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Voyage Into Chitra Banerjee Divakaruni's the Forest Of
International Journal of Advanced Science and Technology Vol. 29, No. 9s, (2020), pp. 7031-7035 Voyage into Chitra Banerjee Divakaruni’s The Forest of Enchantments 1Krishna Chatur Sow Mondal, 2Dr. S. Lavanya 1Ph.D. Research Scholar, Department of English, K L (Deemed to be University), Andhra Pradesh, India. 2Associate Professor & Head, Department of English, K L (Deemed to be University), Andhra Pradesh, India. [email protected], [email protected] Abstract The Forest of Enchantments by Chitra Banerjee Divakaruni is based on India’s most cherished lovelorn epic Ramayana. This novel depicts Ram’s banishment of fourteen years and Sita’s life thereafter from her perspective. It also presents Sita’s deep-seated desires--her love for Nature. She was indeed the daughter of Nature who could feel their anguish as well as amusement. The forced banishment indeed had its ups and downs which even Ram and Sita could not escape. This paper deals with Sita’s life, forest life. It also engages with the other characters in the periphery. But the chief interest lies in the fact that how Sita, staying within the society, highlights the loopholes of our society- how women, through the course of their life, are subjected to racial discrimination in their own house, their society, and, most importantly, how men try to control their lives. Sita’s voice further speaks about the art of balancing the public and the private life which is very essential for the entire human race to follow. How Sita understands and analyses the different facets of love also provide a lesson for life to the entire human race is analyzed in this paper. -
Review of Research Issn: 2249-894X Impact Factor : 5.7631(Uif) Volume - 9 | Issue - 2 | November - 2019
Review of ReseaRch issN: 2249-894X impact factoR : 5.7631(Uif) volUme - 9 | issUe - 2 | NovembeR - 2019 RAMAYAN AS A COMPLETE LIFE OF REAL HUMAN Mr. Bhosale S. N. Assistant Professor , Head, Department Of Economics. ABSTRACT The Ramayana was a significant impact on later Sanskrit verse and Indian life and culture. Like the Mahābhārata, the Ramayana isn't only a story: it presents the lessons of old Hindu sages (Vedas) in account purposeful anecdote, scattering philosophical and reverential components. The characters Rama, Sita, Lakshmana, Bharata, Hanuman and Ravana are for the most part central to the social cognizance of India, Nepal, and some South- East Asian nations, for example, Thailand and Indonesia. There are different adaptations of the Ramayana, KEYWORDS: Indian life and culture , social cognizance of India. 1.INTRODUCTION : body of the account needs Valmiki's Ramayana is an epic 1.1. The past and arrangement explanations sonnet of somewhere in the Customarily, the Ramayana is of Rama's godliness, and range of 50,000 lines. The credited to Valmiki, viewed as recognizable pieces of proof of content makes due in a few India's first artist [1-5]. The Rama with Vishnu are thousand halfway and complete Indian custom is consistent in uncommon and stifled even in compositions, the most seasoned its understanding that the the later pieces of the content [9]. of which seems to date from the sonnet is crafted by a solitary As indicated by Indian eleventh century A.D.[11]. The writer, the sage Valmiki, a convention, and as indicated by content has a few provincial contemporary of Rama and a the Ramayana itself, the renderings,[12] recensions and fringe on-screen character in Ramayana has a place with the subrecensions. -
THE DIVISION of CONTINUING EDUCATION and COMMUNITY SERVICE the STATE FOUNDATION on CULTURE and the ARTS and the UNIVERSITY THEATRE Present
