THREE MUST-SEE ASIAN FILMS Asian films Continue to Grow in Popularity
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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
The Misrepresentation of Representation: in Defense of Regional Storytelling in Netflix's the New Legends of Monkey
The Misrepresentation of Representation: In Defense of Regional Storytelling in Netflix’s The New Legends of Monkey KATE MCEACHEN The 2018 Australian Broadcasting Corporation (ABC Me), Television New Zealand (TVNZ), and Netflix’s coproduction of the original series The New Legends of Monkey (2018) is a fantasy-based television series that reimagines Monkey (1978), a British Broadcasting Corporation (BBC) dubbing of the Japanese television series Saiyūki 西遊記. Saiyūki was an adaptation of the historically significant Chinese novel Xiyou ji (Wu Cheng’en, 1592), known in English as Journey to the West. Monkey gained a cult following in Australia, New Zealand, and other international markets leading to the 2018 reboot The New Legends of Monkey, which, unlike Monkey, was released in the United States (Flanagan). This new iteration prompted cultural confusion from those largely unfamiliar with the preceding series, the contexts in which it was introduced to English-speaking viewers in Australia and New Zealand, or the cult response that resulted. This article presents the recent series with this background in mind and within the context of locally produced television in New Zealand, where The New Legends of Monkey was filmed. Analysis of online discussions exposes the interpretive differences arising from this lack of context regarding the show’s connection to Monkey and highlights the problems viewers face interpreting stories outside of their local production markets—an increasingly relevant problem as more regional productions become accessible to a wide range of audiences through transnational streaming services like Netflix. The 2018 The New Legends of Monkey television adaptation, produced by and for the Australian and New Zealand markets and co-produced for international KATE MCEACHEN is currently pursuing her Doctoral Degree in Cultural Studies at The University of Southern Queensland in Australia. -
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ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P. -
TEKKONKINKREET Generation TEKKONKINKREET 14Plus TEKKONKINKREET TEKKONKINKREET Regie: Michael Arias
Berlinale 2007 TEKKONKINKREET Generation TEKKONKINKREET 14plus TEKKONKINKREET TEKKONKINKREET Regie: Michael Arias Japan 2006 Animationsfilm Länge 111 Min. Format 35 mm, Cinemascope Farbe Stabliste Buch Anthony Weintraub, nach einer Geschichte von Taio Matsumoto Co-Regie Hiroaki Ando CGI-Regie Takuma Sakamoto Animation Shojiro Nishimi Chie Uratan Masahiko Kubo Character Designer Shojiro Nishimi Vehicle Designer Masahiko Kubo Schnitt Mutsumi Takemiya Sounddesign Mitch Osias Musik Plaid Production Design, Art Director Shinji Kimura TEKKONKINKREET Produzenten Eiko Tanaka Über Treasure Town lächelt der Mond, und die kleinen Jungen können flie- Eiichi Kamagata gen. Treasure Town liegt irgendwo in der Zukunft, und hier kann das Leben Masao Teshima manchmal ganz sanft, manchmal aber auch sehr grausam sein. Dies gilt Ayako Ueda besonders für Black und White, zwei kleine Banausen ohne Eltern, die tag- Ausführende Produzenten Naoki Kitagawa ein tagaus durch die Straßen ziehen, immer auf der Suche nach einer Gele - Yasushi Shiina gen heit, zu Geld zu kommen. Sie sind gerissen und hinterhältig, aber Osamu Kamei eigent lich sind Black und White doch bloß zwei Jungen, die gezwungen Eiko Tanaka sind, in einer harten Umgebung um ihre Existenz zu kämpfen. Denn das Leben in dieser surreal anmutenden Metropole wird immer schwieriger. Produktion Aniplex Inc. Um das, was die Seele dieser Stadt einmal ausgemacht hat, aber auch um 4-5 Rokubancho, Chiyoda-ku sich selbst zu retten, müssen Black und White einen Krieg führen. J-Tokyo 102-8353 Der Originaltitel TEKKONKINKREET kommt aus dem Japanischen und spielt Tel.: 3-52-11 75 55 mit der Bedeutung von „Beton“, „Eisen“ und „Muskeln“. Der Regisseur ver - Fax: 3-52-11 75 70 steht den Titel als Metapher auf den Stadtmoloch, der dank der Fantasie [email protected] und des Einfallsreichtums seiner Helden von den Mächten des Bösen be - Weltvertrieb freit wird. -
