1 WATERFRONT TRANSFORMATION PROJECT Announcement of Long
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MANN ISLAND, Liverpool Merseyside
MANN ISLAND, Liverpool Merseyside Archaeological Excavation Report Oxford Archaeology North March 2012 Countryside Neptune llp Issue No: 2011-12/1243 OA North Job: L10312 NGR: SJ 3403 9008 Mann Island, Merseyside: Archaeological Excavation Report 1 CONTENTS CONTENTS ...................................................................................................................................... 1 SUMMARY....................................................................................................................................... 4 ACKNOWLEDGEMENTS................................................................................................................... 6 1. INTRODUCTION ........................................................................................................................ 7 1.1 Circumstances of the Project .............................................................................................. 7 1.2 Site Location, Topography and Geology............................................................................. 8 1.3 Previous Work.................................................................................................................... 8 2. METHODOLOGY........................................................................................................................ 10 2.1 Project Design.................................................................................................................. 10 2.2 Excavation and Watching Brief ....................................................................................... -
Portof Liverpool
PORT OF LIVERPOOL BUILDING CONTEMPORARY OFFICE SPACE IN LIVERPOOL’S ICONIC WATERFRONT OFFICE BUILDING ENTER > PORT OF LIVERPOOL HOME | DESCRIPTION | ACCOMMODATION | FLOOR PLANS / SPEC | AMENITIES | GALLERY | LOCATION | CONTACT BUILDING CLASSIC EXTERIOR / MODERN INTERIOR The Port of Liverpool Building is one of A fine example of classic architecture the historic Three Graces occupying a and exceptional craftsmanship, there is prime position along Liverpool’s stunning more to this building than meets the eye. waterfront. It has been extensively remodelled and Designed in an Edwardian Baroque future-proofed to meet the demands style it was constructed between 1904 of today’s office occupiers, providing and 1907. Today it forms part of the exceptional office accommodation in an UNESCO World Heritage Maritime unrivalled environment with exceptional Mercantile City. views of the City and the Mersey Riverscape. PORT OF LIVERPOOL HOME | DESCRIPTION | ACCOMMODATION | FLOOR PLANS / SPEC | AMENITIES | GALLERY | LOCATION | CONTACT BUILDING The first floor has recently been sympathetic to the original architectural comprehensively refurbished to provide features of the building, some of which contempory, efficient, open plan office have been retained and the space accommodation to meet with modern provides a large open plan office area, occupiers standards. The comprehensive meeting room and a feature board room refurbishment works have been with views across the Strand. 7,038 sq ft (653.9 sq m) PORT OF LIVERPOOL HOME | DESCRIPTION | ACCOMMODATION -
Heritage Month Low Res 670173165.Pdf
£1 Welcome to Liverpool Heritage Open Month! Determined Heritage Open Days are managed nationally by to build on the Heritage Open Days National Partnership the success and funded by English Heritage. of Heritage Heritage Open Month could never happen Open Days, without the enthusiasm and expertise of local celebrating people. Across England thousands of volunteers England’s will open their properties, organise activities fantastic and events and share their knowledge. To architecture everyone in Liverpool who has contributed and heritage, Liverpool is once to the fantastic 2013 Heritage Open Month again extending its cultural heritage programme we would like to say thank you. programme throughout September. The information contained