Cumulative List of Jury Members For
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Proquest Dissertations
UNIVERSITY OF CALGARY Prize Possession: Literary Awards, the GGs, and the CanLit Nation by Owen Percy A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA JANUARY 2010 ©OwenPercy 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre inference ISBN: 978-0-494-64130-9 Our file Notre r6f6rence ISBN: 978-0-494-64130-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Toronto As Neglected Factor in International Cultural and Intellectual History
MID-ATLANTIC JOURNAL OF CANADIAN STUDIES (1986) 55-70 Toronto as Neglected Factor in International Cultural and Intellectual History Dr. Tomas W. Cooper It is enti e!" #$ssi%!e t&'t T$ $nt$( )* in+ t&e 1950s t& $*+& t&e 1980s( &'s # $,ided 's -*.& inte!!ect*'! di,e sit"( insi+&t( 'nd . $ss-disci#!in' " inte /'ce 's 'n" cit" in N$ t& A-e i.' 'nd #$ssi%!" t&e 0$ !)1 2e &',e &e' d -*.& '%$*t 3e ke!e"( C'-% i)+e( St'n/$ )( 'nd 5 incet$n( %*t !itt!e '%$*t T$ $nt$1 6e $*t#$* in+s $f F "e 'nd D',ies( t&e Innis/McL*&'n .$ es#$ndence( J$&n Le"e !e's Cent e /$ Medie,'! St*dies( 'nd t&e 9'!*es : $*# $f t&e 1940s ' e '-$n+ t&e &i+&!" in<*enti'! .$nste!!'ti$n $f inde#endents 0&$se .$!!ecti,e 0$ k t$*.&es 0$ !d t&$*+&t1 Re.$+niti$n( ese' .&( 'nd 0 itin+s s* $*ndin+ t&e .$!!ecti,e in<*ence $f t&is *n.$nsci$*s .$--*nit" is ,it'! 'nd $,e )*e1 C'n'di'n in<*ence *#$n t&e United St'tes in.!*des t&e in,isi%!e in<*ence $f ide's( .*!t* '! #'tte ns( 'nd # $+ '--in+1 6e ess'" be!$0 0i!! /$.*s e=.!*si,e!" *#$n C'n'di'ns in T$ $nt$ 'nd )$.*-ent t&e in<*ence $f t&e .'se $f !e'din+ .&' 'cte s *#$n U1S t&$*+&t 'nd .*!t* e1 At t&e $*tset .!' i>.'ti$n is e?*i ed e+' din+ *s'+e $f t&e 0$ ds @T$ $nt$ni'n@ 'nd @in<*ence1@ C$--ent' " e+' din+ t&e infuence $f indi,i)*'!s 'nd instit*ti$ns &$*sed in T$ $nt$ (&ence T$ $nt$ni'n)( )$es n$t &$!d 's # e e?*isite t&'t t&e indi,i)*'! be %$ n 'nd e)*.'ted in T$ $nt$( n$ t&'t t&e instit*ti$n be /$*nded n$ e,en ')-iniste ed %" n'ti,e T$ $nt$ni'ns1 Rat&e AT$ $nt$ni'n in<*enceB infe s t&'t t&e # i-' " indi,i)*'!s 'nd instit*ti$ns dis.*ssed ' e $ 0e e %'sed in T$ $nt$ /$ 't !e'st $ne de.'de )* in+ t&e &ei+&t $f t&ei ese' .&( $*t e'.&( 'nd e.$+niti$n1 A!t&$*+& -'n" T$ $nt$ni'ns 0e e %$ n 'nd e)*.'ted /' / $- T$ $nt$( '!! e-e +ed 'n) <$0e ed 0it&in t&e T$ $nt$ inte!!ect*'! 'nd .*!t* '! -i!ie*1 6ei % e'kt& $*+&s( -'C$ #*%!i.'ti$ns( 'nd si+ni>.'nt -eetin+s $..* ed in T$ $nt$1 N$ t& $# F "e is #e &'#s t&e -$st $*tst'ndin+ e='-#!e $f .$ntin*in+ in<*ence *#$n United St'tes 'nd indeed inte n'ti$n'! s.&$!' s&i#1 6e 0$ !d- en$0ned # $fess$ ( '*t&$ ( 'nd !ite ' " . -
Viewed As Art Objects
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI film s the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 0201764 Margaret Atwood’s transformed and transforming Gothic Tennant, Colette Giles, Ph.D. The Ohio State University, 1991 Copyright ©1091 by Tennant, Colette Giles. -
The English Patient
THE ENGLISH PATIENT MICHAEL ONDAATJE “A magically told novel … ravishing … many-layered.” —Los Angeles Times “Profound, beautiful and heart-quickening.” —Toni Morrison “Lyrical … dreamlike and enigmatic … A Farewell to Arms drenched in spooky ennui. It is also a difficult novel to leave behind, for it has the external grip of a war romance and yet the ineffable pull of poetry … An exquisite ballet that takes place in the dark.” —Boston Sunday Globe “A tale of many pleasures—an intensely theatrical tour de force but grounded in Michael Ondaatje’s strong feeling for distant times and places.” —The New York Times Book Review “A poetry of smoke and mirrors.” —Washington Post Book World “In this masterful novel, Michael Ondaatje weaves a beautiful and light-handed prose through the mingled histories of people caught up in love and war. A rich and compelling work of fiction.” —Don DeLillo “It seduces and beguiles us with its many-layered mysteries, its brilliantly taut and lyrical prose, its tender regard for its characters.… On every page The English Patient pulses with intellectual and aesthetic excitement.” —Newsday “A narrative of astonishing elegance and power … one of the finest novels of recent years—large, rich, and profoundly wise.” —Mirahella “It is an adventure, mystery, romance and philosophical novel in one.… Michael Ondaatje is a novelist with the heart of a poet.” —Chicago Tribune In memory of Skip and Mary Dickinson For Quintin and Griffin And for Louise Dennys , with thanks “Most of you, I am sure, remember the tragic circumstances of the death of Geoffrey Clifton at Gilf Kebir, followed later by the disappearance of his wife, Katharine Clifton, which took place during the 1939 desert expedition in search of Zerzura. -
