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Captain America and the Struggle of the Superhero This Page Intentionally Left Blank Captain America and the Struggle of the Superhero Critical Essays
Captain America and the Struggle of the Superhero This page intentionally left blank Captain America and the Struggle of the Superhero Critical Essays Edited by ROBERT G. WEINER Foreword by JOHN SHELTON LAWRENCE Afterword by J.M. DEMATTEIS McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ALSO BY ROBERT G. WEINER Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005 (McFarland, 2008) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Captain America and the struggle of the superhero : critical essays / edited by Robert G. Weiner ; foreword by John Shelton Lawrence ; afterword by J.M. DeMatteis. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3703-0 softcover : 50# alkaline paper ¡. America, Captain (Fictitious character) I. Weiner, Robert G., 1966– PN6728.C35C37 2009 741.5'973—dc22 2009000604 British Library cataloguing data are available ©2009 Robert G. Weiner. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images ©2009 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Dedicated to My parents (thanks for your love, and for putting up with me), and Larry and Vicki Weiner (thanks for your love, and I wish you all the happiness in the world). JLF, TAG, DW, SCD, “Lizzie” F, C Joyce M, and AH (thanks for your friend- ship, and for being there). -
Alter Ego #78 Trial Cover
Roy Thomas ’Merry Mar vel Comics Fan zine No. 50 July 2005 $ In5th.e9U5SA Sub-Mariner, Thing, Thor, & Vision TM & ©2005 Marvel Characters, Inc.; Conan TM & ©2005 Conan Properties, Inc.; Red Sonja TM & ©2005 Red Sonja Properties, Inc.; Caricature ©2005 Estate of Alfredo Alcala Vol. 3, No. 50 / July 2005 ™ Editor Roy Thomas Roy Thomas Associate Editors Shamelessly Celebrates Bill Schelly 50 Issues of A/E , Vol. 3— Jim Amash & 40 Years Since Design & Layout Christopher Day Modeling With Millie #44! Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Ronn Foss, Biljo White, Contents Mike Friedrich Production Assistant Writer/Editorial: Make Mine Marvel! . 2 Eric Nolen-Weathington “Roy The Boy” In The Marvel Age Of Comics . 4 Cover Artists Jim Amash interviews Roy Thomas about being Stan Lee’s “left-hand man” Alfredo Alcala, John Buscema, in the 1960s & early ’70s. & Jack Kirby Jerry Ordway DC Comics 196 5––And The Rest Of Roy’s Cover Colorist Color-Splashed Career . Flip Us! Alfredo Alcala (portrait), Tom Ziuko About Our Cover: A kaleidoscopically collaborative combination of And Special Thanks to: three great comic artists Roy worked with and admired in the 1960s and Alfredo Alcala, Jr. Allen Logan ’70s: Alfredo Alcala , John Buscema , and Jack Kirby . The painted Christian Voltan Linda Long caricature by Alfredo was given to him as a birthday gift in 1981 and Alcala Don Mangus showed Rascally Roy as Conan, the Marvel-licensed hero on which the Estelita Alcala Sam Maronie Heidi Amash Mike Mikulovsky two had labored together until 1980, when R.T. -
William Rotsler Post Office Box 3126 Los Angeles California 90028
WILLIAM ROTSLER POST OFFICE BOX 3126 LOS ANGELES CALIFORNIA 90028 jurrg/W Jj 13 June 77 Received a letter from George Barr, along with a lot of good quotes. He starts out by saying he felt guilty for not writing, etc etc. BUT YOU PEOPLE LISTEN, PLEASE! I don't want to make anyone feel guilty! My attempts to trim the mailing list are just an effort to cut down expenses, and not to bother anyone who doesn't want it with Kteic Magazine. None of you are under an obligation to write. Please believe that. Just now and again, though, I'd like verbal or written proof that (1) you still want to get KM; (2) you are getting KM. That's all. Now on with George's letter. Thanks for sending the photos of Sharman. I'll try to have the picture finished in time to exhibit at the World Fantasy Con in LA this coming October. The photos course are beautiful... beautiful subject: (almost-) automatically beautiful photos. If I were to pick a fault at all, it would be that they are obviously publicity photos. And the only thing wrong with that is that it bothers me occasionally knowing that people will have the picture I used as referance material to compare with the finished painting. I make so many changes fox’ character or composition, that I'm always afraid people will point out every minute way in which the painting differs from the original photo and assume that it was be- .