Tibetan Orality
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Little Tibet in Our Backyard: Understanding 'Tibetan' Muslim Identity in Kashmir Farrukh Faheem
Little Tibet in Our Backyard: Understanding ‘Tibetan’ Muslim Identity in Kashmir Farrukh Faheem [email protected] Abstract: Tibet is generally imagined as a Buddhist land, it is believed that to be Tibetan is to be Buddhist, conversely the idea of Tibetan Muslim seems to be incongruous. This paper gives a glimpse into the lives of ‘Tibetan’ Muslims in Kashmir. This paper is divided into two parts. The first part briefly discusses the history of Tibet and its spatial location as a region interacting with other Himalayan regions. In the subsequent sections, I discuss the history of ‘Tibetan’ Muslims, there presence in Kashmir and the contesting identity.The paper also attempts to explore their notions of belonging and the processes involved in being and becoming of a ‘Tibetan’ Muslim in Kashmir. Way beyond the cartographic identity of a group there are ethnographic identities. In the context of Tibet and Tibetan identity, the ‘Political Tibet’ is represented largely by the rule of Tibetan Government and its administration. It includes the major towns of Tibet, Lhasa and U-Tsang. The ‘ethnographic identity’ of the Tibet, however, includes the regions beyond the cartographic imagination.1 These are the borderlands once inhabited by Tibetan race, the neighboring regions of Kashmir and Ladakh2. Thus, the idea of Tibet in terms of a geographically bounded territory largely located on the Tibetan Plateau is essentially a “political construct”.3 The imagination of Tibet as a territorially fixed region bounded by its physical geography limits our understanding of Tibet as a culturally, socially or politically imagined entity.4 1 Richardson, H. -
Complete Dissertation
VU Research Portal Hermeneutical explorations of multiple religious belonging Oostveen, D.F. 2020 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Oostveen, D. F. (2020). Hermeneutical explorations of multiple religious belonging. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 24. Sep. 2021 VRIJE UNIVERSITEIT HERMENEUTICAL EXPLORATIONS OF MULTIPLE RELIGIOUS BELONGING ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad Doctor of Philosophy aan de Vrije Universiteit Amsterdam, op gezag van de rector magnificus prof.dr. V. Subramaniam, in het openbaar te verdedigen ten overstaan van de promotiecommissie van de Faculteit Religie en Theologie op donderdag 10 september 2020 om 9.45 uur in de aula van de universiteit, De Boelelaan 1105 door Daan Frans Oostveen geboren te Eindhoven promotoren: prof.dr. -
2019 International Religious Freedom Report
CHINA (INCLUDES TIBET, XINJIANG, HONG KONG, AND MACAU) 2019 INTERNATIONAL RELIGIOUS FREEDOM REPORT Executive Summary Reports on Hong Kong, Macau, Tibet, and Xinjiang are appended at the end of this report. The constitution, which cites the leadership of the Chinese Communist Party and the guidance of Marxism-Leninism and Mao Zedong Thought, states that citizens have freedom of religious belief but limits protections for religious practice to “normal religious activities” and does not define “normal.” Despite Chairman Xi Jinping’s decree that all members of the Chinese Communist Party (CCP) must be “unyielding Marxist atheists,” the government continued to exercise control over religion and restrict the activities and personal freedom of religious adherents that it perceived as threatening state or CCP interests, according to religious groups, nongovernmental organizations (NGOs), and international media reports. The government recognizes five official religions – Buddhism, Taoism, Islam, Protestantism, and Catholicism. Only religious groups belonging to the five state- sanctioned “patriotic religious associations” representing these religions are permitted to register with the government and officially permitted to hold worship services. There continued to be reports of deaths in custody and that the government tortured, physically abused, arrested, detained, sentenced to prison, subjected to forced indoctrination in CCP ideology, or harassed adherents of both registered and unregistered religious groups for activities related to their religious beliefs and practices. There were several reports of individuals committing suicide in detention, or, according to sources, as a result of being threatened and surveilled. In December Pastor Wang Yi was tried in secret and sentenced to nine years in prison by a court in Chengdu, Sichuan Province, in connection to his peaceful advocacy for religious freedom. -
The Misrepresentation of Representation: in Defense of Regional Storytelling in Netflix's the New Legends of Monkey