Ms Coll 00050 Davies (Robertson) Papers 1
Ms Coll 00050 Davies (Robertson) Papers Robertson Davies Papers (gift of June Davis) Dates: 1929-2008 Extent: 115 boxes (22 metres) Biographical Description: Robertson Davies was born in Thamesville, Ontario in 1913 and was the third son of W. Rupert Davies and Florence Sheppard McKay. Davies’ father, Rupert Davies was born in Wales and was the publisher of The Kingston Whig Standard and was appointed to the Senate as a Liberal in 1942, a position he would hold until his death in 1967. As a young child, Robertson Davies moved with his family to Renfrew, Ontario, where his father managed the local newspaper, the Renfrew Mercury. The family would later relocate to Kingston in 1925. Between 1928 and 1932, Davies attended Upper Canada College in Toronto, where he performed in theatrical performances and wrote and edited the school paper, The College Times. After graduating, Davies attended Queen’s University in Kingston, where he was enrolled as a special student as he was not working towards a specific degree. Between 1932 and 1935, Davies wrote for the school paper and performed and directed theatrical plays. In 1935, Davies traveled to England to study at Baillol College at Oxford, where he was enrolled in a Bachelor of Letters degree. At Oxford, Davies performed with the Oxford University Dramatic Society and was a co- founder of the Long Christmas Dinner Society. After graduating in 1938, Davies published his thesis, Shakespeare’s Boy Actors through the publisher J.M Dent & Sons in 1939. In 1938, Davies joined the Old Vic theatre company, where he had roles in The Taming of the Shrew, She Stoops to Conquer, and A Midsummer Night’s Dream and also worked as a teacher of dramatic history at their drama school. -
“Deep in Mines of Old Belief”: Gnosticism in Modern Canadian Literature
“Deep in Mines of Old Belief”: Gnosticism in Modern Canadian Literature by Ryan Edward Miller M.A. (English), Simon Fraser University, 2001 B.A. (English), University of British Columbia, 1997 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English Faculty of Arts and Social Sciences © Ryan Edward Miller 2012 SIMON FRASER UNIVERSITY Summer 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for "Fair Dealing." Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. APPROVAL Name: Ryan Edward Miller Degree: Doctor of Philosophy, English Title of Thesis: “Deep In Mines of Old Belief”: Modern Gnosticism in Modern Canadian Literature Examining Committee: Chair: Dr. Carolyn Lesjak Associate Professor & Graduate Chair Department of English ______________________________________ Dr. Kathy Mezei, Senior Supervisor Professor Emerita, Department of Humanities ______________________________________ Dr. Sandra Djwa, Supervisor Professor Emerita, Department of English ______________________________________ Dr. Christine Jones, Supervisor Senior Lecturer, Department of Humanities ______________________________________ Dr. Eleanor Stebner, Internal Examiner Associate Professor & Woodsworth Chair, Department of Humanities ______________________________________ -
Canadian Literature
$i.2j per copy CANADIAN Ä Spring, 1965 LIT6MRY HISTORY IN OIN7ID7I Articles BY A. J. M. SMITH, DONALD STEPHENS, GEORGE WOODCOCK, WARREN TALLMAN, WILLIAM H. MAGEE, L. A. A. HARDING Chronicles and Opinions BY NAIM KATTAN, FRANK DAVEY, WAYNE BURNS, NATHAN COHEN Reviews BY JOHN ROBERT COLOMBO, DONALD STEPHENS, ROBIN SKELTON, HELEN SONTHOFF, A. W. WAIN MAN, ELLIOTT GOSE, ROBERT HARLOW, JOAN LOWNDES, PETER STEVENS A QUARTERLY OF CRITICISM AND R€VI€W CANADIAN BIOGRAPHY WE ARE PLEASED TO ANNOUNCE that the British Columbia Medal for Popular Biography, which is administered by Canadian Literature, has been awarded to Phyllis Grosskurth for her John Addington Symonds: A Biography, which the judges unanimously regarded as by far the best biography published in 1964 by a Canadian writer. Mrs. Grosskurth's book is a lucid and penetrating study of her subject. She considers carefully and delicately the ten- sions that afflicted Symonds as an upper-middle-class Victorian who spent