THE DIVISION OF CONTINUING EDUCATION AND COMMUNITY SERVICE THE STATE FOUNDATION ON CULTURE AND THE ARTS AND THE UNIVERSITY THEATRE present by special arrangements with the American Society for Eastern Arts San Francisco, California John F. Kennedy Theatre University of Hawaii September 24, 25, 1970 /(ala mania/am /(aiAahali Company The Kerala Kalamandalam (the Kerala State Academy of the Arts) was founded in 1930 by ~lahaka vi Vallathol, poet laureate of Kerala, to ensure the continuance of the best tradi tions in Kathakali. The institution is nO\\ supported by both State and Central Governments and trains most of the present-day Kathakali actors, musicians and make-up artists. The Kerala Kalamandalam Kathakali company i::; the finest in India. Such is the demand for its performances that there is seldom a "night off" during the performing season . Most of the principal actors are asatts (teachers) at the in::;titution. In 1967 the com pany first toured Europe, appearing at most of the summer festi vals, including Jean-Louis Barrault's Theatre des Nations and 15 performances at London's Saville Theatre, as well as at Expo '67 in Montreal. The next year, they we re featured at the Shiraz-Persepolis International Festival of the Arts in I ran. This August the Kerala Kalamandalam company performed at Expo '70 in Osaka and subsequently toured Indonesia, Australia and Fiji. This. their first visit to the Cnited States, is presented by the American Society for Eastern Arts. ACCOMPANISTS FOR BOTH PROGRAMS Singers: Neelakantan Nambissan S. Cangadharan -
Shrî Râma Chandra
f Californi. Regional Facility T-t; .^ THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ^^-^-<~-cJu^ J^^^-^^^-o^--^ — rntLA^dl^ i c -^ I Qo i2_^ bif soi.K i,i-:ssi-:i-:s Qi i:i:x's iiAi.i., .Mi;sNi«s. ciiAi'i'i-;!.!. & <ri. i.AN<;iiA.M I'l. v< i;. i.o.Mio.N. ^v . i. H'XDAv i:vi:Nix(is vi 7 June 13, 20, 27, July 4. Dr. Annie Besant "THE COMINcG OF THE WORLD TEACHERS' as §eee Ib^y Aeciieet aed Mo-dlea'e Centrat. Hindu College LECTunKS. TI . SHRl RAMA CHANDRA THE IDE^L KING. SOME LESSONS FROM THE RAmIYANA FOR THE USE OF HINDU STUDENTS IN THE SCHOOLS OF INDIA • BY ANNIE BESANT, F. T. S. From Notes of Lectures Originally Delivered AT THE Central Hindu College, Benares. Benares and London. Theosophical Publishing Society. I80i. Printed by Freeman & Co., Lti>., AT THE Taea Printing Works, Belnares. 3653 CONTENTS. Chapter I. Introduction. Chapter II. Youth and Marriage, Chapter III. Forest for Throne. Chapter IV. Brotherly Love. Chapter V. The Carrying off of SItA. Chapter VI. SIta's Faith. Chapter VII. Struggle. Chapter VIII. Triumph. 829275 SHRt RAMA CHANDRA, The Ideal King. CHAPTER I. Introduction. " Two years ago we were studying together one of the greatest books in the world," the Mahd' bhdrata. Now we are going to study the second great epic poem of India, the Rdmdyana. These two books stand out from the rest of Indian literature in a very marked way. The Vedas, the Institutes of Manu, are the great authorities for the learned, and only through the learned for the mass of the people. -
Svetasvatara Upanishad
Adhyathma Ramayanam An English Translation by P.R.Ramachander <[email protected] > Vol. 2 Aranya Kandam Kishkinda Kandam Sundara Kandam Edited by T.N.Sethumadhavan <[email protected] > 3. Aranya Kandam (Chapter on forests) Synopsis: (Aranya Kanda is the story of Ramayana , when Rama, Sita and Lakshmana enter the deep forest It starts with the salvation of Virada a Rakshasa , Sara Bhanga a saint, meeting with sages to find out problems , going to hermitage of Sutheeshna who is a disciple of Agasthya, visiting hermitage of Agasthya and taking from him , the Kodanda bow left by Indra, the great prayer of