Welcome Guide to Sudley House
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Heritage Month Low Res 670173165.Pdf
£1 Welcome to Liverpool Heritage Open Month! Determined Heritage Open Days are managed nationally by to build on the Heritage Open Days National Partnership the success and funded by English Heritage. of Heritage Heritage Open Month could never happen Open Days, without the enthusiasm and expertise of local celebrating people. Across England thousands of volunteers England’s will open their properties, organise activities fantastic and events and share their knowledge. To architecture everyone in Liverpool who has contributed and heritage, Liverpool is once to the fantastic 2013 Heritage Open Month again extending its cultural heritage programme we would like to say thank you. programme throughout September. The information contained in this booklet was In 2013 over 100 venues and correct at the time of print but may be subject organisations across the city are to change. involved in this year’s programme and buildings of a variety of architectural Further events may have also been added style and function will open their to the programme. Full details of the doors offering a once-a-year chance to Heritage Open Month programme and discover hidden treasures and enjoy a up to date information can be viewed on wide range of tours, and participate in VisitLiverpool.com/heritageopenmonth events bringing history alive. or call 0151 233 2008. For the national One of the attractions new to 2013 Heritage Open Days programme please is the Albany Building, former cotton go to broker’s meeting place with its stunning www.heritageopendays.org.uk cast iron work, open air staircase. or call 0207 553 9290 There is something to delight everyone during Heritage Open Month with new ways to experience the heritage of Liverpool for all the family. -
The Value of Distance: Art’S Cultural Identity Amidst Technology’S Transformations of Space
THE VALUE OF DISTANCE: ART’S CULTURAL IDENTITY AMIDST TECHNOLOGY’S TRANSFORMATIONS OF SPACE By David Hadlow Ogle Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Liverpool School of the Arts May 2018 II ABSTRACT THE VALUE OF DISTANCE: ART’S CULTURAL IDENTITY AMIDST TECHNOLOGY’S TRANSFORMATIONS OF SPACE By David Hadlow Ogle This study explores technology’s propensity to transform our comprehensions of space, considering the implications of this for our understandings of the work of art and the value that we ascribe to it. With our encounters increasingly a by-product of technological interface, the central question of this work is posed as follows: In what ways (and to what degree) may we regard the contemporary conditions facing the art object (and the values that these elicit) as a consequence of our prevailing technological landscape and its capacity to re-configure our conceptions of space and place? In confronting this, the study begins by surveying recent public justifications made for the arts and the criteria by which their value is ascertained. A trend is recognised, in the growing prevalence of instrumental qualifiers for art’s worth (its quantifiable impacts as a social utility) and a shift away from intrinsic measures. In response to this, I propose the concept of Accumulative Value, arguing that the totality of an art object’s intellectual considerations and explorations (over historical time) are an intrinsic attribute of the object itself and a qualifier of its objective worth. The notion of value itself (with its varying interpretations) is then explored, followed by a contemporary re-evaluation of Walter Benjamin’s concept of the aura, arguing that in our present circumstances this notion may be used in description of an object’s fixed spatial locality. -
Elmsley Brochure ARTWORK AMENDED.Indd
the elmsley development is a Rare Opportunity to purchase land in the affluent suburb of Mossley Hill, Liverpool. Liverpool is currently enjoying a renaissance schools, shops, restaurants and cafes. Churches of various denominations are close train station is also nearby which offers and is today a vibrant, multi-cultural Sporting facilities including an LA Fitness by along with Sudley House (a National the same routes and additional ones to European City receiving millions of visitors gym are nearby. Mossley Hill is part of Museums Liverpool property ) and various Yorkshire, Newcastle, Birmingham New each year attracted by the wide variety of the Trans Pennine cycle route number 56. well known Beatles sites including Strawberry Street and London Euston. John Lennon museums, art galleries, shopping facilities, Many doctors, dentists and pharmacies Fields and Penny Lane’s famous barber’s Airport is an International airport providing restaurants, bars and sporting events. are located in the area along with the shop within a few minutes’ walk away. routes to many European cities and is new Sir Alfred Jones Memorial Hospital 6 miles from Mossley Hill. The M62 Mossley Hill is a wealthy, leafy, tranquil (NHS) and Spire Liverpool Private Hospital. Transport links are ideal with Mossley Hill motorway begins in South Liverpool and suburb of south Liverpool, approximately Liverpool’s largest park, Sefton Park and train station close by, which offers direct travels across the Pennines to Hull; it 4 miles from the City Centre. The area other smaller parks are within walking services to Liverpool, Warrington and also links into other motorway networks comprises numerous local nurseries, distance of Elmsley development. -
