Notre Dame Scholastic, Vol. 109, No. 15 -- 1 March 1968

Total Page:16

File Type:pdf, Size:1020Kb

Notre Dame Scholastic, Vol. 109, No. 15 -- 1 March 1968 J NJE ^UTaToyaim aaya'a'a a a a a a a'aa dermnrt ra"B"»Ta"a"a"aaTea 8B"e"fi"a"e B"aTaTa"a"a a"att"a:< FINAL DAYS Our Annual SALE of university-styled SUITS, SPORT COATS TOPCOATS at savings of V4 I e I e e o Z Stock up now during this once-a- year Campus Shop sale event . you select from our regular stock and save up to one-half! Stop in soon . the sale ends in a few I days! Use the CamiKis ShojD Way to buy . your account is already open. E9.9.B.9.P.9.P 9.BJL9.g.P.9.P P.PJ IP 9 PJLP-P-PJLP.P.P P.P P P g.P,P-9.B.g GILBERT'S ON THE CAMPUS . NOTRE DAME TvtrtnrbTi 0 fl'6'ofl fl'o"6'6 6 o'o'ofl'o"o"(rfl'fl"<nro'( i'O'O'O'O O'OO 00 C 0 0 6VO"0"0'B'0"0~<ro'6'fl'6"(rB"fl'6"<g t I o o Welcome news. i % t o o WE'RE READY TO TALK SPRING AND EASTER It will do your morale wonders just to stop in and look over our new and fresh inventory of spring . say it again . spring and summer apparel. As always, we featiue only university - styled clothing and accessories from some of America's most famous makers ... all priced to fit into your budget . with terms to guarantee it! We're ready to talk spring and Easter, how about you? Stop in soon . look over our selections EQ.9Ag.0JLQ,g.g.fl-9.q ft 0.9 Q 0 ff GILBERT'S Lft.q 9.9.9.ft.9.ft ft ft 9 9 0_ft,9.Q-9jm-gJ ON THE CAMPUS . NOTRE DAME Editorials A House is not a Home The University is building two new high-rise dormitor­ ies north of the library. These dorms will alleviate the overcrowded living conditions and enable many off-campus to return to campus. However many students are afraid that when these buildings are completed, the Administration will coerce students to live on campus. We agree with Fr. Hesburgh that Notre Dame is and should be a residential university. But the Administration does not realize that there are many valid reasons for living off-campus. Many students do not want to live in cramped rooms and be subject to the restrictions on cars and girls in the room. K, when the dorms are completed, on-campus living becomes more attractive, people will return. But these decisions should be left to the individual student. If a student chooses to live off-campus it does not necessarily mean he will take no interest in the University. On the contrary, the extra freedom offered by living off-campus may increase his awareness and responsibility. In addition, living off-campus should encourage the students to become more involved in the problems of South Bend. The University should not be a place of seclusion where the student ignores the problems of the outside world. This is the effect of forcing students to live on campus. A residential university cannot be built by force. ~R.M. The Scholastic Them and Us The interview which Father Hesburgh recently granted the SCHOLASTIC editors left us with a few impressions which didn't appear in the written interview but which might we well to share. There were a couple of obvious reasons for the interview: It's generally a good idea to have the thoughts of the University's President down on paper — just for the record. And we can always count on a story about Father Hesburgh being read. Of course, we have noble motives, too. We want to be a forum for all good opinion, a communication-gap bridge, a middleman for all the factions that make up this self- contained little city-state. But our attempts never quite match our hopes. Our wires are forever getting crossed. The main reason, per­ haps, is that our form is by nature limited. No written interview can really substitute for being there in person, for hearing, seeing, talking to and feeling the other human being. Because we talked to Father Hesburgh personally, we think we have a better understanding of what he is about and why. Naturally, we still disagree with him on many points. But our disagreement is tem­ pered with sympathy for the responsibility he bears. But if we have such a big problem with our limited Student Power personal communication with the Administration, what of the students at large, who have no or very little contact Last week Richard Rossie won an overwhelming at all? Well, wait, there is a communication of sorts, but victory as Notre Dame's Student Body President. The one- it's all of a kind, and it's usually all bad. It comes in sidedness of the election results came as a surprise to the "directive" form from Father Riehle and in "letter" form most zealous Rossie supporters; they had not anticipated from Father Hesburgh. such