half his life resisting and the other half guiltily accepting his homosexual inclinations; she suggests with appropriate obliqueness the reasons for the great gap between Symonds' evident promise as a writer and his actual literary achievement; above all, the architecture of her book is beautifully balanced, and the writing admir- ably sensitive and clear. John Addington Symonds, published in Canada by Longmans, stands so far above any other biographical work published by a Canadian during 1964 that there was no moment of doubt that it deserved the award. This is the first time in many years that the U.B.C. Medal for Popular Biog- raphy has been awarded for a work on a non-Canadian subject. -
Dalrev Vol55 Iss1 Pp170 183.Pdf (3.588Mb)
:;) Martin Ware REVIEW ARTICLE THE CANADIAN CRITIC'S BIBLE?* For a number of reasons the task of reviewing A.J.M. Smith's comprehensive collection of criticism, Towards A View of Canadian Letters, is a daunting one, particularly for a critic interested in the good name and development of Maritime poetry. The cause of this difficulty is produced by a conjunction of two considerations. The first of these will be obvious to most discriminating readers. It is that (a certain popular bestseller notwithstanding) this is the most important collection of the criticism of Canadian poetry yet to have been published, one that would .unquestionably have met the approval of A.J.M. Smith's distinguished forerunners, Gordon Waldron, James Cappon, W.E. Collin, and E.K. Brown {if not that of the great Maritimers). The second consideration will be less obvious, particularly to Central Canadians and Westerners. It is that for both historical and aesthetic reasons, no Maritimer worthy of his inheritance can wholly approve of A.J .M. Smith's influence. What is difficult and daunting to the present reviewer is to express adequately the extent of his admiration for the author's critical achievement, and at the same time to hint without misunderstanding at the author's distinct limitations, his sharply defined obliviousness to certain horizons. Whatever the limitations of the book, the sweep of the view of Canadian letters presented is remarkable. The supporting breadth and accuracy of the reading of the hundreds of individual collections which make up the corpus of Canadian poetry is no less awesome. -
Dalhousie University Photograph Collection (PC1)
Dalhousie University Archives Finding Aid - Dalhousie University Photograph Collection (PC1) Generated by the Archives Catalogue and Online Collections on January 25, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/dalhousie-university-photograph-collection Dalhousie University Photograph Collection Table of contents Summary information ...................................................................................................................................... 3 Scope and content ........................................................................................................................................... 3 Notes ................................................................................................................................................................ 3 Access points ................................................................................................................................................... 3 Collection holdings .......................................................................................................................................... 4 Dalhousie University Archives Page 2 PC1 Dalhousie University Photograph Collection Summary information Repository: Dalhousie University Archives Title: Dalhousie University Photograph Collection Reference code: PC1 Date: 1970-2016 (date of accumulation) -
Queer Canlit: CANADIAN LESBIAN, GAY, BISEXUAL, and TRANSGENDER ( LGBT ) LITERATURE in ENGLISH