At National Museums Liverpool
The Jerwood Supplement Acquisitions (1987?2007) at National Museums Liverpool a previous supplement in the July 1996 issue of this Bruce McLean, Lisa Milroy and Michael Raedecker. Now Magazine published a selection from the first ten years of works such as Alexis Harding's Slump/fear (orange/black) acquisitions by National Museums and Galleries on Mersey (Fig.XXV), winner in 2004, are purchased by the Gallery. side in the fields of fine and decorative art, antiquities and National Museums Liverpool benefit from a longstanding rela oriental art. The present Supplement of acquisitions of tionship with the Contemporary Art Society and many of our National Museums Liverpool (NMGM's successor) is limited acquisitions are made with the help of the Art Fund. to paintings, drawings and sculpture, including works omitted By contrast, the Lady Lever Art Gallery represents the in 1996.1 The fine art collections of National Museums Liver highly individual taste of one collector, the soap manufacturer are pool spread across three venues: theWalker Art Gallery in William Hesketh Lever (1851?1925), ist Viscount Lever the centre of Liverpool; Sudley House, in one of its southern hulme, and was named inmemory of his wife. It is noted for suburbs, a Liverpool shipping-line owner's art collection its collections of furniture,Wedgwood and Chinese ceramics recendy reopened to the public; and across the riverMersey at and eighteenth- and nineteenth-century paintings, drawings the Lady Lever Art Gallery, Port Sunlight. and sculpture, predominandy British. It is primarily a static The displays at theWalker Art Gallery now cover medieval collection and acquisitions are made only when they have tomodern Western art, but itwas originally built in 1877 by connections with the Lever farnily.Not all of Leverhulme's Liverpool City Corporation to house the newly established collection was given to the Gallery when it opened in 1922. -
Welcome Guide to the Walker Art Gallery
Welcome guide 1 Welcome to the Walker Art Gallery Welcome to the Walker Art Gallery This guide will help you find your way around the gallery, if you have any questions please ask a member of staff to help you. • The Gallery ground floor entrance is up the flight of steps shown in the Entrance building pictured above. • You can use a ramp to enter the building which can be found to the right of the steps. • The main entrance takes you straight to the gallery information desk via two sets of automatic glass doors. Ramp entrance Ramp view from the main entrance 2 Getting into the Walker Art Gallery There are two pairs of large doors. Outside doors Automated doors 3 2 1 3 4 15 5 14 13 8 SPECIAL EXHIBITION Stairs 6 GALLERIES 12 Stairs Lift 7 9Staff 10 Staff wear blue shirts and name badges. ENTRANCE Fire alarms 11 TO SPECIAL EXHIBITIONS If the fire alarm sounds please follow staff instructions and ask for assistance if required. Fire alarm tests are planned, if unexpected loud noises are a concern to you please call in advance to check when the next test will take place. Floor plan Member of staff You can see the gallery is made up of lots of small rooms. You can walk a round the rooms in any order. Ground Floor A Big Art for Little Artists B Sculpture Gallery C Craft & Design Gallery Stairs A CAFE Lift SHOP Stairs C B ENTRANCE 4 GROUND FLOOR As you enter you will be faced with the Information Desk. -
Painted Sermons: Explanatory Rhetoric and William Holman Hunt’S Inscribed Frames
PAINTED SERMONS: EXPLANATORY RHETORIC AND WILLIAM HOLMAN HUNT’S INSCRIBED FRAMES Karen D. Rowe A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2005 Committee: Sue Carter, Advisor Catherine Cassara Graduate Faculty Representative Thomas Wymer Richard Gebhardt Bruce Edwards ii ABSTRACT Sue Carter, Advisor This study was undertaken to determine the rhetorical function of the verbal texts inscribed on the frames of the paintings of the Victorian Pre-Raphaelite artist William Holman Hunt. The nineteenth century expansion of the venues of rhetoric from spoken to written forms coupled with the growing interest in belle lettres created the possibility for the inscriptions to have a greater function than merely captioning the work. Visits were made to museums in the United States and Great Britain to ascertain which of Hunt’s paintings have inscribed frames. In addition, primary sources at the Bodleian Library, Oxford, and the British Library, London, were consulted to determine if the artist had recorded his design plans or stated any specific purpose for the inscriptions. Contemporary reviews and exhibition catalogs were also consulted at these libraries. In addition, secondary sources were examined for relevant discussions of Hunt’s works. It was concluded that the inscribed works fit the parameters of explanatory rhetoric, a form informational and didactic rather than persuasive in nature. The common nineteenth century venue for explanatory rhetoric was the pulpit, instructing converted parishioners about Church doctrines and their Christian duties. It was also concluded that this shift in rhetorical purpose was not new to the Victorian era, rather that there is a long history of explanatory rhetoric going back at least to Augustine. -