• cause I couldn’t do any better. -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
2News Summer 05 Catalog
Roy Thomas’ All-Star-Struck SEE? WE TOLD YOU $ Comics Fanzine THERE’D BE ANOTHER 8.95 ISSUE STARRING THE In the USA JUSTICEJUSTICE SOCIETYSOCIETY TM OFOF AMERICAAMERICA No.121 November 2013 JOHNNY THUNDER! THE ATOM! JUSTICE SOCIETY! JOHNWRITER/CO-CREATOR LENB. WENTWORTH! SANSONE! OF INKER/CO-CREATOR OF BERNARD SACHS! INKER OF 1948-1951 1 0 SPECIAL! Justice Society of America TM & © DC Comics. 1 82658 27763 5 Vol. 3, No. 121 / November 2013 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreaders Rob Smentek Contents William J. Dowlding Cover Artists Writer/Editorial: “…And All The Stars Looked Down”. 2 Shane Foley John B. Wentworth—All-American Thunderbolt . 3 (after Irwin Hasen) Cover Colorist Daughter Rebecca Wentworth tells Richard Arndt about the creator of “Johnny Thunder,” “Sargon the Sorcerer,” & “The Whip.” Tom Ziuko Special A/E Interlude: “The Will Of William Wilson” . 18 With Special Thanks to: Splitting The Atom—Three Ways! . 21 Heidi Amash Mark Lewis Richard J. Arndt Jim Ludwig Mrs. Emily Sokoloff & Maggie Sansone talk to Shaun Clancy about Leonard Sansone— Bob Bailey Ed Malsberg inker/co-creator of “The Atom”—and about co-creators Ben Flinton and Bill O’Connor. Rod Beck Doug Martin “The Life Of A Freelancer… Is Always Feast Or Famine” . 40 Judy Swayze Bruce Mason Blackman Mike Lynch Bernice Sachs-Smollet to Richard Arndt about her late husband, JSA/JLA artist Bernard Sachs. -
Invaders Sample.Pdf
Mark McDermott 4937 Stanley Ave. Downers Grove, IL 60515 [email protected] These excerpts are intended as “writing samples” for the author of the articles presented. They are not intended for reuse or re-publication without the consent of the publisher or the copyright holder. ©2009 Robert G. Weiner. All rights reserved McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com Mark McDermott 4937 Stanley Ave. Downers Grove, IL 60515 [email protected] The Invaders and the All-Star Squadron Roy Thomas Revisits the Golden Age Mark R. McDermott Introduction By the mid-1970’s, many fans of the “Golden Age” of comic books had grown up to become writers and ultimately editors for the comics publishers, sometimes setting the nar- rative histories for their favorite childhood characters themselves. Many of these fans-turned- pro produced comics series that attempted to recapture the Golden Age’s excitement, patriotic fervor and whiz-bang attitude. The most successful of these titles were produced by Roy Thomas, who fashioned a coherent history of costumed heroes during World War II, and rec- onciled the wildly inconsistent stories of the 1940’s with tightly patrolled continuity initiated with the “Silver Age” of the 1960’s. With The Invaders (1975-1979), Thomas focused on the hitherto unrevealed wartime exploits of Marvel Comics’ early mainstays Captain America, the Human Torch, and Prince Namor, the Sub-Mariner. In 1980, he moved to DC Comics and launched All-Star Squadron, which juggled the histories of the Justice Society of Amer- ica and nearly a hundred secondary characters. -
PRESS Graphic Designer
© 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer . -
Kirby Interview Dave Stevens & Lisa Kirby True Life Divorce Romance
