Alter Ego #78 Trial Cover

Total Page:16

File Type:pdf, Size:1020Kb

Alter Ego #78 Trial Cover Roy Thomas ’Merry Mar vel Comics Fan zine No. 50 July 2005 $ In5th.e9U5SA Sub-Mariner, Thing, Thor, & Vision TM & ©2005 Marvel Characters, Inc.; Conan TM & ©2005 Conan Properties, Inc.; Red Sonja TM & ©2005 Red Sonja Properties, Inc.; Caricature ©2005 Estate of Alfredo Alcala Vol. 3, No. 50 / July 2005 ™ Editor Roy Thomas Roy Thomas Associate Editors Shamelessly Celebrates Bill Schelly 50 Issues of A/E , Vol. 3— Jim Amash & 40 Years Since Design & Layout Christopher Day Modeling With Millie #44! Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Ronn Foss, Biljo White, Contents Mike Friedrich Production Assistant Writer/Editorial: Make Mine Marvel! . 2 Eric Nolen-Weathington “Roy The Boy” In The Marvel Age Of Comics . 4 Cover Artists Jim Amash interviews Roy Thomas about being Stan Lee’s “left-hand man” Alfredo Alcala, John Buscema, in the 1960s & early ’70s. & Jack Kirby Jerry Ordway DC Comics 196 5––And The Rest Of Roy’s Cover Colorist Color-Splashed Career . Flip Us! Alfredo Alcala (portrait), Tom Ziuko About Our Cover: A kaleidoscopically collaborative combination of And Special Thanks to: three great comic artists Roy worked with and admired in the 1960s and Alfredo Alcala, Jr. Allen Logan ’70s: Alfredo Alcala , John Buscema , and Jack Kirby . The painted Christian Voltan Linda Long caricature by Alfredo was given to him as a birthday gift in 1981 and Alcala Don Mangus showed Rascally Roy as Conan, the Marvel-licensed hero on which the Estelita Alcala Sam Maronie Heidi Amash Mike Mikulovsky two had labored together until 1980, when R.T. ankled Marvel for DC Heather Antonelli Al Milgrom for what turned out to be a six-year semi-exclusive stay. The three Bob Bailey Fred Mommsen Marvel super-heroes drawn by Big John are from 1990s re-creations of Jeff Bailey Brian K. Morris his 1960s art—while the Conan/Red Sonja illo was a commission Mark Beazley Frank Motler drawing. Jack penciled the Thing figure, complete with A/E -boosting John Benson Owen O’Leary Dominic Bongo Denny O’Neil sign, back in 1962, especially for A/E —and it was inked for V1#4 by Bob Brodsky Dave Newton A/E ’s founding editor/publisher Jerry G. Bails . Thanks to Alfredo’s Rich Buckler Jerry Ordway widow Mrs. Estelita Alcala and to his sons Christian Voltan Alcala and Mike Burkey Tom Palmer Alfredo Alcala, Jr., for permission to use the caricature—to Owen William Cain George Pérez R. Dewey Cassell Don Perlin O’Leary for copies of John’s re-creations (sent at the time of our tribute Ernie Chan Mike Phoenix to John in A/E #15-16)—and to the Jack Kirby Estate (and JGB) for Lynda Fox Cohen John G. Pierce their blessings re bashful Ben Grimm. [Art ©2005 Estates of Alfredo Teresa R. Davidson Nick Pope Alcala, John Buscema, & Jack Kirby, respectively; Sub-Mariner, Thor, Michael Dewally Greg Preston Shel Dorf Richard Pryor Vision, & Thing TM & ©2005 Marvel Characters, Inc.; Conan TM & ©2005 Michael Dunne Ethan Roberts Conan Properties, Inc.; Red Sonja TM & ©2005 Red Sonja Properties, Inc.] Jennie-Lynn Falk Peter Sanderson Shane Foley Eric Schumacher Above: The indefatigable and talented Shane Foley decided—“on a Jeff Fox Carole Seuling whim,” he says—to draw, “maybe for a border or something,” these Carl Gafford Gwen Seuling horizontal and vertical groupings of a few of the many heroes Roy has Janet Gilbert Marie Severin handled over the past four decades… and Ye Ed liked the concept so Dick Giordano Rick Shurgin Glen David Gold David Siegel much that it became our contents page art. Most of these guys Roy Stan Goldberg Keif Simon merely scripted a fair number of stories about—others he co-created, Bob Greenberger