC CONTACTS Timothy P.Bridgman Routledge New York & London Published in 2005 by Routledge 270 Madison Avenue New York, NY 10016 http://www.routledge-ny.com/ Published in Great Britain by Routledge 2 Park Square Milton Park, Abingdon Oxon OX14 4RN http://www.routledge.co.uk/ Copyright © 2005 by Taylor & Francis Group, a Division of T&F Informa. Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photo copying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
Ovid's Story of Orpheus and Eurydice V
Ovid's story of Orpheus and Eurydice v. 08.13, www.philaletheians.co.uk, 31 August 2017 Page 1 of 6 MYSTIC VERSE AND INSIGHTS SERIES ORPHEUS AND EURYDICE Translated by Sir Samuel Garth, John Dryden, et al., in 1717 Book X Eurydice, Hyacinth, Pygmalion, Adonis, Atalanta, Cyparissus. Thence, in his saffron robe, for distant Thrace, Hymen departs, thro’ air’s unmeasur’d space; By Orpheus call’d, the nuptial Pow’r attends, But with ill-omen’d augury descends; Nor chearful look’d the God, nor prosp’rous spoke, Nor blaz’d his torch, but wept in hissing smoke. In vain they whirl it round, in vain they shake, No rapid motion can its flames awake. With dread these inauspicious signs were view’d, And soon a more disastrous end ensu’d; For as the bride, amid the Naiad train, Ran joyful, sporting o’er the flow’ry plain, A venom’d viper bit her as she pass’d; Instant she fell, and sudden breath’d her last. When long his loss the Thracian had deplor’d, Not by superior Pow’rs to be restor’d; Inflam’d by love, and urg’d by deep despair, He leaves the realms of light, and upper air; Daring to tread the dark Tenarian road, And tempt the shades in their obscure abode; Thro’ gliding spectres of th’ interr’d to go, And phantom people of the world below: Persephone he seeks, and him who reigns O’er ghosts, and Hell’s uncomfortable plains. Arriv’d, he, tuning to his voice his strings, Thus to the king and queen of shadows sings. -
Sapiens Ubique Civis I
SAPIENS UBIQUE CIVIS I. CIVIS I. UBIQUE SAPIENS UNIVERSITY OF SZEGED, FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF CLASSICAL AND NEO-LATIN STUDIES & ELTE EÖTVÖS JÓZSEF COLLEGIUM SAPIENS UBIQUE CIVIS I. Antiquitas • Byzantium • Renascentia XLII. Series editors: Zoltán Farkas László Horváth Tamás Mészáros UNIVERSITY OF SZEGED, FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF CLASSICAL AND NEO-LATIN STUDIES & ELTE EÖTVÖS JÓZSEF COLLEGIUM SAPIENS UBIQUE CIVIS I. Editor-in-chief János Nagyillés Editors Gergő Gellérfi Attila Hajdú Tamás Jászay Editorial Committee Nóra Dávid • Endre Ádám Hamvas • Imre Áron Illés • Péter Kasza • László Szörényi • Ibolya Tar • Iván Tóth ELTE Eötvös József Collegium Budapest, 2021 The publication of this volume was supported by National Research, Development and Innovation Office project nr. NKFIH NN 124539: Textual Criticism in the Interpretation of Social Context: Byzantium and Beyond. Sapiens Ubique Civis 1 (2020) Edited by the Department of Classical and Neo-Latin Studies Faculty of Humanities and Social Sciences University of Szeged Editorial contact address: [email protected] ELTE Eötvös József Collegium Budapest, 2021 Publisher: Dr László Horváth, director of ELTE Eötvös Collegium Type setting: Dr Gergő Gellérfi Cover design: Dorottya Vogt Copyright © Eötvös Collegium 2021 © The authors All rights reserved. Printed by CC Printing Szolgáltató Kft. 1118 Budapest, Rétköz utca 55/A fsz. 4. Manager: Ilona Szendy ISSN 2064-2369 (Antiquitas – Byzantium – Renascentia) ISSN 2732-317X (Sapiens ubique civis) TABLE OF CONTENTS JÁNOS NAGYILLÉS: Sapiens ubique civis – Preface....................................... 9 DAVID PRESTON: Empedocles’ Big Break: Pre-Socratic Cosmology and The Big Bounce .................................................................................. 11 ARMIN UNFRICHT: Guilt and Atonement? Communal Disasters and the Creation of Hero-Cults in Ancient Greece .................................. -
Ovid's Metamorphoses