Sunzi's War Rhetoric Meets Hollywood
New Horizons in Education, Vol.58, No.3, Dec 2010 Sunzi’s War Rhetoric Meets Hollywood: Educating Teenagers about Bullying through Movies Hsiao-Hui YANG Pennsylvania State University, USA Abstract Background: Teenagers experience wars not only in the actual war zones but also in the home, school, and street fronts. Sometimes they are the innocent victims of bullying. Often confused, they do not know how to survive in bullying situations. Adults such as movie makers and educators have taken on the responsibility of helping teenagers. The 2008 Hollywood movie The Forbidden Kingdom, presents a modern war between an American teenage boy and street bullies. With the help of Chinese Kungfu (martial arts) masters, the boy overcomes his fear and becomes a powerful protector in real life. Study: This article examines three aspects of Sunzi’s rhetorical war strategies that are prominent in the movie: becoming a benevolent leader, cultivating crafty wisdom, and mastering Kungfu. Furthermore, I critique Chinese cultural authenticity in this movie. Through exploring Sunzi’s rhetoric and Chinese cultural representation, educators can take the opportunity to discuss survival strategies in a bullying situation with teens and help them deal with their daily struggles. In addition, educators can help cultivate youngsters’ critical views towards cultural authenticity while watching this cross-cultural movie. Keywords: bullying, movies, martial arts, Sunzi 孫子的戰爭修辭藝術與好萊塢之交匯: 電影對青少年處理校園凌霸的教育功能 楊小慧 美國賓夕法尼亞州立大學 摘要 背景:青少年經歷的戰爭不僅僅局限於戰場,還包括發生在家庭、學校、街頭的衝突。他們常常淪為各種校 -
The Forbidden Kingdom 2008 Imdb
The forbidden kingdom 2008 imdb Action · A discovery made by a kung fu obsessed American teen sends him on an adventure to China, where he joins up with a band of martial arts warriors in. The Forbidden Kingdom is a Chinese-American fantasy kung fu wuxia film written by .. Official website · The Forbidden Kingdom on IMDb · The Forbidden Kingdom at Rotten Tomatoes · The Forbidden Kingdom at Metacritic · The. A discovery made by a kung fu obsessed American teen sends him on an adventure to China, where he joins up with a band of martial arts warriors in order to. Movie Title The Forbidden Kingdom Unbelievable Director Rob Minkoff directs actor for 1st time. IMDB. -The Forbidden Kingdom () – ed by Rob Minkoff. With Jackie Chan, Jet Li, Michael Angarano, Juana Collignon. A discovery. Fialka Florin ha descubierto este Pin. Descubre (¡y guarda!) tus propios Pines en Pinterest. IMDB: The Forbidden Kingdom () - IMDB For martial arts action fans, The Forbidden Kingdom may be the best fantasy story since the genre was opened. The Forbidden Kingdom () - IMDb. The Forbidden Kingdom () Online Free. The Forbidden Kingdom (US/China, ) is about Jason, a teenager who. The Forbidden Kingdom movie reviews & Metacritic score: While hunting down bootleg kung fu DVDs in a Chinatown Lionsgate | Release Date: April 18, The Forbidden Kingdom summary of box office results, charts and release information and related links. The Forbidden Kingdom movie YIFY subtitles. year. 1h 44mlength. IMDB. 64Tomato. Jackie Chan, Jet Li, Michael Angarano, Juana. : The Forbidden Kingdom (Two-Disc Special Edition + Digital Copy): Jet Li: Movies & TV. Monkey King. -
Gesamtkatalog Japan DVD Zum Download