Enquiries To: Information Team Our Ref: FOI 678107 Request-563551
Enquiries to: Information Team Our Ref: FOI 678107 [email protected] Dear Ms Mullen Freedom of Information Request 678107 Thank you for your recent request received 22 March 2019. Your request was actioned under the Freedom of Information Act 2000 in which you requested the following information – In numerous Council meetings/media reports etc, Mayor Anderson has stated that he has created '67 acres of new green space'......he made it very clear that this was NOT refurbished green space or 'Meanwhile' green space....but permanent new green space [1] Please clearly indicate the location of each of these new green spaces [2] Please indicate when each one was created and the acreage of each one Response: Liverpool City Council would advise that a detailed report on this matter was submitted to the then Neighbourhood Services Select Committee at its meeting of 24 February 2015. A copy of the report and accompanying appendices is attached with this letter. We would advise that this report was and remains fully in the public domain and in accordance with the application of Section 21 of the Freedom of Information Act 2000 (FOIA), that this can be reasonably accessed via the following weblink – http://councillors.liverpool.gov.uk/ieListDocuments.aspx?CId=1432&MId=14489 The sites included in the report were incredibly diverse and as such were the result of a mix of different circumstances; there are some sites which were highlighted as development space in previous regeneration activity and were still deemed to be potential development sites. In this circumstance the improvement was described as a meanwhile use and a temporary improvement until such time the site was developed. -
Open up Guidebook
A practical guide to support museums to increase the diversity of their visitors Written by Julie Aldridge, Mel Larsen and Pam Jarvis Co-created with 20 museums across all four countries of the UK Design by YOUNGDESIGN.STUDIO Produced by AIM: Association of Independent Museums, MA: Museums Association, Arts Council England, the Museum Libraries and Archives Division of the Welsh Government, Museums Galleries Scotland, National Museums Northern Ireland and the Heritage Lottery Fund Foreword Within our diverse society ‘…museums are still shaped ‘How we become loved by, how might UK museums by intellectual and cultural relevant to, and part of more grow attendance and privilege. The culture needs people’s lives sits at the heart engagement? to change and the first step is of this guide. to name the problem: the gap The sector has been talking between users and non-users of I encourage you to read this but about diversity for so long. How museums needs to be bridged.’ it’s deeds not words that will do we move beyond talk to create change. So... focus on Tony Butler action in increasing diversity, Derby Museums action; listening, experimenting, inclusion and equity? How learning, collaborating, ‘British museums lead the world might we start to make real and becoming more diverse, better. in so many ways, and it is good lasting change in the museum Risk we must.’ to see that the British museum sector? sector recognises that its Esme Ward relationship with the public sits The Whitworth Art Gallery and Manchester This guide is designed to at the heart of its success. -
1 WATERFRONT TRANSFORMATION PROJECT Announcement of Long
WATERFRONT TRANSFORMATION PROJECT Announcement of long-term plans for transformational projects on Liverpool’s waterfront Aerial view of the Waterfront / Canning Dock © National Museums Liverpool National Museums Liverpool (NML) – the largest cultural organisation in the North West - has announced it will be launching a high-profile design competition in March as part of a 10-year masterplan of transformation of Liverpool’s waterfront. The organisation of eight museums and galleries is seeking to appoint a multi-disciplinary team to be part of the area’s development and embark on the landmark project to enhance a key part of the city’s historic waterfront. Spanning the area between the Royal Albert Dock and Mann Island, the transformation project will take in key landmarks linking back to Liverpool’s prominence as one of the world’s greatest and busiest trading ports in the 18th century. A masterplan study was undertaken by a team led by Feilden Clegg Bradley (FCB) Studios in 2019 to explore the potential of the site over a 10-year period. Included in the long-term plans are the repurposing of multiple buildings and docks including the Canning Graving Docks, to breathe new life into an area that once played a role in the fitting out, cleaning and repairing of ships, including those used in the transatlantic slave trade, central to Liverpool’s economy at the time. The competition led by Colander Associates, will seek to appoint a multi-disciplinary team for the development of the public spaces, raising the profile of the area whilst responding to the history of the site, developing new pedestrian routes, and allowing for more commercial and cultural opportunities on the waterfront, further enhancing the area alongside the hugely popular Royal Albert Dock. -
