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White Peak Trails and Cycle Routes
Things to See and Do The High Peak Trail by funded part Project The Countryside The Cromford and High Peak Railway was one of the first The White Peak is a spectacular landscape of open views railways in the world. It was built between 1825 and s www.derbyshire.gov.uk/buse characterised by the network of fields enclosed by dry stone Several Peak District 1830 to link the Peak Forest Canal at Whaley or 2608 608 0870 walls. North and south of Hartington the trails go down into villages have annual Bridge (north of Buxton) to the Traveline from timetables and services other updates, Check the deep valley of the Upper Dove and the steeper gorge at well dressings (a Cromford Canal – a distance of Hire. Cycle Waterhouses and tableau of flower- Beresford Dale. On the lower land are the towns and villages 33 miles. The railway itself was Hire Cycle Ashbourne to Leek and Derby links 108 Travel TM built from local stone in traditional style. based pictures designed like a canal. On the around the village flat sections the wagons were Hire. Cycle Hay Interesting Places wells). Ask at visitor pulled by horses. Large Manifold Track below Thor’s Cave Parsley and Hire Cycle Ashbourne to Buxton links 542 Bowers centres for dates. The Trails and White Peak cycle network have a rich industrial steam powered Centre. Hire Cycle Ashbourne and Hire Cycle Water heritage and railway history. beam engines in The Manifold Track Carsington to Wirksworth and Matlock links 411 Travel TM Look out for the sculpted benches along the Trails and the From Track to Trail And Further Afield ‘engine houses’ This was the Leek and Manifold Valley Light Railway. -
Two Boys with a Bladder by Joseph Wright of Derby
RCEWA – Two Boys with a Bladder by Joseph Wright of Derby Statement of the Expert Adviser to the Secretary of State that the painting meets Waverley criteria two and three. Further Information The ‘Applicant’s statement’ and the ‘Note of Case History’ are available on the Arts Council Website: www.artscouncil.org.uk/reviewing-committee-case-hearings Please note that images and appendices referenced are not reproduced. EXECUTIVE SUMMARY 1. Brief Description of item(s) • What is it? A painting by Joseph Wright of Derby representing two boys in fancy dress and illuminated by candlelight, one of the boys is blowing a bladder as the other watches. • What is it made of? Oil paint on canvas • What are its measurements? 927 x 730 mm • Who is the artist/maker and what are their dates? Joseph Wright of Derby (1734-1797) • What date is the item? Probably 1768-70 • What condition is it in? Based upon a viewing of the work by the advisors and conservators, the face and costumes of the two boys are in good condition. However, dark paint throughout the background exhibits widespread retouched drying cracking and there are additional areas of clumsy reconstruction indicating underlying paint losses. 2. Context • Provenance In private ownership by the 1890s; thence by descent The early ownership of the picture, prior to the 1890s, is speculative and requires further investigation. The applicant has suggested one possible line of provenance, as detailed below. It has been mooted that this may be the painting referred to under a list of sold candlelight pictures in Wright’s account book as ‘Boys with a Bladder and its Companion to Ld. -
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Owner Name Address Postcode Current Rv THE OWNER TREETOP WORKSHOP THE BOTTOM YARD HORSLEY LN/DERBY RD COXBENCH DERBY DE21 5BD 1950 THE OWNER YEW TREE INN YEW TREE HILL HOLLOWAY MATLOCK, DERBYSHIRE DE4 5AR 3000 THE OWNER THE OLD BAKEHOUSE THE COMMON CRICH MATLOCK, DERBYSHIRE DE4 5BH 4600 THE OWNER ROOM 3 SECOND FLOOR VICTORIA HOUSE THE COMMON, CRICH MATLOCK, DERBYSHIRE DE4 5BH 1150 THE OWNER ROOM 2 SECOND FLOOR VICTORIA HOUSE THE COMMON CRICH MATLOCK, DERBYSHIRE DE4 5BH 800 THE OWNER WORKSHOP SUN LANE CRICH MATLOCK, DERBYSHIRE DE4 5BR 2600 THE OWNER JOVIAL DUTCHMAN THE CROSS CRICH MATLOCK, DERBYSHIRE DE4 5DH 3500 THE OWNER SPRINGFIELDS LEA MAIN ROAD LEA MATLOCK, DERBYSHIRE DE4 5GJ 1275 SLEEKMEAD PROPERTY COMPANY LTD PRIMROSE COTTAGE POTTERS HILL WHEATCROFT MATLOCK DERBYSHIRE DE4 5PH 1400 SLEEKMEAD PROPERTY COMPANY LTD PLAISTOW HALL FARM POTTERS HILL WHEATCROFT MATLOCK DERBYSHIRE DE4 5PH 1400 THE OWNER R/O 47 OXFORD STREET RIPLEY DERBYSHIRE DE5 3AG 2950 MACNEEL & PARTNERS LTD 53 OXFORD STREET RIPLEY DERBYSHIRE DE5 3AH 19000 MACNEEL & PARTNERS LTD OVER 53-57 OXFORD STREET (2399) RIPLEY DERBYSHIRE DE5 3AH 5000 THE OWNER 43A OXFORD STREET RIPLEY DERBYSHIRE DE5 3AH 2475 THE OWNER OXFORD CHAMBERS 41 OXFORD STREET RIPLEY DERBYSHIRE DE5 3AH 2800 THE OWNER OVER 4B OXFORD STREET RIPLEY DERBYSHIRE DE5 3AL 710 THE OWNER 3 WELL STREET RIPLEY DERBYSHIRE DE5 3AR 4550 LOCKWOOD PROPERTIES LTD DE JA VU 23 NOTTINGHAM ROAD RIPLEY DERBYSHIRE DE5 3AS 19500 THE OWNER REAR OF 94 NOTTINGHAM ROAD RIPLEY DERBYSHIRE DE5 3AX 1975 THE OWNER UNIT G PROSPECT COURT 192 -
