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NMS15 Marketing Opportunities
SPONSOR AND PARTNER OPPORTUNITIES Transforming the Music Business JUNE 21-23, 2015 | NEW YORK CITY THE NEW ERA OF MUSIC BUSINESS "The New Music Seminar is the single best gathering of cung edge music industry visionaries on the scene today. It's a must-do for anyone aspiring to be part of this business of music." - Steve Greenberg – Founder/CEO, S-Curve > NMS is the legendary NYC industry event focused on new opportunities and growth of the overall music business > Unparalleled speakers and discussions - The next generation of music business executives and stars > Elevated networking platform to take your business and career to the next level NMS connects the creave professional with the people wHo determine the future of the music business 2 THE 1,500 • Limited to 1,500 attendees to ensure the highest quality personal experience > More decision-makers devoted to the cause of building the next generation of the music business - Less time bandits. • Influential audience filled with creatives, decision-makers, and engaged trendsetters > Artists, producers, and songwriters > Tastemakers that break new music > Explorers searching for the “next big thing” > Experienced industry leaders discussing the real issues behind the music business, the backroom deals, the untold stories > Investors of the music business > Industry Insiders revealing the secrets behind success in the industry Cross-pollinaon : Every part of the music business...together! Adversing/ Brands; 2% ArJst Services; 2% Students; 6% A&R; 5% Radio; 5% ArJsts/ PublisHers; 8% Performers; -
North Dakota Homeland Security Anti-Terrorism Summary
UNCLASSIFIED North Dakota Homeland Security Anti-Terrorism Summary The North Dakota Open Source Anti-Terrorism Summary is a product of the North Dakota State and Local Intelligence Center (NDSLIC). It provides open source news articles and information on terrorism, crime, and potential destructive or damaging acts of nature or unintentional acts. Articles are placed in the Anti-Terrorism Summary to provide situational awareness for local law enforcement, first responders, government officials, and private/public infrastructure owners. UNCLASSIFIED UNCLASSIFIED NDSLIC Disclaimer The Anti-Terrorism Summary is a non-commercial publication intended to educate and inform. Further reproduction or redistribution is subject to original copyright restrictions. NDSLIC provides no warranty of ownership of the copyright, or accuracy with respect to the original source material. Quick links North Dakota Energy Regional Food and Agriculture National Government Sector (including Schools and Universities) International Information Technology and Banking and Finance Industry Telecommunications Chemical and Hazardous Materials National Monuments and Icons Sector Postal and Shipping Commercial Facilities Public Health Communications Sector Transportation Critical Manufacturing Water and Dams Defense Industrial Base Sector North Dakota Homeland Security Emergency Services Contacts UNCLASSIFIED UNCLASSIFIED North Dakota Nothing Significant to Report Regional (Minnesota) Hacker charged over siphoning off funds meant for software devs. An alleged hacker has been charged with breaking into the e-commerce systems of Digital River before redirecting more than $250,000 to an account under his control. The hacker, of Houston, Texas, 35, is charged with fraudulently obtaining more than $274K between December 2008 and October 2009 following an alleged hack against the network of SWReg Inc, a Digital River subsidiary. -