an impressive mandate from the students. The re­ Teike the recent article by George Kennan. The last sults are themselves the clearest demonstration of Rossie's time the students heard from Father Hesburgh was over program of "student power." "Student power" has been two years ago before the MSU game and it was to tell us, instantiated at the polls. "Don't beat up their band this year." The next letter, in Now that Rossie has achieved his initial success, the Kennan's words, teU us. Don't be "embattled students . question remains whether he can continue to translate screaming, throwing stones, breaking windows, overturn­ his mandate into effective political action. Rossie has re­ ing cars . and in the case of those on other continents, peatedly stresses his own determination to deal with an burning libraries." equally-determined Adminstration about the meaning of Whether Kennan is right or wrong, or whether Fr. student self-government. Rossie has wisely made the Hesburgh is more than "President," "fund-raiser," "the students' right to self-government of their own personal voice of authority" is beside the main point. For the ma­ lives the focus of his program, rather than subsidiary jority of students know him only in these terms. They issues like parietal hours. For once the student's right to don't know him as the man who saved the tutoring pro­ determine his own personal life is established as a prin­ gram for at least another semester because, as President, ciple, then the solution of minor problems like parietal he was able to persuade the Rockefeller Foundation to hours will follow. spare an extra, $60,000, for yet another "good cause." We believe Rossie's determination is genuine. His con­ Such "letters" as the Kennan statement do not com­ tinued success will depend upon the continued and fervent municate Administration understanding and sympathy for support of all the students. Rossie's recent election is just the students. If anything, they make the barricades a bit beginning. The true meaning of "student power" depends bigger, the ivory tower a little taller, the gap between upon the meaning Notre Dame students choose to give it. "them" and "us" that much wider. — 7.M. — M.Mcl. ' Mar. 1, 1968 SCHOLASTIC contents The Student Weekly of the University of Notre Dame Founded 1867 EDITORIALS Vol.109 March 1,1968 No. 15 A House Is Not a Home 4 EDITOR: Mike Mclnemey Student Power 5 MANAGING EDITOR: Robert Metz Them and Us : 5 ASSOCIATE EDITOR: John Melshei- mer CAMPUS COPY AND LAYOUT EDITOR: Tim Unger Tim MacCarry's Gorilla Theater, the newest campus organization. NEWS EDITOR: Steve Freiburger SMC seems to have come up with its own Catch 2.2, or is it 2.28, or SPORTS EDITOR: well, read the story on page II ... A new innovation in a traditional Mike McAdams campus event: the "electrical" convention . last week Chuck Perrin ran CONTRIBUTING EDITORS: Bill Cullen, for SBP; this week he makes his debut in another field. Story on page 12 Joel Garreau, Forrest Hainline, . the South Bend Tribune may no longer be a monopoly, thanks to Tom Henehen, Maureen Hunter, Lenny Joyce . Bryce Parker, a frustrated genius?, page 13. Tony Ingraffea, Marty McNa- mara, John Noel, Dave Tiemeier FEATURES PHOTOGRAPHY EDITOR : Denny Malloy How I Learned to Appreciate Real Music 16 BUSINESS MANAGER: Pete Mclnemey A Little Sunshine in Room G 18 CIRCULATION MANAGER: Like It Is 19 Tim Schlindwein FACULTY ADVISOR: Frank O'Malley Richard Rossie: Interview 20 Literary Festival 22 CONTRIBUTORS: Steve Anderson, Jim Britt, Frank Blundo, Mike Granger, Thomas Payne. SPORTS WRITERS: Ed Bocik, G. R. Bullock, Kathy Carbine, Mike Da\ds, This week's Sidelines recounts the astounding upset of UCLA by Burke Giblin, Terr)^ Goodwin, the East Flatbush Roadrunners, as well as reviewing the incredible events leading up to the assassination of the Sultan of Canarsie, Roger Haver- Len Groszek, Dave Kennedy, ford. A feature interview with Babe Ruth is the highlight on pages 43- John Klier, Bob Mendes, Rich 44. Finally, the Jock's Bench is frisbee manager Harvey Arbuckle's Moran, Larr)^ Mulcahy, Steve account of the waning future of waterbuckets in indoor sports events. Novak, John O'Hara, Mike (So who reads the Table of Contents anyway?) SchaflFer, Robert Search, Mark Seeberg, Ray Serafin, Bill Sweeney, Joe Tynan, John Wal- DEPARTMENTS beck, John Zipprich. PHOTOGRAPHY: Bob Haight, HEAD Letters 7 On Other Campuses 14 PHOTOGRAPHER; Bobbe Clinton, Coming Distractions 9 Feiffer 15 Mike Ford, Jim Kachik, Stephen Movies 10 The Last Word 30 Kogge, Jacquie Phelan, Fred Quiros.