The Misrepresentation of Representation: In Defense of Regional Storytelling in Netflix’s The New Legends of Monkey KATE MCEACHEN The 2018 Australian Broadcasting Corporation (ABC Me), Television New Zealand (TVNZ), and Netflix’s coproduction of the original series The New Legends of Monkey (2018) is a fantasy-based television series that reimagines Monkey (1978), a British Broadcasting Corporation (BBC) dubbing of the Japanese television series Saiyūki 西遊記. Saiyūki was an adaptation of the historically significant Chinese novel Xiyou ji (Wu Cheng’en, 1592), known in English as Journey to the West. Monkey gained a cult following in Australia, New Zealand, and other international markets leading to the 2018 reboot The New Legends of Monkey, which, unlike Monkey, was released in the United States (Flanagan). This new iteration prompted cultural confusion from those largely unfamiliar with the preceding series, the contexts in which it was introduced to English-speaking viewers in Australia and New Zealand, or the cult response that resulted. This article presents the recent series with this background in mind and within the context of locally produced television in New Zealand, where The New Legends of Monkey was filmed. Analysis of online discussions exposes the interpretive differences arising from this lack of context regarding the show’s connection to Monkey and highlights the problems viewers face interpreting stories outside of their local production markets—an increasingly relevant problem as more regional productions become accessible to a wide range of audiences through transnational streaming services like Netflix. The 2018 The New Legends of Monkey television adaptation, produced by and for the Australian and New Zealand markets and co-produced for international KATE MCEACHEN is currently pursuing her Doctoral Degree in Cultural Studies at The University of Southern Queensland in Australia. -
INTERVIEW: Tenzin Ngawang YEAR: 2005
INTERVIEW: Tenzin Ngawang YEAR: 2005 MINNESOTA HISTORICAL SOCIETY ORAL HISTORY INTERVIEW NAME: Tenzin Ngawang DATE: July 21, 2005 PLACE: Richfield, Minnesota INTERVIEWER: Dorjee Norbu and Charles Lenz PROJECT SERIES: Minnesota Tibetan Oral History Project BIOGRAPHICAL INFORMATION: Tenzin Ngawang is a former student and instructor at the Tibetan Institute of Performing Arts (TIPA) in Dharamsala, India. Ngawang is currently the instructor of Tibetan dance and music at the Tibetan Cultural Center in St. Paul, Minnesota. SUBJECTS DISCUSSED: Parents, family, Tibetan Institute of Performing Arts (TIPA), dance, music, opera, plays, including teaching and performing, decision to come to the United States, touring the U.S., lack of traditional arts, differences and similarities in students in India and the U.S., differences and similarities between Tibetan, Indian, and American culture and lifestyle, adjusting to life in Minnesota, community, including support and challenges, future goals, Tibetan Cultural Center, preserving culture, American influences, weather, transportation, Tibet. COMMENTS ON INTERVIEW: SOUND RECORDINGS: User copy: 1 60-minute cassettes Original: 1 60-minute cassettes LENGTH OF INTERVIEW: 1 hour RESTRICTIONS ON USE: None TRANSCRIPT: 28 pages ACCESSION NUMBER: AV 2005.106.12 INTERVIEW: Dr. Tsewang Ngodup YEAR: 2005 MINNESOTA HISTORICAL SOCIETY ORAL HISTORY INTERVIEW NAME: Dr. Tsewang Ngodup DATE: July 24, 2005 PLACE: St. Paul, Minnesota INTERVIEWERS: Dorjee Norbu and Charles Lenz PROJECT SERIES: Minnesota Tibetan Oral History Project BIOGRAPHICAL INFORMATION: Dr. Tsewang Ngodup grew up in Dehra Dun, Uttaranchal, India. He attended High School in Dehra Dun, Pre-Medical school in Chandigarh, and Medical school in Amritsar, India. Ngodup has worked as a doctor in the Tibetan camp of Kollegal in Mysore, Karnataka, India, in Chandigarh, in a missionary hospital in Nepal, in the Tibetan Children’s Village (TCV), Dharamsala, and in Minnesota. -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
Celebrating Festivals, Negotiating Memories – a Study of the Drugpa Tseshi Festival Tradition in Contemporary Lhasa1
