TREASURE ISLAND Reimagined! Based on the Book by Robert Louis Stevenson SYNOPSIS
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Treasure Island by Robert Louis Stevenson Adapted by Bryony Lavery
TREASURE ISLAND BY ROBERT LOUIS STEVENSON ADAPTED BY BRYONY LAVERY DRAMATISTS PLAY SERVICE INC. TREASURE ISLAND Copyright © 2016, Bryony Lavery All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of TREASURE ISLAND is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan- American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for TREASURE ISLAND are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to United Agents, 12-26 Lexington Street, London, England, W1F 0LE. -
Treasure Island
School Radio Treasure Island 3. Long John Silver and the Hispaniola Narrator: Three weeks after Jim Hawkins escapes the pirate gang with Billy Bones’ treasure map, he arrives in Bristol on a hot Sunday morning. What a city. The gateway to the Oceans of the World. Tea, sugar, cotton, coffee, slaves - aye, slaves - fill the streets and the docks. The great masts of a dozen fleets tower over the quays. Sailors, travellers, the rich and the poor throng the busy streets all of them hungry for money or food - or adventure. Jim has a note - he must find a Mr Silver who will show him to the Squire’s ship. Jim finds him all right down on the quayside - and there’s a shock, for as he comes up behind the man, he sees he has only one leg. Could this be the pirate, so feared by Billy Bones? Jim: Mister... Silver... sir? Long John Silver: Silver? Long John Silver you be intending to say, I’m sure, and who may you be? Narrator: Jim stares up. Tall and strong, with a face as big as a ham, intelligent and smiling, Long John Silver winks down at him. Jim relaxes - this man’s no pirate. Jim: Jim Hawkins, sir. Cabin boy to the new ship. Long John Silver: Is that so? Jim: Squire Trelawney’s ship. Sir. Long John Silver: Well, pleased I am to see you my boy. I’m ship’s cook - and now you’re come, we must go aboard. Hop in now. Narrator: With a graceful turn and a jump, Silver’s down into a little boat, untying the rope and preparing to row. -
Table of Contents
Table of Contents Welcome from the Dais ……………………………………………………………………… 1 Introduction …………………………………………………………………………………… 2 Background Information ……………………………………………………………………… 3 The Golden Age of Piracy ……………………………………………………………… 3 A Pirate’s Life for Me …………………………………………………………………… 4 The True Pirates ………………………………………………………………………… 4 Pirate Values …………………………………………………………………………… 5 A History of Nassau ……………………………………………………………………… 5 Woodes Rogers ………………………………………………………………………… 8 Outline of Topics ……………………………………………………………………………… 9 Topic One: Fortification of Nassau …………………………………………………… 9 Topic Two: Expulsion of the British Threat …………………………………………… 9 Topic Three: Ensuring the Future of Piracy in the Caribbean ………………………… 10 Character Guides …………………………………………………………………………… 11 Committee Mechanics ……………………………………………………………………… 16 Bibliography ………………………………………………………………………………… 18 1 Welcome from the Dais Dear delegates, My name is Elizabeth Bobbitt, and it is my pleasure to be serving as your director for The Republic of Pirates committee. In this committee, we will be looking at the Golden Age of Piracy, a period of history that has captured the imaginations of writers and filmmakers for decades. People have long been enthralled by the swashbuckling tales of pirates, their fame multiplied by famous books and movies such as Treasure Island, Pirates of the Caribbean, and Peter Pan. But more often than not, these portrayals have been misrepresentations, leading to a multitude of inaccuracies regarding pirates and their lifestyle. This committee seeks to change this. In the late 1710s, nearly all pirates in the Caribbean operated out of the town of Nassau, on the Bahamian island of New Providence. From there, they ravaged shipping lanes and terrorized the Caribbean’s law-abiding citizens, striking fear even into the hearts of the world’s most powerful empires. Eventually, the British had enough, and sent a man to rectify the situation — Woodes Rogers. In just a short while, Rogers was able to oust most of the pirates from Nassau, converting it back into a lawful British colony. -
Privateering and the Revolt of the Netherlands: the Watergeuzen Or Sea Beggars in Portsmouth, Gosport and the Isle of Wight 1570-71