OVID’S METAMORPHOSES Continuum Reader’s Guides Continuum’s Reader’s Guides are clear, concise and accessible introductions to classic works. Each book explores the major themes, historical and philosophical context and key passages of a major classical text, guiding the reader toward a thorough understanding of often demanding material. Ideal for undergraduate students, the guides provide an essential resource for anyone who needs to get to grips with a classical text. Reader’s Guides available from Continuum Aristotle’s Nicomachean Ethics – Christopher Warne Aristotle’s Politics – Judith A. Swanson and C. David Corbin Plato’s Republic – Luke Purshouse Plato’s Symposium – Thomas L. Cooksey OVID’S METAMORPHOSES A Reader’s Guide GENEVIEVE LIVELEY Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York, NY 10038 www.continuumbooks.com © Genevieve Liveley, 2011 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4411-2519-4 PB: 978-1-4411-0084-9 Library of Congress Cataloging-in-Publication Data Liveley, Genevieve. Ovid’s Metamorphoses : a reader’s guide / Genevieve Liveley. p. cm. – (Reader’s guides) Includes bibliographical references and index. ISBN 978-1-4411-0084-9 (pbk.) – ISBN 978-1-4411-2519-4 (hardback) 1. Ovid, 43 B.C.–17 or 18 A.D. -
Τραγwδούμενα. EDICIÓN CRÍTICA, TRADUCCIÓN Y COMENTARIO DE LOS FRAGMENTOS ATRIBUIDOS a ASCLEPÍADES DE TRAGILO
Tesis doctoral Τραγwδούμενα. EDICIÓN CRÍTICA, TRADUCCIÓN Y COMENTARIO DE LOS FRAGMENTOS ATRIBUIDOS A ASCLEPÍADES DE TRAGILO Nereida Villagra Hidalgo Τραγῳδούμενα. EDICIÓN CRÍTICA, TRADUCCIÓN Y COMENTARIO DE LOS FRAGMENTOS ATRIBUIDOS A ASCLEPÍADES DE TRAGILO ÍNDICE AGRADECIMIENTOS ........................................................................................................................ III PRÓLOGO ...................................................................................................................................... IV INTRODUCCIÓN ............................................................................................................................... V 1. Los Τραγῳδούμενα y Asclepíades de Tragilo ............................................................ V 2. Ediciones anteriores de Asclepíades de Tragilo ..................................................... VI 3. El problema de las citas y los textos fuente .......................................................... IX 4. Nuestra edición de los Τραγῳδούμενα ................................................................... XX TESTIMONIA ................................................................................................................................... 3 FRAGMENTA Fragmento 1: Glauco ............................................................................................................ 7 Fragmento 2: La paloma de los argonautas .................................................................... 16 Fragmento 3: Ixión ............................................................................................................ -
Metamorphoses of OVID
BOOKS BY ALLEN MANDELBAUM POETRY The Journeyman, 1967 Leaves of Absence, 1976 Metamorphoses Chelmaxioms: The Maxims, Axioms, Maxioms of Chelm, 1978 A Lied of Letterpress, 1980 of OVID The Savantasse of Montparnasse, 1988 VERSE TRANSLATIONS/EDITIONS Life of a Man by Giuseppe Ungaretti, 1958 Selected Writings of Salvatore Quasimodo, 1960 A NEW VERSE TRANSLATION BY The Aeneid of Virgil, 1972 (National Book Award, 1973), 1981 Allen Mandelbaum Selected Poems of Giuseppe Ungaretti Inferno of Dante, 1980 Purgatorio of Dante, 1982 Paradiso of Dante, 1984 Ovid in Sicily, 1986 Ungaretti and Palinurus, 1989 The Odyssey of Homer, 1990 A Harvest Book Harcourt Brace & Company SAN DIEGO NEW YORK LONDON PYTHON APOLLO & DAPHNE APOLLO & DAPHNE And when, still muddy from the flood, the earth of Cupid as he bent his bow to tie had dried beneath the sunlight's clement warmth, the string at the two ends. He said: "Lewd boy, she brought forth countless