Joe & Betty Sinnott whether for Marvel, DC, or (in one case) Dennis Mallonee’s Heroic Curt Griff Paul Smith Publishing. Shane even worked in Superman fighting H.G. Wells’ Ian Hamerlinck Zack Smith Jennifer Hamerlinck Britt Stanton Martians, as delineated on p. 19 on our flip side. Thanks, mate! You did David G. Hamilton Flo Steinberg yourself proud yet again! [Art ©2005 Shane Foley; characters TM & ©2005 Daniel Herman Marc Swayze their respective trademark & copyright holders.] Richard Howell Dann Thomas Karen Hughes Maggie Thompson Stan Lee Jim Vadeboncoeur, Jr. TM Larry Lieber Tom Wimbish Alter Ego is published monthly by TwoMorrows, 10407 Bedfordtown Drive, Raleigh, NC 27614, USA. Phone: (919) 449-0344. Alan Light Roy Thomas, Editor. John Morrow, Publisher. Alter Ego Editorial Offices: 32 Bluebird Trail, St. Matthews, SC 29135, USA. Michele Wolfman Fax: (803) 826-6501; e-mail: [email protected]. Send subscription funds to TwoMorrows, NOT to the editorial offices. Single issues: $8 ($10 Canada, $11.00 elsewhere). Twelve-issue subscriptions: $60 US, $120 Canada, $132 elsewhere. All characters are © their This issue is dedicated by Roy to respective companies. All material © their creators unless otherwise noted. All editorial matter © Roy Thomas. Alter Ego is a TM of Roy & Dann Thomas. FCA is a TM of P.C. Hamerlinck. Printed in Canada. his mother –– –MRS. LEONA THOMAS FIRST PRINTING. CCOOMMIINNGG IINN AAUUGGUUSSTT #51 LEW SAYER SCHWAR TZ & THE MARK OF (BOB) KANE Plus: THE GOLDEN & SILVER AGES OF AUSTRALIA! • Full-color Batman vintage-1950s cover by LEW SAYRE SCHWARTZ! • LEW SAYRE SCHWARTZ —BOB KANE ’s “ghost” from 1946-1953—interviewed by JON B. COOKE about his life and work! Plus Batman art by JERRY ROBINSON, DICK SPRANG, SHELDON MOLDOFF, WIN MORTIMER, JIM MOONEY , & others! • “The Life and Death of the Australian Comics Industry – 1940-1962!” Dr. Mensana —Captain Atom (no lie!) —Molo the Mighty—Sir Falcon—The Panther—The Shadow (no, not that one—or that one, either!) —Air Hawk— plus the astonishing “Down Under” career of The Phantom —examined by MICHAEL BAULDERSTONE! With a giant kangaroo’s pouch full of super-hero art rarely seen in the Northern Hemisphere! • DAVE BERG talks to JIM AMASH about Timely/Marvel, Fawcett, & Quality— with art from Uncle Sam, Combat Kelly, etc.— ALEX TOTH on comic art— MICHAEL T. GILBERT on the legacy of WILL EISNER—BILL SCHELLY interviews 1960s fan GLEN JOHNSON —FCA with MARC SWAYZE, OTTO BINDER, & C.C. BECK —& MORE!! [Art ©2005 DC Comics] Edited by ROY THOMAS SUBSCRIBE NOW! Twelve Issues in the US: $60 Standard, $96 First Class (Canada: $120, Elsewhere: $132 Surface, $180 Airmail). NOTE: IF YOU PREFER A SIX-ISSUE SUB, JUST CUT THE PRICE IN HALF! TwoMorrows. Bringing New Life To Comics Fandom. TwoMorrows • 10407 Bedfordtown Drive • Raleigh, NC 27614 USA • 919-449-0344 • FAX: 919-449-0327 • E-mail: [email protected] • www.twomorrows.com Sub mit Some thi ng To Alte r Eg o! Ad ve rtis e In Alte rEgo! Alter Ego is on the lookout for items that can be utilized in upcoming issues: FULL-PAGE: 7.5" Wide x 10" Tall • $300 • Convention Sketches and Program Books HALF-PAGE: 7.5" Wide x 4.875" Tall • $175 • Unpublished Artwork QUARTER-PAGE: 3.75" Wide x 4.875" Tall • $100 • Original Scripts (the older the better!) • Photos The T woMor rows T wo -F er! • Unpublished Interviews • Little-seen Fanzine Material Prepay for two ads in Alter Ego, DRAW!, Write Now!, Back Issue, or any combination and these discounts apply: We’re also interested in articles, article ideas, or any other suggestions... and we pay off in FREE COPIES of A/E. (If you’re already an A/E subscriber, TWO FULL-PAGE ADS: $500 ($100 savings) we’ll extend your subscription.) Contact: TWO