Photo: Robert Giard, 1994. Copyright: Estate of Robert Giard This exhibition is dedicated to Jane Rule (1931 –2007). Queer CanLit: CANADIAN LESBIAN, GAY, BISEXUAL, AND TRANSGENDER ( LGBT ) LITERATURE IN ENGLISH An Exhibition Curated by Scott Rayter, Donald W. McLeod, and Maureen FitzGerald Thomas Fisher Rare Book Library Mark S. Bonham Centre for Sexual Diversity Studies University of Toronto 9 June – 29 August 2008 isbn 978-0-7727-6065-4 Catalogue and exhibition by Scott Rayter, Donald W. McLeod, and Maureen FitzGerald General editor P.J. Carefoote Exhibition installed by Linda Joy Digital photography by Bogda Mickiewicz and Paul Armstrong Catalogue designed by Stan Bevington Catalogue printed by Coach House Press, Toronto library and archives canada cataloguing in publication Rayter, Scott, 1970 –* Queer CanLit : Canadian lesbian, gay, bisexual, and transgender (LGBT) literature in English : an exhibition / by Scott Rayter, Donald W. McLeod, and Maureen FitzGerald. “Thomas Fisher Rare Book Library, University of Toronto, 9 June –29 August 2008.” Includes bibliographical references. isbn 978-0-7727-6065-4 1. Gays’ writings, Canadian (English) –Exhibitions. 2. Bisexuals’ writings, Canadian (English) –Exhibitions. 3. Transgender people’s writings, Canadian (English) –Exhibitions. 4. Canadian literature (English) –20th century –Bibliography –Exhibitions. I. McLeod, Donald W. (Donald Wilfred), 1957 – II. FitzGerald, Maureen, 1942 – III. Thomas Fisher Rare Book Library IV. Title. PS8089.5.G38R39 2008 016.8108'092066 C2008-901963-6 Contents -
COLL. French, William Papers, 1960-1990. 78 Boxes
1 ~ MS. French, William COLL. Papers, 1960-1990. 300 78 boxes (10 metres) • Papers for his tenure as successor to W.A. Deacon literary editor of The Globe and Mail. Includes correspondence with book reviewers and authors, drafts for his reviews, column articles, lectures and speeches, press releases for new books, and clippings. 2 MS. FRENCH (WILLIAM) COLLECTION COLL. 30'0 SERIES SERIES DESCRIPTION Boxes Correspondence, 1960-1990 1-41 Boxes Letters Received, 1960-1971 1-10 Boxes Letters Received, 1971-1990, Three Weekly Columns 11-34 Boxes Letters sent, 1960-1990 35-41 Boxes Writings and Other Activities 42-74 Boxes Notes for Reviews 42-52 Boxes Sources for Column Articles 53-56 l' Boxes Accounts: Payment to Book Reviewers - 57-58 Boxes Drafts for Articles and Lectures 59-65 Boxes Other Activities: includes conferences, awards, 66-74 trips, interviews. Boxes Ephemera: invitations, book promotions, press 75-78 releases CORRESPONDENCE Boxes 1-33 Letters received, 1960-1990. Box 33 also has two folders relating to Martin O'Malley's profile of French in The Review. One contains Morris Wolfe's attack in Canadian Forum, profiles in Books in Canada, Quill & Quire, and Canadian Book Information Centre Journal. Letters divide into two periods, 1960-1971, when French was editing the saturday book section and writing a Saturday column, and 1971-1990, when he wrote three columns a week. The first period had 3 MS • FRENCH (WILLIAM) COLLECTION COLL. • 300 SERIES DESCRIPTION Boxes 1-33 (Cont/d) many letters from reviewers. The second had more responses to reviews from readers and authors. -
MS Coll 00277
MS • Ross, Malcolm Mackenzie, 1911- COLL. 277 Papers, 1970-1994. • 62 boxes. 6 metres. Professor, writer, and editor of the New Canadian Library Series. Correspondence, notes, manuscript drafts of his essays, and addresses. Papers give an overview of Canadian literary studies, Canadian Scholarship, and the development of international interest in Canadian studies, especially literature, during the 1970's and 1980's. Organized into correspondence, literary works, biographical materials, and Christmas cards. Correspondence is arranged alphabetically and literary and biographical materials, chronologically. *Access to some correspondence restricted. • 2 MS. ROSS (MALCOLM) PAPERS COLL. 277 • CHRONOLOGY 1911 Born in Fredericton, New Brunswick, 2 January to Charles Duff and Cora Elizabeth Hewitson 1933 Received BA from University of New Brunswick 1934 Received MA from University of Toronto 1938 Married Lois Natalie Hall 1941 Received Ph.D from Cornell University 1941-42 Taught at Indiana University 1939-41 Lecturer in English literature at Cornell University 1942-45 Worked for National Film Board 1943 Published Milton's Royalism \. 1945-49 Assistant professor and professor of English, University of Manitoba 1949-50 Guggenheim Fellow 1950-62 Professor of English, Queen's University 1953-56 Edited The Queen's Quarterly 1954 Published Poetry and Dogma and Our Sense of Identity: a Book of Canadian Essays which he edited 1955 Elected Fellow of the Royal Society of Canada 1955-78 General editor of The New Canadian Library 1957-62 Head of the English Department, Queen's university 1958 Published The Arts in Canada which he edited 1960 Published Poets of the Confederation which he edited 1961 Edited with John Stevens Man and His World 3 MS.