in this booklet was In 2013 over 100 venues and correct at the time of print but may be subject organisations across the city are to change. involved in this year’s programme and buildings of a variety of architectural Further events may have also been added style and function will open their to the programme. Full details of the doors offering a once-a-year chance to Heritage Open Month programme and discover hidden treasures and enjoy a up to date information can be viewed on wide range of tours, and participate in VisitLiverpool.com/heritageopenmonth events bringing history alive. or call 0151 233 2008. For the national One of the attractions new to 2013 Heritage Open Days programme please is the Albany Building, former cotton go to broker’s meeting place with its stunning www.heritageopendays.org.uk cast iron work, open air staircase. or call 0207 553 9290 There is something to delight everyone during Heritage Open Month with new ways to experience the heritage of Liverpool for all the family. -
The Value of Distance: Art’S Cultural Identity Amidst Technology’S Transformations of Space
THE VALUE OF DISTANCE: ART’S CULTURAL IDENTITY AMIDST TECHNOLOGY’S TRANSFORMATIONS OF SPACE By David Hadlow Ogle Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Liverpool School of the Arts May 2018 II ABSTRACT THE VALUE OF DISTANCE: ART’S CULTURAL IDENTITY AMIDST TECHNOLOGY’S TRANSFORMATIONS OF SPACE By David Hadlow Ogle This study explores technology’s propensity to transform our comprehensions of space, considering the implications of this for our understandings of the work of art and the value that we ascribe to it. With our encounters increasingly a by-product of technological interface, the central question of this work is posed as follows: In what ways (and to what degree) may we regard the contemporary conditions facing the art object (and the values that these elicit) as a consequence of our prevailing technological landscape and its capacity to re-configure our conceptions of space and place? In confronting this, the study begins by surveying recent public justifications made for the arts and the criteria by which their value is ascertained. A trend is recognised, in the growing prevalence of instrumental qualifiers for art’s worth (its quantifiable impacts as a social utility) and a shift away from intrinsic measures. In response to this, I propose the concept of Accumulative Value, arguing that the totality of an art object’s intellectual considerations and explorations (over historical time) are an intrinsic attribute of the object itself and a qualifier of its objective worth. The notion of value itself (with its varying interpretations) is then explored, followed by a contemporary re-evaluation of Walter Benjamin’s concept of the aura, arguing that in our present circumstances this notion may be used in description of an object’s fixed spatial locality. -
Student Guide to Living in Liverpool
A STUDENT GUIDE TO LIVING IN LIVERPOOL www.hope.ac.uk 1 LIVERPOOL HOPE UNIVERSITY A STUDENT GUIDE TO LIVING IN LIVERPOOL CONTENTS THIS IS LIVERPOOL ........................................................ 4 LOCATION ....................................................................... 6 IN THE CITY .................................................................... 9 LIVERPOOL IN NUMBERS .............................................. 10 DID YOU KNOW? ............................................................. 11 OUR STUDENTS ............................................................. 12 HOW TO LIVE IN LIVERPOOL ......................................... 14 CULTURE ....................................................................... 17 FREE STUFF TO DO ........................................................ 20 FUN STUFF TO DO ......................................................... 23 NIGHTLIFE ..................................................................... 26 INDEPENDENT LIVERPOOL ......................................... 29 PLACES TO EAT .............................................................. 35 MUSIC IN LIVERPOOL .................................................... 40 PLACES TO SHOP ........................................................... 45 SPORT IN LIVERPOOL .................................................... 50 “LIFE GOES ON SPORT AT HOPE ............................................................. 52 DAY AFTER DAY...” LIVING ON CAMPUS ....................................................... 55 CONTACT -