HALF-PAGE ADS: $300 ($50 savings) Roy Thomas, Editor TWO QUARTER-PAGE ADS: $175 ($25 savings) 32 Bluebird Trail The above rates are for black-&-white ads, supplied on-disk St. Matthews, SC 29135 (TIF, EPS, or Quark Xpress files acceptable) or as camera- Fax: (803 )826-6501 • E-mail: [email protected] ready art. Typesetting service available at 20% mark-up. Due to our already low ad rates, no agency discounts apply. Sorry, Su bm iss ion G ui delin es display ads are not available for the Jack Kirby Collector . Submit artwork in one of these forms (in order of preference): Send ad copy and check/money order (US funds) payable to: 1) Clear color or black-&-white photocopies. TwoMorrows 2) Scanned images—300ppi TIF (preferred) or JPEG (on Zip or floppy disk). We also accept VISA and 3) Originals (carefully packed and insured). 1812 Park Drive MASTERCARD! Raleigh, NC 27605 Include card number and Submit text in one of these forms: Phone: (919)833-8092 expiration date. 1) E-mail (ASCII text attachments preferred) to: [email protected] Fax: (919)833-8023 2) An ASCII or “plain text” file, supplied on floppy disk. E-mail: [email protected] 3) Typed, xeroxed, or laser printed pages. wrAitrteiclre /Tietled Tiotpolinerial 3 Make Mine Marvel! Roy Celebrates 40 Years Since Modeling With Mille 44 –– –And 50 Issues of A/E , Vol. 3! # ike I was saying in my editorial on the flip side—you may find it a something had to get short shrift this ish, it would be the middle and LLwee bit tricky to decide which side of this issue you read first! later years—and even they are covered, at least in passing, in the Checklist on the other side. That’s partly because my first staff job in New York in late June of 1965, almost exactly forty years ago, was for “Superman” line Even though, in the 11th hour, publisher John Morrow and I agreed editor Mort Weisinger at National/DC, which might seem to make that to bite the bullet and add eight more pages this month (bringing the point (plus my two Charlton stories written that spring) the logical place count to 108 for this doubly special issue), several things had to be jetti - to start.
Recommended publications
  • Bill Rogers Collection Inventory (Without Notes).Xlsx
    Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers
    [Show full text]
  • Captain America and the Struggle of the Superhero This Page Intentionally Left Blank Captain America and the Struggle of the Superhero Critical Essays
    Captain America and the Struggle of the Superhero This page intentionally left blank Captain America and the Struggle of the Superhero Critical Essays Edited by ROBERT G. WEINER Foreword by JOHN SHELTON LAWRENCE Afterword by J.M. DEMATTEIS McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ALSO BY ROBERT G. WEINER Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005 (McFarland, 2008) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Captain America and the struggle of the superhero : critical essays / edited by Robert G. Weiner ; foreword by John Shelton Lawrence ; afterword by J.M. DeMatteis. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3703-0 softcover : 50# alkaline paper ¡. America, Captain (Fictitious character) I. Weiner, Robert G., 1966– PN6728.C35C37 2009 741.5'973—dc22 2009000604 British Library cataloguing data are available ©2009 Robert G. Weiner. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images ©2009 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Dedicated to My parents (thanks for your love, and for putting up with me), and Larry and Vicki Weiner (thanks for your love, and I wish you all the happiness in the world). JLF, TAG, DW, SCD, “Lizzie” F, C Joyce M, and AH (thanks for your friend- ship, and for being there).