Proc. Hampsh. Field Club Archaeol. Soc. 47, 1991, 171-180 PRIVATEERING AND THE REVOLT OF THE NETHERLANDS: THE WATERGEUZEN OR SEA BEGGARS IN PORTSMOUTH, GOSPORT AND THE ISLE OF WIGHT 1570-71 ByM] FRENCH ABSTRACT Flanders from where it spread to most of the other provinces. As a result of the assault on The purpose of this study is to examine English relations with the churches the governing classes rallied the Dutch Watergeuzen or Sea Beggars by reference to a behind the government in Brussels, which survey of shipping in the ports of Hampshire dated 24 July gradually regained the initiative. 1570 and a letter from Sir Henry Radeclyjf, the Captain of By the early spring of 1567 the forces of the Portsmouth, to the Privy Council dated 21 May 1571, both in government had easily suppressed the last the Public Record Office, London. These documents tell of the pockets of Calvinist resistance. Large numbers Sea Beggars' presence on the Hampshire coast in the early of those implicated in the political and relig years of the tumults that became known as the Revolt of the Netherlands or the Eighty Years' War. The letter of 21 May ious disturbances fled abroad to Germany and 1571, which throws light on the close links formed by certain England. Foremost among those who left at Englishmen with the Sea Beggars, is significant since these this time was William of Nassau, Prince of privateers by their very nature did not tend to leave detailed Orange (1533-84), the leading nobleman in accounts of their activities. -
The Mysterious Island by Jules Verne 1874 PART 1--DROPPED from the CLOUDS
The Mysterious Island by Jules Verne 1874 PART 1--DROPPED FROM THE CLOUDS Chapter 1 "Are we rising again?" "No. On the contrary." "Are we descending?" "Worse than that, captain! we are falling!" "For Heaven's sake heave out the ballast!" "There! the last sack is empty!" "Does the balloon rise?" "No!" "I hear a noise like the dashing of waves. The sea is below the car! It cannot be more than 500 feet from us!" "Overboard with every weight! . everything!" Such were the loud and startling words which resounded through the air, above the vast watery desert of the Pacific, about four o'clock in the evening of the 23rd of March, 1865. Few can possibly have forgotten the terrible storm from the northeast, in the middle of the equinox of that year. The tempest raged without intermission from the 18th to the 26th of March. Its ravages were terrible in America, Europe, and Asia, covering a distance of eighteen hundred miles, and extending obliquely to the equator from the thirty-fifth north parallel to the fortieth south parallel. Towns were overthrown, forests uprooted, coasts devastated by the mountains of water which were precipitated on them, vessels cast on the shore, which the published accounts numbered by hundreds, whole districts leveled by waterspouts which destroyed everything they passed over, several thousand people crushed on land or drowned at sea; such were the traces of its fury, left by this devastating tempest. It surpassed in disasters those which so frightfully ravaged Havana and Guadalupe, one on the 25th of October, 1810, the other on the 26th of July, 1825. -
Treasure Island by Robert Louis Stevenson
Treasure Island by Robert Louis Stevenson adapted for the stage by Stewart Skelton Stewart E. Skelton 6720 Franklin Place, #404 Copyright 1996 Hollywood, CA 90028 213.461.8189 [email protected] SETTING: AN ATTIC A PARLOR AN INN A WATERFRONT THE DECK OF A SHIP AN ISLAND A STOCKADE ON THE ISLAND CAST: VOICE OF BILLY BONES VOICE OF BLACK DOG VOICE OF MRS. HAWKINS VOICE OF CAP'N FLINT VOICE OF JIM HAWKINS VOICE OF PEW JIM HAWKINS PIRATES JOHNNY ARCHIE PEW BLACK DOG DR. LIVESEY SQUIRE TRELAWNEY LONG JOHN SILVER MORGAN SAILORS MATE CAPTAIN SMOLLETT DICK ISRAEL HANDS LOOKOUT BEN GUNN TIME: LATE EIGHTEENTH CENTURY TREASURE ISLAND/Skelton 1 SCENE ONE (A treasure chest sits alone on plank flooring. We hear the creak of rigging on a ship set adrift. As the lights begin to dim, we hear menacing, thrilling music building in the background. When a single spot is left illuminating the chest, the music comes to a crashing climax and quickly subsides to continue playing in the background. With the musical climax, the lid of the chest opens with a horrifying groan. Light starts to emanate from the chest, and the spotlight dims. Voices and the sounds of action begin to issue forth from the chest. The music continues underneath.) VOICE OF BILLY BONES (singing) "Fifteen men on the dead man's chest - Yo-ho-ho, and a bottle of rum! Drink and the devil had done for the rest - Yo-ho-ho, and a bottle of rum!" VOICE OF BLACK DOG Bill! Come, Bill, you know me; you know an old shipmate, Bill, surely. -
1) the Story of Treasure Island