Agasthya, going and settling down in Panchavati where he meets Jatayu, clearing the philosophical doubts of Lakshmana(Rama Gita) , meeting and teasing Soorpanaka the sister of Ravana, cutting off her nose, ears and breats by Lakshmana when she tries to harm Sita, Killing of Khara, Dhooshana and Trisiras and their army of 14000 people in one and half hours, Soorpanaka’s complaint to Ravana suggesting him to kidnap Sita, his visit to Maricha , Rama telling the real Sita to hide in fire and replace herself with a Maya Sita, Rama running to catch the golden deer, the false alam given by Maricha, the kidnapping of Sita, Fight of Jatayu with Rama, Jatayu’s defeat , Rama doing funeral rites to Jatayu and granting him salvation, The prayer of Jatayu, Rama’s giving salvation to Khabanda ,Khabanda’s great prayer , Rama’s meeting with Sabari who gives him hints as to how to proceed further.) Oh girl, oh parrot which is at the top , Who is with -
Bhu-Jal News, Volume 24, No. 2 & 3, April-September, 2009
Quarterly Journal of Central Ground Water Board Ministry of Water Resources Government of India Editorial Board CHAIRMAN Sh. B.M.Jha Chairman, Central Ground Water Board MEMBERS Dr S.C.Dhiman Subrata Kunar T.M.Hunse Sushil Gupta Member (SML) Member ( T&TT) Member (ED&MM) Member(SAM) CGWB CGWB CGWB CGWB Dr A.K.Sinha Dr P.C.Chandra Dr Saumitra Mukherjee, Professor, Regional Director Head, Department of Geology Department of Geology CGWB, & Remote Sensing, University of Rajasthan, Mid-E astern Region, J.N.U, Jaipur Patna New Delhi EDITOR ASSISTANT EDITOR Dr S.K.Jain Dr S.Shekhar Scientist-D Scientist-B CGWB, HQ, Faridabad CGWB, HQ, Faridabad Manuscript Processing Dr. S. Shekhar Shri. M.Adil Scientist-B Scientist-C CGWB, HQ, Faridabad CGWB, HQ, Faridabad * The status of members of the editorial Board is as on 01.08.10 The Statement and opinions expressed by authors in this Journal are not necessarily those of the Government. Published by Chairman, Central Ground Water Board, Ministry of Water Resources, Bhu-Jal Bhawan, NH-IV, Faridabad-121 001 (Haryana). Contents of the “Bhu-Jal News” are freely reproducible with due acknowledgement. All Editorial correspondence in future may be addressed to Editor, “Bhu-Jal News”, Central Ground Water Board, Bhujal Bhawan, NH-IV, Faridabad-121 001 (Haryana). E-Mail : [email protected] Quarterly Journal Volume No.24 , Number 2&3, April- Sept,2009 Bhu-Jal News - Quarterly Journal of Central Ground Water Board with the objective to disseminate information and highlight various activities and latest technical advances in the field of Ground Water. -
Sarama I Sarama I. Sarama Ii. Sarama Iii. Sarameya I
SARAMA I 694 SARASVATA II is thus annihilated, one attains the supreme state. sthira, Sarana also accompanied him. (M.B. ASva- ! son ! Therefore, Oh you reject all external perceptions, medha Parva, Chapter 66, Verse 4) . control the mind by itself and completely annihilate all (v) Sarana was the foremost of those who disguised internal and external conceptions. Whether you live in Samba the son ofJambavati as a woman, and abused on earth or in do intense for the hermits. heaven, patala and tapas (M.B. Mausala Parva, Chapter 1, Verse 15) . thousands of years, unless conception is eliminated you SARAMA II. A minister of Ravana. (For details see the will not attain salvation. word Sukasiiranas) . After the the 1 hearing above explanation about illusions SARA^YA. A wife of Surya. (Rgveda, 10, 7, 2) . in life, from his hiding place Vasisjha _went away. SARARI. A monkey, who accompanied Hanuman to (Jnanavasistha, Canto 1 7) . the southern regions in search of Slta. (Valmiki I. SARAMA Ramayana, Kiskindha Kanda, Canto 44) . 1 General. Bitch of the Devas. I. ) Syama and Sabala, SARASA AchildofGaruda. (M.B. Udyoga Parva, sons of Sarama, were two prominent messengers of Chapter 101, Verse M). Yama and they possessed four eyes each. The off- SARASA II. A son of Yadu. He founded the city springs of these dogs are called Sarameyas. The Rgveda Krauncapura on the banks of the river Vena in South India. and Mahabharata contain a story about Sarama cursing (Harivarii^a, 2, 38, 27) . Janamejaya. (For details see under Srutasravas III) . SARASANA. See under Citrasarasana. -