    [Show full text]
  • 30Th ANNIVERSARY 30Th ANNIVERSARY
    July 2019 No.113 COMICS’ BRONZE AGE AND BEYOND! $8.95 ™ Movie 30th ANNIVERSARY ISSUE 7 with special guests MICHAEL USLAN • 7 7 3 SAM HAMM • BILLY DEE WILLIAMS 0 0 8 5 6 1989: DC Comics’ Year of the Bat • DENNY O’NEIL & JERRY ORDWAY’s Batman Adaptation • 2 8 MINDY NEWELL’s Catwoman • GRANT MORRISON & DAVE McKEAN’s Arkham Asylum • 1 Batman TM & © DC Comics. All Rights Reserved. JOEY CAVALIERI & JOE STATON’S Huntress • MAX ALLAN COLLINS’ Batman Newspaper Strip Volume 1, Number 113 July 2019 EDITOR-IN-CHIEF Comics’ Bronze Age and Beyond! Michael Eury TM PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST José Luis García-López COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek IN MEMORIAM: Norm Breyfogle . 2 SPECIAL THANKS BACK SEAT DRIVER: Editorial by Michael Eury . 3 Karen Berger Arthur Nowrot Keith Birdsong Dennis O’Neil OFF MY CHEST: Guest column by Michael Uslan . 4 Brian Bolland Jerry Ordway It’s the 40th anniversary of the Batman movie that’s turning 30?? Dr. Uslan explains Marc Buxton Jon Pinto Greg Carpenter Janina Scarlet INTERVIEW: Michael Uslan, The Boy Who Loved Batman . 6 Dewey Cassell Jim Starlin A look back at Batman’s path to a multiplex near you Michał Chudolinski Joe Staton Max Allan Collins Joe Stuber INTERVIEW: Sam Hamm, The Man Who Made Bruce Wayne Sane . 11 DC Comics John Trumbull A candid conversation with the Batman screenwriter-turned-comic scribe Kevin Dooley Michael Uslan Mike Gold Warner Bros. INTERVIEW: Billy Dee Williams, The Man Who Would be Two-Face .
    [Show full text]
  • Alter Ego #78 Trial Cover
    TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc.
    [Show full text]
  • William Rotsler Post Office Box 3126 Los Angeles California 90028
    WILLIAM ROTSLER POST OFFICE BOX 3126 LOS ANGELES CALIFORNIA 90028 jurrg/W Jj 13 June 77 Received a letter from George Barr, along with a lot of good quotes. He starts out by saying he felt guilty for not writing, etc etc. BUT YOU PEOPLE LISTEN, PLEASE! I don't want to make anyone feel guilty! My attempts to trim the mailing list are just an effort to cut down expenses, and not to bother anyone who doesn't want it with Kteic Magazine. None of you are under an obligation to write. Please believe that. Just now and again, though, I'd like verbal or written proof that (1) you still want to get KM; (2) you are getting KM. That's all. Now on with George's letter. Thanks for sending the photos of Sharman. I'll try to have the picture finished in time to exhibit at the World Fantasy Con in LA this coming October. The photos course are beautiful... beautiful subject: (almost-) automatically beautiful photos. If I were to pick a fault at all, it would be that they are obviously publicity photos. And the only thing wrong with that is that it bothers me occasionally knowing that people will have the picture I used as referance material to compare with the finished painting. I make so many changes fox’ character or composition, that I'm always afraid people will point out every minute way in which the painting differs from the original photo and assume that it was be- .• cause I couldn’t do any better.
    [Show full text]
  • Free Catalog
    Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come.