Newsletter CLUSIT - 31 Dicembre 2010
Newsletter CLUSIT - 31 dicembre 2010 Indice 1. RINNOVO DIRETTIVO CLUSIT 2. FORMAZIONE NELLE SCUOLE 3. AGGIORNAMENTO QUADERNO PCI-DSS 4. CALENDARIO SEMINARI CLUSIT 2011 5. NOTIZIE DAL BLOG 6. NOTIZIE E SEGNALAZIONI DAI SOCI 1. RINNOVO DIRETTIVO CLUSIT Nel corso dell'assemblea generale dello scorso 17 dicembre, si è proceduto all'elezione del nuovo Comitato Direttivo e del suo Presidente. Riportiamo di seguito l'elenco dei nuovi eletti, con i relativi ruoli e materie di competenza. • Gigi TAGLIAPIETRA - Presidente • Paolo GIUDICE - Segretario Generale • Giorgio GIUDICE - Tesoriere e Webmaster • Luca BECHELLI - Sicurezza e Compliance • Raoul CHIESA - Sicurezza delle Infrastrutture Critiche, CyberWar • Mauro CICOGNINI - Responsabile Seminari Clusit • Gabriele FAGGIOLI - Ufficio Legale • Mariangela FAGNANI - Aspetti etici e regolamenti interni • Massimiliano MANZETTI - Rapporti con il Mondo Sanitario • Marco MISITANO - Convergence tra sicurezza fisica e sicurezza logica • Mattia MONGA - Rapporti con i CERT ed il Mondo Universitario • Alessio PENNASILICO - Security Summit, Hacking Film Festival • Stefano QUINTARELLI - Rapporti con gli operatori Telcom e ISP • Claudio TELMON - Responsabile Iniziative "Rischio IT e PMI", "Premio Tesi", "Adotta una scuola", "video pillole di sicurezza" • Alessandro Vallega - Coordinamento Gruppi di Lavoro 2. FORMAZIONE NELLE SCUOLE Come discusso durante l'ultima assemblea, stiamo attivando l'iniziativa Adotta una scuola, che mira a sviluppare un'attività di sensibilizzazione alle problematiche della sicurezza ICT presso le scuole, da parte dei soci. www.clusit.it pag. 1 [email protected] Newsletter CLUSIT - 31 dicembre 2010 Una volta che l'iniziativa sarà a regime, i soci ci potranno comunicare scuole, presumibilmente della loro area, che sono disposti ad "adottare". A seguito di questa richiesta il Clusit contatterà il preside con una lettera in cui propone l'iniziativa e "accredita" il socio che quindi, se il preside sarà d'accordo, andrà a fare uno o più interventi di sensibilizzazione sul tema della sicurezza ICT presso quella scuola. -
Unseen Femininity: Women in Japanese New Wave Cinema
UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA by Candice N. Wilson B.A. in English/Film, Middlebury College, Middlebury, 2001 M.A. in Cinema Studies, New York University, New York, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Candice N. Wilson It was defended on April 27, 2015 and approved by Marcia Landy, Distinguished Professor, Film Studies Program Neepa Majumdar, Associate Professor, Film Studies Program Nancy Condee, Director, Graduate Studies (Slavic) and Global Studies (UCIS), Slavic Languages and Literatures Dissertation Advisor: Adam Lowenstein, Director, Film Studies Program ii Copyright © by Candice N. Wilson 2015 iii UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA Candice N. Wilson, PhD University of Pittsburgh, 2015 During the mid-1950s to the early 1970s a subversive cinema, known as the Japanese New Wave, arose in Japan. This dissertation challenges critical trends that use French New Wave cinema and the oeuvre of Oshima Nagisa as templates to construct Japanese New Wave cinema as largely male-centered and avant-garde in its formal aesthetics. I argue instead for the centrality of the erotic woman to a questioning of national and postwar identity in Japan, and for the importance of popular cinema to an understanding of this New Wave movement. In short, this study aims to break new ground in Japanese New Wave scholarship by focusing on issues of gender and popular aesthetics. -
XX:6) Kon Ichikawa, BIRUMA NO TATEGOTO/THE BURMESE HARP (1956, 116 Min)
February 16, 2010 (XX:6) Kon Ichikawa, BIRUMA NO TATEGOTO/THE BURMESE HARP (1956, 116 min) Directed by Kon Ichikawa Based on the novel by Michio Takeyama Screenplay by Natto Wada Produced by Masayuki Takaki Original Music by Akira Ifukube Cinematography by Minoru Yokoyama Film Editing by Masanori Tsujii Rentarô Mikuni...Captain Inouye Shôji Yasui...Mizushima Jun Hamamura...Ito Taketoshi Naitô...Kobayashi Shunji Kasuga...Maki Kô Nishimura...Baba ; Keishichi Nakahara...Takagi Toshiaki Ito...Hashimoto Hiroshi Tsuchikata...Okada Tomio Aoki...Oyama Nobuteru Hanamura...Nakamura shobu/Death Match (1971), Yajû toshi/City of Beasts (1970), KON ICHIKAWA (20 November 1915, Mie, Japan—13 February Kaidan/Ghost Stories (1964), Seppuku/Harakiri (1962), 2008, Tokyo, Japan, pneumonia) direct 89 films, the last of which Yoku/Avarice (1958), Biruma no tategoto/The Burmese Harp was Inugamike no ichizoku/The nugami Clan (2006). Some of the (1956), Aijin/The Lovers (1953), and Tsuma/Wife (1953). others were Kah-chan/Bib Mama (2001), Yatsuhaka-mura/The 8- Tomb Village (1996), Shijushichinin no shikaku/47 Ronin (1994), SHÔJI YASUI (16 August 1928) appeared in only 11 films: Yume Taketori monogatari/Princess from the Moon (1987), Biruma no no onna/Yearning (1993), Ako-Jo danzetsu/Swords of tategoto/The Burmese Harp (1985), Joôbachi/Queen Bee (1978), Vengeance/Fall of Ako Castle (1978), Kiro to kage (1961), Kyoto (1969), Genji monogatari/Tale of Genji (1966), Tôkyô Rokudenashi/Good-for-Nothing (1960), Ningen no jôken/Human orimpikku/Tokyo Olympiad (1965), Yukinojo henge/An Actor’s Condition II: Road to Eternity (1959), Zesshô (1958), Dose hirotta Revenge (1963), Nobi/Fires on the Plain (1959), Biruma no koi da mono (1958), Sabita naifu/Tusy Knife (1958), Biruma no tategoto/The Burmese Harp (1956), Aoiro kakumei/The Blue tategoto/The Burmese Harp (1956), Tsuki wa noborinu/The Moon Revolution (1953), Ashi ni sawatta onna/The Woman Who Has Risen (1955), and Kokoro/The Heart (1955). -
Selling Or Selling Out?: an Exploration of Popular Music in Advertising
Selling or Selling Out?: An Exploration of Popular Music in Advertising Kimberly Kim Submitted to the Department of Music of Amherst College in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors. Faculty Advisor: Professor Jason Robinson Faculty Readers: Professor Jenny Kallick Professor Jeffers Engelhardt Professor Klara Moricz 05 May 2011 Table of Contents Acknowledgments............................................................................................................... ii Chapter 1 – Towards an Understanding of Popular Music and Advertising .......................1 Chapter 2 – “I’d Like to Buy the World a Coke”: The Integration of Popular Music and Advertising.........................................................................................................................14 Chapter 3 – Maybe Not So Genuine Draft: Licensing as Authentication..........................33 Chapter 4 – Selling Out: Repercussions of Product Endorsements...................................46 Chapter 5 – “Hold It Against Me”: The Evolution of the Music Videos ..........................56 Chapter 6 – Cultivating a New Cultural Product: Thoughts on the Future of Popular Music and Advertising.......................................................................................................66 Works Cited .......................................................................................................................70 i Acknowledgments There are numerous people that have provided me with invaluable -
[Adblock Plus 2.0] ! Checksum: L6hxszcotronlimnb5syiw ! Title
[Adblock Plus 2.0] ! Checksum: L6hxsZcoTRoNliMnB5SYiw ! Title: Hulu ! Last modified: 18 May 2013 16:41 UTC ! Expires: 1000 days (update frequency) ! Homepage: https://easylist.adblockplus.org/ ! Licence: https://easylist-downloads.adblockplus.org/COPYING ! ! Please report any unblocked adverts or problems ! in the forums (http://forums.lanik.us/) ! or via e-mail ([email protected]). ! !-----------------------General advert blocking filters-----------------------! ! *** easylist:easylist/easylist_general_block.txt *** &ad_box_ &ad_channel= &ad_classid= &ad_height= &ad_keyword= &ad_number= &ad_type= &ad_type_ &ad_zones= &adbannerid= &adcount= &admeld_ &admid= &adname= &adnet= &adpageurl= &adsafe= &adserver= &adsize= &adslot= &adslots= &adsourceid= &adspace= &adstype= &adType=PREROLL& &adunit= &adurl= &adv_keywords= &advert_ &advertiserid= &advtile= &adzone= &banner_id= &bannerid= &clicktag=http &customSizeAd= &gIncludeExternalAds= &googleadword= &jumpstartadformat= &largead= &popunder= &program=revshare& &prvtof=*&poru= &show_ad_ &simple_ad_ &smallad= &type=ad& &video_ads_ &videoadid= &view=ad& +advertorial. +adverts/ -2/ads/ -2011ad_ -300x100ad2. -ad-001- -ad-180x150px. -ad-340x400- -ad-banner. -ad-big. -ad-bottom- -ad-button- -ad-choices. -ad-column- -ad-ero- -ad-exo- -ad-home. -ad-iframe/ -ad-large. -ad-left. -ad-limits. -ad-loading. -ad-manager/$~stylesheet -ad-marker. -ad-new_ -ad-right. -ad-server/ -ad-tile. -ad-top. -ad-unit. -ad-unit/ -ad-util- -ad-util. -ad-vertical- -ad-zone. -ad.jpg? -ad.jsp| -ad.php? -ad/right_ -
Express-O May 2, 1975 Students of RISD
Rhode Island School of Design DigitalCommons@RISD All Student Newspapers Student Newspapers 5-2-1975 Express-O May 2, 1975 Students of RISD Follow this and additional works at: https://digitalcommons.risd.edu/studentnewspapers Part of the Architecture Commons, Art and Design Commons, Art Education Commons, Creative Writing Commons, Esthetics Commons, History of Art, Architecture, and Archaeology Commons, Music Commons, and the Theatre and Performance Studies Commons Recommended Citation Students of RISD, "Express-O May 2, 1975" (1975). All Student Newspapers. 124. https://digitalcommons.risd.edu/studentnewspapers/124 This Newspaper is brought to you for free and open access by the Student Newspapers at DigitalCommons@RISD. It has been accepted for inclusion in All Student Newspapers by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. Letters I.A.I.A./A.I.A. ing is May 1st.If you are con ty whereby money for reno Institute of American Indian nected with an institution, vation will be funded. Center Art/Artists Interested in Amer please encourage your library will serve as a transition ican Indians to send their "discards"(books from RISD to outside world. in duplicate). Please do what Would like a policy recommen Dear Fellow Artist you can and pass on the re dation from Student Board to This letter asks you to choose quest to other artists. Thank next year's board to please one good book from your collec you. involve themselves with es tion and send it to Santa Fe. Thomas Morin, Head, Dept. of tablishment of alumni center Let me explain. -
Music by Bilingual Singers
St. Cloud State University theRepository at St. Cloud State Culminating Projects in TESL Department of English 12-2020 Let's Dance Hasta el Amanecer: The Functions of Code-switching in Hispanic 'Spanglish' Music by Bilingual Singers Emilia Espinal Follow this and additional works at: https://repository.stcloudstate.edu/tesl_etds Recommended Citation Espinal, Emilia, "Let's Dance Hasta el Amanecer: The Functions of Code-switching in Hispanic 'Spanglish' Music by Bilingual Singers" (2020). Culminating Projects in TESL. 34. https://repository.stcloudstate.edu/tesl_etds/34 This Thesis is brought to you for free and open access by the Department of English at theRepository at St. Cloud State. It has been accepted for inclusion in Culminating Projects in TESL by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. Let’s Dance Hasta el Amanecer: The Functions of Code-Switching in Hispanic ‘Spanglish’ Music by Bilingual Singer by Emilia Rafaela Espinal Jones A Thesis Submitted to the Graduate Faculty of St. Cloud State University in Partial Fulfillment of the Requirements for the Degree Master of Arts in English: Teaching English as a Second Language December, 2020 Thesis Committee: Edward Sadrai, Chairperson John Madden Matthew Barton 2 Abstract This study examines the role code-switching plays in the creation of song lyrics by Hispanic Bilingual artists that feature more than one language. It points out what functions the switches fulfill and what patterns they produce. Furthermore, it also investigates whether these patterns are affected based on the matrix language of the song. The data collected comes from a variety of songs from different genres that fall under the musical term ‘Latin Music’. -
The Zombies, “Odessey & Oracle: the 40Th Anniversary Concert”
DVD Review: The Zombies, "Odessey & Oracle (Revisited)" | Popdose http://popdose.com/dvd-review-the-zombies-odessey-oracle-the-40th-ann... MUSIC | FILM | TV | THEATRE | CURRENT EVENTS | BOOKS | CONSUMERISM | VIDEO GAMES | SHOP Tuesday, December 29th, 2009 SUBSCRIBE DVD Review: The Zombies, “Odessey & Oracle: The 40th RSS | Email Anniversary Concert” ABOUT POPDOSE by Ken Shane Site Information Staff List In June of 1967, the Zombies entered EMI’s Abbey Road studios to record their masterpiece, Odessey & Oracle . Earlier HEAR POPDOSE that year, the Beatles had recorded their own masterpiece, Sgt. The Popdose Podcast Popdose on Overnight America Pepper , in the same studio. In November, the Zombies completed their sessions, but by then the band was close to the STALK POPDOSE breaking point. Tempers flared during the recording of “Time of On Twitter: the Season,” which later became a massive hit. When keyboard Freedy Johnston talks about his player Rod Argent and bassist Chris White, who had produced new album, his long hiatus, and his outlook on the music biz: the album and written the songs, delivered the mono masters to http://bit.ly/697zRW 10 minutes ago CBS, they were told that stereo masters would be required. They were out of money, and had to take money out of their Be our Facebook fan! own songwriting royalties to pay for the new mixes. It was the BLOGROLL last straw. Singer Colin Blunstone and guitarist Paul Atkinson 3 Minutes 49 Seconds left the band. The stereo mix was completed on January 1, 1968, but by then the Zombies had broken AM, Then FM up. -
We the Media by Dan Gillmor (PDF)
The contents of this document were downloaded from http://www.oreilly.com/catalog/wemedia/book/ I have combined the individual HTML and PDF files into this one large file. No changes have been made. -- John Goerzen 8/6/2004 08/06/04 http://www.oreilly.com/catalog/wemedia/copyright.html #1 ¡£¢¥¤¦¡¨§©¡ ¦!#"%$'&(%) *,+-/.%0¨120 ¦3 $054768¦5/.%0¨120 ¦3 $0 9;:=<?>7@BA CEDEDGFIHKJ LM7NPOQ'RTS7UWVYX[Z]\^\`_ba%cKdfe REgEgEhiM7QkjmlngEg#Q'RTS7UWVpoqQsrtourKQvwr^x?j Q'REdWVzr^x{REd|V}U~r d^RVzr^xnVzcVzrto M¥lnhIrKQ'R#c?j y gERTo7U~r^x O2%rKREgEgOr^xKRcTd~`jGP\^\^e Qsc~vwrKd`otVzrKREdRTS7U;¦c~O2M7Q}V}U]r ctotVpM7N`M7gz/L2l ^`_7Znj y^ %rKREgEgOr^xKRc M^M7oqhIc~O r{N Qs;U~ctour^xBzM7Q~r^x #cV}RTM7d~cKgz o7REd~rto^o?8M7Q`oucKgrtoqN^QM7hiMtV}RTM7d~cKg our?j ^ d^gEREd~r r^xKRV}RTM7d`ocKQsr cKgTo^Mc~vwcKREgc grBzM7Q^hiM^otV#V}RV}grtoq ouc~(cKQ'R(j M7QsrKREgEgO¥j¥M7h¢¡kj¥£PM7Q^hiM7Qsr{REdPzM7Q'hIcV}RTM7d]¤¥M7dWVzc^YV M Q~¥M7Q'N`M7QscVzr`¥sREd`otV}RV V}RTM7d~cKgoucKgrtox^rKN~cKQ}V}hIrKdWV§¦/ s¨u\^\]¡^t¨t©ª^^«t¨fM7Q~¥M7Q'N`M7QscVzr]¬M7QsrKREgEgO¥j¥M7hj ¦mlngEgrKd2M7QsrKd ®,¯~°(±G²³ ¦YcKQO¸Qsc^x~O ´³ª²u¯uµt¶#±°z²·®,¯~°(±G²³ ¹ ¦¥¿h¢hIcLM7g O ²7º/»~³]¼ »½¥°E¾^·K»~³ ¦YrKgcKd^RrBÁcKd`S Às·K±E»~³'°z²³]¼ »½¥°E¾^·K»~³ ¦ ´³'°E·K±°E·^¾Â°p½±G²³sà gOÅZ]\^\`_¦¥£REQotV~¿xKRV}RTM7dKj ÄP U~r%rKREgEgOgTM^S^MqRToc{QsrtS7RTotVzrKQsr^x=V}Qsc^x^rKhIcKQ'MP%rKREgEgOr^xKRcTd~`jÁr=V}U~rqr^xKRc cKd~x{QsrKgcVzr^x=V}Qsc^x^r Æ xKQsrto^ocKQsr=V}Qsc^x^rKhIcKQ'o MP%rKREgEgOr^xKRcTd~`j cKdPOÅMÇV}U~r x^rto7RTS7d~cV}RTM7d`o our^x OhIcKd (c^YV QsrKQocKd~xfourKgEgrKQofVpMxKRTotV}REd`S -
DHS Open Source Enterprise Daily Cyber Report
UNCLASSIFIED This document was prepared by the Office of Intelligence and Analysis to facilitate a greater understanding of the nature and scope of threats and hazards to the homeland. It is provided to Federal, State, Local, Tribal, Territorial and private sector officials to aid in the identification and development of appropriate actions, priorities and follow-on measures. This product may contain U.S. person information that has been deemed necessary for the intended recipient to understand, assess, or act on the information provided. It should be handled in accordance with the recipient's intelligence oversight and/or information handling procedures. Some content may be copyrighted. These materials, including copyrighted materials, are intended for "fair use" as permitted under Title 17, Section 107 of the United States Code ("The Copyright Law"). Use of copyrighted material for unauthorized purposes requires permission from the copyright owner. Any feedback regarding this report or requests for changes to the distribution list should be directed to the Open Source Enterprise via unclassified e-mail at: [email protected]. DHS Open Source Enterprise Daily Cyber Report 13 December 2010 CRITICAL INFRASTRUCTURE PROTECTION: • Nothing significant to report INFORMATION SYSTEMS BREACHES: • Hackers Steal McDonald's Customer Data: McDonald's is working with law enforcement authorities after malicious hackers broke into another company's databases and stole information about an undetermined number of the fast food chain's customers. McDonald's has also alerted potentially affected customers via e- mail and through a message on its Web site. ... McDonald's hired Arc [Worldwide] to develop and coordinate the distribution of promotional e-mail messages, and Arc in turn relied on an unidentified e-mail company to manage the customer information database.