THE $5.95 In The US Issue #20, JUNE 1998 A “King”-Size Collector 68- page ISSUE on JAck’s Female Characters!! A Rare 1975 Kirby Interview Interviews with Dave Stevens & Lisa Kirby Unpublished Ten- page story from True Life Divorce A Close Look At Romance Comics Jack’s original screenplay for Captain Victory Double- centerfold of Galaxy Green Special Features: Jack’s Women From The ’40s To The ’80s Unpublished Art including Pencil pages Before They Were Inked, And Much More!! y c a e t S n Nominated e K For Two 1998 & Eisner y b Awards r i Including “Best K Comics-Related k c Publication” a J 1998 Harvey © k Awards Nominee r “Best Biographical, Historical o w or Journalistic Presentation” t r A The only ’zine authorized by the Issue #20 Contents: THE Kirby Estate Lisa Kirby Interview . .4 (the “Kid From Left Field” speaks) Soiled & Sweet & Sometimes Green! . .9 (S&K’s women of the Golden Age) Those Marvel-Ous Kirby Women . .13 (fun and frolic in the ’60s) Issue #20, June 1998 Collector SUE’s ’DOs Contest . .14 (how many did she have? Enter and you could win a free issue!) The Jack Kirby Collector, Vol. 5, No. 20, June Gender Relations In The Kirby Pantheon . .1 8 1998. Published bi-monthly by & (from the Fourth World to Eternals) © TwoMorrows Advertising & Design, An Oddball Kirby Comic . .23 1812 Park Drive, Raleigh, NC 27605, USA. 919-833-8092. John Morrow, Editor. Pamela (a dreamy visit with Doris Nelson) Morrow, Asst. Editor. Jon B. Cooke, Assoc. -
Fall 2008 Vol
SEBASTIANO RICCI FRANKLIN ROOSEVELT BUDDY HOLLY 18th-century masterpiece Prints from secretive Last autograph by rediscovered in Texas palm-reading session music legend Fall 2008 Vol. 2, Issue 1 $9.95 MAGAZINE FOR THE INTELLIGENT COLLECTOR Stan Lee recalls a career that’s produced some of the world’s most popular collectibles CREATOR-MAN CONTENTS YOU SEE SENTIMENTAL VALUE. Sebastiano Ricci (1659-1734) with Marco Ricci (1676-1730) The Vision of St. Bruno, circa 1700 Oil on canvas 5 37 x 48 ⁄8 in. HIGHLIGHTS Estimate: $600,000-$800,000 Fine Art Signature Auction #5002 (page 36) THE VISION OF ST. BRUNO WE SEE REPLACEMENT VALUE. Italian masterpiece that once belonged to 36 famed collector Francesco Algarotti and IN EVERY ISSUE a merchant who outfitted Lewis & Clark rediscovered in Texas 4 Staff & Contributors Auction Calendar COVER STORY: STAN LEE 6 For more than 60 years, Stan Lee has stood HAVE YOU HAD YOUR ESTATE APPRAISED? Credentialed ISA appraisers 8 Remember When … behind some of the most iconic characters see the world in a different light. Our years of practical training provide us with a 46 in pop culture discriminating eye and in-depth knowledge of personal property value. While many News people have items that are covered under homeowners or renters insurance, few 10 have their entire households covered adequately. Think about it. If you lost everything Events Calendar ARTISTIC LeaPS you own, what would the replacement value be for all of your belongings? An appraisal 73 Fifty years after launching his career, Mort report written to ISA appraisal report writing standards not only brings you peace of Experts Künstler recognized as one of America’s mind, we deliver a document that brings legitimacy to a potential claim and assistance 74 54 in protecting your most treasured and least likely covered heirlooms. -
PRICES REALIZED DETAIL - Animation 2017 Auction 94, Auction Date: 6/8/2017
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation 2017 Auction 94, Auction Date: 6/8/2017 LOT ITEM PRICE PREMIUM 1 WINDSOR MCCAY PRODUCTION DRAWING OF “GERTIE THE DINOSAUR”. $4,750 $950 8 (2) JAY WARD “QUISP VS. QUAKE” PRODUCTION CELS WITH MATCHING $225 $63 PRODUCTION DRAWINGS. 9 (2) JAY WARD “CAP’N CRUNCH” PRODUCTION CELS WITH MATCHING DRAWING $225 $63 AND LAYOUT BACKGROUND. 10 BILL SCOTT’S PERSONAL SCRIPTS (57) AND ARTWORK FOR THE ROCKY AND $9,500 $2,660 BULLWINKLE SHOW. 11 “CECIL” AND “BOB CLAMPETT” TITLE PRODUCTION CEL WITH MATCHING $850 $238 DRAWING FROM THE BEANY AND CECIL SHOW. 12 “CECIL” AND FRIENDS PRODUCTION CELS FROM THE BEANY AND CECIL SHOW. $300 $84 13 “TETSUO” IN HIS RED CAPE PRODUCTION CEL FROM AKIRA. $300 $84 20 “CAPTAIN STERN” AND “EYEBALL” PRODUCTION CELS ON A PRODUCTION $450 $90 BACKGROUND FROM HEAVY METAL. 