Celebrating festivals, negotiating memories – a study of the Drugpa Tseshi festival tradition in contemporary Lhasa1 By Astrid Hovden 1.0 Introduction Ritual practice related to the sacred landscape of Lhasa is performed daily by its residents and visiting pilgrims, but the activity is particularly extensive during the celebration of religious festivals. This essay seeks to describe and analyse the celebration of one such festival in contemporary Lhasa: the Drugpa Tseshi (Drug pa tshes bzhi) festival which commemorates the Buddha’s first sermon. In Lhasa the festival is celebrated by pilgrimage to hermitages in the mountains north of the city. The participants visit a range of monasteries, hermitages, caves, springs, self-emanated images and other sacred objects and features in the landscape. These places embody long and intriguing stories, illustrating how the memory of the religious history of Lhasa is weaved into the landscape. The Drugpa Tseshi festival constitutes a long tradition of communal events celebrated annually in the public space of Lhasa, only interrupted by the Cultural Revolution, which imposed a prohibition on all religious expressions. The Tibetans were gradually able to resume their traditions after the ban was lifted in 1978.2 But in the years since then, Tibetan society has undergone radical transformations and the conditions for religious practice have changed correspondingly. Despite of a vast body of literature on Tibetan religion, the festivals of Lhasa have received relatively little scholarly attention.3 References to the Drugpa Tseshi tradition can be found only in a few publications in western and Tibetan languages. A description of the celebration will therefore have documentary value in itself and will constitute the first part of the essay. -
Introduction to Tibetan Buddhism, Revised Edition
REVISED EDITION John Powers ITTB_Interior 9/20/07 2:23 PM Page 1 Introduction to Tibetan Buddhism ITTB_Interior 9/20/07 2:23 PM Page 2 ITTB_Interior 9/20/07 2:23 PM Page 3 Introduction to Tibetan Buddhism revised edition by John Powers Snow Lion Publications ithaca, new york • boulder, colorado ITTB_Interior 9/20/07 2:23 PM Page 4 Snow Lion Publications P.O. Box 6483 • Ithaca, NY 14851 USA (607) 273-8519 • www.snowlionpub.com © 1995, 2007 by John Powers All rights reserved. First edition 1995 Second edition 2007 No portion of this book may be reproduced by any means without prior written permission from the publisher. Printed in Canada on acid-free recycled paper. Designed and typeset by Gopa & Ted2, Inc. Library of Congress Cataloging-in-Publication Data Powers, John, 1957- Introduction to Tibetan Buddhism / by John Powers. — Rev. ed. p. cm. Includes bibliographical references and indexes. ISBN-13: 978-1-55939-282-2 (alk. paper) ISBN-10: 1-55939-282-7 (alk. paper) 1. Buddhism—China—Tibet. 2. Tibet (China)—Religion. I. Title. BQ7604.P69 2007 294.3’923—dc22 2007019309 ITTB_Interior 9/20/07 2:23 PM Page 5 Table of Contents Preface 11 Technical Note 17 Introduction 21 Part One: The Indian Background 1. Buddhism in India 31 The Buddha 31 The Buddha’s Life and Lives 34 Epilogue 56 2. Some Important Buddhist Doctrines 63 Cyclic Existence 63 Appearance and Reality 71 3. Meditation 81 The Role of Meditation in Indian and Tibetan Buddhism 81 Stabilizing and Analytical Meditation 85 The Five Buddhist Paths 91 4. -
Shintō and Buddhism: the Japanese Homogeneous Blend
SHINTŌ AND BUDDHISM: THE JAPANESE HOMOGENEOUS BLEND BIB 590 Guided Research Project Stephen Oliver Canter Dr. Clayton Lindstam Adam Christmas Course Instructors A course paper presented to the Master of Ministry Program In partial fulfillment of the requirements for the Degree of Master of Ministry Trinity Baptist College February 2011 Copyright © 2011 by Stephen O. Canter All rights reserved Now therefore fear the LORD, and serve him in sincerity and in truth: and put away the gods which your fathers served −Joshua TABLE OF CONTENTS Acknowledgements........................................................................................................... vii Introduction..........................................................................................................................1 Chapter One: The History of Japanese Religion..................................................................3 The History of Shintō...............................................................................................5 The Mythical Background of Shintō The Early History of Shintō The History of Buddhism.......................................................................................21 The Founder −− Siddhartha Gautama Buddhism in China Buddhism in Korea and Japan The History of the Blending ..................................................................................32 The Sects That Were Founded after the Blend ......................................................36 Pre-War History (WWII) .......................................................................................39 -
Voices from Tibet