Easy level 1) The Story of Treasure Island Read and listen to the story of Treasure Island. im Hawkins, a young man, works in a pub called The Admiral Benbow. It was his mother’s pub when she was alive but now it is his pub. Unfortunately, Jim doesn’t Jlike working in a pub. He likes the sea and dreams of going on a sailing adventure. One day Billy Bones, a pirate, comes into the pub. He dies with a treasure map in his hand. Jim looks at the map. It is a secret treasure map of Treasure Island. It says that on the island there are three clues that will help him find the treasure. Jim decides to go to Treasure Island. He wants the treasure. Of course, Jim needs a ship. He meets Captain Long John Silver and his parrot, Captain Flint. Jim tells Long John Silver about Treasure Island. Long John Silver offers to take Jim on his ship, ‘The Hispaniola’. Jim agrees and they set off on the voyage. Unfortunately for Jim, Long John Silver is a pirate! When they arrive at Treasure Island, Long John Silver tries to steal the map from Jim. But Jim escapes with his map and goes to find the three clues. The three clues that will take him to the treasure. When Jim starts looking for the treasure, he meets an old man called Ben. Ben has been on the island for a long time and helps Jim find the three clues. Clue 1: Change letters on the finger tree. -
Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature
Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature By Sarah Jessica Johnson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Stephen Best, Chair Professor Kathleen Donegan Professor Nadia Ellis Professor Karl Britto Spring 2018 1 Abstract Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature By Sarah Jessica Johnson Doctor of Philosophy in English University of California, Berkeley Professor Stephen Best, Chair My dissertation, “Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature,” foregrounds an archival pursuit in which recovery is deprioritized. Crucial to this study is an archival paradox: Maroons absented themselves from the printed record, eschewed the position of author, only to be figured and represented by others who, expectedly, struggled with the depiction of a practice they could not know firsthand. The intentional erasure of “traces” by maroons was necessary to the successful practice of marronage. The project is organized around four “maroon objects”—the portrait, the fetish, the epaulette, and the hatchet—that recur in historical representations concerning maroons. These maroon objects mediate maroon subject and text. My first chapter, “Maroon Portraits,” examines the circulating narratives of La Mulâtresse Solitude of Guadeloupe. Solitude sits for a portrait that is continuously painted, as artists insist on producing visual images in tension with the long textual record that precedes them. Chapter Two, “Maroon Fetishes,” reads the proliferation of fetishes in Le Macandal by Marie Augustin and other iterations of the story of Haitian Maroon leader François Macandal. -
Scribner Classics) Treasure Island (Scribner Classics)
[Ebook free] Treasure Island (Scribner Classics) Treasure Island (Scribner Classics) IoR2HHmRM Treasure Island (Scribner Classics) 7yXAvxBUr VJ-45300 8uC2GS2vv USmix/Data/US-2012 W0x7cSBnh 4.5/5 From 663 Reviews xQsCp2mlC Robert Louis Stevenson k35GQ1Zn3 ePub | *DOC | audiobook | ebooks | Download PDF WU4bCiSgA xisCGNZgH 8onerLhGW mwqPwthYT ZVmw4iWRE 3OyvmqElp lptxPU3FG pbvO2PFVA 0 of 0 people found the following review helpful. I ordered a hardcover Ru6CZzLAx Treasure Island. The image shows ...By Phillip J. JacksonI ordered a hardcover HXuQLYPlt Treasure Island. The image shows a leather bound book similar to the pZIxh1rLL hardcovers for Treasure Island I've seen before. I didn't receive the book GY4KjI1Tk pictured. I got a children's abridged illustrated large format Treasure Island. PTy6WuhGm The image supplied here was supplied intentionally to mislead the buyer into to eeEhWce2b thinking they were getting the leather bound hardcover with small illustrations OCOFEPQrp at the chapter headings but instead sold a thin large format, hard to read text IBG584wAq on illustration book. I'm not mad at it. I just want the leather bound hard cover iiDqPr5sD that I was looking for and if you are looking for it too, this isn't it.0 of 0 people 32toKHZwl found the following review helpful. This is a classic. The writing style shows the Xx3tQBGqw ...By Tracy MitchellThis is a classic. The writing style shows the classic 3CQ3fsEHi structure with the English spelling. Readers who are looking for an ldquo;easy E4oZJKQvs readrdquo; will want an abridged version...this is not for you. If you want the wHiPqeNsy full experience of the rich language writing style of Robert Louis Stevenson, then keep reading.The story describes a young boyrsquo;s adventure on the high seas in search of treasure. -
Treasure Island”