    [Show full text]
  • Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A
    Kirby: The WonderThe WonderYears Years Lee & Kirby: The Wonder Years (a.k.a. Jack Kirby Collector #58) Written by Mark Alexander (1955-2011) Edited, designed, and proofread by John Morrow, publisher Softcover ISBN: 978-1-60549-038-0 First Printing • December 2011 • Printed in the USA The Jack Kirby Collector, Vol. 18, No. 58, Winter 2011 (hey, it’s Dec. 3 as I type this!). Published quarterly by and ©2011 TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. 919-449-0344. John Morrow, Editor/Publisher. Four-issue subscriptions: $50 US, $65 Canada, $72 elsewhere. Editorial package ©2011 TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All artwork is ©2011 Jack Kirby Estate unless otherwise noted. Editorial matter ©2011 the respective authors. ISSN 1932-6912 Visit us on the web at: www.twomorrows.com • e-mail: [email protected] All rights reserved. No portion of this publication may be reproduced in any manner without permission from the publisher. (above and title page) Kirby pencils from What If? #11 (Oct. 1978). (opposite) Original Kirby collage for Fantastic Four #51, page 14. Acknowledgements First and foremost, thanks to my Aunt June for buying my first Marvel comic, and for everything else. Next, big thanks to my son Nicholas for endless research. From the age of three, the kid had the good taste to request the Marvel Masterworks for bedtime stories over Mother Goose. He still holds the record as the youngest contributor to The Jack Kirby Collector (see issue #21). Shout-out to my partners in rock ’n’ roll, the incomparable Hitmen—the best band and best pals I’ve ever had.
    [Show full text]
  • Diego O De Assis.Pdf
    Pontifícia Universidade Católica – PUC-SP Diego O. de Assis Perspectivas para o jornalismo crítico de games Mestrado em Comunicação e Semiótica SÃO PAULO / 2007 Pontifícia Universidade Católica – PUC-SP Diego O. de Assis Perspectivas o jornalismo crítico de games Mestrado em Comunicação e Semiótica Dissertação apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de Mestre em Comunicação e Semiótica sob orientação da Prof .ª Dr. ª Giselle Beiguelman. Banca examinadora ____________________________ __________________________________________ __________________________________________ SÃO PAULO / 2007 2 Resumo O objetivo desta dissertação é analisar o estágio atual do jornalismo de games e apontar novas perspectivas para sua abordagem crítica. Mesmo reconhecido como um dos setores da indústria de entretenimento mais promissores neste novo milênio, o universo dos videogames tem recebido ainda uma atenção proporcional pouco representativa nos meios de comunicação de massa se comparados a formatos mais tradicionais como o cinema e a música. No contexto atual, boa parte da cobertura de games permanece confinada a publicações especializadas e a cadernos de informática. Para levar adiante esta análise será necessário antes de tudo traçar um panorama histórico do desenvolvimento dos jogos eletrônicos. Surgidos há quase 50 anos, numa tentativa de transformar os computadores em algo divertido, os videogames foram ganhando complexidade com os sucessivos avanços tecnológicos até se transformarem em um dos objetos culturais mais instigantes da virada do século 20 para o 21. Presentes na vida dos jovens de praticamente todas as sociedades nas últimas duas décadas, os games passaram a influenciar e a serem influenciados por outras linguagens estéticas da cultura popular, como o cinema, a música, os desenhos animados e as histórias em quadrinhos.
    [Show full text]
  • Valiant Entertainment and Sony Pictures Today Announced a Deal To
    Valiant Entertainment and Sony Pictures today announced a deal to bring two of Valiant's award-winning comic book superhero franchises— BLOODSHOT and HARBINGER—to the big screen over the course of five feature films that will culminate in the shared universe crossover film, HARBINGER WARS. BLOODSHOT, arriving in theaters in 2017, will kick off the five-picture plan leading to HARBINGER WARS and will be directed by David Leitch & Chad Stahelski (John Wick) from a script by Jeff Wadlow (Kick Ass 2) and Eric Heisserer (Story of Your Life). Neal H. Moritz and Toby Jaffe fromOriginal Film (The Fast and the Furious franchise) and Dinesh Shamdasani from Valiant Entertainment will produce the film. Matthew Vaughn and Jason Kothari will serve as executive producers. HARBINGER will follow shortly thereafter from a script by Eric Heisserer (Story of Your Life). Sony and Valiant remain tight-lipped about potential directors. Neal H. Moritz and Toby Jaffe from Original Film(The Fast and the Furious franchise) and Dinesh Shamdasani from Valiant Entertainment will produce. Both BLOODSHOT and HARBINGER will be followed by sequels before the title characters confront each other head on in HARBINGER WARS—a motion picture directly inspired by Valiant’s critically acclaimed 2013 comic book crossover of the same name. Andrea Giannetti will oversee the five- picture HARBINGER WARS initiative for Sony Pictures. “Valiant is one of the most successful publishers in the history of comics, and Neal is one of the best action producers in the business today. This is a formidable partnership that will bring two incredibly commercial franchises with global appeal together on the big screen,” said Sony Entertainment Motion Picture Group President Doug Belgrad.