VOICES FROM TIBET: SELECTED ESSAYS AND REPORTAGE By TSERING WOESER AND WANG LIXIONG EDITED AND TRANSLATED BY VIOLET S. LAW A COMPILATION OF A SERIES OF ‘EXPERT ON TIBET PROGRAMS For RADIO FREE ASIA By WARREN SMITH 1 VOICES FROM TIBET Voices from Tibet is a recently published collection of articles about Tibet by Tsering Woeser and her husband Wang Lixiong. The articles were translated into English and published by a Chinese-American woman named Violet Law. Woeser is well-known to many Tibetans as a commentator on the political situation in Tibet. Wang Lixiong is a Chinese democracy activist and supporter of Tibetan human rights. They are based in Beijing. This is the first of a series of programs on their collected articles. The first article, “Freedom for Chinese, Autonomy for Tibetans,” was written by Woeser. Woeser writes about her excitement in October 2010 upon hearing that the Nobel Peace Prize was awarded to the Chinese democracy activist Liu Xiaobo. Lui was the first Chinese to win the Nobel Peace Prize, assuming, of course, that one does not consider the Dalai Lama, who won the Peace Prize in 1989, to be Chinese. Liu had been the organizer, in 2008, of Charter 08, which Woeser had signed, which called for human rights, democracy and the rule of law in China. It was modeled after Charter 77, which had originated in Czechoslovakia in 1977 and was credited to have begun the collapse of the Soviet Union and its empire. In response to the uprising in Tibet in 2008, Liu had organized a petition of 30 Chinese intellectuals calling on the Chinese Government to respect Tibetans’ rights, to cease the repression of their protests and to try to understand their grievances, and to allow them to exercise genuine autonomy as proposed by the Dalai Lama. -
Sunzi's War Rhetoric Meets Hollywood
New Horizons in Education, Vol.58, No.3, Dec 2010 Sunzi’s War Rhetoric Meets Hollywood: Educating Teenagers about Bullying through Movies Hsiao-Hui YANG Pennsylvania State University, USA Abstract Background: Teenagers experience wars not only in the actual war zones but also in the home, school, and street fronts. Sometimes they are the innocent victims of bullying. Often confused, they do not know how to survive in bullying situations. Adults such as movie makers and educators have taken on the responsibility of helping teenagers. The 2008 Hollywood movie The Forbidden Kingdom, presents a modern war between an American teenage boy and street bullies. With the help of Chinese Kungfu (martial arts) masters, the boy overcomes his fear and becomes a powerful protector in real life. Study: This article examines three aspects of Sunzi’s rhetorical war strategies that are prominent in the movie: becoming a benevolent leader, cultivating crafty wisdom, and mastering Kungfu. Furthermore, I critique Chinese cultural authenticity in this movie. Through exploring Sunzi’s rhetoric and Chinese cultural representation, educators can take the opportunity to discuss survival strategies in a bullying situation with teens and help them deal with their daily struggles. In addition, educators can help cultivate youngsters’ critical views towards cultural authenticity while watching this cross-cultural movie. Keywords: bullying, movies, martial arts, Sunzi 孫子的戰爭修辭藝術與好萊塢之交匯: 電影對青少年處理校園凌霸的教育功能 楊小慧 美國賓夕法尼亞州立大學 摘要 背景:青少年經歷的戰爭不僅僅局限於戰場,還包括發生在家庭、學校、街頭的衝突。他們常常淪為各種校 -
The Forbidden Kingdom 2008 Imdb
The forbidden kingdom 2008 imdb Action · A discovery made by a kung fu obsessed American teen sends him on an adventure to China, where he joins up with a band of martial arts warriors in. The Forbidden Kingdom is a Chinese-American fantasy kung fu wuxia film written by .. Official website · The Forbidden Kingdom on IMDb · The Forbidden Kingdom at Rotten Tomatoes · The Forbidden Kingdom at Metacritic · The. A discovery made by a kung fu obsessed American teen sends him on an adventure to China, where he joins up with a band of martial arts warriors in order to. Movie Title The Forbidden Kingdom Unbelievable Director Rob Minkoff directs actor for 1st time. IMDB. -The Forbidden Kingdom () – ed by Rob Minkoff. With Jackie Chan, Jet Li, Michael Angarano, Juana Collignon. A discovery. Fialka Florin ha descubierto este Pin. Descubre (¡y guarda!) tus propios Pines en Pinterest. IMDB: The Forbidden Kingdom () - IMDB For martial arts action fans, The Forbidden Kingdom may be the best fantasy story since the genre was opened. The Forbidden Kingdom () - IMDb. The Forbidden Kingdom () Online Free. The Forbidden Kingdom (US/China, ) is about Jason, a teenager who. The Forbidden Kingdom movie reviews & Metacritic score: While hunting down bootleg kung fu DVDs in a Chinatown Lionsgate | Release Date: April 18, The Forbidden Kingdom summary of box office results, charts and release information and related links. The Forbidden Kingdom movie YIFY subtitles. year. 1h 44mlength. IMDB. 64Tomato. Jackie Chan, Jet Li, Michael Angarano, Juana. : The Forbidden Kingdom (Two-Disc Special Edition + Digital Copy): Jet Li: Movies & TV. Monkey King.