A Teacher’s Guide to Missoula Children’s Theatre’s “Treasure Island” Dear Educator, As you make plans for your students to attend an upcoming presentation of the Arts for Youth program at the Lancaster Performing Arts Center, we invite you to prepare your students by using this guide to assure that from beginning to end; the experience is both memorable and educationally enriching. The material in this guide is for you the teacher, and will assist you in preparing your students before the day of the event, and extending the educational value to beyond the walls of the theatre. We provide activity and/or discussion ideas, and other resources that will help to prepare your students to better understand and enjoy what they are about to see, and to help them connect what they see on stage to their studies. We also encourage you to discuss important aspects of the artistic experience, including audience etiquette. We hope that your students find their imagination comes alive as lights shine, curtains open, and applause rings through Lancaster Performing Arts Center. As importantly, we hope that this Curriculum Guide helps you to bring the arts alive in your classroom! Thank you for helping us to make a difference in the lives of our Antelope Valley youth. Arts for Youth Program Lancaster Performing Arts Center, City of Lancaster Introduction ............................................................................................................................................................................ 2 Overview of the California -
Claes Gerritszoon Compaen
Claes Gerritszoon Compaen Claes Gerritszoon Compaen (Q8270). From Wikidata. Jump to navigation Jump to search. Privateer and pirate. Claas Compaan. Klaas Kompaan. edit. Also known as. English. Claes Gerritszoon Compaen. Privateer and pirate. Claas Compaan. Klaas Kompaan. Statements. instance of. human. Claes Gerritszoon Compaen (1587, Oostzaan, North Holland - 25 February 1660, Oostzaan), also called Claas Compaan or Klaas Kompaan, was a 17th-century Dutch corsair and merchant. Dissatisfied as a privateer for the Dutch Republic, he later turned to piracy capturing hundreds of ships operating in Europe, the Mediterranean and West Africa during the 1620s. Born in Oostzaan, his father was an alleged member of the Geuzen of Dirck Duyvel housed in Zaanstreek allied other nobleman in opposition of Spanish Claes Gerritszoon Compaen was born in Oostzaan in 1587. He was a merchant who had some succes sailing along the coast of Guinea (on the Westcoast of Africa). The money he earned this way he used to equip his ship for privateering against the Spaniards, the pirates/privateers of Duinkerken and Oostende. Claes Gerritszoon Compaen (died 1660AD - Privateer). Daniel Defoe (died 1731AD - Explorer). David Marteen (death Unknown - Pirate). Diego de Almagro (died 1538Ad - Explorer). Diego Velasquez de Cuellar (died 1524AD - Explorer). Dirk Chivers (death Unknown - Pirate). Dixie Bull (death Unknown - Pirate). Every Mac comes preinstalled with Gerritszoon.' But not Gerritszoon Display. That, you have to steal." â“Clay Jannon, Mr.â¦Â âœI chime in, â˜Yeah, he printed them using a brand-new typeface, made by a designer named Griffo Gerritszoon. It was awesome. Nobody has ever seen anything like it, and itâ™s still basically the most famous typeface ever. -
Long John Silver's
Representative Photo Offering Memorandum Long John Silver’s 3550 Isleta Boulevard SW | Albuquerque, NM 87105 Confidential Disclaimer This Confidential Memorandum has been prepared by Stan Johnson Company (“SJC”) and is being furnished to you solely for the purpose of your review of the commercial property located at 3550 Isleta Boulevard, SW, Albuquerque, NM 87105 (the “Property”). The material contained in this Offering Memorandum shall be used for the purposes of evaluating the Property for acquisition and shall not be used for any purpose or made available to any other person without the express written consent of Stan Johnson Company (“Broker”). Offered Exclusively by By accepting the Confidential Memorandum, you acknowledge and agree that: (1) all of the information contained herein and any other information you will be receiving in connection with this transaction, whether oral, written or in any other form (collectively, the “Materials”), is confidential; (2) you will not reproduce the Confidential Amar Goli Memorandum in whole or in part; (3) if you do not wish to pursue this matter, you will return this Confidential Associate Director Memorandum to SJC as soon as practicable together with all other materials relating to the Property which you [email protected] may have received from SJC; and (4) any proposed actions by you which are inconsistent in any manner with the P: +1 213.417.9378 foregoing agreements will require the prior written consent of SJC. This Confidential Memorandum has been prepared by SJC, based upon certain information pertaining to the Sam Alison Property and any information obtained from SJC to assist interested parties in making their own evaluation of Regional Director - West the Property is offered on a no representation or warranty provision other than customary warranties of title [email protected] and is sold on an “as-is, where-is” basis and with all faults.