DVD Japan (Kurzübersicht) Nr. 33 Juli 2004 Best.Nr. Titel Termin Preis** Animation 50009604 .Hack // Sign (DD & PCM) 25.08.2002 109,90 € 50011539 .Hack//Legend Of Twilight Bracelet Vol. 1 25.04.2003 94,90 € 50010369 .Hack//Sign Vol. 5 (PCM) 25.11.2002 109,90 € 50010725 .Hack//Sign Vol. 6 (PCM) 21.12.2002 109,90 € 50011314 .Hack//Sign Vol. 9 (PCM) 28.03.2003 109,90 € 50002669 1001 Nights 25.08.2000 60,90 € 50001721 1001 Nights (1998) 18.12.1999 154,90 € 50003015 101 Dalmatians 18.10.2000 78,90 € 50010612 101 Dalmatians 2: Patch's London Adventure 06.12.2002 64,90 € 50008214 11 Nin Iru! 22.03.2002 79,90 € 50010894 12 Kokuki 8-10 Vol. 4 (DD) 16.01.2003 79,90 € 50007134 24 Hours TV Special Animation 1978-1981 22.11.2001 281,90 € 50009578 3chome No Tama Onegai! Momochan Wo Sagashite! (DD) 21.08.2002 49,90 € 50011428 3x3 Eyes DVD Box (DD) 21.05.2003 263,90 € 50008995 7 Nin Me No Nana 4 Jikanme 03.07.2002 105,90 € 50008431 7 Nin No Nana 2jikanme 01.05.2002 89,90 € 50008430 7 Nin No Nana 4jikanme 03.07.2002 127,90 € 50008190 7 Nin No Nana Question 1 03.04.2002 89,90 € 50001393 A.D. Police 25.07.1999 94,90 € 50001719 Aardman Collection (1989-96) 24.12.1999 64,90 € 50015065 Abaranger Vs Hurricanger 21.03.2004 75,90 € 50009732 Abenobasi Maho Syotengai Vol. 4 (DD) 02.10.2002 89,90 € 50007135 Ace Wo Nerae - Theater Version (DD) 25.11.2001 94,90 € 50005931 Ace Wo Nerae Vol. -
A-Z Movies V
DECEMBER 2017 A-Z MOVIES v 10 CLOVERFIELD LANE 30 DAYS OF NIGHT COMEDY MOVIES 2006 Frankie Muniz, Anthony Anderson. In an effort to reconnect with her December 14 THRILLER MOVIES 2016 THRILLER MOVIES 2007 Comedy (M ls) A rogue CIA agent has stolen a top daughter, Maggie takes her to Tuscany Paul Giamatti, Hope Davis. Thriller/Suspense (M lv) Horror (MA 15+ ah) December 23 secret mind control device, so Cody where she had spent her youth, A grumpy nerd who becomes a cult December 7, 13, 24 December 13, 25 Justin Long, Jonah Hill. must go undercover in London to get it only to rediscover a love she had comic-strip author and talk-show John Goodman, Josh Hartnett, Melissa George. A friendly bunch of college rejects back by posing as a student at an elite left behind. celebrity, combines life and art in a Mary Elizabeth Winstead. When an Alaskan town endures 30 invent a new university that they can boarding school. touching take on the American dream. After a catastrophic car crash, a young days of darkness, vampires come attend to keep their parents happy. ALLIED woman wakes up in an underground out to feed. Only a husband-and-wife But when the first semester begins, AGUIRRE, WRATH OF GOD PREMIERE MOVIES 2016 Drama THE AMERICAN bunker with a man who claims to have sheriff team stand between death and the deception spins out of control. WORLD MOVIES 1972 West Germany (M adlnsv) THRILLER MOVIES 2010 Drama saved her from an apocalyptic attack. survival until sunlight returns. -
Baltic Sea Region Film Co-Production. Japanese Views
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Niskanen, Eija; Kakeo, Yoshio; Petkovic, Silvana; Severns, Karen Working Paper Japanese: Baltic Sea Region film co-production. Japanese views ETLA Discussion Papers, No. 1228 Provided in Cooperation with: The Research Institute of the Finnish Economy (ETLA), Helsinki Suggested Citation: Niskanen, Eija; Kakeo, Yoshio; Petkovic, Silvana; Severns, Karen (2010) : Japanese: Baltic Sea Region film co-production. Japanese views, ETLA Discussion Papers, No. 1228, The Research Institute of the Finnish Economy (ETLA), Helsinki This Version is available at: http://hdl.handle.net/10419/44571 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu ELINKEINOELÄMÄN TUTKIMUSLAITOS THE RESEARCH INSTITUTE OF THE FINNISH ECONOMY Lönnrotinkatu 4 B 00120 Helsinki Finland Tel. -
The Japan Times Online 6/21/12 5:43 PM
'Animatrix' producer Michael Arias becomes the first foreign director to enter Japan's cult domain | The Japan Times Online 6/21/12 5:43 PM HOME The Japan Times Printer Friendly Articles 'Animatrix' producer Michael Arias becomes the first foreign director to enter Japan's cult domain By PATRICK MACIAS Special to The Japan Times Much has been written about how Japanese anime has stomped across the globe like an out-of-control juggernaut, scooping up legions of fans along the way. Such unbridled success usually results in cross-pollination; new talent floods in from far-flung shores, as was the case with the hordes of Europeans who swarmed to Hollywood in its golden age and still go there today. But Japan's anime industry has remained largely closeted, and certainly no foreigner has ever made the logical move of stepping behind the camera to seize