Elmsley Brochure ARTWORK AMENDED.Indd
the elmsley development is a Rare Opportunity to purchase land in the affluent suburb of Mossley Hill, Liverpool. Liverpool is currently enjoying a renaissance schools, shops, restaurants and cafes. Churches of various denominations are close train station is also nearby which offers and is today a vibrant, multi-cultural Sporting facilities including an LA Fitness by along with Sudley House (a National the same routes and additional ones to European City receiving millions of visitors gym are nearby. Mossley Hill is part of Museums Liverpool property ) and various Yorkshire, Newcastle, Birmingham New each year attracted by the wide variety of the Trans Pennine cycle route number 56. well known Beatles sites including Strawberry Street and London Euston. John Lennon museums, art galleries, shopping facilities, Many doctors, dentists and pharmacies Fields and Penny Lane’s famous barber’s Airport is an International airport providing restaurants, bars and sporting events. are located in the area along with the shop within a few minutes’ walk away. routes to many European cities and is new Sir Alfred Jones Memorial Hospital 6 miles from Mossley Hill. The M62 Mossley Hill is a wealthy, leafy, tranquil (NHS) and Spire Liverpool Private Hospital. Transport links are ideal with Mossley Hill motorway begins in South Liverpool and suburb of south Liverpool, approximately Liverpool’s largest park, Sefton Park and train station close by, which offers direct travels across the Pennines to Hull; it 4 miles from the City Centre. The area other smaller parks are within walking services to Liverpool, Warrington and also links into other motorway networks comprises numerous local nurseries, distance of Elmsley development. -
At National Museums Liverpool
The Jerwood Supplement Acquisitions (1987?2007) at National Museums Liverpool a previous supplement in the July 1996 issue of this Bruce McLean, Lisa Milroy and Michael Raedecker. Now Magazine published a selection from the first ten years of works such as Alexis Harding's Slump/fear (orange/black) acquisitions by National Museums and Galleries on Mersey (Fig.XXV), winner in 2004, are purchased by the Gallery. side in the fields of fine and decorative art, antiquities and National Museums Liverpool benefit from a longstanding rela oriental art. The present Supplement of acquisitions of tionship with the Contemporary Art Society and many of our National Museums Liverpool (NMGM's successor) is limited acquisitions are made with the help of the Art Fund. to paintings, drawings and sculpture, including works omitted By contrast, the Lady Lever Art Gallery represents the in 1996.1 The fine art collections of National Museums Liver highly individual taste of one collector, the soap manufacturer are pool spread across three venues: theWalker Art Gallery in William Hesketh Lever (1851?1925), ist Viscount Lever the centre of Liverpool; Sudley House, in one of its southern hulme, and was named inmemory of his wife. It is noted for suburbs, a Liverpool shipping-line owner's art collection its collections of furniture,Wedgwood and Chinese ceramics recendy reopened to the public; and across the riverMersey at and eighteenth- and nineteenth-century paintings, drawings the Lady Lever Art Gallery, Port Sunlight. and sculpture, predominandy British. It is primarily a static The displays at theWalker Art Gallery now cover medieval collection and acquisitions are made only when they have tomodern Western art, but itwas originally built in 1877 by connections with the Lever farnily.Not all of Leverhulme's Liverpool City Corporation to house the newly established collection was given to the Gallery when it opened in 1922. -