23 “GLORIA” PRODUCTION CEL FROM HEAVY METAL. $400 $112 27 “THE SIMPSON FAMILY” “COUCH GAG” PRODUCTION CELS FROM THE $650 $182 SIMPSONS. 29 “HOMER” AND “MARGE” LIMITED EDITION CEL FROM THE SIMPSONS. $250 $70 31 “SPIDER-MAN” PRODUCTION CEL FROM SPIDER-MAN: THE ANIMATED SERIES. $200 $56 32 KEITH HARING FOUNDATION PRODUCTION CEL AND DRAWING FOR THE $850 $170 SESAME STREET SEGMENT “5 DANCING MEN”. 33 MYRON WALDMAN WATERCOLOR PAINTING FEATURING “POPEYE” AND $475 $133 FRIENDS. 34 MYRON WALDMAN CHRISTMAS WATERCOLOR PAINTING FEATURING “POPEYE” $250 $70 AND FRIENDS. 36 MYRON WALDMAN ILLUSTRATION FEATURING “SUPERMAN”. $475 $133 Page 1 of 24 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation 2017 Auction 94, Auction Date: 6/8/2017 LOT ITEM PRICE PREMIUM 37 “TEEGRA” PRODUCTION CEL FROM FIRE & ICE. -
DESTINY Tales of Science and Fantasy
DESTINY Tales of Science and Fantasy pi® iiSf fantasy index & ________ .________ I* gorrci^LeX’ jtn-u in dedication... tales of science & fantasy There is always a trend, in any field, to honor the great creators more than the great organizers. But certainly the Linaeus did as much as Darwin; surely the reference library is as great a triumph of modern technology as EDITORS the cyclotron. Thus, it is to the forgotten men of modern science fiction, the tireless bibliographers, that we humbly dedicate this issue: MALCOLM WILLITS EVERETT BIEILER BRADFORD DAY DONALD DAY and SAM MOSKOWITZ DONALD TUCK EDWARD WOOD EARL KEMP VOLUME I FALL 1954 NUMBER XI HERE IS 1953! You are holding an index to THE year of science fiction. During 1953 more issues of science fiction magazines appeared THAN IN THE ENTIRE FIRST SIX AND A HALF YEARS OF SCIENCE FICTION MAGAZINE PUBLICATION. COVER.............................THE DEPARTURE........................Neil Austin You have had it! Never again will your pockets be so pinched, the 1953 index IS and will remain THE largest single year index. EDITORIAL..................................................................The Editors 2 In the fourth/final issue of Journal of Science Fiction, Edward Wood said, ”0f indexing and indexes, there is never an end.............the field is THE DESTINY INDEX OF FANTASY-1953...Edward Wood & 4 covered at least until 1953. It would be unfortunate if a gap were allowed to appear. It is time for someone else to do a little work. They might Heading by James Newberry Earl Kemp even get to like work, an ancient and honorable method og getting things ART EDITOR done,'* THE SF MAGAZINES.......................................................................... -
Don Rico— Allen Bellman— & Martin Goodman!
Roy Thomas’ STILL MORE Ma r vel Comics Fanzine TIMELY/MARVEL TITANS! DON RICO— ALLEN BELLMAN— $8.95 & MARTIN GOODMAN! In the USA No.114 Dec. 2012 2 1 5 3 6 7 7 2 8 5 6 2 8 1 Vol. 3, No. 114 / December 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreaders Contents Rob Smentek Writer/Editorial: Names To Conjure With . 2 William J. Dowlding Cover Artists The Once And Future Don Rico. 3 Allen Bellman Robt. Levitt Lanyi’s 1977 interview with the 1940s-70s Timely/Marvel artist, writer, & editor. & Mitch Breitweiser “We Had A Great Life Together” . 21 Cover Colorist Michele Hart talks about her time with husband Don Rico—and her own colorful career. Elizabeth Breitweiser With Special Thanks to: Bellman, Book, And Candle . 35 The life and Timely/Marvel times of Golden Age artist Allen Bellman, by Joyce Moed, et al. Heidi Amash Sean Howe Martin Goodman, A.K.A. The Angel. 45 Ger Apeldoorn Rob Hunter Atomic Romance Eric Jansen Timely/Marvel’s peerless publisher’s unlikely career in show business, by Ger Apeldoorn. (website) William B. Jones, Jr. Rodrigo Baeza Sharon Karibian The Invaders Issue That Nearly Was! . 51 Bob Bailey Jim Kealy Rod Beck Komikero Dot Com Warren Reece and the almost-was secret origin of the original Human Torch. Robert Beerbohm (website) Mr. Monster’s Comic Crypt! Charles Atlas, Part 3! .