living forms: while some what are you doing with that heavy bow? were the old sorts that earth had now restored, My shoulders surely are more fit for it; she also fashioned shapes not seen before. for I can strike wild beasts—I never miss. I can fell enemies; just recently BOOK I And it was then that earth, against her will, I even hit—my shafts were infinite— had to engender you, enormous Python, that swollen serpent, Python, sprawled across 21 a horrid serpent, new to all men's eyes— whole acres with his pestilential paunch. a sight that terrified the reborn tribes: Be glad your torch can spark a bit of love: your body filled up all the mountainside. -
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia -
Renaissance Reception of Classical Poetry in Fracastoro's Morbus
Renaissance Reception of Classical Poetry in Fracastoro’s Morbus Gallicus DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Katrina Victoria Vaananen, M.A. Graduate Program in Greek and Latin The Ohio State University 2017 Dissertation Committee: Fritz Graf, Advisor Julia Nelson-Hawkins Frank Coulson Copyrighted by Katrina Victoria Vaananen 2017 Abstract The main aim of this dissertation is to study Fracastoro’s allusive technique: particularly his reception of classical authors. I will identify and assess the evidence for Fracastoro’s reception of these classical authors through a close reading of the Morbus Gallicus and its classical intertexts, and by an examination of that poetry identify and uncover the motifs, themes, diction, and poetic agendas that Fracastoro recognized, engaged, and leveraged – in effect, how he read his predecessors as he produced his own work. The manner in which Fracastoro uses his classical antecedents reveals a greater complexity in Fracastoro’s allusive technique than previous scholars have noticed. This project, at its core, is about coming to a better and more complete understanding of Fracastoro as a poet. Most previous examinations of Fracastoro’s work (and engagement with his antecedents) tend to create a dichotomy between Fracastoro’s works as a man of science and as a man of letters, often implying the primacy of his role as a scientist. In this project, I seek to draw attention to his work – and talent – as a poet. To that end, my discussion starts with Fracastoro’s reception of the authors where a far more reasonable premise would be that Fracastoro was looking at them with a purely poetic eye; the first half of the project deals with the ties to Vergil, Ovid, and Catullus. -
Greek Mythology #27: APOLLO by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the August 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #27: APOLLO by Joy Journeay God of: Music, poetry, art, oracles, archery, plague, medicine, sun, light and knowledge Home: MOUNT OLYMPUS Symbols: Laurel tree & wreath, lyre, python, raven, silver bow, dolphin, mouse Parents: Zeus and Leto Sibling: Artemis, who was a day older Children: Asclepius, Troilus, Aristaeus, Orpheus Consorts: Daphne, Leocothea, Cyrene, Marpessa, Castalia, Hecuba, Cassandra, Coronis, Hyacinth, Cyparissus Friends: The Pythia, Poseidon, Dionysus, Hermes Enemies: Hera, Eros, Agamemnon, Niobe, Marsyas, Orion Roman Counterpart: Apollo Zeus’s wife Hera was displeased by his consorting with other females, and when his lover Leto was in labor, Hera forbade the birth to occur on land. Poseidon took pity on Leto, and showed her a floating island, technically not attached to the Apollo Belvedere. earthen land. Artemis was born first, and 120-140 AD was present at the birth of her brother Apollo a day later. Hera then sent a giant to rape her. Apollo and Artemis protected Large stamped copper their mother, and finally Zeus came to their button, painted to aid hurling the giant to the underworld. resemble Wedgewood Apollo was the most beautiful Olympian jasper, depicting Apollo & male god, with golden locks, a muscular body Daphne. Chased and gilt and a seductive voice.