Joseph Wright
Made in Derby 2018 Profile Joseph Wright Derby’s most celebrated artist is known the world over. Derby Museums is home to the world’s largest collection of works by the 18th century artist. Joseph Wright of Derby is acknowledged officially as an “English landscape and portrait painter”. But his fame lies in being acclaimed as "the first professional painter to express the spirit of the Industrial Revolution", by experts. Candlelight, the contrast of light and dark, known as the chiaroscuro effect, and the birth of science out of the previously held beliefs of alchemy all feature in his works. The inspiration for Wright’s work owes much to meetings of the Lunar Society, a group of scientists and industrialists living in the Midlands, which sought to reconcile science and religion during the Age of Enlightenment. Wright was born in Iron Gate – where a commemorative obelisk now stands –in 1734, the son of Derby’s town clerk John Wright. He headed to London in 1751 to study to become a painter under Thomas Hudson but returned in 1753 to Derby. Wright went back to London again for a further period of training before returning to set up his own business in 1757. He married, had six children – one of whom died in infancy, son John, died aged 17 but the others survived to live full lives. In 1773, he took a trip to Italy for almost two years and this became the inspiration for some of his work featuring Mount Vesuvius. Stopping off to work for a while in Bath as a portrait painter, he finally returned to Derby in 1777, where he remained until his death at 28 Queen Street in 1797. -
Cassandra Willoughby's Visits to Country Houses
Elizabeth Hagglund, ‘Cassandra Willoughby’s visits to country houses’, The Georgian Group Journal, Vol. XI, 2001, pp. 185–202 TEXT © THE AUTHORS 2001 CASSANDRA WILLOUGHBY’S VISITS TO COUNTRY HOUSES ELIZABETH HAGGLUND n , Cassandra Willoughby, a young woman of father and her late marriage, enabling her to travel I , began a series of journeys with her younger more widely than the majority of her contemporaries. brother Thomas. She recorded the details of her travels in a small notebook and continued to do so until , although after her marriage in her diary entries were largely restricted to a record of EARLY LIFE AND FAMILY moves between her husband’s estate in Edgware and Cassandra Willoughby was born at Middleton, their home in London. Warwickshire on April , the second child and The keeping of diaries and travel journals was only daughter of Francis Willoughby, by his wife, becoming fashionable at the time, and it was common formerly Emma Barnard. Her elder brother, Francis, for anyone travelling to record their impressions, had been born in ; her younger brother, even if they did so only for their own future Thomas, was born in . Middleton is near recollection. Books of instruction to travellers Tamworth, and the manor of Middleton had been in emphasised the importance of keeping records. The the family since . Middleton Hall, ‘a delicate and traveller ‘must alwayes have a Diary about him,’ wrote a delightful house’, according to Dugdale, is a James Howell, ‘when he is in motion of Iourneys ... medieval house, thinly classicised, and was the For the Penne maketh the deepest furrowes, and doth Willoughbys’ principal seat, although considerably fertilize, and enrich the memory more than anything less imposing than their secondary seat at Wollaton. -
Derbyshire Parish Registers. Marriages
942.51019 M. L; Aalp v.4 1379092 GENEALOGY COLLECTION ALLEN COUNTY PUBLIC LIBRARY 3 1833 00727 4241 DERBYSHIRE PARISH REGISTERS. flDarriagea, IV. phiiximore's parish register series. vol. xc. (derbyshire, vol. iv.) One hundred and fifty only printed. I0.ip.cj : Derbyshire Parish Registers, flftat triages. Edited by W. P. W. PHILLIMORE, M.A., B.C.L., AND LL. LL. SIMPSON. £,c VOL. IV. ILon&on Issued to the Subscribers by Phillimore & Co., 124, Chancery Lane. 1908. — PREFACE. As promised in the last volume of the Marriage Registers of Derbyshire, the marriage records of St. Alkmund's form the first instalment of the Registers of the County Town. The Editors do not doubt that these will prove especially interesting to Derbyshire people. In Volume V they hope to print further instalments of town registers in the shape of those of St. Michael's and also some village registers. It will be noticed that St. Alkmund's register begins at the earliest possible date, 1538, but of the remainder, two do not start till the seventeenth century and one, that of Quarndon, synchronizes with the passing of Lord Hardwicke's Marriage Act. 1379092 It will be convenient to give here a list of the Derby- shire parishes of which the Registers have been printed in this series: Volume I. Volume II. Dale Abbey Boulton Brailsford Duffield Stanton-by-Dale Hezthalias Lownd Volume III. Stanley or Lund Duffield Spondon Breaston Church Broughton Mellor Kirk Ireton Sandiacre Hault Hucknall Volume IV. Risley Mackworth Derby— St. Alkmund's Ockbrook Allestree Quarndon Tickenhall Foremark It has not been thought needful to print the entries — verbatim. -
Willersley: an Adam Castle in Derbyshire’, the Georgian Group Journal, Vol
Max Craven, ‘Willersley: an Adam castle in Derbyshire’, The Georgian Group Journal, Vol. XXII, 2014, pp. 109–122 TEXT © THE AUTHORS 2014 WILLERSLEY: AN ADAM CASTLE IN DERBYSHIRE MAXWELL CRAVEN ichard Arkwright, the cotton pioneer, first came Another aspect was architectural. At first, Rto Derbyshire in , when he set up a cotton Arkwright had been obliged to reside in Wirksworth, spinning mill at Cromford, on a somewhat restricted four miles away and, apart from the leased land on site, over which his operations expanded for a which his mills stood, he did not at first own any decade. His investment repaid the risk handsomely, land at Cromford, although he later built up a and from the s he began to relish his success and landholding piecemeal over the ensuing years. started to adapt to his upwardly mobile situation. Indeed, the manor and much of the land had One aspect of this was dynastic, which saw his only originally been owned by a lead merchant, Adam daughter Susannah marry Charles Hurt of Soresby, from whose childless son it had come to his Wirksworth Hall, a member of an old gentry family two sons-in-law, of whom one was William Milnes of and a partner, with his elder brother Francis, in a Aldercar Hall. He, in turn, bought out the other son- major ironworks nearby at Alderwasley. in-law, a parson, in . It would seem that by Fig. : William Day ( ‒ ) ‘ A View of the mills at Cromford’ , (Derby Museums Trust ) THE GEORGIAN GROUP JOURNAL VOLUME XXII WILLERSLEY : AN ADAM CASTLE IN DERBYSHIRE Milnes had been living in a house on The Rock, a bluff overlooking the Derwent at Cromford, which had previously been the Soresbys’. -
The Future of Derby Museums Service a Review of Alternative
Ab Derby City Council The Future of Derby Museums Service A Review of Alternative Governance Models August 2011 CONTENTS 1. PURPOSE OF THE REVIEW ..................................................................................................1 2. INTRODUCTION AND BACKGROUND TO THE REVIEW ....................................................2 3. APPROACH AND METHODOLOGY ......................................................................................5 4. EXECUTIVE SUMMARY .........................................................................................................7 5. POLICY BACKGROUND ......................................................................................................13 6. LOCAL AUTHORITY MUSEUMS IN THE NATIONAL CONTEXT .......................................17 7. OVERVIEW OF DERBY MUSEUMS SERVICE ....................................................................22 Deleted: 30 8. ALTERNATIVE GOVERNANCE MODELS...........................................................................24 Deleted: 40 9. FEEDBACK FROM KEY STAKEHOLDERS.........................................................................24 Deleted: 45 10. EVALUATION OF GOVERNANCE MODELS.......................................................................24 Deleted: 46 11. FINANCIAL OVERVIEW .......................................................................................................24 Deleted: 50 12. THE NDPO GOVERNANCE MODEL....................................................................................24 Deleted: 59 -
Derbyshire Family History Society Sep 2019 Issue
Derbyshire Family History Society See Page 2 Horns Bridge, Chesterfield From an old postcard Sep 2019 Issue 170 SOCIETY CONTACTS Website: www.dfhs.org.uk Email: [email protected] Secretary: Ruth Barber, 6 Field Lane, Alvaston, Derby DE24 0GP Email: [email protected] Membership: Catherine Allsop-Martin, 9 Barnstaple Close, Oakwood, Derby DE21 2PQ. Email: [email protected] Editor: Helen Betteridge, 16 Buxton Road, Chaddesden, Derby DE21 4JJ. Email: [email protected] Chairman: Professor S. Orchard, Old Dale House, The Dale, Bonsall DE21 2AY Treasurer: Mike Bagworth, 233 Ladybank Rd, Mickleover DE3 0RR Email: [email protected] Book Sales: Linda Bull, 17 Penrhyn Avenue, Littleover, Derby DE23 6LB. Trip Organiser: Helena Coney, Dale House, 11a Dale End Road, Hilton Dbys DE65 5FW,. Email: [email protected] SOCIETY REFERENCE LIBRARY Bridge Chapel House, St Mary’s Bridge, Sowter Rd, Derby DE1 3AT Opening Hours: 10 a.m.—4 p.m. TUESDAY and THURSDAY 10 a.m.-4 p.m. SATURDAY BY APPOINTMENT ONLY The Society will give advice on the telephone [01332 363876 OPENING HOURS ONLY] and also by e-mail. Research can be carried out by post or by e-mail, both in our own library and also at Derby Local Studies and Mat- lock County Record Office. We ask for a donation of £5 and if more exten- sive research is required we will advise you before carrying out the work. MAGAZINE CONTRIBUTIONS The Editor will accept contributions both by post and by email. Large arti- cles covering more than 4/5 pages will possibly appear over two issues. -
Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted. -
The Derby School Register, 1570-1901
»;jiiiiliiiili^ 929.12 D44d 1275729 'I ^BNHAUOG^r CiOUi^H-OTiOM ALLEN COUNTY PUBLIC LIBRARY 3 1833 01795 1531 . ^^-•^ THE DERBY SCHOOL REGISTER, I ^70-1901 /// prepanxtio)! : *• History of Derby School from the Earliest Times to the Present Day." : THE DERBY SCHOOL REGISTER. 1 5'7o-i90i . Edited by B. TACCHELLA, Assiiiaiit Master of Derby Sehool. LONDON BEMROSE & SONS, Limited, 4, Snow Hill ; and Derby, 1902. Sic *ffDeur\? Ibowe Beinrose, Ikt., ®.H)., THE PATRON OF DERBYSHIRE LITERATURE, THIS REGISTER OF DERBY SCHOOL IS MOST RESPECTFULLY DEDICATED, AS A SLIGHT ACKNOWLEDGMENT OF HIS GENIAL ENCOURAGEMENT AND INVALUABLE ASSISTANCE DURING ITS COMPILATION. ^ PREFACE. ,__ NO work is more suited to perpetuate the fame and traditions of an ancient scliool, and to foster the spirit of brother- hood among the succeeding generations of its alumni, than a Register recording the proud distinctions or the humble achievements of those who have had the honour of belonging to it. To do this, effectually a register ought to be complete in all its parts, from the first clay the school opened its doors ; and it is evident that such a work could only be the result of a continuous purpose, coeval with the school itself. Unfortunately that task has been deferred from century to century, and has become harder in proportion to its long post- ponement. But is this a. reason why it should not at length be attempted? As the usefulness, or, to speak more correctly, the necessity of such an undertaking has in these latter times become more and more apparent at Derby School, and as procrastination only makes matters worse, the editor decided some years ago to face the difficulty and see what could be done. -
3-Night Peak District Family Walking Adventure
3-Night Peak District Family Walking Adventure Tour Style: Family Walking Holidays Destinations: Peak District & England Trip code: DVFAM-3 1, 3 & 4 HOLIDAY OVERVIEW The UK’s oldest national park is a land of pretty villages, limestone valleys and outcrops of millstone grit. The area is full of rural charm with a range of walks. Leg-stretching hikes up to gritstone edges reward with sweeping views while riverside walks see the hills from a different perspective. Follow the High Peak Trail to the lead mining villages of Brassington and Carsington, take the Tissington Trail for views of Dovedale Gorge and walk through the grounds of Chatsworth House. If you need to refuel, a stop off in Bakewell for a slice of its famous tart is highly recommended! WHAT'S INCLUDED • Full Board en-suite accommodation. • A full programme of walks guided by HF Leaders • All transport to and from the walks • Free Wi-Fi www.hfholidays.co.uk PAGE 1 [email protected] Tel: +44(0) 20 3974 8865 HOLIDAYS HIGHLIGHTS • Cross the River Dove at the famous Stepping Stones • Explore the historic town of Buxton • Discover Derbyshire’s industrial heritage at the National Stone Centre TRIP SUITABILITY This trip is graded Activity Level 1, level 3 and level 4. There are four different length guided walks to choose from each walking day: • Family - approx. 4 miles • Easy - approx. 6-7 miles • Medium - approx. 8 miles • Hard - approx. 9-10 miles ITINERARY Day 1: Arrival Day You're welcome to check in from 4pm onwards. Enjoy a complimentary Afternoon Tea on arrival.