Hermeneutics and Narrative Architecture in the Mahābhārata
HERMENEUTICS AND NARRATIVE ARCHITECTURE IN THE MAHĀBHĀRATA Vishwa Adluri I. Introduction Appearing in the Pauṣyaparvan, the first narrative book of the Mahābhārata (Mbh), the story of Uttaṅka is baroque even by the Mbh’s standards. In this paper, I demonstrate that Uttaṅka is not just a character within the text, but operates at three distinct levels in the text: as a character in it, as its interpreter, and as someone who transcends the text altogether.1 Uttaṅka reappears toward the epic’s end in the Āśvamedhikaparvan as a character within the narrative, but what are we to make of his strange story in the Pauṣyaparvan? Appearing in this no-man’s land2 between the frame-narrative and the core epic, between 1 Uttaṅka is referred to in the Mbh in the following passages: 1. The Pauṣyaparvan describes the greatness of Uttaṅka (māhātmyam uttaṅkasyopavarṇitam; Mbh 1.2.72). 2. Veda has three students: the two kṣatriyas Janamejaya and Pauṣya, and Uttaṅka (Mbh 1.3.85-86). 3. The story of Uttaṅka appears in the Pauṣyaparvan from Mbh 1.3.86-1.3.195. 4. A reference to Takṣaka’s insult of Uttaṅka (uttaṅkasya vidhatsva; 1.46.25), although the story of Uttaṅka is not told here. 5. Janamejaya says to please Uttaṅka (uttaṅkasya priyaṁ; Mbh 1.46.41), he will avenge his father. 6. Story of Uttaṅka from Mbh 3.192.8-193.27. Story of Dhundhumāra, where Uttaṅka plays a decisive role (Mbh 3.194.1-195.39). 7. Second Uttaṅka narrative (Mbh 14.52.1-14.57.56). 2 Vyāsa, the epic’s composer, is also known as Kṛṣṇa Dvaipāyana, Kṛṣṇa of the island, as he was born on an island in the middle of a river. -
Pradhan Mantri Krishi Sinchayee Yojana (Pmksy)
PRADHAN MANTRI KRISHI SINCHAYEE YOJANA (PMKSY) Sponsored by Ministry 0f Agriculture, Co-operation and farmer's welfare Government of India DISTRICT IRRIGATION PLAN (DIP) OF SARAN DISTRICT, BIHAR AGRICULTURAL TECHNOLOGY MANAGEMENT AGENCY (ATMA) SARAN 2015-16 Table of Content Executive Summary i-ix List of Tables x-xiii List of Figures xiv-xvii 1. Chapter- I General Information of Saran District 1 1.1 District Profile 1 1.2 Demography 32 1.3 Biomass & Livestock 39 1.4 Agro-Ecology 42 1.5 Climate 42 1.6 Hydrology 43 1.7 Topography and Drainage 45 1.8 Geomorphology and Soils 68 1.9 Land Use pattern 91 2. Chapter –II District Water Profile 115 2.1 Area wise, crop wise Irrigation Status 115 2.2 Production and Productivity of Major Crops 129 2.3 Irrigation Based Classification 141 3. Chapter-III Water Availability 146 3.1 Ground Water Scenario 146 3.1.1 Hydrogeology 146 3.1.2 Ground Water Resources 150 3.1.3 Chemical quality of ground water 150 3.1.4 Status of Ground Water Development 151 3.1.5 Water Conservation and Artificial Recharge 151 3.1.6 Ground water related issue and problems 152 3.1.7 Ground Water Development 153 3.2 Status of Water Availability 154 3.3 Status of Command Area 165 4. Chapter-IV Water Requirement/Demand 168 5. Chapter-V Strategic Action Plan for Irrigation in District under PMKSY 179 5.1 Action Plan for Saran District 179- 597 Executive Summary The major objective of PMKSY is to achieve convergence of investments in irrigation at the field level, expand cultivable area under assured irrigation, improve on-farm water use efficiency to reduce wastage of water, enhance the adoption of precision-irrigation and other water saving technologies (More crop per drop), enhance recharge of aquifers and introduce sustainable water conservation practices by exploring the feasibility of reusing treated municipal waste water for peri-urban agriculture and attract greater private investment in precision irrigation system. -