the controls. Until now, that is. Southern California native Michael Arias is the first foreigner ever to helm a feature-length anime film in Japan. "No one was ever stupid enough to try before," he says of the distinction that defines "Tekkonkinkreet," his animated adaptation of Taiyo Matsumoto's cult-classic manga (published abroad as "Black and White"). Although "Tekkon" is Arias's directorial debut, the Japan resident of 15 years has long been active behind the scenes on a number of high-profile movie projects, including stints as a special-effects technician on James Cameron's "The Abyss" (1989) and "Total Recall" (1990). Arias, who admits that he's "not much of a draftsman," went into developing software, a career move that eventually led to work on animated films in the United States and elsewhere. -
Soul of Anime
the soul of anime experimental futures Technological Lives, Scientific Arts, Anthropological Voices A series edited by Michael M. J. Fischer and Joseph Dumit the soul of anime Collaborative Creativity and Japan’s Media Success Story ian condry Duke University Press Durham and London 2013 ∫ 2013 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Designed by Jennifer Hill Typeset in Garamond Premier Pro by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http:// creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Com- mons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. ‘‘Noncommercial’’ as defined in this license specifically excludes any sale of this work or any portion thereof for money, even if the sale does not result in a profit by the seller or if the sale is by a 501(c)(3) nonprofit or ngo. For Nick, Jackson, and Alec contents ix Note on Translations and Names 1 introduction * Who Makes Anime? 35 one * Collaborative Networks, Personal Futures 54 two * Characters and Worlds as Creative Platforms 85 three * Early Directions in Postwar Anime 112 four * When Anime Robots Became Real 135 five * Making a Cutting-Edge Anime Studio: The Value of the Gutter 161 six * Dark Energy: What Overseas Fans Reveal about the Copyright Wars 185 seven * Love Revolution: Otaku Fans in Japan 204 conclusion * Future Anime: Collaborative Creativity and Cultural Action 218 Acknowledgments 221 Notes 227 References 237 Index note on translations and names All interviews and sources in Japanese were translated by the author. -
Review Article Northrop Davis, Manga and Anime Go
Review Article Northrop Davis, Manga and Anime Go to Hollywood: The Amazing Rapidly Evolving Relationship between Hollywood and Japanese Animation, Manga, Television, and Film, Bloomsbury: London, 2016: 410 pp.: ISBN 9781623562489, £ 80.00 (hbk); ISBN 9787623561444, £ 23.09 (pbk); ISBN 9781623560386, £ 21.09 (ebook) Corresponding Author: Manuel Hernandez-Perez, School of Arts, University of Hull, UK Email: [email protected] Anime studies are still a young research field and it still drive by the diversity of its scholar’s background whether they came from Japanese studies, Communication and Media approaches or Comic book studies. There are also other materials that, while valuable, aren’t really a product of the interest of addressing to a particular academic community. In this sense, Northrop Davis’ Manga and Anime Go to Hollywood is an easy and enjoyable read due to its direct and informative style. Its visual layout is also appealing and full of colour illustrations. Davis succeeds in introducing other media in his description of Japanese popular culture, mainly TV dramas (doramas) and special-effects cinema (tokusatsu) but also other traditional forms with a historical relevance such as early scrolls, woodblock printing, kamishibai (paper theatre) and takarazuka performances. It is understandable that he addresses only the most “popular” within the popular Japanese Culture: in the vast universe of references, signs and meanings that is global popular culture, it is impossible to cover everything. In general terms, the text is a pleasant and well-documented read although students and academics of manga and anime may miss a greater depth on the subject.