Recommended publications
  • Report to Congress on Gawker Media
    Report To Congress On Gawker Media An Investigation Into The Illicit Character Assassination Services Provided By Nick Denton And Gawker Media Volume 1 1 Overview Financial records, stock holdings, off-shore bank records, tax haven routing, emails, inter-party communications, PAC records, credit card records, advertising contracts and personnel records; implicate Gawker Media and campaign financiers in a clear effort to subvert the processes of Democracy. By using public resources, enhanced by tax advantages, facilities and public utility tools to manipulate public perceptions, and to attack and damage taxpaying members of the public, Nick Denton and Gawker Media have created a blight upon the public policy system, and the public communications system, of the nation, and the world. By creating an unfair system of retribution, vindictiveness and vendetta, exclusive to Gawker Media, which provides no reasonable option, nor affordable measure, for the public to counter-measure Gawker’s attacks; Gawker is violating the Constitutional and Human Rights of American citizens. Gawker Media has taken money and resources from third parties for whom Gawker Media then produced coordinated character and brand assassination attacks that harmed, or destroyed, American industry and American taxpayers. While the press may certainly have the rights to free speech and freedom of the press, the public has a reasonable expectation of security, privacy and avoidance from terrorism by that press. Nick Denton and Gawker Media have certainly engaged in terrorism
    [Show full text]
  • Unseen Femininity: Women in Japanese New Wave Cinema
    UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA by Candice N. Wilson B.A. in English/Film, Middlebury College, Middlebury, 2001 M.A. in Cinema Studies, New York University, New York, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Candice N. Wilson It was defended on April 27, 2015 and approved by Marcia Landy, Distinguished Professor, Film Studies Program Neepa Majumdar, Associate Professor, Film Studies Program Nancy Condee, Director, Graduate Studies (Slavic) and Global Studies (UCIS), Slavic Languages and Literatures Dissertation Advisor: Adam Lowenstein, Director, Film Studies Program ii Copyright © by Candice N. Wilson 2015 iii UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA Candice N. Wilson, PhD University of Pittsburgh, 2015 During the mid-1950s to the early 1970s a subversive cinema, known as the Japanese New Wave, arose in Japan. This dissertation challenges critical trends that use French New Wave cinema and the oeuvre of Oshima Nagisa as templates to construct Japanese New Wave cinema as largely male-centered and avant-garde in its formal aesthetics. I argue instead for the centrality of the erotic woman to a questioning of national and postwar identity in Japan, and for the importance of popular cinema to an understanding of this New Wave movement. In short, this study aims to break new ground in Japanese New Wave scholarship by focusing on issues of gender and popular aesthetics.