Saran Introduction
DISTRICT PROFILE SARAN INTRODUCTION Saran district is one of the thirty-eight districts of Bihar. Saran district is a part of Saran division. Saran district is also known as Chhapra district because the headquarters of this district is Chhapra. Saran district is bounded by the districts of Siwan, Gopalganj, West Champaran, Muzaffarpur, Patna, Vaishali and Bhojpur of Bihar and Ballia district of Uttar Pradesh. Important rivers flowing through Saran district are Ganga, Gandak, and Ghaghra which encircle the district from south, north east and west side respectively. HISTORICAL BACKGROUND Saran was earlier known as ‘SHARAN’ which means refuge in English, after the name given to a Stupa (pillar) built by Emperor Ashoka. Another view is that the name Saran has been derived from SARANGA- ARANYA or the deer forest since the district was famous for its forests and deer in pre-historic times. In ancient days, the present Saran division, formed a part of Kosala kingdom. According to 'Ain-E-Akbari’, Saran was one of the six Sarkars/ revenue divisions, constituting the province of Bihar. By 1666, the Dutch established their trade in saltpetre at Chhapra. Saran was one of the oldest and biggest districts of Bihar. In 1829, Saran along with Champaran, was included in the Patna Division. Saran was separated from Champaran in 1866 when Champaran district was constituted. In 1981, the three subdivisions of the old Saran district namely Saran, Siwan and Gopalganj became independent districts which formed a part of Saran division. There are a few villages in Saran which are known for their historical and social significance. -
Livelihood Pattern of Scheduled Castes of Saran District
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZENODO International Journal of Human Resource & Industrial Research, Vol.3, Issue 7, Dec, 2016, pp 01-11, ISSN: 2349 –3593 (Online), ISSN: 2349 –4816 (Print) LIVELIHOOD PATTERN OF SCHEDULED CASTES OF SARAN DISTRICT Dr. Rupa Kumari1 & Ms. Sweta Jyoti2 1 Associate Professor, HOD, Department of Geography, M.D.D.M College, B.R,A.Bihar University , Muzaffarpur. Bihar. 2 Research Scholar, B.R.A.Bihar University, Muzaffarpur. Bihar. www.arseam.com Abstract The term Scheduled Caste, an expression standardized in the Constitution of India, was coined by Simon Commission in course of its study of the cases of those castes or groups , and was embodied in Section 309 of the Government of India Act, 1935. The Constitution of India adopted the term Scheduled Castes as coined by Simon Commission to designate them as dalits or depressed classes. This paper studies the Scheduled Castes, relating them to their Livelihood patterns, which may give valuable suggestions for their development. The present study may provide good suggestions for the well-being of this neglected class of the society and bringing them at par with the other castes. Key words: Scheduled Caste, Livelihood, SARAN District, Constitution of India Introduction: - The classification of Indian society based on Castes is unique. In India caste determines the interaction between the different social classes. A Hindu belongs to the caste of his or her parents where they remain and it becomes very difficult -
Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks.