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General Debate on Holocaust Memorial Day 2019 3
DEBATE PACK Number CDP-0011, 22 January 2019 General debate on Compiled by: Sarah Priddy Holocaust Memorial Day 2019 Contents Summary 1. Press notices 3 2. Press and blog articles This debate pack has been compiled ahead of the general debate on Holocaust 9 Memorial Day to be held in the Commons Chamber on Thursday 24 January 3. Parliamentary 2017. The subject was determined by the Backbench Business Committee. material 12 The debate will be on the motion: That this House has considered Holocaust 3.1 Debates 12 Memorial Day 2019. 3.2 Ten-minute rule motion 12 Holocaust Memorial Day, 27 January, has taken place in the UK since 2001. 3.3 Oral questions 12 Each year, the Holocaust Memorial Day Trust chooses a different theme to 3.4 Written questions 15 enable audiences on Holocaust Memorial Day to learn something new about the 3.5 Early Day Motions 21 past. Every theme is relevant to the Holocaust, Nazi Persecution and to each 3.6 All Party Parliamentary subsequent genocide. This year’s theme: Torn from home. Groups 22 Torn from home encourages audiences to reflect on how the enforced loss of a 4. Further information 23 safe place to call ‘home’ is part of the trauma faced by anyone experiencing persecution and genocide. ‘Home’ usually means a place of safety, comfort and security. HMD 2019 will include marking the 25th anniversary of the Genocide in Rwanda, which began in April 1994 and the 40th anniversary of the end of the Genocide in Cambodia, which ended in 1979. The House of Commons Library prepares a briefing in hard copy and/or online for most non-legislative debates in the Chamber and Westminster Hall other than half-hour debates. -
Tjff 2015 Programme.Pdf
DRAMAS OVERDRIVE AD COMEDIES DOCUMENTARIES BIOGRAPHIES ARCHIVAL FILMS ARCHIVAL SHORT FILMS SHORT 2 Al Waxman Series Rod Serling Series Free Ticketed Programmes CONTENTS DRAMAS 18 COMEDIES 24 DOCUMENTARIES 27 BIOGRAPHIES 32 ARCHIVAL Films 36 SHORT Films 40 4 Schedule 14 Rod Serling: the Boy, the Man, 46 Patron Circle 6 Tickets the Writer, the Father 47 Friends and Fans 7 Artistic Director’s Welcome 15 Al Waxman: A Jewish Everyman 48 Special Thanks 8 Co-Chairs’ Message 15 We Remember: Artists and Icons 48 Nosh Donors 9 Programme Director’s Note We Have Loved and Recently Lost 48 Volunteers 10 Programmers’ Notes 15 Free Ticketed Events 50 Sponsors 12 David A. Stein Memorial Award 16 Family Friendly Screenings 52 Co-Presenters 12 The Micki Moore Award 17 Opening / Closing Night Films 53 Advertisers 13 FilmMatters 18 Dramas 73 TJFF Board Members, Advisory 13 Hillel/TJFF Toronto Jewish 24 Comedies Council and Staff Film Festival Fellowship 27 Documentaries 74 Films By Language 13 ASL Translators @ TJFF 32 Biographies 75 Films By Theme / Topic 14 Rod Serling: The Mensch of The 36 Archival Films 78 Film Index Twilight Zone 40 Short Films APRIL 30 – MAY 10 2015 TJFF.COM 23RD ANNUAL TORONTO JEWISH FILM FESTIVAL 3 • Indicates film has an additional screening. SCHEDULE Please Note: Running times do not include guest speakers where applicable. Thursday April 30 Monday May 4 8:00 PM VC 105 miN Dancing Arabs 1:00 PM ITH 110 miN Nichols and May: Take Two w/ Bess Friday May 1 Myerson: Portrait of an Activist, w/ It Takes a Shtetl: Leonard Nimoy's Boston -
Tese.21X29.7 (Cluster Musical).Indd
Instituto Superior de Ciências Sociais e Políticas UNIVERSIDADE TÉCNICA DE LISBOA Lisboa: Cluster Musical Projeto de submissão de Lisboa à The Creative Cities Network, UNESCO Maria Inês Fonseca de Oliveira Camilo Professora Doutora Paula Cordeiro Projeto para obtenção de grau de Mestre em Comunicação Social Lisboa 2013 1 LISBOA: CLUSTER MUSICAL Maria Inês Fonseca NOME: Maria Inês Fonseca de Oliveira Camilo MESTRADO EM: Comunicação Social ORIENTADOR: Professora Doutora Paula Cordeiro DATA: 26 de Fevereiro de 2013 TÍTULO DA TESE: Lisboa: Cluster Cultural | Proposta de Submissão de Lisboa à The Creative Cities Network, UNESCO A criatividade tem vindo a assumir-se como uma componente primordial para o crescimento económico, sendo reconhecido o seu valor no contexto de diferentes profissões e atividades. A música, enquanto forma de representação da identidade cultural, contribui ativamente para a construção da identidade nacional, vinculando-a através dos seus artistas e criações. No quadro da The Creative Cities Network, da UNESCO, e tendo por base a dinamização do sector das “Industrias Criativas”, procedeu-se à identificação das condições base para a preparação de uma futura proposta de atribuição do selo "creative city" à cidade de Lisboa, no sector da música. Foi analisado um conjunto de estudos de carácter científico e estatístico, acerca da performance económica das Indústrias Criativas em Lisboa. Os resultados sugerem que Lisboa reúne as condições materiais, os recursos humanos e técnicos e os espaços físicos para se posicionar como uma cidade criativa, atuando como cluster musical. O Selo poderá promover a internacionalização e a capacidade competitiva da economia da cidade, numa escala regional e global. -
C.V.7.2. Israeli Popular Music
1 C.V.7.2. Israeli Popular Music Edwin Seroussi In the early period of Israeli statehood, the means for the support of musical performance, composition, dissemination and education were in the mostly in the hands of governmental agencies and thus controlled by the dominant political and cultural elites. This control by the establishment gradually weakened, particularly following the decentralization of the mass media since the early 1980s. Popular music, a characteristic modern urban phenomenon, and its hallmark, the appeal to heterogenic populations, cosmopolitanism, industrial production and mass distribution in an open market, became then the main mode of music making and consumption in Israel as it did at a global level. From the 1920ies up to the present Popular music defined along these lines first appeared in Israel with the growth of large cities (Tel-Aviv-Jaffa, Haifa, Jerusalem) propelled by the immigration of professional musicians from Poland, Germany and the former Austro-Hungarian Empire in the late 1920s and early 1930s. These musicians developed in Israel new musical venues similar to those of the European cities, such as musical theaters and cabarets where contemporary European songs sung to new Hebrew texts were mixed with new compositions by local composers in genres such as the tango and the fox-trot. The popular music industry in Israel was launched in the mid-1930s when the first commercial record company was founded and a radio station opened in Palestine under the British Mandate that included Hebrew broadcasts. Up to the 1970s, popular music was dominated by tight state-controlled cultural policies and mass media. -
The Lag Ba'omer Top 10
1 May 11, 2017 | Published Bi-Weekly | 15 Iyar, 5777 Issue #53 JEWISH LINK May 12- 16 Iyar 5777 Parshat Emor CANDLE Light Candles: 7:45 PM Riverdale's Family-Owned BBRONX,rokerage Since 196 WESTCHESTER6 & CONNECTICUT LIGHTING Shabbat Ends: 8:54 PM Established 1966 • Morris and Marilyn Sopher Vice President Mike Pence said Trump Wavers on Moving that Trump was “seriously consid- ering” moving the U.S. Embassy during a Washington event cele- Embassy to Jerusalem brating Israel’s Declaration of Inde- pendence in 1948. Trump, however, departing During a press conference with from traditional U.S. policy, cited Israeli Prime Minister Benjamin during his election campaign that Netanyahu in February, President Call Dr. Donath at: he would move the U.S. Embassy Trump said regarding the reloca- Den Great room 914-259-8103Part of kitchen to Jerusalem. “We will move the tion, “I’d love to see that happen. See ad on page 3 American embassy to the eternal We’ll see what happens.” capital of the Jewish people, Jeru- Since taking office, Trump has Exclusively listed with Sopher Realty. salem,” Trump told the American said that he would like to see the Award-winning, energy-efficient solar home in move-in condition! Winner of 2009 Yonkers Greenie Award for energy-efficient renova- tion. Originally constructed in the 1970s, this house was renovated and expanded with new plumbing, electric service, Energy Star Israel Public Affairs Committee in CONTINUED ON P. 11 windows, and a solar system that can provide 30%-50% of your energy needs. Five bedrooms (two with master bathrooms) plus hall March 2016. -
A Tale of Love and Darkness
BASED ON THE NOVEL BY AMOS OZ WRITTEN, DIRECTED BY AND STARRING NATALIE PORTMAN A Tale of Love and Darkness PRODUCTION NOTES running time : 98 Minutes available format: DCP Publicity Contact Distribution Contacts Maxine Leonard PR International [email protected] Voltage Pictures 662 N. Crescent Heights Blvd Los Angeles, CA 90048 Allison Werner [email protected] 1 A Tale of Love and Darkness Based on Amos Oz's international best-seller, A TALE OF LOVE AND DARKNESS is the story of Oz's youth at the end of the British Mandate for Palestine and the early years of the State of Israel. The film details young Amos' relationship with his mother and his birth as a writer, looking at what happens when the stories we tell, become the stories we live. PRODUCERS: Ram Bergman, David Mandil EXEC PRODUCERS: Nicolas Chartier, Allison Shearmur DIRECTOR OF PHOTOGRAPHY: Slawomir Idziak EDITOR: Andrew Mondshein, A.C.E. PRODUCTION DESIGNER: Arad Sawat COMPOSER: Nicholas Britell COSTUME DESIGNER: Li Alembik CAST: Natalie Portman, Gilad Kahana, Amir Tessler WRITER AND DIRECTOR: Natalie Portman 2 A Tale of Love and Darkness PRODUCTION NOTES SYNOPSIS A Tale of Love and Darkness is based on Amos Oz’s memories of growing up in Jerusalem in the years before Israeli statehood with his parents; his the academic father, Arieh, and his dreamy, imaginative mother, Fania. They were one of many Jewish families who moved to Palestine from Europe during the 1903s and 1940s to escape persecution. Arieh was cautiously hopeful for the future. But Fania wanted much more. The terror of the war and the running had been followed by the tedium of everyday life, which weighed heavily on Fania’s spirit. -
Songs of Grief, Joy, and Tragedy Among Iraqi Jews
EXILED NOSTALGIA AND MUSICAL REMEMBRANCE: SONGS OF GRIEF, JOY, AND TRAGEDY AMONG IRAQI JEWS BY LILIANA CARRIZO DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Professor Donna A. Buchanan, Chair Professor Gabriel Solis Associate Professor Christina Bashford Professor Kenneth M. Cuno ABSTRACT This dissertation examines a practice of private song-making, one whose existence is often denied, among a small number of amateur Iraqi Jewish singers in Israel. These individuals are among those who abruptly emigrated from Iraq to Israel in the mid twentieth century, and share formative experiences of cultural displacement and trauma. Their songs are in a mixture of colloquial Iraqi dialects of Arabic, set to Arab melodic modes, and employ poetic and musical strategies of obfuscation. I examine how, within intimate, domestic spheres, Iraqi Jews continually negotiate their personal experiences of trauma, grief, joy, and cultural exile through musical and culinary practices associated with their pasts. Engaging with recent advances in trauma theory, I investigate how these individuals utilize poetic and musical strategies to harness the unstable affect associated with trauma, allowing for its bodily embrace. I argue that, through their similar synaesthetic capability, musical and culinary practices converge to allow for powerful, multi-sensorial evocations of past experiences, places, and emotions that are crucial to singers’ self-conceptions in the present day. Though these private songs are rarely practiced by younger generations of Iraqi Jews, they remain an under-the-radar means through which first- and second-generation Iraqi immigrants participate in affective processes of remembering, self-making, and survival. -
Let My People Know Limmud FSU: the Story of Its First Decade
Let My People Know Limmud FSU: The Story of its First Decade LET MY PEOPLE KNOW Limmud FSU: The Story of its First Decade Mordechai Haimovitch Translated and Edited by Asher Weill Limmud FSU New York/Jerusalem Copyright@Limmud FSU International Foundation, New York, 2019 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form without the prior permission of the copyright holder Editor’s Notes. Many place names in this book are interchangeable because of the various stages of historical or political control. We have usually chosen to use the spellings associated with Jewish history: eg. Kiev not Kviv; Lvov not Lviv; Kishinev not Chișinău; Vilna not Vilnius, etc. Every attempt had been made to trace the source of the photographs in the book. Any corrections received will be made in future editions. Limmud FSU International Foundation 80, Central Park West New York, NY 10023 www.Limmudfsu.org This book has been published and produced by Weill Publishers, Jerusalem, on behalf of Limmud FSU International Foundation. ISBN 978-965-7405-03-1 Designed and printed by Yuval Tal, Ltd., Jerusalem Printed in Israel, 2019 CONTENTS Foreword - Natan Sharansky 9 Introduction 13 PART ONE: BACK IN THE USSR 1. A Spark is Kindled 21 2. Moscow: Eight Years On 43 3. The Volunteering Spirit 48 4. The Russians Jews Take Off 56 5. Keeping Faith in the Gulag 62 6. Cosmonauts Over the Skies of Beersheba 66 7. The Tsarina of a Cosmetics Empire 70 PART TWO: PART ONE: BACK IN THE USSR 8. -
Libri, Notizie E Curiosità Dal Mondo Della Musica
80 FDS 262 ▼ NOTIZIE DAL MONDO DELLA MUSICA • a cura di Giada Ventura Libri, notizie e curiosità dal mondo della musica Peter Erskine, non ha bisogno di molte In queste sonate del Nove - “Bessie”. Il New York Times Second Opinion presentazioni: “batterista” cento, dal Valen tardo ro - Magazine ha incluso un di jazz per antonomasia, mantico ed espressionistico, brano dell’album nella con un trascorso che lo ha attraverso il periodo neo - playlist delle “25 canzoni visto ambasciatore del jazz classico di Stravinsky, lo che ci dicono dove sta an - italiano nel mondo sin dai stile più moderno di Luto - dando la musica”, è appar - suoi esordi. slawski, i tre compositori sa sul New Yorker, Vanity Con questo nuovo proget - cercano ispirazione in pas - Fair l’ha inclusa tra le “Mil - to, straordinariamente ma - sato - Valen nei rigori del lennials che scuotono il turo ed espressivo , Gatto ri - contrappunto di Bach, Stra - mondo del jazz” e Essence torna alla dimensione pret - vinsky nelle forme dei ver - Magazine la segnalò come tamente acustica grazie all’ si antichi come possiamo una delle “13 donne di co - ausilio di tre compagni di trovarli in Virgilio e Luto - lore emergenti nel mondo palco che rappresentano slawski nella musica ba - della musica”. “Dreams Peter Erskine presenta il una parte del meglio del pa - rocca. Queste interazioni And Daggers” è stato regi - suo ultimo progetto musi - norama jazzistico italiano con i modelli artistici di strato per la maggior parte cale, “Dr. UM”, in cui esplo - tempi passati portano a tre dal vivo al Village Van - ra le sonorità R&B e Fusion composizioni altamente in - guard insieme ad Aaron che lo hanno visto prota - dividuali, ognuna attraente Diehl, Paul Sikivie, e La - gonista assoluto degli anni e suggestiva per il cuore e wrence Leathers. -
December 2015
H T OFF THE PRESS A FLURRY OF ACTIVITY… OUR VERY OWN ENGLISH Full days and evenings keep everyone active at ROSE … Beth Protea. Regular lectures, concerts, movies, Who would believe that Beth Protea exercise programs, art classes and outings. Indoor hosts its very own “English Rose”. This carpet bowls now boasts more than 14 regular rose in the form of talented singer/ players, “Parliament” discussions headed by Yehuda performer – resident Judy Lane Drori packs in a crowd, new and innovative Bernstein – who wooed her audience evening programs introduced by Residents here at Beth Protea recently when Committee Chairman Leon Lewis persuades our she treated us all to an evening of old residents to share their personal stories. Bridge time favorites. club evenings meticulously presided over by Bobsy What a treat to and Monty still one of the weekly highlights and have such a treasure is open to anyone from the outside who wishes to right within our participate. The list goes on and on. The days and own walls. the nights are simply not long enough. Way to go Judy! MAGIC MILESTONE … It is certainly not every day that we have the opportunity of celebrating a 100th birthday. Just recently, all the residents enjoyed a scrumptious afternoon tea provided by the Hyde family in celebration of Lily’s milestone 100th birthday. A lady to be reckoned with. A lady of note. Her family shared stories of her full and active life with us all, enlightened us with tales of her successful history. How honored we are to have this special lady living with us here at Beth Protea. -
Copyright by Sharon Shahaf 2009
Copyright By Sharon Shahaf 2009 The Dissertation Committee for Sharon Shahaf certifies that this is the approved version of the following dissertation: PRIME TIME POSTZIONISM - NEGOTIATING ISRAELINESS THROUGH GLOBAL TELEVISION FORMATS COMMITTEE: _____________________________ Shanti Kumar, Supervisor _____________________________ Joseph D. Straubhaar _____________________________ Karin G. Wilkins _____________________________ Michael Kackman _____________________________ Madhavi Mallapragada _____________________________ Tasha G. Oren PRIME TIME POSTZIONISM - NEGOTIATING ISRAELINESS THROUGH GLOBAL TELEVISION FORMATS by Sharon Shahaf, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2009 Dedication This dissertation is dedicated to the love of my life and “war-time consigliere”, Gil Shahaf, and to our little miracle-baby, Ella, who participated in utero and as a newborn in the writing efforts. Without your love and support none of this would have been possible. Acknowledgments The completion of this dissertation would not have been possible without the support and help of a great many people - family, friends and colleagues. I wish to take this opportunity to express my gratitude to all those people who made it possible. My deepest gratitude is to my advisor, Dr. Shanti Kumar. I feel immensely fortunate to have had the opportunity to work with such an outstanding scholar, whose wisdom, brilliance, and knowledge are surpassed only by his profound humanity. To say that Shanti has been an invaluable source of guidance, inspiration, and support through some of the most intense and exciting years of my life would be an understatement. -
Music from Israel Rock, Pop, Jazz & Traditional Jewish Music
Music from Israel Rock, Pop, Jazz & Traditional Jewish Music 1. ACOLLECTIVE Onwards 2. ADAM Twice A Day (Collection) 3. ADINI, DANA Illusion 4. AHARON, SHLOMIT My Beloved Beside You 5. ALBERSTEIN, HAVA Alberstein Live 6. ALLAL, CORINNE Corinne Allal 7. Forbidden Fruit 8. Antarctica 9. Sfat Imi (My Mother's Tongue) 10. Zan Nadir (Rare Breed) 11. When It’s Deep 12. AMAR, ALBERT Transparent 13. AMDURSKY, ASSAF 2 14. Silent Engines 15. Live 16. ANKRI, ETTI I Can See In Your Eyes 17. Esther 18. In Spite Of And Because Of 19. Sea 20. Millionim 21. Rabbi Yehuda Halevy Sung By Etti Ankri 22. ANKRI, ETTI & D'OR, DAVID Performance 23. ARGOV, ZOHAR Songs From The Film „Zohar“ 24. ARIEL, MEIR Selection 25. Carbon Drawings 26. ARZI, SHLOMO The Songs 2 27. Ticket To Luna Park 28. Moon 29. The Triple Collection 1 30. The Triple Collection 2 31. The Triple Collection 3 32. Shnaim (2 CDs) 33. ○○ 34. I Loved Them 35. Thirst 36. ASHDOT, IZHAR Izhar Ashdot 37. Izhar Ashdot 2 38. Live At The Hard Rock Cafe 39. Inside Your Night (Live, Maxi-CD) 40. A Time Of Magic 41. Go With Your Heart 42. Small Dance. Live – The Irish Tour 43. ASHER, MEIRA Dissected 44. ATARI, GALI Only Yesterday (A Collection) 45. ATRAF The First Album 46. ATZMON, GILAD Spiel 47. ATZMON, GILAD, & THE Gilad Atzmon & The Orient House Ensemble ORIENT HOUSE ENSEMBLE 48. Nostalgico 49. Exile (featuring Reem Kalani & Dhafer Yoassef) 50. AVIDAN, ASAF Now That You Are Leaving Music from Israel · Rock, Pop, Jazz & Traditional Jewish Music 1 51.