Welcome Guide to the Walker Art Gallery
Welcome guide 1 Welcome to the Walker Art Gallery Welcome to the Walker Art Gallery This guide will help you find your way around the gallery, if you have any questions please ask a member of staff to help you. • The Gallery ground floor entrance is up the flight of steps shown in the Entrance building pictured above. • You can use a ramp to enter the building which can be found to the right of the steps. • The main entrance takes you straight to the gallery information desk via two sets of automatic glass doors. Ramp entrance Ramp view from the main entrance 2 Getting into the Walker Art Gallery There are two pairs of large doors. Outside doors Automated doors 3 2 1 3 4 15 5 14 13 8 SPECIAL EXHIBITION Stairs 6 GALLERIES 12 Stairs Lift 7 9Staff 10 Staff wear blue shirts and name badges. ENTRANCE Fire alarms 11 TO SPECIAL EXHIBITIONS If the fire alarm sounds please follow staff instructions and ask for assistance if required. Fire alarm tests are planned, if unexpected loud noises are a concern to you please call in advance to check when the next test will take place. Floor plan Member of staff You can see the gallery is made up of lots of small rooms. You can walk a round the rooms in any order. Ground Floor A Big Art for Little Artists B Sculpture Gallery C Craft & Design Gallery Stairs A CAFE Lift SHOP Stairs C B ENTRANCE 4 GROUND FLOOR As you enter you will be faced with the Information Desk. -
Be Your Own Tour Guide
ST JOHN’S GARDENS WORLD MUSEUM CENTRAL LIBRARY WALKER ART GALLERY ST JOHN’S LANE ST GEORGE’S HALL DR COFFEE DUNCANS QUEEN TSO’S GENTING CASINO BUFFALO JACKS PACOBANA ASK CO ST JOHN’S LANE ITALIAN WHITECHAPEL LA TASCA FIVE GUYS MARRIOTT PHASE EIGHT COSTA NANDO’S BURGER KING STANLEY ST ROE ST QUARTER QUEEN SQUARE BUS STATION MOORFIELDS YATES ROYAL P SHOP CO COURT CASTELLSBELLINI AND STATION 13 SIR THOMAS ST QUEEN THEATRE 12 LIVER BEST OF SQUARE ST GEORGE’S PLACE PHASE EIGHT LIME STREET P TRAVEL OOL M&S POUNDL LIME ST COLLECTION CENTRE 10 DAW POINT NEW STATION 15 SO MADE.COM N PAPERCHASE ST LOOK FOOT PATROL HOME (T ICELAND OLIVIA AX DIVINE T M LEWIN IS METQUARTER CAFFE O N BARGAINS MOCOCO 7 NERO L GALLERY Y STANLEY STWALL TO WALL ) REVOLUTION THE COSTA WILKINSON DANIEL LIVERPOOL KOKO ELEANOR FOSSIL FOOTWEAR FOOTBALL PHONE LAB STORM VICTORIA ST 051 JOHNSSHOO TEMPLE COURT ILLAMASQUA BARBERS THE CASA SHAKESPEARE CLUB ST SHOO RIGBY HOTELITALIA PATISSERIE KURT GEIGER LK BENNETTVALERIE SPIELMANNMAX SHU WORLD COFFEE HOUSE CARLUCCIOS MATALAN SAINSBURY’S JO MALONE ROY CASTLE FROCKS THE CROWN LINKS OF SHIRAZ SHOP MOBILITY BU LONDON SUBWAY 129 HOLIDAY INN MQ FLORIST 12 PRONUPTIA VIEW 2 GALLERY 2 VIEW ADAPT BEVERLY HILLS NAIL CO MAC -130 BRIGHT THE SLUG WILLIAMSON ST HOUSE RICHMOND ST INFO CENTRE JOHNS ERIC’S A|X ARMANI AND LETTUCE REISS H & T EXCHANGE SQUARE PLAYPLAYHOUSE HOUSE FILLING THE BEATLES PAWNBROKERS STORM ARGOS STATION GRAPES SHOP BAY GRILLSTOCK TURTLE THEATRE EGO NORTH JOHN ST S TIMPSON ULTIMA MODA MILTONS COOL VIVIENNE WESTWOOD MATHEW ST -
NML Brand Guidelines
National Museums Liverpool Brand Guidelines Contents Visual identity elements 3 Lady Lever Art Gallery 26 National Conservation Centre 44 Walker Art Gallery 62 Colour palette 4 Logo overview 27 Logo overview 45 Logo overview 63 Typeface: Soho Gothic 5 Logo colours 28 Logo colours 46 Logo colours 64 Typeface: Soho 6 National Museums Liverpool National Museums Liverpool National Museums Liverpool Type usage 7 endorsement logo 29 endorsement logo 47 endorsement logo 65 Logo relationship and positioning 30 Logo relationship and positioning 48 Logo relationship and positioning 66 National Museums Liverpool 8 Integrated lock-up 31 Integrated lock-up 49 Integrated lock-up 67 Logo overview 9 Full colour logos 10 Merseyside Maritime Museum 32 Sudley House 50 World Museum Liverpool 68 Greyscale logo 11 Logo overview 33 Logo overview 51 Logo overview 69 Single colour logo 12 Logo colours 34 Logo colours 52 Logo colours 70 Black logo 13 National Museums Liverpool National Museums Liverpool National Museums Liverpool White logo 14 endorsement logo 35 endorsement logo 53 endorsement logo 71 Favicon 15 Logo relationship and positioning 36 Logo relationship and positioning 54 Logo relationship and positioning 72 Business card 16 Integrated lock-up 37 Integrated lock-up 55 Integrated lock-up 73 Letterhead 17 Applications 18 Museum of Liverpool 38 UK Border Agency Logo overview 39 National Museum 56 International Slavery Museum 20 Logo colours 40 Logo overview 57 Logo overview 21 National Museums Liverpool Logo colours 58 Logo colours 22 endorsement logo -
