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[, F/ V C Edna Hammer Cooley 1986 APPROVAL SHEET
WOMEN IN AMERICAN THEATRE, 1850-1870: A STUDY IN PROFESSIONAL EQUITY by Edna Hammer Cooley I i i Dissertation submitted to the Faculty of the Graduate School of the University of Maryland in parti.al fulfillment of the requirements for the degree of Doctor of Philosophy ~ /, ,, ·' I . 1986 I/ '/ ' ·, Cop~ I , JI ,)() I co uI (~; 1 ,[, f/ v c Edna Hammer Cooley 1986 APPROVAL SHEET Title of Dissertation: Women in American Theatre, 1850-1870: A Study in Professional Equity Name of Candidate: Edna Hammer Cooley Doctor of Philosophy, 1986 Dissertation and Approved: Dr. Roger Meersman Professor Dept. of Communication Arts & Theatre Date Approved: .;;Jo .i? p ,vt_,,/ /9Y ,6 u ABSTRACT Title of Dissertation: Women in American Theatre, 1850- 1870~ A Study_ in Professional Equi!:Y Edna Hammer Cooley, Doctor of Philosophy, 1986 Dissertation directed by: Dr. Roger Meersman Professor of Communication Arts and Theatre Department of Communication Arts and Theatre This study supports the contention that women in the American theatre from 1850 to 1870 experienced a unique degree of professional equity with men in the atre. The time-frame has been selected for two reasons: (1) actresses active after 1870 have been the subject of several dissertations and scholarly studies, while relatively little research has been completed on women active on the American stage prior to 1870, and (2) prior to 1850 there was limited theatre activity in this country and very few professional actresses. A general description of mid-nineteenth-century theatre and its social context is provided, including a summary of major developments in theatre in New York and other cities from 1850 to 1870, discussions of the star system, the combination company, and the mid-century audience. -
The Hamlet of Edwin Booth Ebook Free Download
THE HAMLET OF EDWIN BOOTH PDF, EPUB, EBOOK Charles H Shattuck | 321 pages | 01 Dec 1969 | University of Illinois Press | 9780252000195 | English | Baltimore, United States The Hamlet of Edwin Booth PDF Book Seward, Lincoln's Secretary of State. I mean—. Melania married Donald Trump in to become his third wife. Kennedy and was later inspired by Ronald Reagan. Born as Michelle LaVaughn Robinson, she grew up in a middle-class family and had a conventional upbringing. So exactly as you said, he ran away with her to America, leaving his wife, Adelaide Booth, and his son, Richard, in a mansion in London. Americans are as divided as ever. Because many people held up John Wilkes Booth as a great actor. He would never learn his lines, so in order to generate excitement on stage, he would improvise a lot of physical violence. Booth personally, but I have always had most grateful recollection of his prompt action on my behalf. Her sense of fashion has become a great source of inspiration for many youngsters across the world. Grant, also wrote to Booth to congratulate him on his heroism. He had a volatile emotional life. It was a decision he soon came to regret. Jimmy Carter was the 39th President of America and aspired to establish a government which was both, competent and compassionate. Goff Robert Lincoln. You're right that he was volcanic and that he was like a lightning bolt. Edwin and John Wilkes Booth would have quarrels over more than just politics, as well. Bon Jovi has also released two solo albums. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
Popular Culture N Popular Culture Overview Was by Then Famous in His Own Right
Popular Culture n Popular Culture Overview was by then famous in his own right. Reputed to be the most handsome man in America, the youngest Booth son The forms of popular culture Americans experienced and was already known for his energetic performances and participated in during the Civil War era varied according onstage acrobatics. Less well known was his bitter racism to the part of the country in which they lived and their and deep sympathy for the Confederate cause. personal preferences. Residents of the rural interior had More readily accessible to most Americans than the different opportunities for diversion than did denizens theater was popular literature. The romantic novel was the of the relatively cosmopolitan cities, and Americans’ ideas favorite light reading material of many. The British novelist about desirable use of leisure time differed as widely in Sir Walter Scott (1771–1832) was a favorite of Americans the mid-nineteenth century as they do in the twenty-first, of both the North and South before the war, and his books even if many of the specific activities and attractions are continued to be popular long after Appomattox. Scott had much different. his American imitators, most notably William Gilmore One of the forms of entertainment available in many Simms (1806–1870), a South Carolinian who tried to cities and towns was the theater. British theater was also cultivate a distinctly Southern literature. At the opposite popular in America. The British actress Laura Keene (1826– extreme of sectional literature was Harriet Beecher Stowe’s 1873) came to America in 1852 and became an immediate enormously popular 1852 novel Uncle Tom’s Cabin. -