    [Show full text]
  • The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
    University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.
    [Show full text]
  • Parking Information
    Parking Information Suburban Collection Showplace is conveniently located at 46100 Grand River Avenue, between Novi and Beck Roads in Novi, MI. Our Facility can be accessed From I-96 at the Novi and Beck Road exits. Parking will have a small charge For each day oF the event. There will be a Fully-equipped press room on site. Interviews may not be conducted inside the press room. More details on the location oF the press room will be provided. 3 Motor City Comic Con Floor Plan 2014 4 Schedule of Events *Schedule is subject to change Friday: ñ “Sweep the Leg” Panel with Billy Zabka and Martin Kove-Time TBD o They will discuss their roles in The Karate Kid ñ Ready-To-Play Deck Event-Beginners Level-Time TBD o Card game For beginners ñ Friday Anime Programming Schedule: o 11:30 a.m: Urusei Yatsura o Noon: Dirty Pair o 12:55 p.m.: Bodacious Space Pirates o 2:10 p.m.: Shinesmen o 3:10 p.m.: Saint Seiya o 4:30 p.m.: Tiger & Bunny- The Movie o 6:00 p.m.: Read or Die Saturday: ñ Costume Cosplay Contest (ages 13+)-Time TBD ñ Standard Format Constructed Event-Experienced Level o Card game For experienced gamers ñ Saturday Anime Programming Schedule: o 10:30 a.m.: Little Witch Academia o 11:00 a.m.: Fairy Tail o 12:15 p.m.: TBA o 2:15 p.m.: Nadia: The Secret oF Blue Water o 3:30 p.m.: TBA o 4:45 p.m.: Level E o 5:30 p.m.: TBA o 6:15 p.m.: Good Luck Girl o 7:30 p.m.: Akira o 9:30 p.m.: High School oF the Dead o 10:30 p.m.: Space Adventure Cobra ñ Get Drunk on Comics Panel-Time TBD o The guys From the Drunk on Comics podcast will discuss podcasting,
    [Show full text]
  • Superman Artist of the 1950S and 1960S— Wayne Boring
    S $49.99 (Different in Canada) UPERMAN IN THIS VOLUME: More than 700 daily strips featuring artwork by the predominant Superman artist of the 1950s and 1960s— Wayne Boring. The twenty-two stories were scripted by Superman co-creator Jerry Siegel, adapting then-current—and now classic—comic book tales by Robert Bernstein, Otto Binder, Leo Dorfman, Bill Finger, Edmond Hamilton, and himself. The covers are specially created by Pete Poplaski to evoke the look and artistic style of the times. Volume Two is an homage to Wayne Boring, and to Ira Schnapp, whose distinctive lettering defined DC’s style of the era. The Man of Steel’s newspaper adventures ran for EDITED AND DESIGNED BY more than twenty-five years, from 1939 until 1966, EISNER AWARD-WINNER DEAN MULLANEY yet only the first three years have ever been reprinted. INTRODUCTION BY SIDNEY FRIEDFERTIG THE The vast majority of the strips remain among the rarest of all collectibles. “When Superman comic book editor Mort Weisinger brought Jerry Siegel back to DC SILVER Superman • • • • • it meant coming full circle for Superman’s co-creator—from assembling his original strips AGE In a partnership between The Library of into a comic book story to transforming Superman comics into newspaper strips. The work American Comics and DC Comics, this second Superman was created in 1938 by two ambitious he produced upon his return was among the finest of his career. DAILIES volume of “The Silver Age” strips helps remedy Cleveland youngsters, Joe Shuster and Jerry Siegel. “The re-publication of these strips spans a chasm in Siegel’s canon and is a welcome that gap in the Superman mythos as part of a Their defender of the oppressed became an enduring addition to a complete library of his work.” comprehensive archival program to bring back into smash sensation in comics, radio, animation, television, —from the Introduction by Sidney Friedfertig print every one of the Superman newspaper strips.
    [Show full text]