    [Show full text]
  • XX:6) Kon Ichikawa, BIRUMA NO TATEGOTO/THE BURMESE HARP (1956, 116 Min)
    February 16, 2010 (XX:6) Kon Ichikawa, BIRUMA NO TATEGOTO/THE BURMESE HARP (1956, 116 min) Directed by Kon Ichikawa Based on the novel by Michio Takeyama Screenplay by Natto Wada Produced by Masayuki Takaki Original Music by Akira Ifukube Cinematography by Minoru Yokoyama Film Editing by Masanori Tsujii Rentarô Mikuni...Captain Inouye Shôji Yasui...Mizushima Jun Hamamura...Ito Taketoshi Naitô...Kobayashi Shunji Kasuga...Maki Kô Nishimura...Baba ; Keishichi Nakahara...Takagi Toshiaki Ito...Hashimoto Hiroshi Tsuchikata...Okada Tomio Aoki...Oyama Nobuteru Hanamura...Nakamura shobu/Death Match (1971), Yajû toshi/City of Beasts (1970), KON ICHIKAWA (20 November 1915, Mie, Japan—13 February Kaidan/Ghost Stories (1964), Seppuku/Harakiri (1962), 2008, Tokyo, Japan, pneumonia) direct 89 films, the last of which Yoku/Avarice (1958), Biruma no tategoto/The Burmese Harp was Inugamike no ichizoku/The nugami Clan (2006). Some of the (1956), Aijin/The Lovers (1953), and Tsuma/Wife (1953). others were Kah-chan/Bib Mama (2001), Yatsuhaka-mura/The 8- Tomb Village (1996), Shijushichinin no shikaku/47 Ronin (1994), SHÔJI YASUI (16 August 1928) appeared in only 11 films: Yume Taketori monogatari/Princess from the Moon (1987), Biruma no no onna/Yearning (1993), Ako-Jo danzetsu/Swords of tategoto/The Burmese Harp (1985), Joôbachi/Queen Bee (1978), Vengeance/Fall of Ako Castle (1978), Kiro to kage (1961), Kyoto (1969), Genji monogatari/Tale of Genji (1966), Tôkyô Rokudenashi/Good-for-Nothing (1960), Ningen no jôken/Human orimpikku/Tokyo Olympiad (1965), Yukinojo henge/An Actor’s Condition II: Road to Eternity (1959), Zesshô (1958), Dose hirotta Revenge (1963), Nobi/Fires on the Plain (1959), Biruma no koi da mono (1958), Sabita naifu/Tusy Knife (1958), Biruma no tategoto/The Burmese Harp (1956), Aoiro kakumei/The Blue tategoto/The Burmese Harp (1956), Tsuki wa noborinu/The Moon Revolution (1953), Ashi ni sawatta onna/The Woman Who Has Risen (1955), and Kokoro/The Heart (1955).
    [Show full text]
  • Express-O May 2, 1975 Students of RISD
    Rhode Island School of Design DigitalCommons@RISD All Student Newspapers Student Newspapers 5-2-1975 Express-O May 2, 1975 Students of RISD Follow this and additional works at: https://digitalcommons.risd.edu/studentnewspapers Part of the Architecture Commons, Art and Design Commons, Art Education Commons, Creative Writing Commons, Esthetics Commons, History of Art, Architecture, and Archaeology Commons, Music Commons, and the Theatre and Performance Studies Commons Recommended Citation Students of RISD, "Express-O May 2, 1975" (1975). All Student Newspapers. 124. https://digitalcommons.risd.edu/studentnewspapers/124 This Newspaper is brought to you for free and open access by the Student Newspapers at DigitalCommons@RISD. It has been accepted for inclusion in All Student Newspapers by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. Letters I.A.I.A./A.I.A. ing is May 1st.If you are con­ ty whereby money for reno­ Institute of American Indian nected with an institution, vation will be funded. Center Art/Artists Interested in Amer­ please encourage your library will serve as a transition ican Indians to send their "discards"(books from RISD to outside world. in duplicate). Please do what Would like a policy recommen­ Dear Fellow Artist you can and pass on the re­ dation from Student Board to This letter asks you to choose quest to other artists. Thank next year's board to please one good book from your collec­ you. involve themselves with es­ tion and send it to Santa Fe. Thomas Morin, Head, Dept. of tablishment of alumni center Let me explain.