Shakespeare's Language in Millais's Ferdinand Lured by Ariel
69 “My Ariel, chick, […] Be free, and fare thou well!”: Shakespeare’s Language in Millais’s Ferdinand Lured by Ariel (1849−50) Naoko Asano I. Introduction Often overshadowed by the glory of Ophelia (1851-52) and later portrayal and fancy paintings as it is, Ferdinand Lured by Ariel (1849-50) is a vivid proof of John Everett Millais’s brief engagement in fairy painting during its “Golden Age between 1840 and 1870” (Maas 11). Ferdinand is the artist’s first and last venture into this genre and a very experimental composition from his early Pre-Raphaelite career. An admirer of a caricaturist, Richard “Dicky” Doyle (Hunt; Millais), and a lifelong friend of Joseph Noel Paton as he was, Millais had never created any work of the genre after Ferdinand so that he has rarely been considered as a prominent example of the Victorian fairy painters. Yet Ferdinand stands out as unconventional representation of ethereal subjects among all numerous compositions from this category. It depicts ethereal figures including “tricksy” Ariel in completely different ways from precedent and contemporary representations which depict “graceful human pigmies” (Hunt 399). Millais conceived an unconventional fairy painting, which were derived from nothing other than Shakespeare’s language. This paper is an attempt to highlight John Everett Millais’s Ferdinand Lured by Ariel as a departure from conventional representations of The Tempest in the fairy genre. Ferdinand is a crucial painting in the longstanding career of the artist. It is one of the first Shakespearean works by Millais in his whimsical, Pre-Raphaelite style and demonstrates the elaborate depiction of Studies in Victorian Culture, No. -
Hosted by National Museums Liverpool Brochure
STYLISH VENUES ICONIC SETTINGS 1 Comprising eight Each of our exceptional venues is home to a number of historic and museums and art versatile spaces, where you can galleries in and around host events among internationally- Liverpool, National important collections of exquisite Museums Liverpool’s art and fascinating objects. With a history dating back to 1851, we hold venues offer a wide in trust collections of worldwide range of events and origin, made up of more than one spaces against a million objects and works of art. unique backdrop of These iconic settings are perfect historic artefacts and for all kinds of events, from dinners, conferences and drinks world-class art. receptions, to Christmas parties, Experiences curated. weddings and filming. World-class catering for your event is provided by our team of in-house chefs. With experience of preparing dinners for royalty and international dignitaries, our chefs have the ability, skill and innovation to produce food unique to your event. UNIQUE EVENTS EXPERTLY CURATED From your initial enquiry to the moment your last guest leaves, our multi-award-winning team will be on hand to curate your event and provide you and your guests with a truly memorable experience. We pride ourselves in our commitment to the highest standards of service. From the extensive training undertaken by our staff to our dedicated event management software, you can be confident in our skill to deliver your event. A portfolio of spaces Varied spaces, from OUR suitable for a wide modern meeting rooms OFFER range -
Merseyside Maritime Museum 2
March to June 2020 National Museums Liverpool Travel extravaganza – Horse-drawn carriages to Range Rovers Page 4 Ships Ahoy! New Maritime gallery © Pete Carr © Pete Page 5 Win a bundle of dino themed goodies... Page 24 Majestic Mayas, investigating minerals and model magic w bring the children... Welcome! ...and enjoy our special family package! Relax in a studio room for two adults and Heading towards Easter and the And of course, for your little astronauts up to two children, breakfast for everyone, a bottle of red or white for the adults, school holidays, we have plenty to and space enthusiasts, the Planetarium hot chocolate for the children and a family ticket for a City Explorer bus tour. keep the whole family entertained this at World Museum is a must-visit. Buy All from £148 season. Check out vehicles past and tickets online at present – from handcarts to Range liverpoolmuseums.org.uk/planetarium Rovers – at the Museum of Liverpool’s Details of these and other exciting new exhibition, Liverpool on Wheels: activities can be found in this guide and on From horses to horsepower. our website: liverpoolmuseums.org.uk Opening just in time for the Easter We look forward to seeing you at our break, take a look at the Maritime museums and galleries soon! Museum’s new Life on board gallery telling the stories of life, work and Become family members today and enjoy leisure at sea. fun-filled days out for a whole year, with Feeling crafty? There is always free entry to all exhibitions, discounts in plenty of arty activities going on at our shops and cafes, and invitations to www.hopestreethotel.co.uk the Walker Art Gallery or Lady Lever e: [email protected] special events.