Yesterdays with Actors
Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/actorsyesterdaOOwinsuoft YESTERDAYS WITH ACTORS. m YESTERDAYS WITH ACTORS BY CATHERINE MARY REIGNOLDS-WINSLOW BOSTON CUPPLES AND COMPANY 1887 Copyright, 1SSC, by Catherine Mary Rrignoi.ds-Winslow. All Rights Reserved. The Hyde Park Press. YESTERDAYS WITH ACTORS BY CA THERINE 1 MAR ' REIGNOLDS- WINSL O W BOSTON CUPPLES AND HURD 94 Boylston Street 1887 Copyright, 1SS6, by Catherine Mary Reignolds-Winslow. All Rights Reserved. The Hyde Park Press. To Helen Morton, M.D., Physician, Faithful Friend, Tnie Woman Good ;t to whose Skill, Constancy, and Courage, I owe Health, Hope, and Inspiration ; these Memories are affectionately inscribed. W&UtAJMf^XLMJWGE&F"' iPIlP C O.N TENTS. PAGE Introduction vii i. Charlotte Cushman 17 2. Edwin Forrest 29 3. _/#/?« Brougham 45 4. Laura Keene — Agnes Robertson ... 62 5. i£. ^4. Sothern 79 6. Ben. De Bar — Matilda Heron —J. H. Hackett — Mrs. John Wood —James E. Murdoch — Mrs. Lander . 100 7. Boston Museum 122 8. Boston Museum, continued 143 9. Travel in America 162 10. Canada and England 184 PHOTO-GRA VURES. PAGE William Warren frontispiece Mrs. Winslow title-page Charlotte Cushman 17 Edwin Forrest 29 John Brougham 45 Laura Keene 62 E. A. Sothern 79 Matilda Heron 108 • VIGNETTES. William E. Burton 62 Agnes Robertson 64 J. A. Smith 84 Mr. Buckstone 90 J. H. Hackett 114 Mrs. John Wood 115 James E. Murdoch 116 E. F. Keach 123 R. M. Field 133 Mr. Barrow 135 Mrs. Barrow - 135 Kate Bateman 136 John Wilkes Booth 140 Mrs. -
Our American Cousin Libretto by John Shoptaw
ERIC SAWYER: OUR AMERICAN COUSIN LIBRETTO BY JOHN SHOPTAW A ERIC SAWYER b. 1962 DISC 1 DISC 2 OUR AMERICAN COUSIN ACT I PAGE ACT II (cont’d) PAGE [1] PRELUDE 6:36 20 [1] SCENE 4 In the Library 3:42 37 LIBRETTO BY JOHN SHOPTAW [2] SCENE 1 A Sneeze 1:58 20 [2] Two Letters 2:38 38 [3] Arts of Theater 4:16 20 [3] SCENE 5 Musical Chairs 6:29 39 [4] SCENE 2 Harry Hawk’s Substitute 1:52 21 ACT III BOSTON MODERN ORCHESTRA ProjeCT [5] Walking a Corduroy Road 4:26 21 [4] SCENE 1 In the Dairy 2:31 41 [6] SCENE 3 Mathews and Booth 1:59 22 GIL ROSE, CONDUCTOR [5] Ancient Business 5:35 41 [7] What Happens Here? 2:48 23 [6] Mary and Abraham 2:40 43 [8] SCENE 4 Chorus of Women 1:57 24 JANNA BATY mezzo-soprano [7] Sic Semper Booth 2:52 43 [9] Chorus of Amputees 1:27 24 ALAN SCHNEIDER tenor [8] SCENE 2 Assassination 7:34 44 [10] Chorus of Freedmen 1:14 24 [9] SCENE 3 The Presidential Box 9:18 47 AAroN ENGEBRETH baritone [11] Chorus of Nurses 1:23 25 [10] SCENE 4 Hawk’s Second Chance 2:47 50 DREW POLING baritone [12] Chorus of Businessmen 0:45 25 [11] Burning Letter 5:32 50 [13] SCENE 5 Drinking Song 4:02 25 DONALD WILKINSON baritone [12] SCENE 5 Blood Stains 5:10 52 [14] SCENE 6 Laura Keene 3:59 27 ANGELA HINES GooCH soprano [13] Apparition 3:44 53 [15] Emancipate your Sorrows 3:28 27 Tom O’Toole bass-baritone [14] Final Chorus 4:47 54 ACT II HILLARIE O’Toole soprano TOTAL 65:20 [16] SCENE 1 Father and Daughter 3:58 28 JANICE EDWARDS mezzo-soprano [17] I Feel a Draft 2:06 30 DANIEL KAMALIC baritone [18] Asa’s Letter 4:20 30 [19] SCENE 2 A Moneyed Man 5:21 32 THE AMHERST COLLEGE CONCERT CHOIR [20] SCENE 3 Introductions 1:44 33 Mallorie Chernin, music director [21] Possum Herding 3:02 34 [22] Lincoln 4:17 35 TOTAL 67:00 COMMENTS By Eric Sawyer MUSICAL REALITIES IVISION D In an opera containing colliding realities, I sought music that could give distinct identi- S H ties to the comic play and historical drama while at the same time connecting them. -
Upper Ashuelot: a History of Keene New Hampshire
PART IX: 1856-1865 Jim Myers Circus performed on the Roxbury Street grounds dur- ing July 1856; Sands, Nathan and Company's Circus, complete with trained elephants and a steam calliope, played in July 1857 and July 1859. Wambold's Circus visited at the depot grounds near West Street in June 1861. Miss Dollie Dutton, "the smallest girl in the world," gave a series of public "levees" at Cheshire Hall in September 1861; she was 10 years old, stood 29 inches tall, and weighed only 15 pounds. Her program featured songs and spoken pieces. "Blind Tom," a talented blind Negro musician, performed in December 1865. In October 1861 a panorama, "Ancient and Modern Palestine and Scenes in the Life of Christ," was displayed at the Town Hall. These shows consisted of long paintings wound on rollers, which were un- folded slowly while a lecturer described each scene. Sara Jane Lippincott, who published popular works under the name of Grace Greenwood, was a Lyceum speaker in November 1860. Also of a cultural nature was famed French violinist Camilla Urso's concert at the Town Hall in February 1864. There was also a public demonstration of laughing gas staged at the Town Hall in May 1863. By the eve of the Civil War a number of buildings presently standing in Keene's business district had already been built, and more were soon added, replacing the older wooden structures with their out- side stairways to the second story. Between 1856 and 1859 nearly 100 new buildings went up, including many substantial residences. Cen- tral Square was fully developed, the railroad had become a local fixture, and Keene's industrial life was quickening its pace. -
Dr. Charles Leale
The Lincoln Assassination: Facts, Fiction and Frankly Craziness Class 2 – Dramatis personae Jim Dunphy [email protected] 1 Intro In this class, we will look at 20+ people involved in the Lincoln Assassination, both before the event and their eventual fates. 2 Intro 1. In the Box 2. Conspirators 3. At the theater 4. Booth Escape 5. Garrett Farm 3 In the Box 4 Mary Lincoln • Born in Kentucky, she was a southern belle. • Her sister was married to Ben Helm, a Confederate General killed at the battle of Chickamauga • She knew tragedy in her life as two sons died young, one during her time as First Lady • She also had extravagant tastes, and was under repeated investigation for her redecorating the White House 5 Mary Lincoln • She was also fiercely protective of her position as First Lady, and jealous of anyone she saw as a political or romantic rival • When late to a review near the end of the war and saw Lincoln riding with the wife of General Ord, she reduced Mrs. Ord to tears 6 Mary Lincoln • Later that day, Mrs.. Lincoln asked Julia Dent Grant, the wife of General Grant “I suppose you’ll get to the White House yourself, don’t you?” • When Mrs. Grant told her she was happy where she was, Mrs. Lincoln replied “Oh, you better take it if you can get it!” • As a result of these actions, Mrs.. Grant got the General to decline an invitation to accompany the Lincolns to Ford’s Theater 7 Mary Lincoln • After Lincoln was shot and moved to the Peterson House, Mrs. -
Performing Illness in the Late-Nineteenth-Century Theatre
STAGES OF SUFFERING: PERFORMING ILLNESS IN THE LATE-NINETEENTH-CENTURY THEATRE by Meredith Ann Conti Bachelor of Fine Arts, Denison University, 2001 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Meredith Ann Conti It was defended on April 11, 2011 and approved by Attilio Favorini, PhD, Professor, Theatre Arts Kathleen George, PhD, Professor, Theatre Arts Michael Chemers, PhD, Associate Professor, Carnegie Mellon University, Drama Dissertation Advisor: Bruce McConachie, PhD, Professor, Theatre Arts ii Copyright © by Meredith Ann Conti 2011 iii STAGES OF SUFFERING: PERFORMING ILLNESS IN THE LATE-NINETEENTH-CENTURY THEATRE Meredith Ann Conti, PhD University of Pittsburgh, 2011 Few life occurrences shaped individual and collective identities within Victorian society as critically as suffering (or witnessing a loved one suffering) from illness. Boasting both a material reality of pathologies, morbidities, and symptoms and a metaphorical life of stigmas, icons, and sentiments, the cultural construct of illness was an indisputable staple on the late-nineteenth- century stage. This dissertation analyzes popular performances of illness (both somatic and psychological) to determine how such embodiments confirmed or counteracted salient medical, cultural, and individualized expressions of illness. I also locate within general nineteenth-century acting practices an embodied lexicon of performed illness (comprised of readily identifiable physical and vocal signs) that traversed generic divides and aesthetic movements. Performances of contagious disease are evaluated using over sixty years of consumptive Camilles; William Gillette’s embodiment of the cocaine-injecting Sherlock Holmes and Richard Mansfield’s fiendishly grotesque transformations in the double role of Dr. -
John Wilkes Booth in the Pennsylvania Oil Region
JOHN WILKES BOOTH IN THE PENNSYLVANIA OIL REGION ERNEST C. MILLER1 all the literature that has come into print since John Wilkes OfBooth assassinated Abraham Lincoln at Ford's Theatre on the evening of April 14, 1865, only an occasional paragraph refers to Booth's efforts to become a successful oilproducer in northwestern Pennsylvania. The fact that he spent much of the year 1864 at Franklin, Pennsylvania, then an oil "boom'town," has passed nearly unnoticed. In 194 1this writer commenced an investigation into Booth's oil activity and the search for facts that could be verified soon led to Mr. Louis J. Mackey. Editor E. T. Stevenson of the Titusville (Pa.) Herald suggested that Mackey had information relative to the actor that had never been made public. After locating Mackey in Pittsburgh, my first interview with him gave me the background. In1864 Mackey 's grandmother, Mrs. Sarah Webber, was postmistress at Franklin, and Booth roomed at her home, as did his agent, Joseph H. Simonds. Years later, Mackey lived with his grandmother and occupied the same room Booth had used. Becoming interested in the actor's residency in the oil regions, he determined to interview all the people he could still find who had known or had had business dealings with Booth. These interviews took place in 1894, when Mackey was twenty three years old. At the time he was manager of the Franklin office of * Mr.Miller has been with the West Penn Oil Company at Warren, Pennsylvania, since 1940, except for about three years spent as a field director of the American Red Cross with the army. -
AN ANALYSIS of the LIFE and LEGACY of LOUISA LANE DREW Rivka Kelly University of Vermont
University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2014 THE DUCHESS: AN ANALYSIS OF THE LIFE AND LEGACY OF LOUISA LANE DREW Rivka Kelly University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Kelly, Rivka, "THE DUCHESS: AN ANALYSIS OF THE LIFE AND LEGACY OF LOUISA LANE DREW" (2014). UVM Honors College Senior Theses. 23. https://scholarworks.uvm.edu/hcoltheses/23 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. THE DUCHESS: AN ANALYSIS OF THE LIFE AND LEGACY OF LOUISA LANE DREW A Thesis Presented by Rivka Kelly to The Faculty of the College of Arts and Sciences of The University of Vermont In Partial Fulfillment of the Requirements For the degree of Bachelor of Arts with Honors In Theatre May, 2014 Dedication This thesis is for my wonderful and supportive parents, whose gentle encouragement spurs me on yet reminds me that there are more important things in life than just a paper. Thanks Mom and Dad. And for the Students, Faculty and Staff who have strongly influenced my time here, helping (and sometimes forcing) me to grow personally and academically. I'm especially grateful to Natalie for her example and encouragement, and Avery for his help in the process, and to every single person who listened to me whine about this project. -
Online Exhibit Description Checklist
Name:_________________ Online Exhibit Description Checklist Did I start my description with an attention getter? o Question: What happened to Lincoln’s Killer? o Interesting Fact: 620,000 American died during the Civil War o Story: George Meade started his life in Cadiz, Spain and began a journey that would one day bring him to Gettysburg on July 1, 1863. Do I identify each of my artifacts? Do I clearly connect each of my artifacts to the story and take away? Do I end with connecting the entire exhibit to the so what? Example: Adapted from - Silent Witnesses: Artifacts of the Lincoln Assassination (https://www.google.com/culturalinstitute/beta/u/0/exhibit/dwIS9Mh5nGISLg) Abraham Lincoln’s assassination on April 14th, 1865, transformed ordinary objects that were in Ford’s Theatre that night into historic artifacts. For 150 years, these artifacts have been scattered across the country. In spring 2015, Ford’s Theatre brought them together to mark the 150th anniversary of the assassination. Explore these artifacts that bear silent witness to this tragic moment. Abraham and Mary Lincoln and their guests, Major Henry Rathbone and his fiancée, Clara Harris, took this carriage to Ford’s Theatre on the evening of April 14, 1865, to see the comedy "Our American Cousin." This playbill was not a ticket or program for the play, "Our American Cousin." It was an advertisement for that night's performance. This common, insignificant piece of paper was transformed into a priceless artifact by the assassination. (Artifact: Playbill) On April 14, 1865, the president was a month into his second term, and less than a week had passed since the Confederate surrender at Appomattox.