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • IFFR Feature Film Contact List
    Angola Air Conditioner World premiere Programme section: Bright Future Main Programme Director(s): Fradique Prod. Countries: Angola Prod. Year: 2020 Length: 72 Genre: Fiction 49th Company: Geração 80 INTERNATIONAL FILM FESTIVAL Contact: Jorge Cohen ROTTERDAM Email: [email protected] Logline: Air conditioners mysteriously start January 22 – falling from buildings in the Angolan capital. February 02, 2020 The search for a working unit forms the starting point for an pleasantly free film representing the city's heartbeat. A great jazzy soundtrack, a rap FEATURE FILM CONTACT LIST and the chaotic hum of the city guide us through January 31, 2020 its streets and buildings. Sold territories: All available Argentina Los que vuelven International premiere Programme section: Voices Main Programme Director(s): Laura Casabé Prod. Countries: Argentina Prod. Year: 2019 Length: 93 Genre: Fiction Company: Reel Suspects Contact: Alejandro Israel Email: [email protected] Logline: In this drama dealing with fear and oppression in South America, supernatural powers are unleashed when, in desperation, the wife of a white landowner invokes the spirits of the indigenous people. Her stillborn child is Patagonia. The calm, unchanging nature of the brought back to life, but at a terrible price. Is this impressive landscape contrasts with her restless the feared retribution? inner life, and the people from her past elicit old Sold territories: Argentina emotions and new insights, some of which are not so uplifting. Las poetas visitan a Juana Bignozzi Trailer: International premiere https://www.youtube.com/watch?v=hgAm8iev Programme section: Signatures Szw Director(s): Laura Citarella, Mercedes Halfon Sold territories: All available Prod.
    [Show full text]
  • FRANCE by Bruno Dumont INDIE SALES INDIE SALES @CANNES 32, RUE WASHINGTON 2 RUE BIVOUAC NAPOLÉON 75008 PARIS 5TH FLOOR + 33 1 44 83 02 27 [email protected]
    FRANCE by Bruno Dumont INDIE SALES INDIE SALES @CANNES 32, RUE WASHINGTON 2 RUE BIVOUAC NAPOLÉON 75008 PARIS 5TH FLOOR + 33 1 44 83 02 27 [email protected] NICOLAS ESCHBACH Austria, Benelux, Germany, Italy, Japan, Switzerland, UK Co-rep : USA & France [email protected] +33 6 62 93 51 62 FLORENCIA GIL Airlines, Asia excl. Japan, Eastern Europe, Latin America, Portugal, Scandinavia, Spain, Russia & CIS, Turkey. Co-rep : France [email protected] +33 7 62 99 49 19 SIMON GABRIELE Africa, Australia, Canada, Greece, Israel, Middle East. Co-rep : USA & France [email protected] +33 6 33 89 32 11 CLÉMENT CHAUTANT Head of Festivals [email protected] +33 6 76 01 41 69 SARAH DELAFOULHOUZE Sales Assistant [email protected] +33 6 37 30 46 27 LOÏC LE CORRE Festivals Assistant [email protected] +33 6 86 22 51 96 NON CONTRACTUAL CREDITS NON CONTRACTUAL TO REQUEST A VIRTUAL MEETING PLEASE CONTACT SARAH AT [email protected] FRANCE World premiere World A FILM BY BRUNO DUMONT France de Meurs : A brilliant woman of our times who seeks out anonymity and simplicity. Bruno Dumont PARIS, TODAY. France de Meurs is a star journalist running between a television set, a distant war and the hustle and bustle of her busy family life. Her frantic high-profile world is suddenly turned upside down after a traffic accident in which she injures a pedestrian. This unexpected irruption of reality calls everything into question. As France attempts to slow down and retreat into a simple anonymous life, her fame continues to pursue her until Synopsis a mystified love affair seems to put an end to her quest.