Painted Sermons: Explanatory Rhetoric and William Holman Hunt’S Inscribed Frames
PAINTED SERMONS: EXPLANATORY RHETORIC AND WILLIAM HOLMAN HUNT’S INSCRIBED FRAMES Karen D. Rowe A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2005 Committee: Sue Carter, Advisor Catherine Cassara Graduate Faculty Representative Thomas Wymer Richard Gebhardt Bruce Edwards ii ABSTRACT Sue Carter, Advisor This study was undertaken to determine the rhetorical function of the verbal texts inscribed on the frames of the paintings of the Victorian Pre-Raphaelite artist William Holman Hunt. The nineteenth century expansion of the venues of rhetoric from spoken to written forms coupled with the growing interest in belle lettres created the possibility for the inscriptions to have a greater function than merely captioning the work. Visits were made to museums in the United States and Great Britain to ascertain which of Hunt’s paintings have inscribed frames. In addition, primary sources at the Bodleian Library, Oxford, and the British Library, London, were consulted to determine if the artist had recorded his design plans or stated any specific purpose for the inscriptions. Contemporary reviews and exhibition catalogs were also consulted at these libraries. In addition, secondary sources were examined for relevant discussions of Hunt’s works. It was concluded that the inscribed works fit the parameters of explanatory rhetoric, a form informational and didactic rather than persuasive in nature. The common nineteenth century venue for explanatory rhetoric was the pulpit, instructing converted parishioners about Church doctrines and their Christian duties. It was also concluded that this shift in rhetorical purpose was not new to the Victorian era, rather that there is a long history of explanatory rhetoric going back at least to Augustine. -
LIVERPOOL L3 9PJ a Unique Opportunity to Lease a Self- Contained Grade a Office Building Within the Heart of Liverpool’S Central Business District
LIVERPOOL L3 9PJ A unique opportunity to lease a self- contained Grade A office building within the heart of Liverpool’s central business district. The office accommodation comprises the ground and four upper floors of West Tower. The self-contained nature of this The net internal areas measured in development is unique and offers an accordance with the RICS Code of Measuring occupier presence within a landmark Practice, published in August 2007 (6th Edition) across the Liverpool skyline at a time when as updated are as follows:- supply is dwindling at a rapid rate. The office benefits from a double height GROUND 1,536 sq ft atrium to the main entrance and a separate private reception area. Each floor FIRST 2,421 sq ft benefits from river views. Floors 2 - 4 also SECOND 2,561 sq ft benefit from private balconies. THIRD 2,561 sq ft The specification within this office are befitting of a HQ office. The layout offers FOURTH 2,561 sq ft the ability to be self contained or let the TOTAL 11,640 sq ft building on a floor by floor basis. 0 58 A T ER S UNT H A 5 T 0 S Briefly, the 5 N 2 R A Walker rt Gallery B World Museum E specification H IT T P R LONDON ROD includes :- I N ST GEORGES C PEMBR OKE E PL URTER S • Ducted under floor heating S ESTWEST Moorfields W P TOERTOWER CENTRL BUSINESS T A S E R L • Comfort cooling DISTRICT A A D Princes Dock D E • Fully access raised floors T ST S Liverpool Lime St EL A P I to all office areas A R H TO C IC Liverpool Town all V University of • Recessed diffused fluorescent strip Liverpool A lights and recessed