    [Show full text]
  • Golf Carts in Pine Knoll Shores
    New K4TW Raffl es See page 6 Meet our Summer Intern See page 20 Vol. 15, No. 7 A Shoreline Community, Pine Knoll Shores, N.C. July 2020 New Leadership for K4TW Gala, Race Cancelled Pine Knoll Shores By Jean McDanal By Alicia Kramer Durham, Pine Knoll Shores Commissioner K4TW Golf Tournament remains on schedule Th e Kayak for the Warriors (K4TW) Gala and auctions scheduled for July 24 With heavy hearts, we, the Pine Knoll Shores Board of Commissioners, attempt have reluctantly been cancelled. We expected 150 people to join this celebration to replace Mayor Ken Jones. Although we know we can never fully replace Ken’s at the Crystal Coast Country Club, and unfortunately, in looking ahead, we think experience and passion for Pine Knoll Shores, appointing a new leader is vital restrictions on the number of people allowed at an indoor event will still be in to our small town’s health. We take this crucial public duty seriously, which place at that time. All registration fees will be refunded. is established by the Pine Knoll Shores Charter as shown below. Th e offi ce of Our signature event, the Kayak/Paddleboard Race, was scheduled for Saturday, mayor is an important position. He or she is the public face of the town, sets the July 11. We thought we could go ahead with our original format, but parameters town’s agenda and develops supportive partnerships with other governments and to even get this off the ground are daunting—no tents, tables or chairs, no medal agencies. ceremony, no lunch, coupled with having to have staggered start times for all It is important to all the commissioners that our mayoral selection be deliberate, paddlers.
    [Show full text]
  • Face the Music
    3 FILM MUSIC WILLIAM JOHNSON Face the Music "It is written that Alexander was sometime so can be repeated unvaryingly time and time fervently stirred with [music], that, in a manner, again. against his will he was forced to arise from ban- There is a good deal less precision in attempts quets and run to weapon; afterward the musi- to explain the affective power of music. As far cian changing the stroke and his manner of as film music is concerned, attempts are prac- tune, pacified himself again and returned from tically nonexistent1. For "pure" music, on the weapon to banqueting other hand, there is a large body of research —From THE COURTIER, by Baldassare and theory, much of it conflicting. Castiglione, 1516. For reasons which will be examined later, music accompanying a film does not usually "Some of my more practised colleagues assure work on the spectator in the same way as me that when I have had all their experiences "pure" music works on the listener, and so it my youthful exuberance will disappear, and I is not necessary here to sift through all that shall look upon film composing not as an art research and theory. A more direct and empiri- but as a business. At present I still feel a morn- cal approach is possible. The affective elements ing blush which has not yet paled into the which do apply with equal force to "pure" and light of common day. I still believe the film film music are few and relatively clearcut. They contains potentialities for the combination of operate on the physiological plane—the same all the arts such as Wagner never dreamt of." plane on which Alexander apparently respond- —Ralph Vaughan Williams, 1945.
    [Show full text]
  • Chic a Go 'Sfreeweekl Ysince | Ma Y
    CHICAGO’SFREEWEEKLYSINCE | MAY THIS WEEK CHICAGOREADER | MAY | VOLUME NUMBER IN THIS ISSUE TR thelastone Ourcriticsreviewreleasesthatyou - 08 Isaacs|CultureHowwill FILM canenjoyathome @ COVIDaff ectthebottomlinefor 22 VideoStoreRememberingthe 35 EarlyWarningsRescheduled classroomfees? peopleandfi lmsthatmadeOdd concertsandotherupdatedlistings Obsessionspecial 35 GossipWolfBertaBigtoewrote PTB 25 MoviesofnoteCastleinthe andrecordedtheirnewindiepop ECS K KH Groundisasomberimmersion albuminonedaypowerpop CLR H MEP M intotheopioidepidemicFourteen supergroupSunshineBoysdroptheir TDKR exploresthelifelongfriendship sophomorefulllengthandproducer CEBW betweentwoBrooklynitesand JeremiahMeecereleasesawarped AEJL SWMD LG SomeoneSomewhereexamines quarantinerecord DI BJ MS CITYLIFE theimplicationsoftechnologyin EAS N L 03 SightseeingThemaverickat connectiontomodernlife GD AH L CSC-J thecenterofChicago’sfl u CEBN B response L C M DLCMC 10 ComicAnillustrationabouthard J F S F JH I H C MJ FOOD&DRINK tocountpopulationsandthecensus MKSK 04 KeyIngredientPandemic 12 Dukmasova|InterviewA ND LJL PantryVirtueRestaurant’sErick conversationaboutracialhealth MMAM -K J R N JN M O Williamsconfrontsadustydivebar disparitiesandwhatthepandemic M S CS standbypickledeggs hasmadeintolerable ---------------------------------------------------------------- DD J D ARTS&CULTURE D DCW 14 RelationshipsThreepeoplespill SMCJ G OPINION MPC theirthoughtsonbreakingupin 36 SavageLoveDanSavageoff ers YD isolation MUSIC&NIGHTLIFE advicetoamanwhoseboyfriend SSP
    [Show full text]
  • True Films 200 Documentaries You Must See Before You
    TRUE FILMS 3.0 This is the golden age of documentaries. Inexpensive equipment, new methods of distribution, and a very eager audi- ence have all launched a renaissance in non-fi ction fi lm making and viewing. The very best of these non-fi ction fi lms are as entertaining as the best Hol- lywood blockbusters. Because they are true, their storylines seem fresh with authentic plot twists, real characters, and truth stranger than fi ction. Most true fi lms are solidly informative, and a few are genuinely useful like a tool. The rise of documentaries and true cinema is felt not only in movie theaters, but on network TV and cable channels as well. Reality TV, non-fi ction stations like the History Channel or Discovery, and BBC imports have increased the choices in true fi lms tremendously. There’s no time to watch them all, and little guidance to what’s great. In this book I offer 200+ great true fi lms. I defi ne true fi lms as documentaries, educational fi lms, instructional how-to’s, and what the British call factuals – a non-fi ction visual account. These 200 are the best non-fi ction fi lms I’ve found for general interest. I’ve watched all these fi lms more than once. Sometimes thrice. I haven’t had TV for 20 years, so I’ve concentrated my viewing time on documentaries and true fi lms. I run a little website (www.truefi lms.com) where I solicit suggestions of great stuff. What am I looking for in a great true fi lm? • It must be factual.
    [Show full text]
  • Express-O May 2, 1975
    Rhode Island School of Design DigitalCommons@RISD All Student Newspapers Student Newspapers 5-2-1975 Express-O May 2, 1975 Students of RISD Rhode Island School of Design RISD Archives Rhode Island School of Design, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/studentnewspapers Part of the Aesthetics Commons, Architecture Commons, Art and Design Commons, Art Education Commons, Creative Writing Commons, History of Art, Architecture, and Archaeology Commons, Music Commons, and the Theatre and Performance Studies Commons Recommended Citation Students of RISD and Archives, RISD, "Express-O May 2, 1975" (1975). All Student Newspapers. 124. https://digitalcommons.risd.edu/studentnewspapers/124 This Newspaper is brought to you for free and open access by the Student Newspapers at DigitalCommons@RISD. It has been accepted for inclusion in All Student Newspapers by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. Letters I.A.I.A./A.I.A. ing is May 1st.If you are con­ ty whereby money for reno­ Institute of American Indian nected with an institution, vation will be funded. Center Art/Artists Interested in Amer­ please encourage your library will serve as a transition ican Indians to send their "discards"(books from RISD to outside world. in duplicate). Please do what Would like a policy recommen­ Dear Fellow Artist you can and pass on the re­ dation from Student Board to This letter asks you to choose quest to other artists. Thank next year's board to please one good book from your collec­ you. involve themselves with es­ tion and send it to Santa Fe.
    [Show full text]